| Author/Editor |
Title |
Reviewer |
| ABRSM |
ABRSM Performers’ Guides |
Peter Grahame
Woolf |
| Richard Adeney |
Flute - an autobiography |
Garry Humphreys
|
| Adlington, Robert |
Louis Andriessen: De Staat |
Anne
Ozorio |
| Ainger, Michael |
Gilbert & Sullivan |
Raymond
Walker |
| Aldous, Richard |
Tunes of Glory - The Life of Malcolm Sargent |
Christopher
Fifield
Stephen
Lloyd |
| Allen, Kevin |
August Jaeger: Portrait of Nimrod |
Christopher
Fifield |
| Kevin Allen |
Gracious Ladies: The Norbury Family and Edward Elgar |
Hannah Parry-Ridout
William Kreindler |
| Amory, Mark |
Lord Berners: The Last Eccentric |
Lewis
Foreman |
| Anderson, Keith (ed.) |
The A to Z of Classical Music |
Ian Lace |
| Anderson, Martin (ed.) |
Klemperer On Music: Shavings from a Musician's Workbench |
Gerald Fenech |
| Appelo, Tim |
Ally McBeal - The Official Guide |
Ian Lace |
| Appleby, David P |
Heitor Villa-Lobos: A Bio-bibliography |
Rob
Barnett |
| Arnold, Elsie; Baldauf-Berdes, Jane |
Maddalena Lombardini Sirmen: Eighteenth-Century Composer,
Violinist and Businesswoman |
Robert
Hugill |
| Ashbee, Andrew |
The Harmonious Musick of John Jenkins: Volume 1,
The Fantasias for Viols |
Robert
Hugill |
| Atkins, Harold; Newman, Archie |
Beecham Stores |
Ian
Lace |
| Badura-Skoda, Paul |
Interpreting Bach at the Keyboard |
Kirk
McElhearn |
| Bailey, Walter B; Bailey, Nancy |
Radie Britain - A Bio-bibliography |
Rob Barnett |
| Barber, David W |
A Musician's Dictionary |
Ian Lace |
| Barber, David W |
Getting a Handel on Messiah |
Ian Lace |
| Barber, David W |
When the Fat Lady Sings: Opera History As It Ought
To Be Taught |
David Dyer |
| Barlow, Michael |
Whom the Gods Love - the Life and Music of George
Butterworth |
Arthur
Butterworth |
| Andrew Barnett |
Sibelius |
Paul
Shoemaker |
| Bashford, Christina; Langley, Leanne (ed.) |
Music and British Culture 1785-1914: Essays in Honour
of Cyril Ehrlich |
Phil
Scowcroft |
| Balthazar, Scott L |
The Cambridge Companion to Verdi |
Robert
Farr |
| Anastasia Belina-Johnson (ed.) |
A musician divided - Andre Tchaikowsky in his own words |
Stephen Greenbank |
| Silvia Bencivelli |
Why We Like Music: Ear, Emotion, Evolution |
Carla
Rees |
| Benson, David |
Music - a Mathematical Offering |
Raymond Walker
|
| de Bernières, Louis |
Captain Corelli's Mandolin |
Ian
Lace |
| Berry, Mark |
Treacherous Bonds and Laughing Fire: Politics and
Religion in Wagner’s Ring |
Anne
Ozorio |
| Bessette, Roland |
Mario Lanza - Tenor in Exile |
Ian Lace |
| Bird, John |
Percy Grainger |
Ian
Lace |
| Björling, Anna-Lisa; Farkas, Andrew |
Jussi |
Ian Lace |
| Blackburn, Philip |
Enclosure 3: Harry Partch |
Paul
Serotsky |
| Blake, Eric Charles |
Wars, Dictators and the Gramophone 1898-1945 |
Evan
Dickerson |
| Bledsoe, Robert |
Henry Fothergill Chorley: Victorian Journalist |
Raymond
Walker |
| Colin Booth |
Did Bach really mean that? |
Dominy
Clements |
| Boult, Adrian |
Boult On Music |
Arthur Butterworth
|
| Ian Bradley |
Lost Chords and Christian Soldiers |
Raymond Walker |
| British Music Society |
Journal Vol. 24 |
John
France |
| British Music Society |
Journal Vol. 26 |
John
Leeman |
| British Music Society |
Journal Vol. 27 |
John
France |
| Marguerite and Terry Broadbent |
Leginska: Forgotten Genius of Music. |
John France |
| Brown, David |
