Having 
                  so recently worked my way through the entire Thiollier cycle 
                  I suppose I might have been forgiven for reviewing this sampler 
                  disc from memory. But I did listen to it. I wondered if hearing 
                  the performances in another context would change my reactions 
                  to some of them.
                
I 
                  don’t think so. I enjoyed once again the ravishing beauty of 
                  Clair de lune and several other early pieces such as 
                  the First Arabesque and the Revêrie.  I was glad 
                  to be reminded that La cathédrale engloutie has some 
                  unusual tempo relationships which may derive from Debussy’s 
                  own piano roll recording.
                
I 
                  also got the idea that some of Thiollier’s more personal rubatos 
                  may not wear too well – I am thinking of Reflets dans l’eau 
                  – but I enjoyed again his gently glistening sound. Less 
                  happily, I still find Thiollier pulls the dance-based pieces 
                  like the Valse romantique and the Mazurka around 
                  too much.
                
But 
                  I fail to see the point of this anthology. The disc does give 
                  an honest picture of Thiollier’s strengths and weaknesses, but 
                  it would have been far more useful to assemble his best performances, 
                  of which there are more than enough to fill a single CD. By 
                  careful selection you could put together a disc of magically 
                  fine Debussy-playing. Such a CD would have been a worthwhile 
                  proposition for people already well-equipped with Debussy but 
                  who might like to have at least some Thiollier. 
                
And 
                  yet, even if the idea was to present a portrait of Debussy as 
                  a piano composer, I find the selection odd. Would people limiting 
                  themselves to a single disc of  Debussy want to bother with 
                  the Valse romantique or the Mazurka? No, quite 
                  frankly I think that at the Naxos price most people could stretch 
                  to the complete cycle. If you want to pick and choose, then 
                  go for Volume 1, where the earliest pieces are mostly brought 
                  off with real magic. Or Volume 4 which would be a good version 
                  of the Préludes at any price. Or Volume 2 which has La 
                  boîte à joujoux and the solo version of Epigraphes antiques, 
                  works not always included in Debussy cycles.
                
              
Christopher 
                Howell  
              
Other 
                reviews of this series:
              
Volume 
                1
                Volume 
                2
                Volume 
                3
                Volume 
                4
                Volume 
                5