|
EXPLORE
Musicweb - CLICK
------------------
Message Board
Announcements
Twitter @MusicWebINt
------------------
RECORDING
OF THE MONTH
Shostakovich Symphony 8
RCO, Nelsons

HALLÉ WALKURE
4+1CDs £22 post free
RECORDING
OF THE MONTH

Complete Orchestral Works

EMI Complete Ferrier

Storyteller

Mahler
Symphony 7
Bamberger Symphoniker
Jonathan Nott
................
RECORDING OF THE MONTH

Simone Young
RECORDING OF THE MONTH
Italia Nicola Benedetti

Only complete set
on the Market
35CDs £67

RECORDING
OF THE MONTH
Momentous!
BARGAIN
OF THE MONTH

Italian Cello Concertos
and Sonatas
3CDS £10.95

Brahms Symphonies Zinman
£26.85
RECORDING
OF THE MONTH
Beethoven Symphonies
Thielmann


Magic Moments of Opera
10 Operas Arthaus £95

Brilliant Classics 40CDs

Brilliant Classics 60CDs

9 Symphonies Chailly
£31.90

9
Symphonies C Davis
£18.70
BARGAIN
OF THE MONTH
Absolutely marvellous!
£5.99 post free

Bruch VC1 Gluzman
Quite the finest performance of the Bruch concerto
I have ever heard.

The best opera DVD of the year so far [ST]