Tchaikovsky: The Man and His Music
|
Paul
Shoemaker |
| Jonathan Brown |
Great Wagner conductors |
Christopher Fifield |
| Brown, Malcolm |
A Shostakovich Casebook |
Paul
Shoemaker |
| Budd, Vincent |
An Introduction to the Life and Work of Sir Granville
Bantock |
Arthur
Butterworth & Gary Dalkin |
| Burrows, Donald |
The Cambridge Companion to Handel |
John
France |
| Burton, Humphrey; Murray, Maureen |
Walton: The Romantic Loner |
Chris
Fifield |
| Butterworth, Neil |
The Music of Aaron Copland |
Ian Lace |
| Cairns, David |
Berlioz |
Arthur
Baker |
| Campion, Paul |
Ferrier: A Career Recorded |
Chris
Fifield |
| Carley, Lionel |
Edvard Grieg in England |
Chris
Fifield
Colin Scott-Sutherland |
| Carroll, Brendan |
The Last Prodigy - A Biography of Korngold |
Ian
Lace |
| David Chandler (ed) |
The First Lives of Alfredo Catalani |
Robert
Farr |
| Essays on the Montemezzi-D’Annunzio Nave |
Robert
Farr |
| Americans on Italo Montemezzi |
| Charlton, David |
The Cambridge Companion to Grand Opera |
Robert
Hugill |
Cheer, Clarissa Lablache
|
The Great Lablache |
Margarida
Mota-Bull
Robert
Farr |
| Chilton, John |
Roy Eldridge - Little Jazz Giant |
Don Mather |
| Chlupaty, Richard |
Antal Dorati and the joy of making music |
Tony
Flynn |
| Chlupaty, Richard |
Antal Dorati and his recorded legacy |
Tony
Flynn |
| Clark, Caryl (ed.) |
The Cambridge Companion to Haydn |
Kirk
McElhearn |
| Cody, Judith |
Vivian Fine: A Bio-bibliography |
Rob Barnett |
| Coffin, Barton |
Coffin’s Sound of Singing |
Robert
Hugill |
| Connock, Stephen; Vaughan Williams, Ursula &
Wells, Robin (eds) |
There Was a Time: Ralph Vaughan Williams - A pictorial
journey |
Ian
Lace |
| Contemporary Music Network |
Changing Platforms |
Peter
Grahame Woolf |
| Cotton, Maggie |
Wrong Sex, Wrong Instrument |
Rob
Barnett
Paul
Serotsky
Arthur
Butterworth |
| Couling, Della |
Ferruccio Busoni: A Musical Ishmael |
Anne
Ozorio |
| Craggs, Stewart (ed.) |
Peter Maxwell Davies: Source Book |
Chris
Thomas |
| Craggs, Stewart R |
Alan Bush - A Source Book |
Rob
Barnett |
| Michael Crump |
Martinu and the symphony |
Tony
Flynn |
| Max Cryer |
Love Me Tender – The Stories behind the world’s best-loved
songs |
Ian
Lace |
| Dallapiccola, Luigi |
On Opera |
David
Wright |
| Daniel, Estelle |
The Art Of Gormenghast: The Making of a Television
Fantasy |
Ian Lace |
| Alissa Deeter & Robert Peavler |
The Mélodies of Francis Poulenc. A Study Guide |
John Quinn |
| Delphian |
Organs of Edinburgh |
Simon
Thompson |
| Deutsch, Didier C |
Musichound Soundtracks |
Jeffrey Wheeler |
| |
Charles Villiers Stanford: Man and Musician |
Chris
Fifield
Christopher
Howell |
| Jeremy Dibble |
Hamilton Harty: Musical Polymath |
John France |
| Dickinson, Peter (ed.) |
Marigold - The Music of Billy Mayerl |
Ian
Lace |
| Dickinson, Peter (ed.) |
CageTalk - Dialogues with & about John Cage |
Evan
Dickerson |
| Dickinson, Peter (ed.) |
Lennox Berkeley and Friends |
John
France |
| Dickreiter, Alan |
Score Reading - A Key to the Music Experience |
Ian
Lace |
| Christopher Dingle |
Messiaen's final works |
Dominy
Clements |
| Downes, Stephen |
Szymanowski, Eroticism and the Voices of Mythology |
Rob
Barnett |
| Drayer, Suzanne Rhodes |
A Singer’s Guide to the Songs of Joaquín Rodrogo |
Robert
Hugill |
| Dressler, John C |
