Roberto Alagna 
        (tenor) Sacred Songs  Charles 
        GOUNOD (1818-1893) Ave Maria [2.58] **; Repentir 
        [5.24] * César FRANCK (1822-1890) 
        Panis Angelicus [4.00] Adolphe ADAM 
        (1803-1856)  Minuit, chrétiens! [4.55] * 
        Gabriel FAURÉ (1845-1924)  O salutaris [3.26] César FRANCK La Procession [5.02] Charles 
        GOUNOD  Sanctus from ‘Messe solennelle de Sainte Cecile’ 
        [6.11]; Salutation Angelique [3.48] Hector 
        BERLIOZ (1803-1869)  Sanctus from ‘Requiem’ [10.18] 
        Jean-Baptiste FAURE (1830-1914) Crucifix 
        [3.22] * Camille SAINT-SAËNS (1835-1921) 
        Panis Angelicus [3.30] Georges BIZET 
        (1838-1875)  Agnus Dei [4.44] André 
        CAPLET (1878-1925)  Panis Angelicus [4.56] Lili 
        BOULANGER (1893-1918)  Pie Jesu [4.23] * Arrangement 
        and orchestration by Alain Kremski ** Arrangement by Thilo Winter  Roberto Alagna (tenor) Petits Chanteurs à la Croix 
        Potencée Chorus and Orchestra du Capitole de Toulouse/Michel 
        Plasson rec. Eglise Notre-Dame de la Daurade, Toulouse, 2-6 May 
        1996. Texts in Latin, English, German and French.
 
        Roberto Alagna (tenor) Petits Chanteurs à la Croix 
        Potencée Chorus and Orchestra du Capitole de Toulouse/Michel 
        Plasson rec. Eglise Notre-Dame de la Daurade, Toulouse, 2-6 May 
        1996. Texts in Latin, English, German and French.  DEUTSCHE GRAMMOPHON 477 6278 [68.01][ED]
 
        DEUTSCHE GRAMMOPHON 477 6278 [68.01][ED]
        This 
          is a welcome and most warmly recommendable 
          reissue. ... see Full 
          Review
         
  Roberto
                Alagna - Bel Canto Gaetano
                DONIZETTI (1797–1848) Poliuto: Veleno è l’aura ch’io
                respire! … Sfolforò divino raggio (Scena ed aria – Atto II) Vincenzo BELLINI (1801–1835) La sonnambula: Prendi,
                l’anel ti dono (Duetto – Atto I)* Gaetano
                DONIZETTI  La Favorite: Un ange, une femme inconnue
                (Cavatine – Acte I); La maîtresse du roi? … Ange si pur (Récitatif
                et romance – Acte IV; Don Pasquale: Sogno soave e casto Vincenzo
                BELLINI  Norma: Meco all’altar di Venere … Me protegge,
                me difende (Cavatina e cabaletta – Atto I) Gaetano DONIZETTI Roberto Devereux: Ed ancor la
                tremenda porta … A te dirò negli ultimi (Scena ed aria – Atto
                III); Dom Sébastien: Seul sur la terre (Cavatine – Acte II) Vincenzo
                BELLINI I puritani: A te, o cara (Parte I)* Gaetano
                DONIZETTI  L’elisir d’amore: Quanto è bella (Cavatina – Atto
                I); Una furtive lagrima (Romanza – Atto II) Vincenzo
                BELLINI  Il pirata: Ascolta. Nel furor delle tempeste
                (Cavatina – Atto I) Gaetano DONIZETTI  La Fille du régiment: Pour me
                rapprocher de Marie (Romance – Acte II); Ah, mes amis … Messieurs
                son père … Pour mon âme (Cavatine – Acte I)
 Roberto
                Alagna - Bel Canto Gaetano
                DONIZETTI (1797–1848) Poliuto: Veleno è l’aura ch’io
                respire! … Sfolforò divino raggio (Scena ed aria – Atto II) Vincenzo BELLINI (1801–1835) La sonnambula: Prendi,
                l’anel ti dono (Duetto – Atto I)* Gaetano
                DONIZETTI  La Favorite: Un ange, une femme inconnue
                (Cavatine – Acte I); La maîtresse du roi? … Ange si pur (Récitatif
                et romance – Acte IV; Don Pasquale: Sogno soave e casto Vincenzo
                BELLINI  Norma: Meco all’altar di Venere … Me protegge,
                me difende (Cavatina e cabaletta – Atto I) Gaetano DONIZETTI Roberto Devereux: Ed ancor la
                tremenda porta … A te dirò negli ultimi (Scena ed aria – Atto
                III); Dom Sébastien: Seul sur la terre (Cavatine – Acte II) Vincenzo
                BELLINI I puritani: A te, o cara (Parte I)* Gaetano
                DONIZETTI  L’elisir d’amore: Quanto è bella (Cavatina – Atto
                I); Una furtive lagrima (Romanza – Atto II) Vincenzo
                BELLINI  Il pirata: Ascolta. Nel furor delle tempeste
                (Cavatina – Atto I) Gaetano DONIZETTI  La Fille du régiment: Pour me
                rapprocher de Marie (Romance – Acte II); Ah, mes amis … Messieurs
                son père … Pour mon âme (Cavatine – Acte I)  Roberto
                Alagna (tenor), Angela Gheorghiu (soprano)* London Voices,
                London Philharmonic Orchestra/Evelino Pidò rec. September-October
                1999, No. 1 Studio, Abbey Road, London; May 2001, Lyndhurst Hall,
                Air Studios, London
 Roberto
                Alagna (tenor), Angela Gheorghiu (soprano)* London Voices,
                London Philharmonic Orchestra/Evelino Pidò rec. September-October
                1999, No. 1 Studio, Abbey Road, London; May 2001, Lyndhurst Hall,
                Air Studios, London  DEUTSCHE
                GRAMMOPHON 477 6273 [67:13] [GF]
 DEUTSCHE
                GRAMMOPHON 477 6273 [67:13] [GF]
        Alagna
              need not feel ashamed to be compared to the great Enrico ... tenor
              singing on a very high level. A distinguished issue ... warmly
              recommended. ... see Full
              Review 
         
  Roberto
                Alagna: Nessun
                dorma Giacomo PUCCINI (1858–1924) Turandot:
                Nessun dorma (Atto III) Umberto GIORDANO (1867–1948) Andrea
                Chenier: Colpito qui m’avete … Un di all’azzurro spazio (Improvviso)(Atto
                I); Come un bel di di maggio (Atto IV) Alfredo
                CATALANI (1854–1893) La Wally: Quando a Sölden (Atto
                IV)                            Riccardo ZANDONAI (1883–1944) Giulietta e Romeo:
                            Giulietta, son io (Atto III) Ruggiero
                            LEONCAVALLO (1858–1919)  La Bohème: Non
                            parlate cosi … Io non ho che una povera stanzetta
                            (Atto II); Musetta! O gioia della mia dimora! … Testa
                            adorata (Atto III) Amilcare PONCHIELLI (1834–1886) La Gioconda: Cielo
                            e mar! (Atto II) Pietro
                            MASCAGNI (1863–1945) Cavalleria rusticana:
                            Comare Lola … Viva il vino spumeggiante (Brindisi)(Atto
                            I); Mamma, quel vino è generoso (Atto II) Francesco CILEA (1866–1950) Adriana Lecouvreur:
                            La dolcissima effigie sorridente (Atto I); L’anima
                            ho stanca, e la meta è lontana (Atto II) Ruggiero
                            LEONCAVALLO I zingari: Dammi un amore
                            selvaggio e ribelle (Atto I); Chatterton: Che più mi
                            resta! Tu sola a me rimani (Atto II); Zazà: È un
                            riso genti qual’alba d’april (Atto I); Mai più, Zazà,
                            raggiar vedrò (Atto III) Umberto
                            GIORDANO  La cena delle beffe: Tornato è maggio
                            dopo lungo viaggio (Atto IV); Fedora: Amor ti vieta
                            (Atto II) Ermanno WOLF-FERRARI (1876–1948) Sly:
                            Un orso in musoliera innamorato (Atto I) Giacomo
                            PUCCINI Turandot: Questa notte … Nessun
                            dorma … O sole! Vita! Eternità! (Atto III)
 Roberto
                Alagna: Nessun
                dorma Giacomo PUCCINI (1858–1924) Turandot:
                Nessun dorma (Atto III) Umberto GIORDANO (1867–1948) Andrea
                Chenier: Colpito qui m’avete … Un di all’azzurro spazio (Improvviso)(Atto
                I); Come un bel di di maggio (Atto IV) Alfredo
                CATALANI (1854–1893) La Wally: Quando a Sölden (Atto
                IV)                            Riccardo ZANDONAI (1883–1944) Giulietta e Romeo:
                            Giulietta, son io (Atto III) Ruggiero
                            LEONCAVALLO (1858–1919)  La Bohème: Non
                            parlate cosi … Io non ho che una povera stanzetta
                            (Atto II); Musetta! O gioia della mia dimora! … Testa
                            adorata (Atto III) Amilcare PONCHIELLI (1834–1886) La Gioconda: Cielo
                            e mar! (Atto II) Pietro
                            MASCAGNI (1863–1945) Cavalleria rusticana:
                            Comare Lola … Viva il vino spumeggiante (Brindisi)(Atto
                            I); Mamma, quel vino è generoso (Atto II) Francesco CILEA (1866–1950) Adriana Lecouvreur:
                            La dolcissima effigie sorridente (Atto I); L’anima
                            ho stanca, e la meta è lontana (Atto II) Ruggiero
                            LEONCAVALLO I zingari: Dammi un amore
                            selvaggio e ribelle (Atto I); Chatterton: Che più mi
                            resta! Tu sola a me rimani (Atto II); Zazà: È un
                            riso genti qual’alba d’april (Atto I); Mai più, Zazà,
                            raggiar vedrò (Atto III) Umberto
                            GIORDANO  La cena delle beffe: Tornato è maggio
                            dopo lungo viaggio (Atto IV); Fedora: Amor ti vieta
                            (Atto II) Ermanno WOLF-FERRARI (1876–1948) Sly:
                            Un orso in musoliera innamorato (Atto I) Giacomo
                            PUCCINI Turandot: Questa notte … Nessun
                            dorma … O sole! Vita! Eternità! (Atto III)  Roberto
                            Alagna (tenor) London Voices, Orchestra of the Royal
                            Opera House, Covent Garden/Mark Elder rec. April – June
                            2003, No. 1 Studio, Abbey Road, London. DDD
 Roberto
                            Alagna (tenor) London Voices, Orchestra of the Royal
                            Opera House, Covent Garden/Mark Elder rec. April – June
                            2003, No. 1 Studio, Abbey Road, London. DDD  DEUTSCHE
                            GRAMMOPHON 477 6276 [65:41] [GF]
 DEUTSCHE
                            GRAMMOPHON 477 6276 [65:41] [GF]
        Alagna
              sings lyrically with great feeling, fine sensitivity and intelligence.
              Another highly recommendable recital. ... see Full
              Review
         Andreas Bach 
          Buch 
          Dietrich BUXTEHUDE (1637-1704) 
          Ciacona 
          in c BuxWV 159 [6'05] J.S. 
          BACH (1685-1750) Fantasia in c 
          BWV 1121 (Adagio) [3'24] Johann 
          C.F. FISCHER (c1670-1746) Praeludium 
          and Ciacona [5'23] J.S. 
          BACH Fantasia and Imitatio in h 
          BWV 563 [3'55] Christian 
          RITTER (c1645-c1725) Suite in F-sharp 
          mineur [13'36] Carlo 
          Franceso POLLAROLO (c1653-1723) Capriccio 
          (Allegro) [4'35] Marin 
          MARAIS (1656-1728) Suite d'Alcide 
          (extracts) [7'42] Johann 
          Adam REINCKEN (1643-1722) Ballet 
          (10 variations) [8'00] J.S. 
          BACH Toccata in c BWV 911
 
              Andreas Bach 
          Buch 
          Dietrich BUXTEHUDE (1637-1704) 
          Ciacona 
          in c BuxWV 159 [6'05] J.S. 
          BACH (1685-1750) Fantasia in c 
          BWV 1121 (Adagio) [3'24] Johann 
          C.F. FISCHER (c1670-1746) Praeludium 
          and Ciacona [5'23] J.S. 
          BACH Fantasia and Imitatio in h 
          BWV 563 [3'55] Christian 
          RITTER (c1645-c1725) Suite in F-sharp 
          mineur [13'36] Carlo 
          Franceso POLLAROLO (c1653-1723) Capriccio 
          (Allegro) [4'35] Marin 
          MARAIS (1656-1728) Suite d'Alcide 
          (extracts) [7'42] Johann 
          Adam REINCKEN (1643-1722) Ballet 
          (10 variations) [8'00] J.S. 
          BACH Toccata in c BWV 911  Benjamin Alard (organ and harpsichord) 
          rec: Saint-Etienne, Baigorry, France, 27-31 
          October 2005. DDD
 
           Benjamin Alard (organ and harpsichord) 
          rec: Saint-Etienne, Baigorry, France, 27-31 
          October 2005. DDD  HORTUS 045 [65'50] [CB]
 
