Aureole etc.

Golden Age singers

Nimbus on-line

Faure songs
Charlotte de Rothschild (soprano);

  Founder: Len Mullenger
Classical Editor: Rob Barnett


Some items
to consider


paid for


100th birthday of Mieczyslaw Weinberg on December 8, 2019.
Renate Eggbrecht has recorded all 3 violin Sonatas

FOGHORN Classics

Mozart Brahms
Clarinet Quintets

New Releases

Naxos Classical

Click to see New Releases
Get 10% off using code musicweb10

Nimbus Podcast

Obtain 10% discount

Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


CD: AmazonUK AmazonUS
Download: Chandos Classical Shop


Felix MENDELSSOHN (1809-1847)
An Introduction to Felix Mendelssohn
Overture: The Hebrides, Op.26 (1832)* [10:19]
Piano Concerto No.1 in g minor, Op.25 (1831)** [20:25]
Wedding March from A Midsummer Nightís Dream, Op.61 (1843)+ [4:57]
Capriccio brilliantłOp.22 (1832)** [11:28]
Symphony No.4 in A, Op.90, Italian (1842)++ [29:43]
Scottish National Orchestra/Sir Alexander Gibson*; Howard Shelley/London Mozart Players**; Royal Liverpool Philharmonic Orchestra/Sir Charles Groves+; Philharmonia Orchestra/Walter Weller++
rec. (P) 1981, 1992, 1993, 2006. No further details given. DDD.
CHANDOS CHAN2025 [76:51]


Experience Classicsonline

I was unaware of the existence of Chandosís series of Introduction to ... recordings until they very generously offered every recipient of their e-newsletter the opportunity freely to download their Introduction to Vaughan Williams.

The opening performance of The Hebrides Overture (better known as Fingalís Cave) emphasises the mystery of the music rather than the excitement of the crashing waves Ė Mendelssohn was struck by both aspects of his visit to the cave on the island of Staffa. For all that it fails to live up to some of our usual expectations of this music, itís an accomplished performance. Itís been recycled quite frequently Ė it was even once available on the short-lived Boots own label together with other maritime music and itís also on Spirit of Scotland, CHAN10412X, and Seascapes, CHAN6538 Ė but itís none the worse for that and the recording has worn well.

The inclusion of the first Piano Concerto, rather than the expected Violin Concerto, is for me the highlight of the CD. Most collectors, even those for whom an Introduction to ... would be likely to appeal, will already have a version of the Violin Concerto, or be likely to obtain one at an early stage, usually coupled with the Bruch or Tchaikovsky Ė there are plenty of versions to choose from, even in the lower price categories. 

Itís quite unusual to find a bargain-price version of the First Piano Concerto: Peter Katinís versions of both Piano Concertos once featured on a Decca Weekend recording, coupled with the Capriccio brilliant and Rondo brillant (425 504-2, long deleted) Ė good performances but in rather dated sound. Otherwise, as far as I am aware, the only competitor in this price range is Benjamin Frithís Naxos version of the four works (8.550681), which I havenít heard but which has been favourably reviewed.

That the performance offered is by Howard Shelley - as soloist and director of the London Mozart Players - is an added bonus, since this performance combines technical virtuosity and a delicacy of touch that ensures that this early work is never overwhelmed. Shelleyís tempo in the outer movements is brisk Ė he moves the music along without sounding rushed, especially in the Finale where he takes 6:11 against 6:54 on the Katin/Collins recording. In the slow movement, he gives the music time to breathe Ė 6:39 against Katinís 6:13 Ė without sentimentalising it. 

In the Capriccio brilliant he also give the music time to breathe Ė 11:28 against Katinís 10:35; ensuring that the brilliance inferred by the title is not at the expense of expressiveness. When the brilliant music arrives, it is all the more effective for the contrast with the rather measured opening Andante. My only real criticism of this introductory CD is that it will probably lead buyers to duplication when, as they will be tempted to do, they purchase the parent Chandos CD, where Shelley performs both concertos plus the Capriccio (CHAN9215). 

The Wedding March was an inevitable choice and itís performed well by the RLPO under Sir Charles Groves, stately but not pompous. 

If the two piano works make an unexpected but very welcome appearance on the CD, the more predictable choice of the Italian Symphony as the final work is equally welcome in the Philharmonia/Walter Weller version. Again, as with the Shelley performance, my only complaint is that those seeking recommendable versions of all Mendelssohnís symphonies Ė and, surely, most collectors will want at least Nos.3-5, the Scottish, Italian and Reformation symphonies at some fairly early stage Ė are unlikely to find a better combination of affordable price, quality of performance and recording than the 3-CD Chandos set with Walter Weller (CHAN10224X). 

Wellerís tempi for the symphony are generally on the fast side, though by no means excessively so. This is one of those works, like Beethovenís Seventh Symphony, where the outer movements lend themselves well to fast speeds. I felt that Weller might have given the slow movement a little more time to breathe, but it is marked Andante con moto. The con moto element is more in evidence here than in Wolfgang Sawallischís otherwise very fine performance with the predecessor of the same orchestra (then called the New Philharmonia) in 1966. The Sawallisch was formerly on Philips 422 470-2 with the Reformation Symphony (no longer available). How about a reissue from Australian Eloquence? 

Only in the Finale is Weller marginally slower than Sawallisch; this movement combines elements of the saltarello and tarantella, both lively Italian dances. The latter is said to be imitative of the action of stamping on a poisonous tarantula spider or leaping about in agony after its bite Ė as the Latin American cucaracha imitates stamping on cockroaches. I would have preferred a slightly more hectic pace in this movement. At least, that was my feeling on my initial hearing Ė subsequently this account of the Finale has grown on me. 

Though made at different times, all the recordings are more than acceptable. I tried the lossless download version (wma) from Chandosís and found it fully equal to CD quality; experience suggests that even the mp3 version would be more than acceptable. I couldnít find this recording at classicsonline or on eMusic, both of whom do offer many Chandos downloads. 

For a low-price series, all the notes which I have seen from this Introduction to ... series have been excellent and this recording is no exception. If the programme appeals, buy with confidence; the only reason why I have withheld any accolade is the likelihood that purchasers are likely to duplicate these performances in building their collection. 

Donít forget the Introduction to Vaughan Williams (CHAN2028) if you werenít fortunate enough to receive the free offer. It contains The Wasps Overture, the Greensleeves Fantasia, The Lark Ascending, that favourite of Classic FM listeners, and the Second Symphony, all in more than decent performances. I was particularly pleased to see Bryden Thomsonís version of the symphony reappear in this form; it may not be quite the equal of the Barbirolli version from which I first got to know the work on a Pye Golden Guinea LP or Chandosís own Richard Hickox performance of the original version, but it is well worth hearing as an alternative to the Hickox. Not everyone will want to hear the fuller version every time. I might have preferred the Tallis Fantasia to one of the shorter pieces Ė as a lover of Tallis, Iím fascinated by the perfect blending of the 16th and 20th centuries in this work. However Iím sure the Second was the right VW symphony to introduce to the beginner and the Thomson recording is one of the best from a variable series.

Brian Wilson


Advertising on

Donate and keep us afloat



Recordings of the Month


From Ocean’s Floor


Conner Riddle Songs

Rodzinski Sibelius

Of Innocence and Experience


Symphonies 1, 2, 3



Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews


      Composer surveys
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site


Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure



Bulletin Board

Give your opinions or seek answers

Pat and present

Helpers invited!

How Did I Miss That?

Currently suspended but there are a lot there with sound clips

Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Other links
Web News sites etc

A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools

Return to Review Index

Untitled Document

Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.