Gerald Finzi - A Bio-Bibliography |
Rob
Barnett |
| Alan Rawsthorne - A Bio-Bibliography |
Rob
Barnett |
| William Alwyn: A Research and Information Guide |
John
France |
| Dunhill, David |
Thomas Dunhill: Maker Of Music |
Richard
Noble |
| Dvorák Society |
Rudolf Firkušný 1912-1994 |
Ralph
Smith |
| Easton, Carol |
Jacqueline du Pré |
David Wright |
| Ebrecht, Ronald (ed.) |
Maurice Duruflé |
Jonathan
Woolf |
| Adrián Rius Espinós |
Francisco Tarrega - Biography |
Zane
Turner |
| Eustis, Lynn |
The Singer’s Ego: Finding Balance between Music
and Life |
Kevin
Sutton |
| Fabian, Dorottya |
Bach Performance Practice 1945 - 1975 |
Paul
Shoemaker |
| David Fallows and David Ellis (eds) |
Manchester Sounds (Manchester Musical Heritage Trust Journal v8) |
John
France |
| Fanning, David |
Shostakovich: String Quartet No. 8 |
Terry
Barfoot |
| Fifield, Christopher |
Ibbs and Tillett: The Rise and Fall of a Musical
Empire |
Rob
Barnett |
| Fifield, Christopher |
Max Bruch: His Life and Works |
Rob
Barnett |
| Fifield, Christopher (ed.) |
Letters and Diaries of Kathleen Ferrier |
John
Talbot
John
France
Margarida
Mota-Bull |
| Fitzgerald, Carol & Harvey, Brian |
Elgar, Vicat Cole and the Ghosts of Brinkwells |
Ian
Lace |
| Foreman, Lewis (ed.) |
Information Sources in Music |
Rob
Barnett |
| Lewis Foreman (ed) |
A John Ireland companion |
John
France |
| Foreman, Lewis & Susan |
London - A Musical Gazetteer |
Colin
Scott-Sutherland
Rob Barnett |
| Foreman, Lewis |
Bax - A Composer and his Times
|
Rob
Barnett
Colin Scott-Sutherland |
| Lewis Foreman (ed) |
A John Ireland companion |
John
France
Ian
Lace |
| Michael Foster |
The idea was good |
John
Quinn |
| Frank, Mortimer H |
Arturo Toscanini – The NBC Years |
Ian
Lace |
| Fredman Myer |
The Drama of Opera |
Robert
Hugill |
| Gater, Dilys |
Summer With Bax |
Colin
Clarke |
| Gedda, Nicolai |
My Life and Art |
Ian
Lace |
| Christopher Gillett |
Who's my bottom? |
Robert
Hugill |
| Gillies, Anne Lorne |
Songs of Gaelic Scotland |
Colin
Scott-Sutherland |
| Goossens,Renée |
Belonging: A Memoir |
Rob
Barnett |
| Gramophone |
The Penguin Guide to Recorded Classical Music 2008 |
Brian
Wilson Ian
Lace |
| Gramophone |
Classical Music Guide 2008 |
Ian
Lace |
| Greaves, Peter |
In the Bavarian Highlands |
Arthur
Baker |
| Green, Sharony Andrews |
Grant Green - rediscovering the forgotten genius
of jazz guitar |
Jonathan
Woolf |
| Greenberg, Prof. Robert |
The string quartets of Beethoven |
Kirk
McElhearn |
| Greenberg, Rodney |
George Gershwin |
Ian Lace |
| Grimley, Daniel & Rushton, Julian |
The Cambridge Companion to Elgar |
Em
Marshall |
| Grimley, Daniel |
Grieg: Music, Landscape and Norwegian Identity |
Anne
Ozorio |
| Grimley, Daniel |
The Cambridge Companion to Sibelius |
Rob
Barnett |
| Gritten, John |
Constantin Silvestri, A Musician Before His Time:
Conductor, Composer, Pianist |
Evan
Dickerson |
| von Gunden, Heidi |
The Music of Vivian Fine |
David Wright |
| Gundry, Inglis |
Last Boy of the Family - A Musical Memoir |
Arthur Butterworth |
| Gundry, Inglis |
Composers by the Grace of God |
Arthur Butterworth |
| Halbreich, Harry |
Arthur Honegger |
Ian Lace |
| Hamilton, Kenneth (ed.) |
The Cambridge Companion to Liszt |
John
Leeman |
| Hancock-Child, Ro |
Madeleine Dring: Her Life and Music |