        HORTUS 045 [65'50] [CB]
        An 
          interesting selection of pieces from the Andreas 
          Bach Buch ... see Full 
          Review 
         BARGAIN OF THE MONTH ¡Ay, 
          Dulce Pena! - Tonos humanos del Barroco español 
          Juan del VADO (c.1625-1691) A Pascal no le puede [4:58] Juan 
          HIDALGO (1614-1685) ¡Ay 
          de mi dolor! [7:47] José Martínez de ARCE 
          (c.1660-1721) ¿Para qué son las iras? [3:26] 
          ANONYMOUS  ¿A quién me quejaré [6:04] ANONYMOUS  ¿Qué 
          quiere amor? [4:06] Juan HIDALGO (1614-1685) 
          ¡Ay amor, ay ausencia! 
          [6:15] ANONYMOUS  Sobre las ramas de un sauce [3:51] 
          Juan del VADO (c.1625-1691) Las campanas [10:34] Juan 
          HIDALGO (1614-1685) Con tanto respeto adoran [5:37] ¡Ay, 
          corazón amante! [7:34] ANONYMOUS Sarao de la minué francés [3:13]
BARGAIN OF THE MONTH ¡Ay, 
          Dulce Pena! - Tonos humanos del Barroco español 
          Juan del VADO (c.1625-1691) A Pascal no le puede [4:58] Juan 
          HIDALGO (1614-1685) ¡Ay 
          de mi dolor! [7:47] José Martínez de ARCE 
          (c.1660-1721) ¿Para qué son las iras? [3:26] 
          ANONYMOUS  ¿A quién me quejaré [6:04] ANONYMOUS  ¿Qué 
          quiere amor? [4:06] Juan HIDALGO (1614-1685) 
          ¡Ay amor, ay ausencia! 
          [6:15] ANONYMOUS  Sobre las ramas de un sauce [3:51] 
          Juan del VADO (c.1625-1691) Las campanas [10:34] Juan 
          HIDALGO (1614-1685) Con tanto respeto adoran [5:37] ¡Ay, 
          corazón amante! [7:34] ANONYMOUS Sarao de la minué francés [3:13] 
           Marta Almajano 
          (soprano), Juan Carlos Rivera (archlute, baroque guitar), Mike Fentross 
          (baroque guitar), Ventura Rico (viola da gamba), Pedro Estevan (percussion) 
          rec.11-13 February 2001, Church of Sant Corneli, de Collbató (Barcelona).
 Marta Almajano 
          (soprano), Juan Carlos Rivera (archlute, baroque guitar), Mike Fentross 
          (baroque guitar), Ventura Rico (viola da gamba), Pedro Estevan (percussion) 
          rec.11-13 February 2001, Church of Sant Corneli, de Collbató (Barcelona). 
           HARMONIA MUNDI HMA 
          1957028 [63:05][GPu]
 HARMONIA MUNDI HMA 
          1957028 [63:05][GPu]
        A 
          delicious recital, which no one with an interest in seventeenth-century 
          music should miss … see Full Review
          Battalia! -
              Baroque Battle Music for Trumpet Consort Girolamo
              FANTINI (c1600-c1675) Entrata (e) Imperiale per sonare
              in Concerto [07:10] Pierre ATTAIGNANT (1494?-1552?) Pavanne
              de la Guerre [03:43] Anon J'ai
              vu le Cerf du Bois sailly, chanson a 4 [01:04] J'ai vu le Cerf
              du Bois sailly, madrigal a 6 (instr) [02:31] Cesare
              BENDINELLI (1542?-1617) Sonata con un clarino solo [04:49] Tielman
              SUSATO (1500?-1564) Pavane Bataille (Die Schlacht) [02:17]
              Danse de Hercules (Herkulestanz) [02:05] La Mourisque (Mohrentanz)
              [02:05] Orlandus LASSUS (1532?-1594) Fit
              Porta Christi pervia [02:05] Cesare
              BENDINELLI Rotta ò Sonata
[02:54] Giovanni Giacomo GASTOLDI (1556?-1622) Amor
vittorioso [01:34] Domenico GARSI (1542-1604) Battalia
[04:26] Michael PRAETORIUS (1571-1621) Courrant
de Bataglia [01:54] Volte du Tambour [02:33]
Bransle Gay [01:34] Girolamo FANTINI Seconda
Imperiale [07:47] FANTINI/SUSATO/GARSI/PRAETORIUS Baroque
Battle (with arms of the baroque period) [04:35]
 Battalia! -
              Baroque Battle Music for Trumpet Consort Girolamo
              FANTINI (c1600-c1675) Entrata (e) Imperiale per sonare
              in Concerto [07:10] Pierre ATTAIGNANT (1494?-1552?) Pavanne
              de la Guerre [03:43] Anon J'ai
              vu le Cerf du Bois sailly, chanson a 4 [01:04] J'ai vu le Cerf
              du Bois sailly, madrigal a 6 (instr) [02:31] Cesare
              BENDINELLI (1542?-1617) Sonata con un clarino solo [04:49] Tielman
              SUSATO (1500?-1564) Pavane Bataille (Die Schlacht) [02:17]
              Danse de Hercules (Herkulestanz) [02:05] La Mourisque (Mohrentanz)
              [02:05] Orlandus LASSUS (1532?-1594) Fit
              Porta Christi pervia [02:05] Cesare
              BENDINELLI Rotta ò Sonata
[02:54] Giovanni Giacomo GASTOLDI (1556?-1622) Amor
vittorioso [01:34] Domenico GARSI (1542-1604) Battalia
[04:26] Michael PRAETORIUS (1571-1621) Courrant
de Bataglia [01:54] Volte du Tambour [02:33]
Bransle Gay [01:34] Girolamo FANTINI Seconda
Imperiale [07:47] FANTINI/SUSATO/GARSI/PRAETORIUS Baroque
Battle (with arms of the baroque period) [04:35]  Gloria
Moretti (soprano), Stefano Albarello (alto), Vincenzo Di Donato, Paolo Fanciulacci
(tenor), Marco Spongano
(bass)
 Gloria
Moretti (soprano), Stefano Albarello (alto), Vincenzo Di Donato, Paolo Fanciulacci
(tenor), Marco Spongano
(bass) 
Tibicines: Igino Conforzi, Andrea Di Mario, Marco Nesi, Gabriele Callegari, Tranquillo
Forza (trumpet), Marco Ferrari, Anberto Ponchio, Linda Severi (ciaramella, bombarda),
Mauro Morini (trombone, serpentone), David Jacus (trombones), Nicola Moneta (percussion);
Andrea Macinanti (organ)/Igino Conforzi
rec. May 2001, Bologna, Italy. DDD  ARTS
47666-8
 ARTS
47666-8  [55:12]
[JV]
 [55:12]
[JV]
        Music
              for wind band from the 16th and 17th centuries - the concept may
              be speculative but the performances are brilliant and a joy to
              listen to … see Full Review 
         
          Beatles for Harp - 
          transcribed for harp by Jim Palmer 
          John LENNON (1940–1980)/Paul McCARTNEY (b. 1942)  Got To Get You Into My 
          Life; It’s Only Love; Blackbird;  George 
          HARRISON (1943–2001)  I Want To Tell You;  
          John LENNON/ Paul McCARTNEY For No One; George 
          HARRISON I Need You; John LENNON/ Paul McCARTNEY Here, There, and Everywhere; 
           George HARRISON  Here Comes The Sun;  John 
          LENNON/ Paul McCARTNEY  You’ve Got To Hide Your Love Away; 
          Hello, Goodbye; Girl; Do You Want To Know a Secret?; All You Need Is 
          Love; Strawberry Fields Forever; You Won’t See Me  Jim Palmer (harp) rec. August 27-28, 2004, Reel Recording, Maryville, 
          Missouri
 
          Jim Palmer (harp) rec. August 27-28, 2004, Reel Recording, Maryville, 
          Missouri  CENTAUR CRC 
          2728 [48:06][GF]
 CENTAUR CRC 
          2728 [48:06][GF]
        And 
          who knows, John and George may be playing the harp with the angels today, 
          why not in Jim Palmer’s transcriptions? ... see Full 
          Review
        Beck 
          and Call 
          Alex SHAPIRO (b.1962) Of Breath 
          and Touch (1999) [10.26]; Deep [7.34] + André 
          PREVIN (b.1929) Sonata for Bassoon and Piano (1999) [14.56] 
          Michal SPISAK (1914-1965) Duetto 
          Concertante (1949) [14.00] Moshe ZORMAN  
          (b.1952) A Grizzly’s Dream (1984) [12.12] Marcel 
          BITSCH (b.1921) Concertino (1948) [7.00] Don 
          CHAMBERLAIN (b.1952) Beck and Call (1993) [6.47] +  Carolyn Beck (bassoon); Delores Stevens (piano); Kira Blumberg (viola) 
          With pre-recorded tracks + rec. October 2003-March 2005, acoustical 
          pieces at Bridges Hall, Pomona College, CA. Beck and Call at Studio 
          A, Citrus College, Azusa, CA and Deep at Dino Falls Studio, LA, CA.
 
          Carolyn Beck (bassoon); Delores Stevens (piano); Kira Blumberg (viola) 
          With pre-recorded tracks + rec. October 2003-March 2005, acoustical 
          pieces at Bridges Hall, Pomona College, CA. Beck and Call at Studio 
          A, Citrus College, Azusa, CA and Deep at Dino Falls Studio, LA, CA. 
           CRYSTAL RECORDS CD 846 
          [73.39] [JW]
 CRYSTAL RECORDS CD 846 
          [73.39] [JW]
        Good 
          new(ish) repertoire - confidently performed, 
          reasonably recorded. ... see Full 
          Review 
         A
                Bride's Guide To Wedding
                Music  Featuring
                music of J.S. Bach, Boccherini, Britten, Charpentier, Clarke,
                Fauré, Franck, Gluck, Goss, Handel, Massenet, Mendelssohn, Mozart,
                Mussorgsky, Pachelbel, Parry, Poston, Purcell, Satie, Schubert,
                Stanford, Vivaldi, Wagner, Walton and Widor. Detailed track listing
                at end of review
 A
                Bride's Guide To Wedding
                Music  Featuring
                music of J.S. Bach, Boccherini, Britten, Charpentier, Clarke,
                Fauré, Franck, Gluck, Goss, Handel, Massenet, Mendelssohn, Mozart,
                Mussorgsky, Pachelbel, Parry, Poston, Purcell, Satie, Schubert,
                Stanford, Vivaldi, Wagner, Walton and Widor. Detailed track listing
                at end of review  NAXOS
                8.557246-47 [72:28
+ 72:26] [DJB]
 NAXOS
                8.557246-47 [72:28
+ 72:26] [DJB]
        Would
              this help a bride (and her mother) who felt they wanted music more
              significant than that of the pop diva of the moment?  I suspect
              it would … see Full Review 
          The Best of British, Vol. 1 
          Ralph VAUGHAN WILLIAMS (1872-1958) 
          Flourish for Wind Band (1939) [02:33] Percy 
          GRAINGER (1882-1961) Lincolnshire Posy (ed. Fennell) 
          (1936) [17:37] Alun HODDINOTT 
          (b.1929) Welsh Airs and Dances (1975) [10:47] Gustav 
          HOLST (1874-1934) Japanese Suite (arr. John Boyd) (1916) 
          [11:08] Sir Edward ELGAR (1857-1934) 
          Pomp and Circumstance Marches op.39 (arr. M. Retford/Alfred Reed): 
          4 (1907) [05:09], 1 (1901) [06:11] GRAINGER  
          In a Nutshell: The Gum Suckers’ March (ed. R. Mark Rogers) (1914) [03:59]
 
          The Best of British, Vol. 1 
          Ralph VAUGHAN WILLIAMS (1872-1958) 
          Flourish for Wind Band (1939) [02:33] Percy 
          GRAINGER (1882-1961) Lincolnshire Posy (ed. Fennell) 
          (1936) [17:37] Alun HODDINOTT 
          (b.1929) Welsh Airs and Dances (1975) [10:47] Gustav 
          HOLST (1874-1934) Japanese Suite (arr. John Boyd) (1916) 
          [11:08] Sir Edward ELGAR (1857-1934) 
          Pomp and Circumstance Marches op.39 (arr. M. Retford/Alfred Reed): 
          4 (1907) [05:09], 1 (1901) [06:11] GRAINGER  
          In a Nutshell: The Gum Suckers’ March (ed. R. Mark Rogers) (1914) [03:59] 
           Tokyo Kosei Wind 
          Orchestra/Douglas Bostock rec. 21-22 October 2003, Sun Azalea, Saitama, 
          Japan
 Tokyo Kosei Wind 
          Orchestra/Douglas Bostock rec. 21-22 October 2003, Sun Azalea, Saitama, 
          Japan  KOSEI PUBLISHING 
          COMPANY KOCD-8011 [57:46][CH]
 KOSEI PUBLISHING 
          COMPANY KOCD-8011 [57:46][CH]
        A 
          programme which should encourage foreigners to explore British music 
          while at the same time providing some rarer items for the British collector. 
          ... see Full Review
         The Best Of British, Vol. 2 
          Gustav HOLST (1874-1934) 
          First Suite in E flat op.28/1 (ed. Colin Matthews) (1909) [09:56] 
          Second Suite in F op.28/2 (ed. Colin Matthews) (1911) [11:28] Frank 
          BRIDGE (1879-1941) The Pageant of London (ed. P. Hindmarsh) 
          (1911) [13:17] Frederic AUSTIN (1872-1952) 
          Music for the Pageant of London (ed. J. Lee-Browne/D. Bostock) (1911) 
          [07:36] Sir Arthur BLISS (1891-1975) 
          Checkmate – Suite (arr. Gerrard Williams) (1937): The Red Knight’s 
          Mazurka [02:52], Funeral Procession of the Black Knight [02:10], 
          Dance of the Four Knights [03:04] Alan 
          BUSH (1900-1995) Scherzo op.68 (1969) [10:48] Percy 
          GRAINGER (1882-1961) Irish Tune from County Derry (1911) 
          [04:13] Eric COATES (1886-1957) The 
          Dam Busters March (arr. W.J. Duthoit) (1954) [03:52]
 
          The Best Of British, Vol. 2 
          Gustav HOLST (1874-1934) 
          First Suite in E flat op.28/1 (ed. Colin Matthews) (1909) [09:56] 
          Second Suite in F op.28/2 (ed. Colin Matthews) (1911) [11:28] Frank 
          BRIDGE (1879-1941) The Pageant of London (ed. P. Hindmarsh) 
          (1911) [13:17] Frederic AUSTIN (1872-1952) 
          Music for the Pageant of London (ed. J. Lee-Browne/D. Bostock) (1911) 
          [07:36] Sir Arthur BLISS (1891-1975) 
          Checkmate – Suite (arr. Gerrard Williams) (1937): The Red Knight’s 
          Mazurka [02:52], Funeral Procession of the Black Knight [02:10], 
          Dance of the Four Knights [03:04] Alan 
          BUSH (1900-1995) Scherzo op.68 (1969) [10:48] Percy 
          GRAINGER (1882-1961) Irish Tune from County Derry (1911) 
          [04:13] Eric COATES (1886-1957) The 
          Dam Busters March (arr. W.J. Duthoit) (1954) [03:52]  Tokyo Kosei Wind Orchestra/Douglas Bostock rec. 21-22 October 2004, 
          Sun Azalea, Saitama, Japan
 
          Tokyo Kosei Wind Orchestra/Douglas Bostock rec. 21-22 October 2004, 
          Sun Azalea, Saitama, Japan  KOSEI PUBLISHING COMPANY KOCD-8012 [69:32][CH]
 
