This re-release of a 1997 recording on the budget Hyperion’s Helios 
                label features superb performances of two works.  
              
The violin was Sir Alexander Mackenzie’s own instrument. 
                    The Violin Concerto, which commences the disc, was commissioned 
                    by the Birmingham Festival and was written mostly in Florence. It is dedicated 
                    to Sarasate, who gave the premiere in 1885 with the composer 
                    conducting. There were excellent reviews and much approbation 
                    from the public. The Concerto opens with a rather introspective 
                    and brooding yet nonetheless passionate Allegro non troppo 
                    Here the soloist Malcolm Stewart captures the sense 
                    of yearning and wistfulness rather well. The central cadenza 
                    is particularly beautifully played – delicate and full of 
                    feeling. It is a suitably romantic performance overall, with 
                    playing from the soloist that is generally lush and rich although, 
                    if any criticism must be made, Stewart is just slightly too 
                    mechanical in the second movement Largo. There is a 
                    lovely gipsyish air in the dancing third movement Finale, 
                    which is based upon the Polish dance, the Krakowiak. 
                    The Royal Scottish National Orchestra provide sensitive and 
                    accomplished accompaniment under the astute direction of Vernon 
                    Handley. 
                  
The concerto is followed by the substantial Pibroch 
                    Suite for violin and orchestra – composed at the request 
                    of Sarasate, which was completed in Mackenzie’s home country 
                    of Scotland. The word ‘pibroch’ 
                    means ‘pipe-music’, and Mackenzie himself described the suite 
                    as “a Scottish effusion”. The second movement is a set of 
                    variations on the Scottish melody Three Guid Fellows, 
                    while the final movement, Dance, is based on a tune 
                    from the seventeenth-century Skene Manuscript, Leslies 
                    Lilt. It certainly sounds unmistakably Scottish and is 
                    given a wonderfully lyrical performance by Malcolm Stewart, 
                    with the Royal Scottish National Orchestra this time conducted 
                    by David Davies. 
                  
Hyperion appear to have adopted Mackenzie. There 
                    are two other Mackenzie discs in their stable: The Orchestral 
                    Music: Cricket on the Hearth, Op 62, Twelfth Night, Op 40, 
                    Benedictus, Op 37 No 3. Burns 'Second Scotch Rhapsody', Op 
                    24 and Coriolanus, Op 61 (BBC Scottish Symphony Orchestra/Martyn 
                    Brabbins) on CDA66764 and Steven Osborne (piano), BBC Scottish 
                    Symphony Orchestra and Martyn Brabbins in the Scottish Concerto, 
                    Op 55 on CDA67023 coupled with the Tovey Piano Concerto. 
                  
Em Marshall