Rob Barnett |
| Paul Harris; Anthony Meredith |
Malcolm Williamson - A Mischievous Muse |
Rob
Barnett |
| Harrison, Max |
Rachmaninoff: Life, Works, Recordings |
Ian
Lace |
| Stephen Hastings |
The Björling sound |
Jonathan
Woolf |
| Raymond Head |
Holst and India |
Alan
Gibbs |
| Roger Hecht |
Audition |
Bruce McCollum |
| Heckstall-Smith, Dick & Grant, Pete |
Blowing The Blues |
Don
Mather |
| Helsby, Genevieve |
Meet the Instruments of the Orchestra! |
Rob
Barnett |
| Henley, Darren |
The ClassicFM Friendly Guide To Music |
Ian
Lace |
| Ho, Allan; Feofanov, Dmitri |
Shostakovich Reconsidered |
David Dyer |
| Hodgkins, Geoffrey (ed.) |
Elgar: The Best of Me |
John
Kemsey-Bourne |
| Hold, Trevor |
The Walled-In Garden – The songs of Roger Quilter |
Ian
Lace |
| Holden, Amanda |
The New Penguin Guide to Opera |
Rob
Barnett |
| Holden, Amanda |
The Penguin Concise Guide to Opera |
Em
Marshall |
| Holden, Raymond |
The Virtuoso Conductors |
Geoff
Diggines |
| Holmboe, Vagn |
Experiencing Music |
David Wright |
| Holmes, Stewart Quentin |
An Affinity with Gustav Mahler |
Tony
Duggan |
| Bice Horszowski Costa (ed.) |
Miecio. Letters and postcards of Janina Roza Horszowska 1900-1904
|
Jonathan
Woolf |
| Howard, Keith |
Preserving Korean Music |
Anne
Ozorio |
| Hughes, Meirion |
The English Musical Renaissance and the Press 1850-1914 |
John
Talbot |
| Mary Christison Huismann |
Gustav Holst: A Research and Information Guide |
John
France |
| Hulme, Derek C |
Shostakovich - A Catalogue, Bibliography and Discography |
Rob
Barnett |
| Úna Hunt and Peter Jaggard |
William Wallace music album 1854 |
Raymond
Walker |
| Hurwitz, David |
The Mahler Symphonies - An Owner’s Manual |
Kirk
McElhearn |
| Irvine, Demar |
Massenet - A Chronicle of his Life and Times |
Ian
Lace |
| Irving, John |
Mozart Piano Concertos |
Rob
Barnett |
| Jackson, Paul RW |
The Life and Music of Sir Malcolm Arnold |
Paul
Serotsky |
| Johnson, Dr David |
Music and Society in Lowland Scotland in the 18th
Century |
Colin
Scott-Sutherland |
| Johnson, Graham |
Britten, Voice and Piano: Lectures on the Vocal Music |
Rob
Barnett
John
Talbot |
| Johnson, Ian |
William Alwyn: The Art of Film Music |
John
France |
| Stephen Johnson |
Discover Music of the Classical Era |
Margarida
Mota-Bull |
| Bryony Jones |
The Music of Lord Berners |
John
France |
| Rolf Jordan |
The Clock of the Years - a Gerald and Joy Finzi Anthology
|
Rob
Barnett |
| Kaufman, Louis |
A Fiddler’s Tale: How Hollywood and Vivaldi
Discovered Me |
Paul
Shoemaker |
| Keefe, Simon (ed.) |
The Cambridge Companion to the Concerto |
Evan
Dickerson |
| Keller, Hans; Cosman, Milein |
Stravinsky Seen And Heard |
Andrew
Seivewright |
| Kate Van Winkle Keller |
Dance And Its Music In America, 1528-1789 |
Margarida
Mota-Bull |
| Kennedy, Michael |
Barbirolli: Conductor Laureate |
Christopher
Fifield |
| Kenyon, Nicholas |
Elgar: An anniversary portrait |
Garry
Humphreys |
| Kitamura, Satoshi |
Carnival of the Animals: poems inspired by |
Jonathan
Woolf |
| Judith Kuhn |
Shostakovich in Dialogue |
Gavin
Dixon |
| de La Grange, Henry-Louis |
Gustav Mahler: Vienna - Triumph and Disillusion |
Marc
Bridle |
| Lamb, Andrew |
Leslie Stuart: Composer of Florodora |
Raymond
Walker |
| Lamb, Andrew |
Henry Russell - A Life on the Ocean Wave |
Raymond