          KOSEI PUBLISHING COMPANY KOCD-8012 [69:32][CH] 
        The 
          Holst Suites are enough on their own to make purchase essential and 
          the performances are superb. ... see Full 
          Review
         The Best of British, Vol. 3 
          Edward GREGSON (b.1945) 
          Festivo (1985) [04:59] Alan BUSH (1900-1995) 
          Dance Overture, op.12 (1930) [09:56] Ralph 
          VAUGHAN WILLIAMS (1872-1958) English Folk Song Suite (4-movement 
          version, 1923) [14:33] Percy GRAINGER (1882-1961) 
          The Lads of Wamphray March (1904, rev.1938, ed. Kreines) [07:33] 
          Gordon JACOB (1895-1984) Giles 
          Farnaby Suite (1922) [18:39] Philip SPARKE 
          (b.1951) Gaudium: Concert Piece for Wind Symphony Orchestra  
          (1974) [07:39] Sir Henry WALFORD DAVIES (1869-1941) 
          Royal Air Force March Past (arr. Dyson, 1918) [03:05]
 
          The Best of British, Vol. 3 
          Edward GREGSON (b.1945) 
          Festivo (1985) [04:59] Alan BUSH (1900-1995) 
          Dance Overture, op.12 (1930) [09:56] Ralph 
          VAUGHAN WILLIAMS (1872-1958) English Folk Song Suite (4-movement 
          version, 1923) [14:33] Percy GRAINGER (1882-1961) 
          The Lads of Wamphray March (1904, rev.1938, ed. Kreines) [07:33] 
          Gordon JACOB (1895-1984) Giles 
          Farnaby Suite (1922) [18:39] Philip SPARKE 
          (b.1951) Gaudium: Concert Piece for Wind Symphony Orchestra  
          (1974) [07:39] Sir Henry WALFORD DAVIES (1869-1941) 
          Royal Air Force March Past (arr. Dyson, 1918) [03:05]  Tokyo Kosei Wind Orchestra/Douglas Bostock rec. 17-18 October 2005, 
          Sun Azalea, Saitama
 
          Tokyo Kosei Wind Orchestra/Douglas Bostock rec. 17-18 October 2005, 
          Sun Azalea, Saitama  KOSEI 
          PUBLISHING COMPANY KOCD-8013 [67:06][CH]
 KOSEI 
          PUBLISHING COMPANY KOCD-8013 [67:06][CH]
        Vaughan 
          Williams, Grainger and Sparke are the highlights of this volume. ... 
          see Full Review 
        British 
          Cinema and Theatre Orchestras – Volume 2  GUILD GLCD 5122 
          [76:33] [RW]
 
          GUILD GLCD 5122 
          [76:33] [RW]
        This 
          disc pays tribute to the music in vogue during 
          that blossoming period of the talkies. ... 
          see Full 
          Review 
British 
          Tuba Concertos Edward 
          GREGSON (b. 1945) Tuba Concerto (1978) 
          [18:52] Roger STEPTOE (b. 1953) 
          Tuba Concerto (1983) [14:49] Ralph VAUGHAN 
          WILLIAMS (1872-1958) Tuba Concerto in F minor (1954) [12:54] 
          John GOLLAND (1946-1993) Tuba 
          Concerto Op. 46 (1980s) [17:41]  James Gourlay (tuba) Royal Ballet Sinfonia/Gavin Sutherland rec. 3-5 
          Jan 2004, Phoenix Sound, Wembley. DDD
 
          James Gourlay (tuba) Royal Ballet Sinfonia/Gavin Sutherland rec. 3-5 
          Jan 2004, Phoenix Sound, Wembley. DDD  NAXOS 8.557754 [64:15][RB]
 
          NAXOS 8.557754 [64:15][RB]
        Four 
          compact British tuba concertos with the solo 
          instrument a stylish and lyrical singer ... 
          see Full 
          Review
         
          From Byzantium 
          to Andalusia. 
          Medieval Music and Poetry 
          ANONYMOUS 
          Kyrie eleison (Christian-Arabic Tradition, 
          Lebanon) [3:21] Fa mi cantar l'amor di la 
          beata (Laudario di Cortona (Ms. 91, Biblioteca 
          Comunale di Cortona)) [6:47] De la crudel 
          morte de Cristo (Laudario di Cortona (Ms. 
          91, Biblioteca Comunale di Cortona)) [1:59] 
          Laude novella(Laudario di Cortona (Ms. 91, 
          Biblioteca Comunale di Cortona)) [3:49] Sallalahu 
          ala Muhammed (Yunus Emre (Ilahileri), Turkey, 
          13th century) [4:42] Pesrev (Yunus Emre (Ilahileri), 
          Turkey, 13th century) [1:29] Ey Derviccsler 
          (Yunus Emre (Ilahileri), Turkey, 13th century) 
          [4:59] Plangiamo quel crudel basciare(Laudario 
          di Cortona (Ms. 91, Biblioteca Comunale di 
          Cortona)) [4:07] Venite a laudare (Laudario 
          di Cortona (Ms. 91, Biblioteca Comunale di 
          Cortona)) [2:40] Keh Moshe (Traditional Jewish, 
          12th century [1:44] Adon Haselihot (Traditional 
          Sephardic, pre-1492) [3:21] Galeas, mis galeas 
          (Traditional Sephardic, pre-1492) [3:48] Jalla 
          man (Traditional Andalusian School) [4:07] 
          Stella splendens in monte (Llibre Vermell 
          de Montserrat, Catalonia, 14th century) [8:23] 
          O Maria, d'omelia (Laudario di Cortona (Ms. 
          91, Biblioteca Comunale di Cortona)) [5:00] 
          Peter Rabanser (voice, bagpipe, duduk, ud) 
          Belinda Sykes (voice) Jeremy Avis (voice) 
           Oni Wytars Ensemble rec. Grosse Sendesaal, 
          Hessischer Rundfunk, Frankfurt, December 2001
 
          Oni Wytars Ensemble rec. Grosse Sendesaal, 
          Hessischer Rundfunk, Frankfurt, December 2001 
           NAXOS 8.557637 [60.25] [JW]
 
          NAXOS 8.557637 [60.25] [JW]
        The 
          plausibility of the performances lies in their 
          subsuming of the scholarly to the practical 
          and in the living current of the performances, 
          both joyous and reflective. ... see Full 
          Review 
         Calliope: 
          Volume the First - 
          see review for content details 
          -
Calliope: 
          Volume the First - 
          see review for content details 
          - Emma Curtis ((contralto), The Frolick: 
          Andrew McGinley (baroque lute, baroque guitar, 
          theorbo), Markus Mőllenbeck (baroque 
          cello), Giovanni Pessi (baroque harp), Muriel 
          Bardon, Natia Gvilava (baroque violins), Annie 
          Laflamme (transverse flute) rec.15-16, 20, 
          22 December 2005, 12 January 2006, Herz Jesu 
          Kirche, Stuttgart. DDD
 
          Emma Curtis ((contralto), The Frolick: 
          Andrew McGinley (baroque lute, baroque guitar, 
          theorbo), Markus Mőllenbeck (baroque 
          cello), Giovanni Pessi (baroque harp), Muriel 
          Bardon, Natia Gvilava (baroque violins), Annie 
          Laflamme (transverse flute) rec.15-16, 20, 
          22 December 2005, 12 January 2006, Herz Jesu 
          Kirche, Stuttgart. DDD  AVIE AV2102 [73:26 + 73:33] [GPu]
 
          AVIE AV2102 [73:26 + 73:33] [GPu]
        Engaging, 
          intelligent performances of little-known English 
          songs, many of which have a distinctive charm 
          and power … see Full 
          Review 
         Helen 
          Callus (viola) Ralph VAUGHAN 
          WILLIAMS (1872-1958) 
          Suite for viola and orchestra Group I only (1934) 
          [7:53] Herbert HOWELLS (1892-1983) 
          Elegy for viola, string quartet and string orchestra (1917) [10:37] 
          William WALTON (1902-1983) Viola 
          Concerto in A minor (1928-29, rev 1962) [27:31] York 
          BOWEN (1884-1961) Viola Concerto in C minor, Op.25 (1907) 
          [31:51] (cadenza by Helen Callus)
 Helen 
          Callus (viola) Ralph VAUGHAN 
          WILLIAMS (1872-1958) 
          Suite for viola and orchestra Group I only (1934) 
          [7:53] Herbert HOWELLS (1892-1983) 
          Elegy for viola, string quartet and string orchestra (1917) [10:37] 
          William WALTON (1902-1983) Viola 
          Concerto in A minor (1928-29, rev 1962) [27:31] York 
          BOWEN (1884-1961) Viola Concerto in C minor, Op.25 (1907) 
          [31:51] (cadenza by Helen Callus)  Helen Callus (viola) solo string quartet (principals of the NZSO): Vesaa-Matti 
          Leppanen (violin); David Gilling (violin); Vyvyan Yendoll  (viola); 
          David Chickering (cello) New Zealand Symphony Orchestra/Marc Taddei 
          rec. Michael Fowler Center Auditorium, Wellington, New Zealand, 9-11 
          February 2005. DDD
 
          Helen Callus (viola) solo string quartet (principals of the NZSO): Vesaa-Matti 
          Leppanen (violin); David Gilling (violin); Vyvyan Yendoll  (viola); 
          David Chickering (cello) New Zealand Symphony Orchestra/Marc Taddei 
          rec. Michael Fowler Center Auditorium, Wellington, New Zealand, 9-11 
          February 2005. DDD  ASV 
          CD DCA 1181 [78:24][RB]
 ASV 
          CD DCA 1181 [78:24][RB]
        An 
          admirable anthology of British viola concertos … valuably and enjoyably 
          widens our experience of British composers' approaches to the viola 
          concerto .... see Full Review
        Cello, 
          Celli! 
          Dave BRUBECK (b.1920) 
          Elegy [7:45] God’s Love Made Visible [3:28] Cello, Celli! [11:25] The 
          Desert and the Parched Land [4:29] Regret [7:11] J.S. 
          BACH (1685-1750) Brandenburg Concerto No.6 [16:02] Jesus 
          Christ! Je t’implore [2:57] Brandenburg Concerto No.3 [11:49]  The Yale Cellos/Aldo Parisot rec. Morse Recital Hall, Sprague Memorial 
          Hall, The School of Music, Yale University, Connecticut, 1-5 April, 
          2004. DDD
 
          The Yale Cellos/Aldo Parisot rec. Morse Recital Hall, Sprague Memorial 
          Hall, The School of Music, Yale University, Connecticut, 1-5 April, 
          2004. DDD  NAXOS 8.557816 
          [65:10] [SA]
 NAXOS 8.557816 
          [65:10] [SA]
        Once
              again Naxos has gone where other record companies might fear to
              tread and thus we can explore repertoire we might otherwise never
              get to hear. ... see Full Review 
         Chimera 
          Hugh WOOD (b.1932) 
          Poem Op.35 (1993) [7:49] Huw WATKINS 
          (b.1976) Corusaction; Reflection (1998) [6:41] Timothy 
          SALTER (b.1942) Chimera (2003) [11:25] Philip 
          CASHIAN (b.1963) Stobrod's Violin (1999) [7:03] Helen 
          GRIME (b.1981) Romance (2003) [3:59] Colin 
          MATTHEWS (b.1946) Chaconne with Chorale; Moto Perpetuo (1988) 
          [5:55] Michael Zev GORDON (b.1963) 
          False Relations (1994) [9:33] Daniel GIORGETTI 
          (b.1971) Dialogue (2000) [6:38]
 
           Chimera 
          Hugh WOOD (b.1932) 
          Poem Op.35 (1993) [7:49] Huw WATKINS 
          (b.1976) Corusaction; Reflection (1998) [6:41] Timothy 
          SALTER (b.1942) Chimera (2003) [11:25] Philip 
          CASHIAN (b.1963) Stobrod's Violin (1999) [7:03] Helen 
          GRIME (b.1981) Romance (2003) [3:59] Colin 
          MATTHEWS (b.1946) Chaconne with Chorale; Moto Perpetuo (1988) 
          [5:55] Michael Zev GORDON (b.1963) 
          False Relations (1994) [9:33] Daniel GIORGETTI 
          (b.1971) Dialogue (2000) [6:38]  Alexandra Wood (violin) Huw Watkins (piano) rec. 2005, Norden Farm, 
          Maidenhead, Berkshire
 
          Alexandra Wood (violin) Huw Watkins (piano) rec. 2005, Norden Farm, 
          Maidenhead, Berkshire  USK RECORDINGS USK 1226CD [60:12][DC]
 
          USK RECORDINGS USK 1226CD [60:12][DC]
        I 
          wish to compliment Wood and Watkins on their musicianship and excellent 
          taste in providing us with such an intriguing and stimulating programme 
          of new music. Thumbs up to such an enterprising release. ... see Full 
          Review
         Clemens non Papa – Priest and bon 
          vivant 
          Jacobus VAET (1529 
          - 1567) Continuo lacrimas [3.06] (4) Jacobus 
          CLEMENS (Clemens non Papa) c.1510–c.1556) Si mors dissolvit 
          [3.43] (1) Jacobus CLEMENS (Clemens non 
          Papa)/Antonio de CABAZON (c.1510-1566) 
          Cancion francesca [1.59] (3) Anonymous 
          Amy helas [1.14] (2) SANDRIN 
          (Pierre Regnault) (c.1490–c.1561) Elas amy [1.49] 
          (2) Jacobus CLEMENS (Clemens non Papa) Adieu 
          delices de mon coeur [3.28] (4); Godt es mijn licht [1.51] 
          (1); Jacobus CLEMENS (Clemens non Papa)/ 
          Elias Nicolaus AMMERBACH (1530 –1597) 
          Godt es mijn licht [2.39] (3) Jacobus 
          FLORI (1569–1599) Godt es mijn licht [2.05] (4) Enriquez 
          de VALDERRABANO (c.1500–1557) Fantasia I [1.27]; Sonetto 
          [1.12] (2); Petercken sprack tho Petercken [2.35] 
          (3); Fantasia II [1.19] (2) Thomas 
          CRECQUILLON (c.1490–1557?) Dedens Tournay [1.28] (1) 
          Anonymous / 
          Piet STRIJKERS Suite after Sebastian Vreedman [3.18] 
          (4) Jacobus CLEMENS (Clemens non Papa) (c. 
          1510–c. 1556) La, la, la Maister Pierre [1.39] (1); Iuvons beau jour [2.28] (4); De lustelijcke mey [1.13]; Frisque et 
          gaillart [1.46] (1); Jacobus CLEMENS 
          (Clemens non Papa) (c. 1510–c. 1556) / Giovanni Bassano (1558 - 1617) Frisque et gaillart 
          [3.16] (3) Jacobus CLEMENS (Clemens non 
          Papa) (c. 1510–c. 1556) Te schepe waert gaan [1.21] 
          (1) Antonio de CABAZON (c.1510-1566) 
          Diferencias sober la Pavana Italiana [3.24] (3) Thomas 
          CRECQUILLON (c.1490–1557?) Oncques amour me fut [1.21] 
          (2) Jacobus CLEMENS (Clemens non Papa) (c. 
          1510–c. 1556) Domine quando veneris [5.35] (1) Paulus 
          BARONUS (?) Fantasia [4.41] (2) Hernando 
          de CABEZON (1541 – 1602) Je prens en grey (Glossada) 
          [3.33] (3)
 
