A pleasing new release 
                  from Regis offers a variety of popular 
                  songs and dances from the seventeenth 
                  century. Several of these were Broadside 
                  Ballads - an early type of newspaper 
                  consisting of words giving the name 
                  of a well-known tune that they could 
                  be sung to. They were printed during 
                  second half of seventeenth century 
                  and covered a range of then-current 
                  themes from politics and religion 
                  through to love and bawdier subjects. 
                  Available to anyone for a penny, they 
                  were subsequently sung everywhere 
                  from low taverns through to theatres. 
                  There were also several collections 
                  of ballad and dance tunes, such as 
                  Playford's Dancing Master and Durfey's 
                  collections of popular songs - a six-volume 
                  edition of 1698 of over 1000 songs 
                  called Wit and Mirth or Pills to Purge 
                  Melancholy. 
                
 
                
Playford was England's 
                  first commercial music publisher, 
                  and his Dancing Master was hugely 
                  popular. The majority of the instrumental 
                  works featured on this disc come from 
                  this source (including the famous 
                  tune Newcastle), although the compilation 
                  also includes three Sixteenth century 
                  dances from France that were often 
                  performed at court in England after 
                  the more formal dances had ended. 
                  All the instrumental tracks are very 
                  well played. 
                
 
                
The songs range from 
                  the melancholic, such as the very 
                  touching The Three Ravens, a setting 
                  of a popular ballad, and The Broom 
                  of the Cowdenowes through to the upbeat 
                  Tomorrow the Fox will come to Town 
                  and The Jovial Broom Man. The City 
                  Waites give vivid reconstructions 
                  of these songs in their likely settings, 
                  really bringing them to life - for 
                  instance, the background tavern noises 
                  in We be Soldiers Three and animals 
                  sounds in Tomorrow the Fox will come 
                  to Town. Brooms for Old Shoes by Thomas 
                  Ravenscroft - who, although better 
                  known possibly for his church music 
                  and viol consorts, also published 
                  collections of popular songs, including 
                  drinking songs and ballads - also 
                  opens and closes with the noises and 
                  shouts and street sounds of town life 
                  - carts rattling and babies crying 
                  in the background. The cries of vendors 
                  bartering and selling their wares 
                  would have been a major factor of 
                  city life, and not just Ravenscroft 
                  here, but also Durfey incorporates 
                  them into his song, The Traders Medley. 
                
 
                
Altogether, this 
                  is an excellent collection of some 
                  interesting and amusing songs and 
                  dances covering a range of themes 
                  from rural versus city life, rural 
                  concerns, love, tobacco, battle of 
                  the sexes, wives so evil they even 
                  torment the devil, food and wine. 
                  The performers are all to be commended 
                  (listen, for example, to the beautifully 
                  performed Lavender's Blue (actually 
                  originally a bawdy broadside ballad), 
                  and to the lovely blending of voices 
                  therein. All the male voices are strong 
                  and robust, very apt for these sort 
                  of songs, and adopt persuasive accents 
                  when necessary, while Lucie Skeaping 
                  is very good at varying her sweet 
                  voice to suit each individual song 
                  - from quite beautiful and refined, 
                  as in The Three Ravens, The Northern 
                  Lasses Lamentation, The Broom of the 
                  Cowdenowes through to quite coarse 
                  and common as in Brooms for old shoes 
                  and The Traders Medley. Engaging songs, 
                  good performances. 
                
Em Marshall 
                  
                
see also review 
                  by Patrick Gary