Walker |
| Langfield, Valerie |
Roger Quilter: His Life and Music |
John
Talbot |
| Gianluca La Villa |
La Sala Bianca Della Musica; the White Music Room |
Jonathan
Woolf |
| Gianluca La Villa & Annalisa Lo Piccolo |
Leone Sinigaglia - La musica delle alte vette |
Christopher
Howell |
| Gerald Leach |
British composer profiles |
John
France |
| Lehmann, Stephen |
Rudolf Serkin: A Life |
Paul
Shoemaker |
| Leonard, Geoff; Walker, Pete; Bramley, Gareth
|
John Barry: A Life In Music |
Paul Tonks |
| Levin, Bernard |
Conducted Tour |
Len Mullenger |
| Charles Long |
Adventures in the scream trade |
Robert
Farr |
Domenico Luigi
|
Alfredo Catalani - Composer of Lucca |
Robert
Farr |
| David McCleery |
Discover Classical Music of the 20th Century |
Margarida
Mota-Bull |
| MacDonald, Malcom (ed.) |
Havergal Brian on Music - Volume I: British Music |
Ian Lace |
| MacDonald, Malcom |
Varèse: Astronomer in Sound |
John
Leeman |
| McGuire, Charles |
Elgar's Oratorios: The creations of an Epic Narrative |
Jonathan
Woolf |
| McLatchie, Stephen |
The Mahler Family Letters |
Jim
Pritchard |
| Mackie, David |
Arthur Sullivan and the Royal Society of Musicians |
Raymond
Walker |
| Maconie, Robin |
The Second Sense: Language, Music & Hearing |
Robert
Hugill |
| Maconie, Robin |
Experiencing Stravinsky |
John
France |
| MacRae, Julia (ed.) |
Wigmore Hall 1901-2001 - A Celebration |
Christopher
Fifield |
| McVeagh, Diana |
Elgar the Music Maker |
Garry
Humphreys |
| Maeckelbergh, Lucrèce |
Antonio Pappano - Con Passione |
Evan
Dickerson |
| Magee, Bryan |
Wagner and Philosophy |
Arthur
Baker |
| Malcolm, Noel |
George Enescu - His Life and Music |
Ian Lace |
| Maloney, Paul |
Scotland and the Music Hall 1850-1914 |
Jonathan
Woolf |
| David Manning |
Vaughan Williams on Music |
Rob
Barnett |
| March, Ivan; Greenfield, Edward; Layton,
Robert |
The Penguin Guide to Compact Discs & DVDs 1999 |
Arthur
Baker |
| The Penguin Guide to Compact Discs & DVDs: Yearbook
2000/1 |
Arthur
Baker |
| The Penguin Guide to Compact Discs & DVDs 2002 |
Rob Barnett |
| The Penguin Guide to Compact Discs & DVDs 2003/4 |
Rob
Barnett |
| The Penguin Guide to Compact Discs & DVDs 2005/6 |
Rob
Barnett |
| The Penguin Guide to Compact Discs & DVDs: Yearbook
2006/7 |
Ian
Lace |
| Ivan March, Edward Greenfield, Robert Layton and Paul Czajkowski |
The Penguin Guide to Recorded Classical Music 2009 |
Rob
Barnett |
| Donald Maurice (ed.) |
The Leipzig Diary - Alfred Hill |
Dr Rita Crews
|
| Melograni, Piero |
Wolfgang Amadeus Mozart: a Biography |
Paul
Shoemaker |
| Anita Mercier |
Guilhermina Suggia: Cellist
|
Margarida
Mota-Bull |
| Meredith, Anthony & Harris, Paul |
Malcolm Arnold - Rogue Genius |
Paul
Serotsky |
| Milsom, David |
Theory and Practice in Late Nineteenth Century Violin
Performance |
Jonathan
Woolf |
| Minnion, John |
Uneasy Listening - A caricature guide to 20th century
composers |
Rob Barnett |
| Mitchell, Alastair; Poulton, Alan (eds) |
A Chronicle of First Broadcast Performances - UK
1923-96 |
Christopher
Fifield |
| Mitchell, Thomas J |
Rosslyn Chapel & The Music of the Cubes |
Gary
Higginson |
| Moore, Jerold Northrop |
Elgar – Child of Dreams |
Ian
Lace
Em Marshall |
| Morin, Alexander J |
Classical Music: The Essential Listening Companion |
Rob
Barnett |
| Morris, Edmnd |