          Clemens non Papa – Priest and bon 
          vivant 
          Jacobus VAET (1529 
          - 1567) Continuo lacrimas [3.06] (4) Jacobus 
          CLEMENS (Clemens non Papa) c.1510–c.1556) Si mors dissolvit 
          [3.43] (1) Jacobus CLEMENS (Clemens non 
          Papa)/Antonio de CABAZON (c.1510-1566) 
          Cancion francesca [1.59] (3) Anonymous 
          Amy helas [1.14] (2) SANDRIN 
          (Pierre Regnault) (c.1490–c.1561) Elas amy [1.49] 
          (2) Jacobus CLEMENS (Clemens non Papa) Adieu 
          delices de mon coeur [3.28] (4); Godt es mijn licht [1.51] 
          (1); Jacobus CLEMENS (Clemens non Papa)/ 
          Elias Nicolaus AMMERBACH (1530 –1597) 
          Godt es mijn licht [2.39] (3) Jacobus 
          FLORI (1569–1599) Godt es mijn licht [2.05] (4) Enriquez 
          de VALDERRABANO (c.1500–1557) Fantasia I [1.27]; Sonetto 
          [1.12] (2); Petercken sprack tho Petercken [2.35] 
          (3); Fantasia II [1.19] (2) Thomas 
          CRECQUILLON (c.1490–1557?) Dedens Tournay [1.28] (1) 
          Anonymous / 
          Piet STRIJKERS Suite after Sebastian Vreedman [3.18] 
          (4) Jacobus CLEMENS (Clemens non Papa) (c. 
          1510–c. 1556) La, la, la Maister Pierre [1.39] (1); Iuvons beau jour [2.28] (4); De lustelijcke mey [1.13]; Frisque et 
          gaillart [1.46] (1); Jacobus CLEMENS 
          (Clemens non Papa) (c. 1510–c. 1556) / Giovanni Bassano (1558 - 1617) Frisque et gaillart 
          [3.16] (3) Jacobus CLEMENS (Clemens non 
          Papa) (c. 1510–c. 1556) Te schepe waert gaan [1.21] 
          (1) Antonio de CABAZON (c.1510-1566) 
          Diferencias sober la Pavana Italiana [3.24] (3) Thomas 
          CRECQUILLON (c.1490–1557?) Oncques amour me fut [1.21] 
          (2) Jacobus CLEMENS (Clemens non Papa) (c. 
          1510–c. 1556) Domine quando veneris [5.35] (1) Paulus 
          BARONUS (?) Fantasia [4.41] (2) Hernando 
          de CABEZON (1541 – 1602) Je prens en grey (Glossada) 
          [3.33] (3)  Capilla Flamenca 
          (Marnix de Cat – countertenor, Jan Caals – tenor, Lleven Termont – baritone, 
          Dirk Snellings – bass) (1); Jan van Outens (lute) (2); Joris Verdin 
          (organ) (3); La Caccia (Patrick Denecker – pommer, recorder, Mirella 
          Rulgrok – pommer, dulcian, Marleen Leicher – cornett, Christian Braun 
          – trombone, Dani Pelagatti – pommer, shawn, dulcian – Bernhard Stilz 
          – dulcian) (4) rec. 26-29 April 2005, Parkabdij, Heverlee
 Capilla Flamenca 
          (Marnix de Cat – countertenor, Jan Caals – tenor, Lleven Termont – baritone, 
          Dirk Snellings – bass) (1); Jan van Outens (lute) (2); Joris Verdin 
          (organ) (3); La Caccia (Patrick Denecker – pommer, recorder, Mirella 
          Rulgrok – pommer, dulcian, Marleen Leicher – cornett, Christian Braun 
          – trombone, Dani Pelagatti – pommer, shawn, dulcian – Bernhard Stilz 
          – dulcian) (4) rec. 26-29 April 2005, Parkabdij, Heverlee  ETCETERA KTC 1287 [63.20] [RH]
 
          ETCETERA KTC 1287 [63.20] [RH]
        Pierre
              Phalese might not be known to you, but this charming disc provides
              an enjoyable means to learn more about the music printed by this
              influential publisher. ... see Full
              Review 
         
  Czech
                Avant-Garde
                Piano Music: 1918-1938 Pavel
                HAAS (1899-1944) Suite Op.13 (1935) [14.29] Jaroslav
                JEŽEK (1906-1942) Bugatti-Step (1931) [3.35] Bagatelles
                (1933) [13.20]
Equatorial Rag (1929) [2.01] Erwin SCHULHOFF (1894-1942) Five
Pittoresken Op.31 (1919) [17.08] Frantisek
E BURIAN (1904-1959) Waltz (1937) [1.40] Leoš JANÁČEK (1854-1928) Kleinseiten-Palais – Andante
(1927)
Untitled [0.39] Melodie (c.1923) [0.39] Nur blindes Schicksal?
(1927) [0.57] Der goldene Ring (1928) [0.31] Ich erwarte
Dich (1928) [1.38] Bohuslav MARTINŮ (1890-1959) Par T.S.F (1924) [1.01] Instructive
Duo for the Nervous film en miniature (1925) [0.51] Tango [2.33] Scherzo [1.37]
Berceuse [4.02] Valse [1.50] Chanson [1.38]
Carillon [1.40]
 Czech
                Avant-Garde
                Piano Music: 1918-1938 Pavel
                HAAS (1899-1944) Suite Op.13 (1935) [14.29] Jaroslav
                JEŽEK (1906-1942) Bugatti-Step (1931) [3.35] Bagatelles
                (1933) [13.20]
Equatorial Rag (1929) [2.01] Erwin SCHULHOFF (1894-1942) Five
Pittoresken Op.31 (1919) [17.08] Frantisek
E BURIAN (1904-1959) Waltz (1937) [1.40] Leoš JANÁČEK (1854-1928) Kleinseiten-Palais – Andante
(1927)
Untitled [0.39] Melodie (c.1923) [0.39] Nur blindes Schicksal?
(1927) [0.57] Der goldene Ring (1928) [0.31] Ich erwarte
Dich (1928) [1.38] Bohuslav MARTINŮ (1890-1959) Par T.S.F (1924) [1.01] Instructive
Duo for the Nervous film en miniature (1925) [0.51] Tango [2.33] Scherzo [1.37]
Berceuse [4.02] Valse [1.50] Chanson [1.38]
Carillon [1.40]  Steffen Schleiermacher
(piano)
rec. December 2001, unspecified location. DDD
 Steffen Schleiermacher
(piano)
rec. December 2001, unspecified location. DDD MUSIKPRODUKTION
DABRINGHAUS
UND GRIMM MDG 613 1158-2 [73.42] [JW]
 MUSIKPRODUKTION
DABRINGHAUS
UND GRIMM MDG 613 1158-2 [73.42] [JW]
        This
              disc has a life-affirming strength to it. There’s latitude in this
              repertoire for a variety of responses but if you want Ježek you
              must have Novotny. ... see Full
              Review
         Dancing 
          with the Orchestra - 
          Transcriptions by Stravinsky, Bartók, Falla, 
          Ravel Igor STRAVINSKY (1882-1971) 
          Petrushka - Three movements (1910-11, arr. composer, 1921) Danse 
          russe [2.49]; Chez Pétrouchka [05.32]; La semaine grasse [09.09] Béla 
          BARTÓK (1881-1945)  Dance Suite for orchestra, Sz 
          77 (1923 arr. composer, 1925) [16.34] Manuel 
          de FALLA (1876-1946) El amor brujo (Love the Magician) 
          - Three Scenes (1914-15 arr. composer, 1916) Pantomime [04.17]; Dance 
          of Terror [02.20]; Ritual Fire Dance [04.10] Maurice 
          RAVEL (1875-1937) La Valse (1920) [13.54]
 Dancing 
          with the Orchestra - 
          Transcriptions by Stravinsky, Bartók, Falla, 
          Ravel Igor STRAVINSKY (1882-1971) 
          Petrushka - Three movements (1910-11, arr. composer, 1921) Danse 
          russe [2.49]; Chez Pétrouchka [05.32]; La semaine grasse [09.09] Béla 
          BARTÓK (1881-1945)  Dance Suite for orchestra, Sz 
          77 (1923 arr. composer, 1925) [16.34] Manuel 
          de FALLA (1876-1946) El amor brujo (Love the Magician) 
          - Three Scenes (1914-15 arr. composer, 1916) Pantomime [04.17]; Dance 
          of Terror [02.20]; Ritual Fire Dance [04.10] Maurice 
          RAVEL (1875-1937) La Valse (1920) [13.54]  Davide Cabassi (piano) rec. 17-19 December 2004, Studio 1, Bayerischer 
          Rundfunk, Munich, Germany. DDD
 
          Davide Cabassi (piano) rec. 17-19 December 2004, Studio 1, Bayerischer 
          Rundfunk, Munich, Germany. DDD  ARTE NOVA CLASSICS 82876 76969-2 [59.02][MC]
 
          ARTE NOVA CLASSICS 82876 76969-2 [59.02][MC]
        A 
          very enjoyable recital from Davide Cabassi who is certainly a name to 
          follow. ... see Full Review
        Danny 
          Boy – 
          the Immortal Irish Song: Nineteen arrangements and 
          interpretations of Danny Boy and its melody The Londonderry 
          Air Arranged Frederick E Weatherley 
          [3.39]  Paul McMahon (tenor) Andrew Greene (piano) Arranged Percy 
          Grainger, adapted Sean O’Boyle 
          [4.15] Jane Rutter (flute) Queensland Orchestra/Sean O’Boyle 
          Arranged Leo Arnaud [2.43] Judy 
          Garland/MGM Studio Orchestra/Georgie Stoll Arranged Carlos 
          Salzedo [3.38] Alice Giles (harp) Anonymous 
          arrangers Mario Lanza (tenor) Orchestra/Ray Sinatra [3.02] 
          Bing Crosby/John Scott Trotter and his Orchestra [3.20] Arranged Percy 
          Grainger {Irish Tune from County Derry] Sydney Symphony Orchestra/Stuart 
          Challender [3.57] Arranged Fritz Kreisler 
          [3.46] Fritz Kreisler (violin) Victor Symphony Orchestra/Donald Voorhees 
          Arranged George Sigerson [as Far 
          Away] [2.22] Glasgow Orpheus Choir/Sir Hugh Roberton Arranged Douglas 
          Gamley [3.33] Yvonne Kenny (soprano) Melbourne Symphony Orchestra/Vladimir 
          Kamirski Arranged Percy Grainger 
          adapted Fiona Walsh [2.55] Guitar 
          Trek Arranged Percy Grainger for 
          piano [3.20] Leslie Howard (piano) Arranged Lyle 
          Chan [3.50] Cantillation/Paul McMahon (tenor)/Brett Weymark 
          Arranged Percy Grainger for orchestra 
          [5.29] Melbourne Symphony Orchestra/Geoffrey Simon Arranged Percy 
          Grainger for chorus [4.11] Sydney Philharmonia Motet Choir/Anthony 
          Walker Arranged John McCormack 
          [3.23] John McCormack (tenor) Edwin Schneider (piano) Arranged Larry 
          Adler [3.09] Larry Adler (harmonica) studio trio Arranged 
          Glenn Miller and Chummy 
          MacGregor [2.20] Glenn Miller Orchestra Arranged Tony 
          Gould [6.11] Tony Gould (piano) rec. 1935-2006
 
          Paul McMahon (tenor) Andrew Greene (piano) Arranged Percy 
          Grainger, adapted Sean O’Boyle 
          [4.15] Jane Rutter (flute) Queensland Orchestra/Sean O’Boyle 
          Arranged Leo Arnaud [2.43] Judy 
          Garland/MGM Studio Orchestra/Georgie Stoll Arranged Carlos 
          Salzedo [3.38] Alice Giles (harp) Anonymous 
          arrangers Mario Lanza (tenor) Orchestra/Ray Sinatra [3.02] 
          Bing Crosby/John Scott Trotter and his Orchestra [3.20] Arranged Percy 
          Grainger {Irish Tune from County Derry] Sydney Symphony Orchestra/Stuart 
          Challender [3.57] Arranged Fritz Kreisler 
          [3.46] Fritz Kreisler (violin) Victor Symphony Orchestra/Donald Voorhees 
          Arranged George Sigerson [as Far 
          Away] [2.22] Glasgow Orpheus Choir/Sir Hugh Roberton Arranged Douglas 
          Gamley [3.33] Yvonne Kenny (soprano) Melbourne Symphony Orchestra/Vladimir 
          Kamirski Arranged Percy Grainger 
          adapted Fiona Walsh [2.55] Guitar 
          Trek Arranged Percy Grainger for 
          piano [3.20] Leslie Howard (piano) Arranged Lyle 
          Chan [3.50] Cantillation/Paul McMahon (tenor)/Brett Weymark 
          Arranged Percy Grainger for orchestra 
          [5.29] Melbourne Symphony Orchestra/Geoffrey Simon Arranged Percy 
          Grainger for chorus [4.11] Sydney Philharmonia Motet Choir/Anthony 
          Walker Arranged John McCormack 
          [3.23] John McCormack (tenor) Edwin Schneider (piano) Arranged Larry 
          Adler [3.09] Larry Adler (harmonica) studio trio Arranged 
          Glenn Miller and Chummy 
          MacGregor [2.20] Glenn Miller Orchestra Arranged Tony 
          Gould [6.11] Tony Gould (piano) rec. 1935-2006  ABC CLASSICS 476 9238 [69.08][JW]
 
          ABC CLASSICS 476 9238 [69.08][JW]
        You’d 
          have to be very partial to this immortal tune to sit through an hour 
          and ten minutes of it ... partial and possibly deranged ... see Full 
          Review
         Placido Domingo: Great 
          Scenes 
          Johann STRAUSS (1825 – 1899) Die 
          Fledermaus: Celeste Aida Giuseppe 
          VERDI (1813 – 1901) Ernani: Dell’esiglio nel dolore; 
          A te, scegli, seguimi Giacomo PUCCINI 
          (1858 – 1924) Manon Lescaut: Mi tradisce 
          il tuo folle pensier; Ah, non vi avvicinate; Vedi, vedi, 
          son io che piango Jacques OFFENBACH 
          (1819 – 1880) Les contes d’Hoffmann: Il était une fois à la cour d’Eisenach!; Ils
          se sont éloignés enfin! 
          Giacomo PUCCINI La fanciulla del West: Una parola sola!; 
          Ch’ella mi creda Umberto GIORDANO 
          (1867 – 1948) Andrea Chénier: Si, fu soldato; 
          Come un bel di di maggio; Vicino a te
 