Mahler Song Cycles
Katarina Karnéus
Available
again
The Raga Guide
4CDs + 196 page book
£33 post-free world-wide
15,000 copies sold
Editorial
Board
Classical Editor
Rob Barnett
Seen & Heard
Editor Emeritus
Bill Kenny
Editor in Chief
Stan Metzger
MusicWeb Webmaster
Len Mullenger
Assistant Webmaster
David Barker
|
 |
 |
|
alternatively
CD: Crotchet
AmazonUK
AmazonUS
|
Giacomo PUCCINI (1858-1924)
Angela Gheorghiu - My Puccini
CD
La Bohème (1894-5) (Gheorghiu as Mimi)
[11:57]: ‘Mi chiamo Mimi (Act I) *; ‘Donde lieta uscì’ (Act
I) *
Orchestra Sinfonica di Milano Giuseppe Verdi/Anton Coppola
‘O soave fanciulla’ (Act I) +
Roberto Alagna (Rodolfo)
Orchestra of the Royal Opera House Covent Garden/Richard
Armstrong
La Rondine (1917) (Gheorghiu as Magda) [20:36]: ‘Chi
il bel signo di Doretta’ (Act I) *; Orchestra Sinfonica di
Milano Giuseppe Verdi/Anton Coppola
‘Denaro! Nient’altro che denaro!’ (Act I) #
Patrizia Biccire (Yvette); Patrizia Ciofi (Bianca) and Monica
Bacelli (Suzy)
‘Forse come la rondine’ (Act I) #; ‘Figliuolo, tu mi dici…’ #; ‘No!
Non dir questo…Ma come puoi lascarmi? (Act III) #
Robert Alagna (Ruggero)
London Symphony Orchestra/Antonio Pappano
Suor Angelica (1918) (Gheorghiu as Angelica)
[5:00]: ‘Senza mamma’ *
Orchestra Sinfonica di Milano Giuseppe Verdi/Anton Coppola
Gianni Schicchi (1918) (Gheorghiu as Lauretta)
[2:12]
‘O mio babbino caro’ +
José Van Dam (Schicchi)
London Symphony Orchestra/Antonio Pappano
Manon Lescaut (1893) (Gheorghiu as Manon) [8:40]: ‘In
quelle trine morbide (Act II) *; ‘Sola, perduta, abbandonata’ (Act
IV) *; Orchestra Sinfonica di Milano Giuseppe Verdi/Anton
Coppola
Tosca (1898-9) (Gheorghiu as Tosca) [26:27]
#
Vissi d’arte’ (Act II): ‘Senti, l’ora è vicina’ (Act III); ‘Mario!...Son
qui!’ (Act I); ‘Come è lunga l’attesa!’ (Act III)
Roberto Alagna (Cavaradossi)
Orchestra of the Royal Opera House, Covent Garden/Antonio
Pappano
rec. * Auditorium di Milano July 2004; #Studio No.1 Abbey
Road, London, 1995 and 2000 (Tosca); + Lyndhurst Hall,
Air Studios, London 1995 and 1997 (Gianni Schicchi)]
DVD:-
Madama Butterfly (1901-04) (Gheorghiu as Butterfly)
‘Un bel di’
Orchestra of the Royal Opera House, Covent Garden/Ion Marin
(rec 2004) ‘Vogliatemi bene’
Roberto Alagna (Pinkerton)
Staatskapelle Dresden/Giuseppe Sinopoli (rec.1999)
Turandot (1920-24)
‘Tu che di gei sei cinta’
Orchestra of the Royal Opera House, Covent Garden/Ion Marin
(rec.2002)
Gianni Schicchi
‘O mio babbino caro’
Orchestra of the Royal Opera House, Covent Garden/Ion Marin
(rec. 2002)
Angela Gheorghiu: Reflections on Puccini
EMI CLASSICS CD & 2174412 [CD:
75:26; DVD: 59:00]
|
|
|
First a warning!
Prospective buyers should be warned that probably the most
attractive and sought-after element of the DVD of this package
- Angela Gheorghiu – Reflections on Puccini -
is audio only: Gheorghiu interviewed is not seen. This is
a major let-down and EMI are at fault for not admitting it
on their packaging. It is only when the DVD is ‘in the tray’ that
this fault becomes apparent.
Yet there is
much to enjoy in this section. Jon Tolansky’s sometimes over-enthusiastic
narration illuminates though; so, too, and much more appositely,
does Gheorghiu in her own comments. It is clear that she
is meticulous in her study and interpretation of Puccini’s
heroines. She researches the derivations of their stories – for
instance, the Abbé Prévost’s story for Manon Lescaut and
Henri Murger's novel of 1820s Paris, Scènes de la vie
de bohème which inspired Puccini’s La Bohème. She
thinks deeply about and searches out their motivations and
backgrounds. It will be remembered that Gheorghiu shot to
fame for her interpretation of La Bohème’s Mimi in
1992. It was the depth and range of both the vocal and psychological
dimensions that she brought to this role that made such a
remarkable impression. She tells us, in her interview, that
Mimi is stronger than one might think and independent, and
that she already knows her neighbour, Rodolfo, and seizes
her opportunity to make him love her and protect her in her
serious illness. In the new DVD of the Metropolitan
Opera production, Gheorghiu makes this abundantly clear.
As the review
states: “she makes the point that she does not regard Mimi
as pure and innocent - why then would Rodolfo have cause
to be jealous? In fact it is noticeable that it is she who
blows out the candle first in her first encounter with Rodolfo,
clearly eager to gain his protection!”
Gheorghiu clearly
feels very deeply about her roles. She confesses that she
is so affected by the plight of Cio-Cio San that “when you
are so disappointed in your love … I cannot play Madama
Butterfly on-stage”. She is seen passionately singing
the Act I love duet from Butterfly, with Roberto Alagna,
in concert, on this DVD.
Tolansky enthusing
about her role as Magda observes that Gheorghiu “captures
the poise, the sentimentality and the touching romanticism
of Magda with the most spectacular virtuosity, a kaleidoscopic
palette of colours and a spontaneous sense of improvisation
that virtually brings to life Magda’s feelings of the moment.” He
is talking especially of her Act I aria ‘Chi il bel sogno
di Doretta’ in which, as a kept woman of an elderly rich
man, she dreams of romance with a student and a light, tender
kiss that burns. The excerpts on the CD of this album illustrate
Gheorghiu’s magnificence. Please refer to my
review of the full EMI La Rondine.
Gheorghiu, speaking
of La Rondine, says, “I love its sparkling sweetness
and passion. … I know how that music goes into your soul:
I feel it in my body.”
The excerpts
on CD 1 are all from previous releases and have won praise
from the critics. All are treasurable, heartfelt performances:
Tosca (with Alagna on a BBC
DVD), highlights of the EMI Tosca and
Gheorghiu and Alagna in the EMI Il
trittico (including, of course, Gianni Schicchi on
CD1).
A splendid collection
of Puccini heroines illuminated by the incomparable Gheorghiu.
Although the Angela Gheorghiu – Reflections on Puccini component
of the DVD is audio only (shame on EMI) it is most revealing.
Ian Lace
|
|
Advertising
Rates
Visitor
stats
MusicWeb
International
has over 40,000 Classical CD reviews on offer
Discs
received
Having a problem
Donating?

Gerard
Hoffnung Concerts &
The
Bricklayer Story
New
Releases

New
Releases




MusicWeb
sells the Polish
catalogue CDAccord
£10.50 post free W-W

MusicWeb sells the
Arcodiva catalogue
£12.00 post free W-W

£11.75
post-free world-
wide
MusicWeb
can now offer
you discs from the following catalogues:
Prices include postage
Musicweb
Special
Offers
Monthly
Best Buys
Google
Ads - for information about privacy matters, click here.
Amazon Musicweb International is a participant in the Amazon
EU Associates Programme, an affiliate advertising programme designed to provide
a means for sites to earn advertising fees by advertising and linking to Amazon.co.uk
and Amazon.com
|