Beethoven: The Universal Composer |
Paul
Shoemaker |
| Morrish, Joihn |
The Classical Guitar Book - A Complete History |
Andy
Daly |
| Morrison, Richard |
Orchestra, The LSO: A Century of Triumph and Turbulence
|
Marc
Bridle |
| MG Mota |
Canto di Tenore |
Patrick
Waller |
| The dark side of dawn |
Robert
Beattie |
| Thomas E. Muir |
Roman Catholic Church Music in England, 1791 - 1914: A Handmaid
of the Liturgy |
Robert
Hugill |
| Myers, Paul |
Leonard Bernstein |
Ian Lace |
| Nectoux, Jean-Michel |
The Correspondence of Camille Saint-Saëns and
Gabriel Fauré |
Jonathan
Woolf |
| Newman, Richard |
Alma Rose: Vienna to Auschwitz |
Tony
Duggan |
| Nicholas, Jeremy |
Chopin: His Life & Music |
Göran
Forsling |
| Jennifer Oates |
Hamish MacCunn: A musical life |
John France |
| O'Carroll, Brendan |
The Mammy |
Ian
Lace |
| O'Higgins, Rachel (ed.) |
The Correspondence of Alan Bush and John Ireland |
Colin
Scott-Sutherland |
| Osborne, Richard |
Herbert von Karajan: A Life in Music |
Gerald Fenech |
| Osborne, Robert |
70 Years Of The Oscar - The Official History of the
Academy Awards |
Ian Lace |
| Andrew Palmer |
Composing in words: William Alwyn on his Art (Musicians on Music:
Volume 9) |
John France |
| Parlett, Graham |
A Catalogue of the Works of Sir Arnold Bax |
Rob
Barnett |
| Parrott, Ian |
Parrotticisms |
Hubert
Culot |
| Parsonage, Catherine |
The Evolution of Jazz in Britain, 1880-1935 |
Robert
Gibson |
| Parsons, James (ed.) |
The Cambridge Companion to the Lied |
Anne
Ozorio |
| Andrew Payne |
Pomp and Circumstance March No. 6 in G minor (score) |
Rob
Barnett |
| Michael Payne |
The Life and Music of Eric Coates |
Ian
Lace |
| Peppercorn, Lisa M |
Villa-Lobos - His letters translated and edited |
David Wright |
| Petsalis-Diomidis, Nicholas |
The Unknown Callas, the Greek Years |
David
Wright |
| Peter Phillips |
What we really do |
John Quinn |
| Piggott, Patrick |
Eight Preludes & A Postlude (score) |
Colin
Scott-Sutherland |
| Patrick Piggott |
The Innocent Diversion |
Phillip Scowcroft |
| Pike, Lionel |
Vaughan Williams and the Symphony |
Rob
Barnett |
| Pilkington, Michael |
British Solo Song: A Guide |
John
Talbot |
| Polisi, Dr. Joseph W |
American Muse: The Life and Times of William Schuman |
Rob Barnett
|
| Ponsonby, Robert |
Musical Heroes: a personal view of music and the musical world
over sixty years |
Garry Humphreys
|
| Poulton, Alan |
A Dictionary-Catalog Of Modern British Composers |
Rob
Barnett |
| Powell, Ardal |
The Yale Musical Instrument Series: The Flute |
Paul
Shoemaker |
| Powrie, Phil; Stilwell, Robin (eds) |
Changing Tunes: The Use Of Pre-Existing Music In
Film |
Robert
Hugill |
| Previn, Andre |
No Minor Chords - My Days in Hollywood |
Len Mullenger |
| John Purser |
Scotland's Music |
Rob
Barnett |
| John Purser |
Erik Chisholm, Scottish Modernist 1904-1965 ‘Chasing a
Restless Muse’ |
John France
|
| Quine, Hector |
Guitar Technique: Intermediate to Advanced |
Roy Brewer |
| Rattray, David |
Masterpieces of Italian Violin Making |
Jonathan
Woolf |
| Reed, John |
The Schubert Song Companion |
Kirk
McElhearn |
| Philip Reed and Mervyn Cooke (eds) |
Letters from a life (Britten letters v5) |
John
Sheppard |
| Sarah Reichardt |
Four String Quartets by Dmitri Shostakovich |
Dominy
Clements |
| Philip Reed, Mervyn Cooke (eds) |