              Placido Domingo: Great 
          Scenes 
          Johann STRAUSS (1825 – 1899) Die 
          Fledermaus: Celeste Aida Giuseppe 
          VERDI (1813 – 1901) Ernani: Dell’esiglio nel dolore; 
          A te, scegli, seguimi Giacomo PUCCINI 
          (1858 – 1924) Manon Lescaut: Mi tradisce 
          il tuo folle pensier; Ah, non vi avvicinate; Vedi, vedi, 
          son io che piango Jacques OFFENBACH 
          (1819 – 1880) Les contes d’Hoffmann: Il était une fois à la cour d’Eisenach!; Ils
          se sont éloignés enfin! 
          Giacomo PUCCINI La fanciulla del West: Una parola sola!; 
          Ch’ella mi creda Umberto GIORDANO 
          (1867 – 1948) Andrea Chénier: Si, fu soldato; 
          Come un bel di di maggio; Vicino a te  see review for details
 
          see review for details  WARNER MUSIC VISION 50-51011-2771-2-2 DVD
 
          WARNER MUSIC VISION 50-51011-2771-2-2 DVD  [57:00] [GF]
 
        [57:00] [GF]
        This 
          Domingo compilation is definitely worth a 
          visit to the nearest DVD store. ... see Full 
          Review 
         Donaueschinger
                Musiktage 2004 Andreas DOHMEN (b.
                1962) Lautung (2003/4) [16:34]* Rebecca
                SAUNDERS (b. 1967) Miata (2004) [32:14]** Michel
                VAN DER AA (b. 1970) Second Self (2004) [14:25]* Pierluigi
                BILLONE (b. 1960)  Mani,
                de Leonardis, Hands (2004) [15:54] ***  Christian
                Dierstein (percussionist)*** Neue Vocalsolisten Stuttgart/Roland
                Kluttig* SWR Vokalensemble Stuttgart** SWR Sinfonieorchester
                Baden Baden und Freiburg/Hans Zender** rec. live, Donaueschinger
                Musiktage, October 2004. DDD
 Christian
                Dierstein (percussionist)*** Neue Vocalsolisten Stuttgart/Roland
                Kluttig* SWR Vokalensemble Stuttgart** SWR Sinfonieorchester
                Baden Baden und Freiburg/Hans Zender** rec. live, Donaueschinger
                Musiktage, October 2004. DDD  COL
                LEGNO WWE 1CD 20245 [79:09]
[AO]
 COL
                LEGNO WWE 1CD 20245 [79:09]
[AO]
        The
              Donaueschinger Musiktage have been the cutting edge festival for
              new music since 1921 ... see Full
              Review 
         Jacqueline
                du Pré Edward ELGAR (1857-1934) Cello
                Concerto, op. 85. (1919) [30.02] Johann
                Sebastian BACH (1685-1750) Suites for Cello, BWV1007-12
                (c.1721) No. 1 in G, BWV1007 [19.48] No. 2 in D minor, BWV1008
                [21.41]  Jacqueline
                Du Pré, cello, BBC Symphony Orchestra/Sir John Barbirolli (Elgar)
                rec live, Prague, 3 January 1967 (Stereo BBC recording) (Elgar);
                London, 1962, (Mono BBC Studio) (Bach). ADD
 Jacqueline
                Du Pré, cello, BBC Symphony Orchestra/Sir John Barbirolli (Elgar)
                rec live, Prague, 3 January 1967 (Stereo BBC recording) (Elgar);
                London, 1962, (Mono BBC Studio) (Bach). ADD  TESTAMENT
                HISTORICAL SBT 1388 [71.38] [DRD]
 TESTAMENT
                HISTORICAL SBT 1388 [71.38] [DRD]
        I’m
              pleased that this has been released but it falls into the Interesting
              rather than Essential category and effectively offers only 30 minutes
              of worthwhile listening. ... see Full
              Review 
         
           Experiments
           on a MARCH Charles
           IVES (1874-1954) Country Band March
           (c.1903) [4:24] Henry PURCELL (1659-1695) Funeral
           Music for Queen Mary (1695) [8:36] Mauricio
           KAGEL (b.1931) Zehn Märsche um den Sieg zu verfehlen (1978-79)
           (Marsch 1-4) [6:56] Richard WAGNER (1813-1883) Huldigungsmarsch,
           WWV 97 (1864) [5:42] Mauricio KAGEL  Zehn
           Märsche um den Sieg zu verfehlen (Marsch 5-8) [5:53] Richard
           WAGNER  Trauermusik, WWV 73 (1844) [5:14] Mauricio
           KAGEL Zehn Märsche um den Sieg zu verfehlen (Marsch
           9 & 10) [4:12] Anton BRUCKNER (1824-1896) March
           in E flat major, WAB 116 (1865) [2:53] Kurt
           WEILL (1900-1950) Berlin im Licht (1928) [1:26] Marcel
           WENGLER (b.1946) Versuche über einen Marsch (1981)
           [16:01]
 Experiments
           on a MARCH Charles
           IVES (1874-1954) Country Band March
           (c.1903) [4:24] Henry PURCELL (1659-1695) Funeral
           Music for Queen Mary (1695) [8:36] Mauricio
           KAGEL (b.1931) Zehn Märsche um den Sieg zu verfehlen (1978-79)
           (Marsch 1-4) [6:56] Richard WAGNER (1813-1883) Huldigungsmarsch,
           WWV 97 (1864) [5:42] Mauricio KAGEL  Zehn
           Märsche um den Sieg zu verfehlen (Marsch 5-8) [5:53] Richard
           WAGNER  Trauermusik, WWV 73 (1844) [5:14] Mauricio
           KAGEL Zehn Märsche um den Sieg zu verfehlen (Marsch
           9 & 10) [4:12] Anton BRUCKNER (1824-1896) March
           in E flat major, WAB 116 (1865) [2:53] Kurt
           WEILL (1900-1950) Berlin im Licht (1928) [1:26] Marcel
           WENGLER (b.1946) Versuche über einen Marsch (1981)
           [16:01]  Royal Northern
           College of Music Wind Orchestra/Clark Rundell rec. Studio 7, New Broadcasting
           House, Manchester, 6-7 May 2005. DDD
 Royal Northern
           College of Music Wind Orchestra/Clark Rundell rec. Studio 7, New Broadcasting
           House, Manchester, 6-7 May 2005. DDD  CHANDOS
          CHAN 10367 [62:17] [DC]
 CHANDOS
          CHAN 10367 [62:17] [DC]
        Extremely
              proficient and consummately professional and musical, a combination
              which makes this disc more listenable than some ‘prize-winning
              band’ discs I could name. ... see Full
              Review 
        Samuil Feinberg 
          (1890-1962) - In Sound 
            and Thought: Moscow recordings, 1948-1962 
           Samuil Feinberg (piano) rec. *Small Hall, 
            Moscow Conservatory, 22 January 1948; **1950s 
            unspecified; †1952; ††1961; ‡1962 ADD Mono, 
          §Stereo
 
          Samuil Feinberg (piano) rec. *Small Hall, 
            Moscow Conservatory, 22 January 1948; **1950s 
            unspecified; †1952; ††1961; ‡1962 ADD Mono, 
          §Stereo  ARBITER 146 [79:43] [AtOr]
 
          ARBITER 146 [79:43] [AtOr]
        Unknown 
          and private recordings from Samuil Feinberg, 
          legendary composer-pianist of the Soviet old 
          guard ... see Full 
          Review 
         The Great Female Pianists - Volume 
          3. Masters of the Piano Roll Series: 
          Fannie Bloomfield Zeisler (1863-1927)  Reproducing Piano Rolls 
          1908-24  Johann Sebastian BACH (1685-1750) 
          Organ Toccata and Fugue transcribed Tausig [8.36] Moritz 
          MOSZKOWSKI (1854-1925) Gondoliera Op.41 [4.21] Love Waltzes 
          Op.57 No.1 [4.17] La Jongleuse Op.52 No.4 [1.24] Christoph 
          Willibald von GLUCK (1714-1787) Orfeo –Melodie arranged Sgambati 
          [2.48] Eduard SCHÜTT (1856-1933)  
          Croquis et Silhouettes op 87 no 4 [2.36] Fryderyk 
          CHOPIN (1810-1849) Scherzo in B flat minor Op. 31 [11.07] 
          Nocturne in C sharp minor op 27 no 1 [4.22] Nocturne in D flat Op.27 
          No.2 [5.13] Nocturne in C minor Op.48 No.1 [5.35] Piano Sonata No.2 
          Op 35 [22.45]
 
          The Great Female Pianists - Volume 
          3. Masters of the Piano Roll Series: 
          Fannie Bloomfield Zeisler (1863-1927)  Reproducing Piano Rolls 
          1908-24  Johann Sebastian BACH (1685-1750) 
          Organ Toccata and Fugue transcribed Tausig [8.36] Moritz 
          MOSZKOWSKI (1854-1925) Gondoliera Op.41 [4.21] Love Waltzes 
          Op.57 No.1 [4.17] La Jongleuse Op.52 No.4 [1.24] Christoph 
          Willibald von GLUCK (1714-1787) Orfeo –Melodie arranged Sgambati 
          [2.48] Eduard SCHÜTT (1856-1933)  
          Croquis et Silhouettes op 87 no 4 [2.36] Fryderyk 
          CHOPIN (1810-1849) Scherzo in B flat minor Op. 31 [11.07] 
          Nocturne in C sharp minor op 27 no 1 [4.22] Nocturne in D flat Op.27 
          No.2 [5.13] Nocturne in C minor Op.48 No.1 [5.35] Piano Sonata No.2 
          Op 35 [22.45]  Fannie 
          Bloomfield Zeisler (piano) Piano Rolls made between 1907 and 1920
 Fannie 
          Bloomfield Zeisler (piano) Piano Rolls made between 1907 and 1920  DAL SEGNO DSPRCD 013 [73.58] The Great Female Pianists - Volume 
          4. Masters of the Piano Roll Series: Guiomar Novaes Isaac 
          ALBENIZ (1860-1909) Tango arranged Leopold 
          Godowsky [3.53] Felix MENDELSSOHN 
          (1809-1847) Spring Song in A Op.62/6 [2.46] Moritz 
          MOSZKOWSKI (1854-1925) Guitarre Op.45/2 [3.15] Ignace 
          Jan PADEREWSKI (1860-1941) Nocturne in B flat Op.16/4 [4.20] 
          Georg Frideric HANDEL (1685-1759) 
          Xerxes – Largo [Ombra mai fu] [5.40] MORET 
          Waltz No.1 [2.15] Anton RUBINSTEIN 
          (1829-1895) Nocturne in G Op.75/8 [5.00] Benjamin 
          GODARD (1849-1895) Ballet of the Butterflies Op.69 [3.15] 
          Christoph Willibald von GLUCK (1714-1787) 
          Gavotte in A arranged Johannes BRAHMS (1833-1897) [4.11] Giovanni 
          SGAMBATI (1841-1914) Landler (Tirolese) [2.20] Theodor 
          LESCHETIZKY (1830-1915) Heroic Study Op.48/3 [2.26] Jacques 
          IBERT (1890-1965) The Little White Donkey [2.03] Fryderyk 
          CHOPIN (1810-1849) Prelude op.28 No.15 Raindrop [6.12] 
          Nocturne in F sharp Op.15 No.2 [4.17] Berceuse in D Op.57 [4.29] Etude 
          in G flat Op.25 No.9 Butterfly [1.03] Etude in G flat Op.10 No.5 
          Black Key [1.39] Franz LISZT 
          (1811-1886) Gnomenreigen Etude de Concert S145 (1844) [2.59] Louis 
          GOTTSCHALK (1829-1869) Grand Fantasy on the Brazilian National 
          Anthem [7.46]
 
          DAL SEGNO DSPRCD 013 [73.58] The Great Female Pianists - Volume 
          4. Masters of the Piano Roll Series: Guiomar Novaes Isaac 
          ALBENIZ (1860-1909) Tango arranged Leopold 
          Godowsky [3.53] Felix MENDELSSOHN 
          (1809-1847) Spring Song in A Op.62/6 [2.46] Moritz 
          MOSZKOWSKI (1854-1925) Guitarre Op.45/2 [3.15] Ignace 
          Jan PADEREWSKI (1860-1941) Nocturne in B flat Op.16/4 [4.20] 
          Georg Frideric HANDEL (1685-1759) 
          Xerxes – Largo [Ombra mai fu] [5.40] MORET 
          Waltz No.1 [2.15] Anton RUBINSTEIN 
          (1829-1895) Nocturne in G Op.75/8 [5.00] Benjamin 
          GODARD (1849-1895) Ballet of the Butterflies Op.69 [3.15] 
          Christoph Willibald von GLUCK (1714-1787) 
          Gavotte in A arranged Johannes BRAHMS (1833-1897) [4.11] Giovanni 
          SGAMBATI (1841-1914) Landler (Tirolese) [2.20] Theodor 
          LESCHETIZKY (1830-1915) Heroic Study Op.48/3 [2.26] Jacques 
          IBERT (1890-1965) The Little White Donkey [2.03] Fryderyk 
          CHOPIN (1810-1849) Prelude op.28 No.15 Raindrop [6.12] 
          Nocturne in F sharp Op.15 No.2 [4.17] Berceuse in D Op.57 [4.29] Etude 
          in G flat Op.25 No.9 Butterfly [1.03] Etude in G flat Op.10 No.5 
          Black Key [1.39] Franz LISZT 
          (1811-1886) Gnomenreigen Etude de Concert S145 (1844) [2.59] Louis 
          GOTTSCHALK (1829-1869) Grand Fantasy on the Brazilian National 
          Anthem [7.46]  Guiomar Novaes 
          (piano) Piano rolls made 1918-1926
 Guiomar Novaes 
          (piano) Piano rolls made 1918-1926  DAL SEGNO DSPRCD 014 [71.01] [JW]
 
