MusicWeb International One of the most grown-up review sites around 2024
60,000 reviews
... and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs

Presto Music CD retailer
Founder: Len Mullenger                                    Editor in Chief:John Quinn             

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

Troubadisc Weinberg- TROCD01450

All Troubadisc reviews

FOGHORN Classics

Brahms String Quartets

All Foghorn Reviews

All HDTT reviews

Songs to Harp from
the Old and New World

all Nimbus reviews

all tudor reviews

Follow us on Twitter

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


Advertising on

Donate and keep us afloat


New Releases

Naxos Classical
All Naxos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews

all Bridge reviews

all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews

All Eloquence reviews

Lyrita recordings
All Lyrita Reviews


Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing



CD: AmazonUK AmazonUS
Download: Classicsonline

Carl NIELSEN (1865-1931)
Symphony No. 4, FS 76, Op. 29 The Inextinguishable (1914-16) [36:33]
Symphony No. 5, FS 97, Op. 50 (1920-22) [38:30]
Danish National Symphony Orchestra/Michael Schønwandt
rec. Danish Radio Concert Hall, Copenhagen, 21-22 October 1999 (Symphony No. 4) and 26-27 November 1999 (Symphony No. 5). Previously released on Dacapo 8.224156
NAXOS 8.570739 [75:03]
Experience Classicsonline

As winter draws on I’m tempted to play Nielsen’s delightful; Springtime in Fünen. A more joyful, wide-eyed piece it is hard to imagine, and so very different from his worldly-wise Fourth and Fifth symphonies. These Danish recordings - originally released on Dacapo - are very welcome, especially at this bargain price. I much enjoyed their coupling of the First and Sixth - see review - so I had high hopes for their Fourth and Fifth.

That said, the competition is fierce, not least from the likes of Ole Schmidt and the LSO - all six symphonies on Regis 3002 - and Herbert Blomstedt’s Danish Radio set on EMI (see Rob Barnett’s review). The craggy grandeur of Schmidt’s readings is without equal - he ‘terraces’ those great climaxes in a way that no-one else quite manages - but I’m impressed by Jukka-Pekka Saraste’s Finnish Radio performances as well (Finlandia 3984-21439-2). There are other fine versions, some of which Leslie Wright alluded to in his recent review of Schønwandt’s Fourth and Fifth.

Nielsen’s Fourth Symphony, intended to express ‘the elemental will to live’, opens with wild outbursts underpinned by muscular timps and restless strings. Contrast that with the gentle, life-affirming melodies that follow - poignantly played by the Danish band - and the dialectic of this symphony is revealed. It’s easy to be riveted by Saraste’s more immediate, visceral view of this music, which is quite different from Schønwandt’s loftier, far-sighted approach. As a recording the Naxos disc sounds warm and spacious, with plenty of growl to the brass and bite to the strings. Moreover, the all-important timps are crisp and clear, especially in the quiet bridging passage that links the first two movements.

There’s plenty of detail and point in the chamber-like Poco allegretto, the scampering string pizzicati and solo cello tune delightfully expressive. What a strange interlude this is - a moment of quiet reflection before the imperious timps’ return. Schønwandt is much more engaging here than Saraste who, as good as he is, doesn’t find nearly as much character and warmth in the notes. And at the start of the Poco adagio the latter’s timpanists are nowhere near as commanding as they can be, although they do make amends in the Con anima’s epic ‘duel of the drums’.

Saraste is the impulsive one here, relishing the big moments; but it’s Schønwandt’s patient, more measured reading that best conveys the music’s inner tensions, its overall structure laid bare for all to see. It’s a simple choice, really; either one tends towards the more volatile Finnish performance - the build-up to the final peroration is especially thrilling - or one opts for Schønwandt’s more forensic approach. Alternatively one could be pusillanimous and plump for both - as I do - since both are very persuasive indeed. That said, neither matches the sheer authority and power of the Schmidt performance, which sound remarkable for their age.

Nielsen’s next symphony - in the tradition of great Fifths - is probably his finest. It’s also one of the oddest, cast in two movements divided into six parts. Schønwandt certainly captures the sinister, somewhat lopsided, character of the Allegro giusto, epitomised by those weird bassoon calls. The invasive side-drums and the brutish march that follows add a sudden twist of Shostakovich to the proceedings. This is gritty stuff, the Danes playing with startling precision throughout. In the ensuing Adagio the horns may be a little less than unanimous but, as ever, Schønwandt never allows the pace to flag or pulse to flutter, even when the music subsides, only to be reinvigorated later on. The playing is wonderfully mellow here, which only highlights the raucous side-drums even more. And if you think Schønwandt is too reticent in the Fourth he proves otherwise in the gaunt climaxes of the Fifth.

After that enigmatic conclusion to the Adagio, a robust, big-boned second movement cast in four parts - Allegro-Presto-Andante poco tranquillo-Allegro (Tempo 1) - it’s a mélange of competing moods, the delicate fabric of the Presto torn apart by the savage timps. Schønwandt and his band play with unusual ferocity here - just listen to the screeching brass - before modulating to that restorative Andante. The poise and purity of this music - in marked contrast to what has gone before - is superbly realised, although I did long for a more full-bodied string sound. No quibbles about the trenchant finale, though, which the Danes bring off with commendable energy and thrust, Schønwandt goading them on to a thrilling finish.

Yet another barnstormer from Naxos and a disc that makes me even more impatient to hear Schønwandt’s readings of Nielsen’s Second and Third. My loyalty to Saraste isn’t entirely eroded, though, as the latter has his moments in the Fourth and brings real fire to the Fifth. Also, there is an edge to the Finnish performances - helped by a more astringent recording - that is strangely compelling. That said, the warmer, weightier Naxos sound will probably appeal to more listeners. But it’s Schønwandt’s unwavering grip on these scores that sets him apart. Indeed, for that reason alone these performances deserve their place alongside Schmidt’s pioneering versions.

Dan Morgan

see also review by Leslie Wright

Masterwork Index: Nielsen symphonies



Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews


      Composer surveys
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site


Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure



Bulletin Board

Give your opinions or seek answers

Past and present

Helpers invited!

How Did I Miss That?

Currently suspended but there are a lot there with sound clips

Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Other links
Web News sites etc

A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools

Return to Review Index

Untitled Document

Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.