Letters from a life (Britten vol 5) |
Jürgen
Schaarwächter |
| Richards, Fiona |
The Music of John Ireland |
Colin
Scott-Sutherland
Ian
Lace |
| Eva Rieger |
Friedelind Wagner : Richard Wagner’s rebellious granddaughter |
Christopher Fifield |
| Riley, Malcolm |
The Percy Whitlock Companion |
Jonathan
Woolf |
| Robinson, Suzanne (ed.) |
Michael Tippett: Music and Literature |
Gary
Higginson |
| Paul Rodmell |
Charles Villers Stanford |
Chris
Fifield
Christopher
Howell |
| Opera in the British Isles, 1875-1918 |
Raymond Walker |
| Rosen, Charles |
Piano Notes - The Hidden World of the Pianist |
Paul
Shoemaker |
| Alex Ross |
The Rest is Noise |
Paul
Shoemaker |
| Rostal, Max |
Beethoven: The Sonatas for Violin and Piano |
John
Leeman |
| Rozsa-Lovett, Suzanne |
The Aamdeus: Forty Years in Pictures and Words |
Hein
Kropholler |
| Runcie, Ian |
Alberich and Friends |
John
Leeman |
| Julian Rushton |
Let Beauty Awake |
John
France |
| Matthew Rye (ed) |
1001 Classical Recordings You Must Hear Before You Die |
Rob
Barnett |
| Sadie, Julie Anne (ed.) |
Companion to Baroque Music |
Kirk McElhearn |
| Sadie, Stanley |
Collins Classical Music Encyclopedia |
Ian Lace |
| Samuel, Claude |
Olivier Messiaen – Music and Colour |
Ian
Lace |
| Sant, John |
Albert Ketelbèy: From the Sanctuary of his
Heart |
Phil
Scowcroft |
| Schelle, Michael |
The Score - Interviews with Film Composers |
Ian Lace |
| Scherer, Barrymore Laurence |
A History of American Classical Music |
Kirk
McElhearn |
| Scott, NK |
Would you care to say something? The thirty year
story of a successful music society |
Len Mullenger |
| Scott-Sutherland, Colin (ed.) |
Ideala: The Love Letters and Poems of Arnold Bax
|
Rob
Barnett
Stephen
Lloyd |
| Ronald Stevenson: The Man and his Music |
Rob
Barnett |
| Christopher Seaman |
Inside conducting |
Christopher
Fifeld |
| Searight, John |
To Live for you! To Die for you! - The Life of Gustav
Mahler |
Patrick Lam
|
| Self, Geoffrey |
The Music Of EJ Moeran |
Arthur Butterworth |
| Senici, Emanuele |
The Cambridge Companion to Rossini |
Ian
Lace |
| Siblin, Eric |
The Cello Suites |
David
Barker |
| Stephen Siek |
England's Piano Sage - Tobias Matthay |
John France |
| Siepmann, Jeremy |
Mozart: His Life & Music |
Evan
Dickerson |
| Simeone, Nigel |
Landmarks in Music since 1950 - Leonard Bernstein: West Side
Story |
Nick Barnard
|
| Simpson, Robert |
The Proms & Natural Justice |
Reg Williamson |
| Simmons, Walter |
Voices in the Wilderness: Six American
Neo-Romantic Composers |
Rob
Barnett |
| Slomski, Monica J |
Paul Creston - A Bio-bibliography |
Rob
Barnett |
| Smith, Steven C |
A Heart at Fire's Center - The Life and Music of
Bernard Herrmann |
Ian Lace |
| Daniel Snowman |
Giuseppe Verdi |
Robert Farr |
| Southey, Roz |
Music-Making in North-East England during the Eighteenth
Century |
Robert
Hugill |
| Michael Steen |
The Lives and Times of the Great Composers |
Brian Wilson
|
| Stehman, Dan |
Roy Harris: A Bio-bibliography |
Rob
Barnett |
| Yrsa Stenius |
The heart of Jussi Björling |
Jonathan
Woolf |
| Tomas Sterner (ed.) |
Anna Shuttleworth |
Garry Humphreys
|
| Stokes, Richard |
JS Bach - The Complete Cantatas |
Kirk
McElhearn |
| Stravinsky, Igor |
Orchestrations of Mussorgsky & Beethoven |
Lewis
Foreman |
| John Suchet |