          DAL SEGNO DSPRCD 014 [71.01] [JW]
        I’m
              really not convinced that this series is on the right lines. ...
              see Full Review 
         Film Noir 
          Disc 1: F. WAXMAN Rebecca: Prelude (1940) [1:52] B. 
          HERRMANN Citizen Kane: Prelude (1941) [3:47] A. 
          DEUTSCH The Maltese Falcon: Main Title (1941) [2:42] M. 
          ROZSA Double Indemnity: Main Title (1944) [2:47] B. 
          KAPER Gaslight: Main Title and Opening Theme (1944) [4:02] 
          M. STEINER The Big Sleep: Main Title (1946) [2:23] M. 
          ROZSA The Killers: Main Title (1946) [2:31] R. 
          WEBB Notorious: Alex in the Wine Cellar (1946) [3:28] G. 
          BASSMAN The Postman Always Rings Twice: Main Title (1946) [1:42] 
          R. WEBB Out of the Post: Main Title (1947) [1:57] H. 
          ROEMHELD The Lady From Shanghai: Main Title (1947) [2:41] H. 
          FRIEDHOFER Body and Soul: Main Title (1947) [1:58] M. 
          STEINER Key Largo: Main Title (1948) [1:41] A. 
          KARAS The Third Man: Third Man Theme (1949) [3:07] F. 
          WAXMAN Sunset Boulevard: Sunset Boulevard Prelude (1950) [3:20] 
          Disc 2:  D. TIOMKIN Strangers On a Train: Prologue/Duet For Four Feet (1951) 
          [2:20] G. FRIED The Killing: Main Title (1956) [2:57] B. 
          HERRMANN Vertigo: Vertigo Prelude and Rooftop (1958) [4:46] D. 
          AMRAM The Manchurian Candidate: Theme From The Manchurian 
          Candidate (1962) [1:50] L. SCHIFRIN Bullitt: Bullitt Main Theme (1968) [2:24] M. 
          SMALL Klute: The Tape (Main Title) (1971) [2:12] L. 
          SCHIFRIN Dirty Harry: Main Theme (1971) [4:03] M. 
          THEODORAKIS Serpico: Theme From Serpico (1973) [3:25] J. 
          GOLDSMITH Chinatown: Love Theme (Main Title) (1974) [3:39] 
          D. SHIRE Farewell My Lovely: Main Title (Marlowe’s Theme) (1975) 
          [2:29] D. GRUSIN Three Days of the Condor: Condor! Theme from Three Days 
          of the Condor) (1975) [2:58] J. BARRY Body Heat: Main Title (1981) [3:54] VANGELIS Blade Runner: Main Title (1982) 
          [3:35] C. BURWELL Blood Simple: Blood Simple (1984) [3:52] Disc 
          3:  A. BADALAMENTI Blue Velvet: Main Title (1986) [1:27] R. 
          McNAUGHTON, K.HALE, and S. JONES Henry: Portrait of a Serial Killer: Henry’s Theme (1990) 
          [2:12] C. ISAAC Wild at Heart: Wicked Game (1990) [4:01] A. 
          BADALAMENTI Wild at Heart: Dark Spanish Symphony (edited string 
          version) (1990) [2:08] J. GOLDSMITH Basic Instinct: Main Title (Theme from Basic Instinct) 
          (1992) [2:11] E. GOLDENTHAL Heat: Main Title (1995) [4:29] J. 
          OTTMAN The Usual Suspects: Main Title (1995) [3:47] H. 
          SHORE Se7en: Portrait of John Doe (1995) [4:43] C. 
          BURWELL Fargo: Fargo, North Dakota/The Ozone (1996) [3:05] J. 
          GOLDSMITH L.A. Confidential: The Victor (1997) [2:24] D. 
          JUYLYAN Memento: Opening Titles (2000) [7:02] A. 
          BADALAMENTI Mullholland Drive: Mullholland Drive/Love Theme (2001) 
          [6:13] C. BURWELL The Man Who Wasn’t There: The Trial of Ed Crane (2001) 
          [3:52] G. REVELL and R. RODRIGUEZ Sin City: Marv (2005) [2:26] R. 
          RODRIGUEZ Sin City: End Titles (2005) [3:23]
 
          Film Noir 
          Disc 1: F. WAXMAN Rebecca: Prelude (1940) [1:52] B. 
          HERRMANN Citizen Kane: Prelude (1941) [3:47] A. 
          DEUTSCH The Maltese Falcon: Main Title (1941) [2:42] M. 
          ROZSA Double Indemnity: Main Title (1944) [2:47] B. 
          KAPER Gaslight: Main Title and Opening Theme (1944) [4:02] 
          M. STEINER The Big Sleep: Main Title (1946) [2:23] M. 
          ROZSA The Killers: Main Title (1946) [2:31] R. 
          WEBB Notorious: Alex in the Wine Cellar (1946) [3:28] G. 
          BASSMAN The Postman Always Rings Twice: Main Title (1946) [1:42] 
          R. WEBB Out of the Post: Main Title (1947) [1:57] H. 
          ROEMHELD The Lady From Shanghai: Main Title (1947) [2:41] H. 
          FRIEDHOFER Body and Soul: Main Title (1947) [1:58] M. 
          STEINER Key Largo: Main Title (1948) [1:41] A. 
          KARAS The Third Man: Third Man Theme (1949) [3:07] F. 
          WAXMAN Sunset Boulevard: Sunset Boulevard Prelude (1950) [3:20] 
          Disc 2:  D. TIOMKIN Strangers On a Train: Prologue/Duet For Four Feet (1951) 
          [2:20] G. FRIED The Killing: Main Title (1956) [2:57] B. 
          HERRMANN Vertigo: Vertigo Prelude and Rooftop (1958) [4:46] D. 
          AMRAM The Manchurian Candidate: Theme From The Manchurian 
          Candidate (1962) [1:50] L. SCHIFRIN Bullitt: Bullitt Main Theme (1968) [2:24] M. 
          SMALL Klute: The Tape (Main Title) (1971) [2:12] L. 
          SCHIFRIN Dirty Harry: Main Theme (1971) [4:03] M. 
          THEODORAKIS Serpico: Theme From Serpico (1973) [3:25] J. 
          GOLDSMITH Chinatown: Love Theme (Main Title) (1974) [3:39] 
          D. SHIRE Farewell My Lovely: Main Title (Marlowe’s Theme) (1975) 
          [2:29] D. GRUSIN Three Days of the Condor: Condor! Theme from Three Days 
          of the Condor) (1975) [2:58] J. BARRY Body Heat: Main Title (1981) [3:54] VANGELIS Blade Runner: Main Title (1982) 
          [3:35] C. BURWELL Blood Simple: Blood Simple (1984) [3:52] Disc 
          3:  A. BADALAMENTI Blue Velvet: Main Title (1986) [1:27] R. 
          McNAUGHTON, K.HALE, and S. JONES Henry: Portrait of a Serial Killer: Henry’s Theme (1990) 
          [2:12] C. ISAAC Wild at Heart: Wicked Game (1990) [4:01] A. 
          BADALAMENTI Wild at Heart: Dark Spanish Symphony (edited string 
          version) (1990) [2:08] J. GOLDSMITH Basic Instinct: Main Title (Theme from Basic Instinct) 
          (1992) [2:11] E. GOLDENTHAL Heat: Main Title (1995) [4:29] J. 
          OTTMAN The Usual Suspects: Main Title (1995) [3:47] H. 
          SHORE Se7en: Portrait of John Doe (1995) [4:43] C. 
          BURWELL Fargo: Fargo, North Dakota/The Ozone (1996) [3:05] J. 
          GOLDSMITH L.A. Confidential: The Victor (1997) [2:24] D. 
          JUYLYAN Memento: Opening Titles (2000) [7:02] A. 
          BADALAMENTI Mullholland Drive: Mullholland Drive/Love Theme (2001) 
          [6:13] C. BURWELL The Man Who Wasn’t There: The Trial of Ed Crane (2001) 
          [3:52] G. REVELL and R. RODRIGUEZ Sin City: Marv (2005) [2:26] R. 
          RODRIGUEZ Sin City: End Titles (2005) [3:23]  Music and vocals performed by The Global Stage Orchestra Recording location 
          and dates undisclosed DDD
 
          Music and vocals performed by The Global Stage Orchestra Recording location 
          and dates undisclosed DDD  GOLDEN STARS GSS 5427 [39:54 + 44:24 + 53:30] [PG]
 
          GOLDEN STARS GSS 5427 [39:54 + 44:24 + 53:30] [PG]
        It
              can only be hoped that this is the final offering from The Global
              Stage Orchestra. ... see Full Review 
         Flying Kites 
          - A Trafford Miscellany 
          Sasha Johnson MANNING 
          (b.1963) Flying Kites for recorder and piano [3:15] 
          Robert ELLIOTT (1932-2002) 
          Piano Sonatina op. 2 [5:58] Robin 
          WALKER (b.1953) Four Nursery Rhymes to texts by Thomas 
          Pitfield for reciter, recorder and piano (2003) [3:26] Thomas 
          PITFIELD (1903-1999) Xylophone Sonata [7:32]; The Skeleton 
          Bride for reciter and piano [3:10]; Rain for reciter, xylophone 
          and piano [1:15]; Bones for reciter and xylophone [1:29]; Bagatelle 
          No. 3 for piano [1:55] David 
          BECK (b.1941) A Dunham Pastoral for recorder and piano 
          (2004) [6:01] John IRELAND 
          (1879-1962) The Island Spell for piano (1912) [3:28]; Annabel 
          Lee for reciter and piano (1910) [3:53] Martin 
          ELLERBY (b.1957) River Dances for recorder and piano 
          (2005) [12:19] James LANGLEY 
          (1927-1994) Five Shakespeare Dances for recorder (1992) [9:06] 
          Christopher COTTON (b. 
          1947) Rural Rondo for recorder and piano [4:52]
 
          Flying Kites 
          - A Trafford Miscellany 
          Sasha Johnson MANNING 
          (b.1963) Flying Kites for recorder and piano [3:15] 
          Robert ELLIOTT (1932-2002) 
          Piano Sonatina op. 2 [5:58] Robin 
          WALKER (b.1953) Four Nursery Rhymes to texts by Thomas 
          Pitfield for reciter, recorder and piano (2003) [3:26] Thomas 
          PITFIELD (1903-1999) Xylophone Sonata [7:32]; The Skeleton 
          Bride for reciter and piano [3:10]; Rain for reciter, xylophone 
          and piano [1:15]; Bones for reciter and xylophone [1:29]; Bagatelle 
          No. 3 for piano [1:55] David 
          BECK (b.1941) A Dunham Pastoral for recorder and piano 
          (2004) [6:01] John IRELAND 
          (1879-1962) The Island Spell for piano (1912) [3:28]; Annabel 
          Lee for reciter and piano (1910) [3:53] Martin 
          ELLERBY (b.1957) River Dances for recorder and piano 
          (2005) [12:19] James LANGLEY 
          (1927-1994) Five Shakespeare Dances for recorder (1992) [9:06] 
          Christopher COTTON (b. 
          1947) Rural Rondo for recorder and piano [4:52]  Richard Baker (reciter), John Turner (recorder), Keith Swallow (piano), 
          Damien Harron (percussion) rec. The King’s School, Macclesfield, 29-30 
          March 2005. DDD
 
          Richard Baker (reciter), John Turner (recorder), Keith Swallow (piano), 
          Damien Harron (percussion) rec. The King’s School, Macclesfield, 29-30 
          March 2005. DDD  CAMPION 
          CAMEO 2044 [60:52]
 CAMPION 
          CAMEO 2044 [60:52]
        An
              hour’s very entertaining divertissement - and much to be recommended!
              [CSS]
  An attractive miscellany themed around reciter, recorder and the North West
  ... see Full Review [RB]
         Foreign Insult 
          Nicola MATTEIS (mid 
          17th century–after 1714) Ground after the Scotch Humour 
          (1685) [4.09] Gottfried FINGER (1660–1730) 
          Sonata Op. 5, no. 10 in C major (1701) [5.09] George 
          Frideric HANDEL (1685–1739) Concerto HWV287 in G minor [8.25]; 
          Trio Sonata HWV 383 in F major [10.14] Francesco 
          BARSANTI (1690–1722) A collection of Old Scots tunes (selection) 
          (1742) [9.13] Johann Christian BACH (1735–1782) 
          Quintet op. 11, no. 6 in D major (1774) [13.18] Carl 
          Friedrich ABEL (1723–1787) Concert in E minor [14.53]
 
          Foreign Insult 
          Nicola MATTEIS (mid 
          17th century–after 1714) Ground after the Scotch Humour 
          (1685) [4.09] Gottfried FINGER (1660–1730) 
          Sonata Op. 5, no. 10 in C major (1701) [5.09] George 
          Frideric HANDEL (1685–1739) Concerto HWV287 in G minor [8.25]; 
          Trio Sonata HWV 383 in F major [10.14] Francesco 
          BARSANTI (1690–1722) A collection of Old Scots tunes (selection) 
          (1742) [9.13] Johann Christian BACH (1735–1782) 
          Quintet op. 11, no. 6 in D major (1774) [13.18] Carl 
          Friedrich ABEL (1723–1787) Concert in E minor [14.53]  La Ricordanza (Brian Berryman – flute, Annette Berryman – oboe/recorder, 
          Christoph Heidemann and Katharina Huch-Kohn – violins, Bettina Ihrig 
          – viola, Dorothee Palm – cello, Barbara Hormann – violone, Eckhart Kuper 
          – harpsichord) rec. 5-7 October 2004, Schloss Gifhorn. DDD
 
          La Ricordanza (Brian Berryman – flute, Annette Berryman – oboe/recorder, 
          Christoph Heidemann and Katharina Huch-Kohn – violins, Bettina Ihrig 
          – viola, Dorothee Palm – cello, Barbara Hormann – violone, Eckhart Kuper 
          – harpsichord) rec. 5-7 October 2004, Schloss Gifhorn. DDD  MUSIKPRODUKTION DABRINGHAUS UND GRIM MDG 505 1381-2 [65.58] [RH]
 
          MUSIKPRODUKTION DABRINGHAUS UND GRIM MDG 505 1381-2 [65.58] [RH]
        Even
              with the disc’s catchy title, this repertoire can seem a little
              forbidding. Don’t let that put you off. Be caught up in the spell
              of these performances. ... see Full
              Review 
         
          Beniamino Gigli - The Gigli 
          Edition vol. 13 - London Recordings 1947-1949 Wolfgang 
          Amadeus MOZART (1756–1791) Das Veilchen, K.476; Benjamin 
          GODARD (1849–1895) Joselyn: Cachés dans cet asile (Berceuse); 
           Victor HERBERT (1859–1924) Naughty 
          Marietta: Ah! Sweet mystery of life; MOYA (? - ?) Song of songs; Antonio CALDARA (c 1670–1736)  Come raggio di sol; 
          La Costanza in amor cince l’inganno: Selve amiche, ombrose piante;  Francesco DURANTE (1684–1755) Vergin, tutto amor; 
           Antonio CESTI (1623–1669)  I casti amori d’Orontea: 
          Intorno all’idol mio; MAZZIOTTI (?) 
          Mattinata siciliana;  Claudio MONTEVERDI 
          (1567–1643) L’Arianna: Lasciatemi morire!;  
          Giuseppe GIORDANI (c 1753–1798) Caro mio ben, credimi almen; 
           Alessandro SCARLATTI (1660–1725) 
           Il Pompeo: O cessate di piagarmi;  Franco ALFANO (1876–1954) Don Juan de Mañara: Tu 
          vedi in un bel ciel;  Pietro MASCAGNI (1863–1945) 
          L’amico Fritz: Ed anche Beppe amò ... O amore, o bella luce del cor; 
          GIBILARO (?)  Quattro miniature siciliane: ‘Carrettieri’: 
          No. 3 Tango notturno; George Frideric HANDEL 
          (1685–1759) Atalanta: Care selve, ombre beate;  
          Giovanni BONONCINI (1670–1747)  Griselda: Per la Gloria d’adorarvi; 
          Antonio CESTI (arr Parisotti) Tu mancavi a tormentarmi; 
           Alessandro SCARLATTI L’onestà 
          negli amori: Già il sole del Gange; FASOLO 
          (?) Cangia, cangia tue voglie  Beniamino Gigli (tenor) Orchestra/Rainaldo Zamboni (tracks 1–14), Vito 
          Carnevali (tracks 15–20) rec. Studio 1, Abbey Road, London 12 December 
          1947 – 18 March 1949 Producer and Restoration Engineer: Mark Obert-Thorn
 
          Beniamino Gigli (tenor) Orchestra/Rainaldo Zamboni (tracks 1–14), Vito 
          Carnevali (tracks 15–20) rec. Studio 1, Abbey Road, London 12 December 
          1947 – 18 March 1949 Producer and Restoration Engineer: Mark Obert-Thorn 
           NAXOS 8.111102 [64:11][GF]
 NAXOS 8.111102 [64:11][GF]
        Gigli 
          completists will need it but so will anyone interested in good singing 
          ... see Full Review
        Alice 
          Giles (harp) - Song in the Night  John 
          STEVENSON (1761-1833) arr. Carlos 
          SALZEDO (1885-1961)  Believe Me, if All Those Endearing Young 
          Charms Carlos SALZEDO Jolly Piper 
          - Concert Fantasy on the theme of "The Sailor's Hornpipe" 
          Trad. IRISH arr. Frederick 
          E. WEATHERLY (1848-1928) and Salzedo 
           Londonderry Air Jules MASSENET 
          (1842-1912) arr. Salzedo Menuet d'amour 
          from Therese George Frideric HANDEL 
          (1685-1759) arr. Salzedo The Harmonious 
          Blacksmith - Air and Variations Felix 
          MENDELSSOHN (1809-1847) arr. Salzedo 
          Spring Song from Songs without Words, Book 5 Carlos 
          SALZEDO Traipsin' thru Arkansaw - Concert Fantasy on the 
          theme of "The Arkansas Traveller" Trad. 
          SCOTTISH arr. Salzedo 
           Annie Laurie Negro Spiritual 
          arr. Salzedo Deep River Carlos 
          SALZEDO Dixie Parade - Concert Fantasy on the theme of "Dixie" 
          Stephen C. FOSTER (1826-1864) arr. 
          Salzedo My Old Kentucky Home Carlos 
          SALZEDO Turkey Strut - Concert Fantasy on the theme of "Turkey 
          in the Straw" Trad. IRISH arr. 
          Salzedo The Last Rose of Summer Carlos 
          SALZEDO  Chanson dans la nuit (Song in the Night); La Desirade 
          Agustin LARA (1897-1970) arr. 
          Salzedo Concert Fantasy on "Granada" George 
          Frideric HANDEL arr. Salzedo 
          Largo from Xerxes Antonin DVORAK (1841-1904) 
          arr. Salzedo Humoreske, Op. 101 No. 7 Franz 
          LISZT (1811-1886) arr. Salzedo  
          Paraphrase on Hungarian Rhapsody No. 2 Anton 
          RUBINSTEIN (1829-1894) arr. Salzedo 
           Melody in F, Op. 3 Johannes BRAHMS 
          (1833-1897) arr. Salzedo  Waltz, Op. 39 No. 15; Lullaby, Op. 49 No. 
          4  Alice Giles (harp) 
          rec. May 1999, St Scholastica's Chapel, Glebe, Australia. DDD
 Alice Giles (harp) 
          rec. May 1999, St Scholastica's Chapel, Glebe, Australia. DDD  ABC CLASSICS 476 5250 [68:48][RB]
 
          ABC CLASSICS 476 5250 [68:48][RB]
        There 
          is not a great deal to be said about this music except that it is typically 
          delightful and is presented with evident pleasure by Alice Giles ... 
          see Full Review
         Hear 
          My Prayer - 
          Hymns and Anthems Charles 
          Villiers STANFORD (1852-1924) 3 Motets, Op. 38: No. 1. Justorum 
          animae (c. 1905) [03.08] Herbert HOWELLS 
          (1892-1983)  Magnificat (1945) [05.36] Henry 
          PURCELL (1659-1695)  O God, thou art my God, Z. 35 (c. 1680) 
          [04.08] Felix MENDELSSOHN (1809-47) 
           Hear My Prayer, "O, for the wings of a dove" (1844) [12.34] 
          Gabriel FAURÉ (1845-1924) Cantique 
          de Jean Racine, Op. 11 (1865) [05.54] Maurice 
          DURUFLÉ (1902-1986)  Four Motets, Op. 10: No. 1: Ubi caritas 
          et amor (1960) [02.35] Gerald FINZI (1901-1956) 
           Three Anthems, Op. 27: No. 2. God is gone up (1951) [05.03] Edgar 
          L. BAINTON (1880-1956) Anthem: And I saw a new Heaven (1928) 
          [05.37] Henry PURCELL (1659-1695) 
           Remember not, O Lord, Z. 50 (c. 1680) [03.08] Wolfgang 
          Amadeus MOZART (1756-1791)  Vesperae solennes de Confessore, 
          K. 339, ‘Solemn Vespers’: V. Laudate Dominum (1780) [04.23] Antonio 
          LOTTI (c1667-1740)  Crucifixus a 8 (c. 1720) [03.41] Eleanor 
          DALEY (b. 1955) Requiem: In Remembrance [02.35] Stephen 
          CHATMAN (b.1950) Remember [02.49] Edward 
          ELGAR (1857-1934) Lux aeterna (choral arr. of Elgar's ‘Nimrod’ 
          Variation) (1899) [03.51] César FRANCK (1822-1890) 
          Panis angelicus (1872) [04.14]
 Hear 
          My Prayer - 
          Hymns and Anthems Charles 
          Villiers STANFORD (1852-1924) 3 Motets, Op. 38: No. 1. Justorum 
          animae (c. 1905) [03.08] Herbert HOWELLS 
          (1892-1983)  Magnificat (1945) [05.36] Henry 
          PURCELL (1659-1695)  O God, thou art my God, Z. 35 (c. 1680) 
          [04.08] Felix MENDELSSOHN (1809-47) 
           Hear My Prayer, "O, for the wings of a dove" (1844) [12.34] 
          Gabriel FAURÉ (1845-1924) Cantique 
          de Jean Racine, Op. 11 (1865) [05.54] Maurice 
          DURUFLÉ (1902-1986)  Four Motets, Op. 10: No. 1: Ubi caritas 
          et amor (1960) [02.35] Gerald FINZI (1901-1956) 
           Three Anthems, Op. 27: No. 2. God is gone up (1951) [05.03] Edgar 
          L. BAINTON (1880-1956) Anthem: And I saw a new Heaven (1928) 
          [05.37] Henry PURCELL (1659-1695) 
           Remember not, O Lord, Z. 50 (c. 1680) [03.08] Wolfgang 
          Amadeus MOZART (1756-1791)  Vesperae solennes de Confessore, 
          K. 339, ‘Solemn Vespers’: V. Laudate Dominum (1780) [04.23] Antonio 
          LOTTI (c1667-1740)  Crucifixus a 8 (c. 1720) [03.41] Eleanor 
          DALEY (b. 1955) Requiem: In Remembrance [02.35] Stephen 
          CHATMAN (b.1950) Remember [02.49] Edward 
          ELGAR (1857-1934) Lux aeterna (choral arr. of Elgar's ‘Nimrod’ 
          Variation) (1899) [03.51] César FRANCK (1822-1890) 
          Panis angelicus (1872) [04.14]  Karina Gauvin (soprano) Matthew Larkin (organ) Choir of St John's, Elora/Noel 
          Edison rec. St. John’s Anglican Church, Elora, Ontario, Canada, 21-25 
          January 2004. DDD
 
          Karina Gauvin (soprano) Matthew Larkin (organ) Choir of St John's, Elora/Noel 
          Edison rec. St. John’s Anglican Church, Elora, Ontario, Canada, 21-25 
          January 2004. DDD  NAXOS 
          8.557493 [69.17][MC]
 NAXOS 
          8.557493 [69.17][MC]
        I 
          wonder if I will hear a finer release of sacred choral music this year. 
          ... see Full Review
         
          Highlights 
          from La Scala  Giuseppe 
          VERDI (1813-1901) Ernani. Opera 
          in four acts (1843) Libretto by Francesco Maria Piave based 
          on Victor Hugo’s play Hernani. First performed at the Teatro 
          la Fenice, Venice, 9 March 1843  Ernani, the bandit, Placido Domingo (ten); Don Carlo, King of Spain, 
          Renato Bruson (bar); Don Ruy de Silva, a Spanish grandee, Nicolai Ghiaurov 
          (bass); Elvira, Mirella Freni (sop) Orchestra and Chorus of the Teatro 
          alla Scala, Milan/Riccardo Muti  Directed by Luca Ronconi. rec. live, 
          December 1982 Nabucco. Opera in four parts (1842) Originally 
          known as Nabucadonosor after the play from which Temistocle Solera 
          derived the libretto First performed at La Scala, Milan, 9 March 1842 
          Nabucco, King of Babylon, Renato Bruson (bar); Zaccaria, High Priest 
          of the Hebrews, Paata Burchuladze (bass); Abigaille, slave, believed 
          to be the eldest daughter of Nabucco, Ghena Dimitrova (sop); Fenena, 
          daughter of Nabucco, Raquel Pierotti (sop); Ismaele, Hebrew in love 
          with Fenena, Bruno Beccaria (ten); Orchestra and Chorus of the Teatro 
          alla Scala, Milan/Riccardo Muti  Directed by Roberto de Simone. rec. 
          live December 1986 I Lombardi. Opera in four acts (1843) 
          Libretto by Temistocle Solera derived from Tomasso Grossi’s epic poem 
          I Lombardi alla prima crociata First performed at La Scala, Milan, 
          1 February 1843 Griselda, Ghena Dimitrova (sop); Oronte, son of the 
          tyrant of Antioch, José Carrerras (ten); Pagano, Silvano Carroli (bar) 
          Orchestra and Chorus of the Teatro alla Scala, Milan/Gianandrea Gavazenni 
          Directed by Gabriele Lavia. rec. live April 1984 Umberto 
          GIORDANO (1867-1948) Andrea Chénier - Historical 
          dramatic opera in four acts (1896) Libretto by Luigi Illica First performed 
          La Scala, Milan, 28 March 1896 Andrea Chenier, poet, José Carreras (ten); 
          Carlo Gérard, former servant in the Coigny household and also in love 
          with Maddalena, Piero CappuccIlli (bar); Maddalena, in love with Chenier, 
          Eva Marton (sop) Orchestra and Chorus of the Teatro alla Scala, Milan/Riccardo 
          Chailly  Directed by Lamberto Puggelli. rec. live, July 1985 Picture 
          format: NTSC 4:3.Colour. Linear – PCM stereo. Subtitles in English, 
          German, Spanish, French, Portuguese and Japanese
 
          Ernani, the bandit, Placido Domingo (ten); Don Carlo, King of Spain, 
          Renato Bruson (bar); Don Ruy de Silva, a Spanish grandee, Nicolai Ghiaurov 
          (bass); Elvira, Mirella Freni (sop) Orchestra and Chorus of the Teatro 
          alla Scala, Milan/Riccardo Muti  Directed by Luca Ronconi. rec. live, 
          December 1982 Nabucco. Opera in four parts (1842) Originally 
          known as Nabucadonosor after the play from which Temistocle Solera 
          derived the libretto First performed at La Scala, Milan, 9 March 1842 
          Nabucco, King of Babylon, Renato Bruson (bar); Zaccaria, High Priest 
          of the Hebrews, Paata Burchuladze (bass); Abigaille, slave, believed 
          to be the eldest daughter of Nabucco, Ghena Dimitrova (sop); Fenena, 
          daughter of Nabucco, Raquel Pierotti (sop); Ismaele, Hebrew in love 
          with Fenena, Bruno Beccaria (ten); Orchestra and Chorus of the Teatro 
          alla Scala, Milan/Riccardo Muti  Directed by Roberto de Simone. rec. 
          live December 1986 I Lombardi. Opera in four acts (1843) 
          Libretto by Temistocle Solera derived from Tomasso Grossi’s epic poem 
          I Lombardi alla prima crociata First performed at La Scala, Milan, 
          1 February 1843 Griselda, Ghena Dimitrova (sop); Oronte, son of the 
          tyrant of Antioch, José Carrerras (ten); Pagano, Silvano Carroli (bar) 
          Orchestra and Chorus of the Teatro alla Scala, Milan/Gianandrea Gavazenni 
          Directed by Gabriele Lavia. rec. live April 1984 Umberto 
          GIORDANO (1867-1948) Andrea Chénier - Historical 
          dramatic opera in four acts (1896) Libretto by Luigi Illica First performed 
          La Scala, Milan, 28 March 1896 Andrea Chenier, poet, José Carreras (ten); 
          Carlo Gérard, former servant in the Coigny household and also in love 
          with Maddalena, Piero CappuccIlli (bar); Maddalena, in love with Chenier, 
          Eva Marton (sop) Orchestra and Chorus of the Teatro alla Scala, Milan/Riccardo 
          Chailly  Directed by Lamberto Puggelli. rec. live, July 1985 Picture 
          format: NTSC 4:3.Colour. Linear – PCM stereo. Subtitles in English, 
          German, Spanish, French, Portuguese and Japanese  WARNER MUSIC VISION DVD VIDEO 50-51011-2323-2-9
 