The Treasures of Beethoven |
Rob
Barnett |
| Suchoff, Benjamin |
Bartok's Mikrokosmos |
Rob
Barnett |
| Jack Sullivan |
Hitchcock's Music |
Ian Lace
|
| Swynnoe, Jan G |
The Best Years of British Film Music (1936-58) |
John
Talbot |
| Ulrich Tadday (ed) |
Musik-Konzepte 151. Arthur Sullivan |
Jürgen
Schaarwächter |
| Boris Tchaikov |
The Music Goes Round and Around |
Jonathan
Woolf |
| Theaker, Daniel |
A Working Musician's Joke Book |
Ian Lace |
| Thompson, Peter |
Carey Blyton |
Gary
Higginson |
| Tilmouth Michael (ed.) |
Donald Tovey: The Classics of Music - Talks, Essays,
and Other Writings Previously Uncollected
|
Peter Shore |
| W. E. Timner |
ELLINGTONIA The Recorded Music of Duke Ellington and his Sidemen
Fifth Edition |
Tony
Augarde |
| Tolkien, JRR |
The Lord of the Rings |
Ian
Lace |
| Toller, Owen |
Pfitzner's Palestrina - The 'Musical Legend' and
its Background |
Rob Barnett |
| Tomes, Susan |
A Musician's Alphabet |
David
Barker |
| Stephen Town |
An Imperishable Heritage: British Choral Music from
Parry to Dyson |
Nick
Barnard |
| Traubner, Richard |
Operetta |
Raymond
Walker |
| Turbet, Richard (ed.) |
Music Librarianship in the United Kingdom |
Jonathan
Woolf |
| Tyldsley, William |
Michael William Balfe: His Life and Operas |
Raymond
Walker |
| Clive Unger-Hamilton |
Discover music of the Baroque Era |
Ian
Lace |
| Valenti, Fernando |
A Performer’s Guide to the Keyboard Partitas
of Bach |
Paul
Shoemaker |
| Vishnevskaya, Galina |
Galina - A Russian Story |
Len Mullenger |
| Vodjani, Sina |
Zarathustra |
Glyn
Pursglove |
| Walder, David E |
How to Stay Awake During Anybody's Slow Movement |
Gill Goodwin |
| Walker, John (ed.) |
Halliwell’s Who’s Who In The Movies |
Ian Lace |
| Walker, John (ed.) |
Halliwell's Film & Video Guide 2000 |
Ian Lace |
| Basil Walsh |
Michael William Balfe A Unique Victorian Composer
|
Raymond
Walker |
| Walsh, Stephen A |
Stravinsky: A Creative Spring: Russia and France,
1882-1934 |
Paul
Shoemaker |
| Walsh, Stephen A |
Stravinsky: The Second Exile: France and America,
1934-1971 |
Paul
Shoemaker |
| Walton, Susana |
William Walton: Behind The Facade |
David Wright |
| Peter Watchorn |
Isolde Ahlgrim, Vienna and the Early Music Revival |
Brian
Wilson |
| Webber, Christopher |
The Zarzuela Companion |
Rob
Barnett |
| Weinstat, Herzel; Wechsler, Burt |
Dear Rogue - A Biography of Lawrence Tibbett |
Ian Lace |
| Neil Wenborn |
Felix Mendelssohn - His Life and Music |
Raymond
Walker |
| White, John |
Lionel Tertis - The First Great Virtuoso Of The Viola |
Rob
Barnett
Arthur Butterworth |
| Whitney, Craig R |
All the Stops: The Glorious Pipe Organ and Its American
Masters |
Paul
Shoemaker |
| Whittle, David |
Bruce Montgomery/Edmund Crispin: A Life in Music and Books |
John
France |
| Wightman, Alistair (ed.) |
Szymanowski on Music: Selected Writings of Karol
Szymanowski |
Evan
Dickerson |
| Richard Wigmore |
The Faber Pocket Guide to Haydn |
Margarida
Mota-Bull |
| Williamson, John (ed.) |
The Cambridge Companion to Bruckner |
Terry
Barfoot |
Willson, Rachel Beckles
|
György Kurtág: The Sayings of Péter
Bornemisza |
Anne
Ozorio |
| Wilson, Conrad |
Giacomo Puccini |
Ian
Lace |
| Wren, Gayden |
A Most Ingenious Paradox: The Art of Gilbert &
Sullivan |
Raymond
Walker |
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