          WARNER MUSIC VISION DVD VIDEO 50-51011-2323-2-9  [59:00][RJF]
 
          [59:00][RJF]
        Viscerally 
          exciting performances at a modest price. ... see Full 
          Review
          Hindemith
                as Interpreter – the Amar-Hindemith
                Quartet Wolfgang
                Amadeus MOZART (1756-1791) String Quartet in E flat K428 [23.46] Béla
                BARTÓK String Quartet No.2 [33.23] Ludwig
                van BEETHOVEN (1770-1827) String Quartet in F, Op.95
                [19.27]
 Hindemith
                as Interpreter – the Amar-Hindemith
                Quartet Wolfgang
                Amadeus MOZART (1756-1791) String Quartet in E flat K428 [23.46] Béla
                BARTÓK String Quartet No.2 [33.23] Ludwig
                van BEETHOVEN (1770-1827) String Quartet in F, Op.95
                [19.27]  The Amar-Hindemith
                String Quartet rec. 1926
 The Amar-Hindemith
                String Quartet rec. 1926  ARBITER
                139 [76.47] [JW]
 ARBITER
                139 [76.47] [JW]
        The
              Amar-Hindemith legacy has been unavailable for many years. A necessary
              acquisition for anyone with any interest in the string quartet
              on disc in the first half of the twentieth century. ... see Full
              Review 
        Ikon - Music 
          for the Soul and Spirit Sergei RACHMANINOV 
          (1873-1943) Rejoice, O Virgin 
          (Bogoroditse Devo) [3:15]; We Hymn Thee (Tebe poyem) [2:22]; The Cherubic 
          Hymn (Izhe kheruvimi) [5:01] John TAVENER 
          (b. 1944) Song for Athene [6:18]; Exhortation [3:17]; Kohima 
          [1:49] Arvo PÄRT (b. 1935) De 
          Profundis [6:21]; The Woman with the Alabaster Box [6:05]; O Weisheit 
          [1:40] James MACMILLAN (b. 1959)  A
          Child’s Prayer [4:03]; A New Song [5:43] Victor 
          KALINNIKOV (1870-1927) Lord, now lettest Thou (Ninye otpushchayevshi) 
          [2:48] Igor STRAVINSKY (1882-1971) 
           Pater Noster [1:25]; Ave Maria [2:02] Pavel 
          CHESNOKOV (1877-1944) Bless the Lord, O My Soul (Blagoslovi, 
          dushe moya, Ghospoda) [2:22]; We Hymn Thee (Tebe poyem) [2:59] Gustav 
          HOLST (1874-1934)  Nunc Dimittis [3:33]  The Sixteen/Harry Christophers rec.25-27 October 2005, Church of St. 
          Giles, Cripplegate, London. DDD
 
          The Sixteen/Harry Christophers rec.25-27 October 2005, Church of St. 
          Giles, Cripplegate, London. DDD  UNIVERSAL UCJ 476 3160 [63:09][JQ]
 
        UNIVERSAL UCJ 476 3160 [63:09][JQ]
        The 
          music on this disc is very demanding but The Sixteen are on fine form 
          and they perform all of it superbly. A most enjoyable and rewarding 
          disc ... see Full Review
         RECORDING 
          OF THE MONTH Wilhelm Kempff Wolfgang 
          Amadeus MOZART (1756-1791) 
          Sonata in F K.332 [16:37] Franz 
          SCHUBERT (1797-1828) Sonata in B flat D.960 [36:53] Ludwig 
          van BEETHOVEN (1770-1827) Sonata in A op.101 [19:13] Johannes 
          BRAHMS (1833-1897) Intermezzi: B minor op.119/1 [03:13], 
          C major op.119/3 [01:45]
RECORDING 
          OF THE MONTH Wilhelm Kempff Wolfgang 
          Amadeus MOZART (1756-1791) 
          Sonata in F K.332 [16:37] Franz 
          SCHUBERT (1797-1828) Sonata in B flat D.960 [36:53] Ludwig 
          van BEETHOVEN (1770-1827) Sonata in A op.101 [19:13] Johannes 
          BRAHMS (1833-1897) Intermezzi: B minor op.119/1 [03:13], 
          C major op.119/3 [01:45]  Wilhelm Kempff (piano) rec. 7 October 1967, Whitworth Hall, Manchester 
          University. ADD
 
          Wilhelm Kempff (piano) rec. 7 October 1967, Whitworth Hall, Manchester 
          University. ADD  BBC 
          LEGENDS BBCL 4169-2 [78:14] [CH]
 BBC 
          LEGENDS BBCL 4169-2 [78:14] [CH]
        Kempff 
          the free spirit in glorious form ... see Full 
          Review 
         
          Lukasz 
          Kuropaczewski: Portrait Johann 
          Sebastian BACH (1685–1750) Preludium, 
          Fuge und Allegro, BWV 998; Alexandre 
          TANSMAN (1897–1986) Hommage à 
          Chopin (1966); Mauro 
          GIULIANI (1781–1829) Rossiniana 
          No. 3, Op. 121  Lukasz Kuropaczewski (guitar) rec. Matki 
          Bozej Wniebowzietej Church, Puszczykowo, 
          Poland, 2005. DDD
 
          Lukasz Kuropaczewski (guitar) rec. Matki 
          Bozej Wniebowzietej Church, Puszczykowo, 
          Poland, 2005. DDD  CD ACCORD ACD 140 2 [38:27] [GF]
 
          CD ACCORD ACD 140 2 [38:27] [GF]
        Less 
          than impressed by the Bach. The Tansman was 
          a valuable addition and the Giuliani was sheer 
          joy. Black marks, though, for the lack of 
          documentation and the poor playing time. ... 
          see Full 
          Review 
         La 
          Folia de la Spagna Fons vitae; Dementia 
          praecox angelorum; Supra solfamirevt [5:55] Extravagans; Laurea minima; 
          In vitro [2:07] Oratio pro-folia; Fama volat; Citrus – Hesperides [2:26] 
          Principalis. Fermescens; Indica exacta; Adverso flumine [8:11] Parsimonia 
          aristocraciae  [3:14] Subtilis; De profundis – Extra muros [1:29] Vulgaris 
          – Sine populi notione; Vagula et blandula [1:38] Nordica et desolata; 
          Aurea mediocritas [5:04] Nobilissima; Degredans et corruptae [2:21] 
          De pastribus; Mathematica dies irae; Crepuscularis; Sine nomine; Tristis 
          est anima mea; Equites fortis armaturae; Audaces fortuna juvat; Sine 
          praeputium; Ecclesiastica [5:14] Theatralis et hipocritae; Ruralis; 
          Alter indica perfecta  [1:57] De tolerentia aethera; Fuga ficta et carus 
          triumphalis [4:30]
 
           La 
          Folia de la Spagna Fons vitae; Dementia 
          praecox angelorum; Supra solfamirevt [5:55] Extravagans; Laurea minima; 
          In vitro [2:07] Oratio pro-folia; Fama volat; Citrus – Hesperides [2:26] 
          Principalis. Fermescens; Indica exacta; Adverso flumine [8:11] Parsimonia 
          aristocraciae  [3:14] Subtilis; De profundis – Extra muros [1:29] Vulgaris 
          – Sine populi notione; Vagula et blandula [1:38] Nordica et desolata; 
          Aurea mediocritas [5:04] Nobilissima; Degredans et corruptae [2:21] 
          De pastribus; Mathematica dies irae; Crepuscularis; Sine nomine; Tristis 
          est anima mea; Equites fortis armaturae; Audaces fortuna juvat; Sine 
          praeputium; Ecclesiastica [5:14] Theatralis et hipocritae; Ruralis; 
          Alter indica perfecta  [1:57] De tolerentia aethera; Fuga ficta et carus 
          triumphalis [4:30]  Atrium Musicae de Madrid: Gregorio Paniagua (guitar, jew’s harp, cromorne, 
          viola da gamba, vielle à roue), Eduardo Paniagua (recorders, jew’s harp), 
          Daniel del Rio (violin, pochette, tambour), Andreas Prittwitz (recorders, 
          cromorne, clarinet), Luis Paniagua (double bass, tabla, sitar, crotales, 
          castanets, derbouka), Albertina do Huete (harpsichord, xylophone, metallophone, 
          grelots); Gregorio Paniagua (director). rec. June, 1980, no location 
          given.
 
          Atrium Musicae de Madrid: Gregorio Paniagua (guitar, jew’s harp, cromorne, 
          viola da gamba, vielle à roue), Eduardo Paniagua (recorders, jew’s harp), 
          Daniel del Rio (violin, pochette, tambour), Andreas Prittwitz (recorders, 
          cromorne, clarinet), Luis Paniagua (double bass, tabla, sitar, crotales, 
          castanets, derbouka), Albertina do Huete (harpsichord, xylophone, metallophone, 
          grelots); Gregorio Paniagua (director). rec. June, 1980, no location 
          given.  HARMONIA MUNDI 
          MUSIQUE D’ABORD HMA 1951050 [44:06][GPu]
 HARMONIA MUNDI 
          MUSIQUE D’ABORD HMA 1951050 [44:06][GPu] 
        Not 
          for those of a nervous disposition, nor to early-music purists. Those 
          with a taste for the unusual, for music that is effectively beyond all 
          normal categories, will find much to intrigue them here ... see Full 
          Review
        Jennifer 
          Larmore  Christoph Willibald GLUCK 
          (1714-1787) 
          Orfeo ed Euridice (1762): Che farò senza Euridice? [04:29] Wolfgang 
          Amadeus MOZART (1756-1791) Le nozze di Figaro (1786): Non 
          so più cosa son, cosa faccio [02:58] Gioachino 
          ROSSINI (1792-1868) Tancredi (1813): Oh patria! … Di tanti 
          palpiti [07:29] La donna del lago (1819): Mura felici [09:24] 
          Vincenzo BELLINI (1801-1835) 
          I Capuleti ed i Montecchi (1830): Lieto del dolce incarico … La tremenda 
          [07:54] Gaetano DONIZETTI (1797-1848) 
          Lucrezia Borgia (1833): Il segreto [03:28] Anna Bolena (1830): 
          E’ sgombro il loco … Ah! parea [08:04] Giacomo 
          MEYERBEER (1791-1864) Les Huguenots (1836): Nobles seigneurs 
          [04:12] Charles GOUNOD (1818-1893) 
          Faust (1859): Faites-lui mes aveux [02:39] Roméo et Juliette 
          (1867): Depuis hier … Que fais-tu [07:50] Pyotr 
          Ilyich TCHAIKOVSKY (1840-1893) La Pucelle d’Orléans (1881): 
          Oui, Dieu le veut! … Adieu, forêts [07:50] Johann 
          STRAUSS II (1825-1899) Die Fledermaus (1874): Ich lade 
          gern mir Gäste ein [03:35]; From time to time I entertain (English 
          version of preceding) [03:29]  Jennifer Larmore (mezzo) Welsh National Opera Orchestra/Carlo Rizzi 
          rec. August 1995, Brangwyn Hall, Swansea, Wales
 
          Jennifer Larmore (mezzo) Welsh National Opera Orchestra/Carlo Rizzi 
          rec. August 1995, Brangwyn Hall, Swansea, Wales  WARNER CLASSICS APEX 2564 62761-2 [71:05] [CH]
 
          WARNER CLASSICS APEX 2564 62761-2 [71:05] [CH]
        Only 
          the Italian arias are fully convincing.  ... see Full 
          Review 
         From 
          Leipzig 
          to London 
          - Duo Sonatas from the 18th and 20th Centuries 
          Gordon JACOB (1895-1984) Sonatina 
          for oboe and harpsichord (1963) [9:30] Johann 
          Sebastian BACH (1685-1750) Sonata in D for oboe d'amore and 
          harpsichord BMV 1028 [14:35] Stephen DODGSON 
          (b. 1924) Sonatina for oboe and harpsichord (1972) [8:41] Johann 
          Sebastian BACH  (1685-1750) Sonata in G for cor anglais and 
          harpsichord BWV 1027 [13:11] Elizabeth MACONCHY 
          (1907-1994) Three Bagatelles for oboe and harpsichord (1972) 
          [8:29] Johann Sebastian BACH  (1685-1750) 
          Sonata in G minor for oboe and harpsichord BWV 1020 [9:19] Michael 
          HEAD (1900-1976) Siciliana for oboe and harpsichord 
          (1972) [5:50]
 From 
          Leipzig 
          to London 
          - Duo Sonatas from the 18th and 20th Centuries 
          Gordon JACOB (1895-1984) Sonatina 
          for oboe and harpsichord (1963) [9:30] Johann 
          Sebastian BACH (1685-1750) Sonata in D for oboe d'amore and 
          harpsichord BMV 1028 [14:35] Stephen DODGSON 
          (b. 1924) Sonatina for oboe and harpsichord (1972) [8:41] Johann 
          Sebastian BACH  (1685-1750) Sonata in G for cor anglais and 
          harpsichord BWV 1027 [13:11] Elizabeth MACONCHY 
          (1907-1994) Three Bagatelles for oboe and harpsichord (1972) 
          [8:29] Johann Sebastian BACH  (1685-1750) 
          Sonata in G minor for oboe and harpsichord BWV 1020 [9:19] Michael 
          HEAD (1900-1976) Siciliana for oboe and harpsichord 
          (1972) [5:50]  Althea 
          Ifeka (oboe, oboe d'amore, cor anglais) Katharine May (harpsichord) 
          rec. Church of St Edward the Confessor, Mottingham, London, 7-9 July 
          2005. DDD
 Althea 
          Ifeka (oboe, oboe d'amore, cor anglais) Katharine May (harpsichord) 
          rec. Church of St Edward the Confessor, Mottingham, London, 7-9 July 
          2005. DDD  OBOE CLASSICS 
          CC2013 [69:44][RB]
 OBOE CLASSICS 
          CC2013 [69:44][RB]
        No 
          enthusiast of the oboe can afford to be without this collection. This 
          is music-making of the highest order. ... see Full 
          Review
        
        
        
        Detailed listing (last two days)]
          [Part 
          1 New]  [Part 
          2 A-B] [Part 
          3 C-L]
          [Part 
          4 M-R]  [Part 
          5 S-Z]
          [Part 
          6 Misc A-L][Part 
          7 Misc M-Z]