One of the most grown-up review sites around

54,416 reviews
and more.. and still writing ...

Search MusicWeb Here



International mailing

Founder: Len Mullenger                                    Editor in Chief:John Quinn             

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

Troubadisc Weinberg- TROCD01450

All Troubadisc reviews

FOGHORN Classics

Brahms String Quartets

All Foghorn Reviews

All HDTT reviews

Songs to Harp from
the Old and New World

all Nimbus reviews

all tudor reviews

Follow us on Twitter

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


Advertising on

Donate and keep us afloat


New Releases

Naxos Classical
All Naxos reviews

Chandos recordings
All Chandos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews

all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews

All APR reviews

Lyrita recordings
All Lyrita Reviews


Wyastone New Releases
Obtain 10% discount




CD: MDT AmazonUK AmazonUS
Sound Samples & Downloads

A Song of Farewell – Music of Mourning and Consolation
Orlando GIBBONS (1583-1625) arr. Percy DEARMER (1867-1936)
Drop, drop, slow tears [2:00]
William WALTON (1902-1983)
A Litany; Drop, drop, slow tears [4:25]
Robert WHITE (c.1538-1574)
Christe, qui lux es et dies [4:29]
James MacMILLAN (b.1959)
A child’s prayer [4:12]
John SHEPPARD (c.1515-1550)
In manus tuas [4:05]
Jonathan DOVE (b.1959)
Into thy hands [8:14]
Thomas MORLEY (1557/8-1602)
Funeral Sentances [10:16]
Edward ELGAR (1857-1934)
They are at rest [3:31]
Herbert HOWELLS (1892-1983)
Requiem [24:02]
C. Hubert H. PARRY (1848-1918)
Lord, let me know mine end (Songs of Farewell) [11:42]
The Gabrieli Consort/Paul McCreesh
rec. The Lady Chapel, Ely Cathedral, England, 8-10 November 2009

Experience Classicsonline

This is a disc of staggering beauty and effortless sophistication. Every element of it oozes care in conception and execution right down to the austere simplicity of the pure white booklet design and tastefully discreet aquamarine print. I am wary of compilation albums and also of baroque specialists who suddenly turn their hand to other eras of music. On both fronts Paul McCreesh and his superb Gabrieli Consort prove me woefully wrong in this instance.
The sub-title of the disc elegantly sums up the contents – “music of mourning and consolation”. In the discussion/liner McCreesh explains that the programme was built around the main work – the extraordinary Howells Requiem – to reflect different aspects of grief, death, loss and crucially consolation across the centuries. Not all the works are specifically settings of the liturgy for the dead but the abiding emotion is one of reflection and ultimate redemption. In the hands of lesser groups this might make for a rather high quality even saccharine background music CD. The Gabrieli’s enormous skill is their super-sensitive response to the texts and an extraordinarily fine control of dynamic, balance and line.
Until the programme reaches the aforementioned Howells the music alternates very effectively between 16th and 20th century composers. From the very first bars of the opening item Orlando Gibbons’ ravishing Drop, drop slow tears (in an arrangement by Percy Dearmer) the listener is drawn into an ecstatically visionary world of gently poised pain and regret. McCreesh makes so many subtle yet effective choices; he includes women’s voices in the Gibbons because of the 19th/20th century arrangement but stays with men alone for the other ‘early’ works. The music is paired to allow ancient and modern conceptions of the same enduring human emotions. That is the central message of the disc – the mode of expression may change over the centuries but mankind’s experience of those emotions remains the same. The presence of the male altos in such works as the Howells give the inner lines a steely edge which again stops the music sinking into the soupy pastoralism that can afflict much 20th century British music and its performance.
The choice of the richly resonant Lady Chapel in Ely Cathedral benefits nearly all the music and certainly endows the entire disc with a wholly suitable ecclesiastical air. This is one of those rare discs where every individual item is a joy in itself yet the impact of the whole is greater still. It is quite impossible to select any portion as ‘better’ than any other but my predilection for 20th century British music does draw me towards James MacMillan’s sublime A Child’s Prayer written as a response to the Dunblane School massacre and Jonathan Dove’s Into thy hands. Listen to the way – as programmed – out of the unearthly stillness at the end of the MacMillan (so very beautifully sung) the In Manus tuas by the 16th Century John Sheppard emerges. The juxtaposition, more spiritual consonance really, takes both works to a higher level still. Dove sets the same text – initially - as Sheppard. He is following in the Anglican tradition of Howells with a setting of iridescent beauty. The harmonies slide from shimmering dissonance to warm consonance. It sounds like a brute to sing with the kind of poise and grace achieved here. Curiously the two works that made least impact are the Elgar and Parry. The Elgar sounds a little bit cosy in its harmony and emotional range in comparison with the rest of the programme. The Parry is the one work which with its contrapuntal complexity suffers most in the blurring acoustic of the cathedral. Not that these are anything but super-fine performances of these great works. It is just that the bar is set so high on this disc that they come up relatively short.
This leaves the Howells Requiem. Its association with the tragic loss of his nine year old son is well-known and although written some years before that disaster it was the work he mined for what became his masterpiece Hymnus Paradisi in 1950. The original Requiem was not released for publication until 1980 and can now be seen as the seminal work from which Howells’ association with the Anglican Liturgy grew. It remains one of the great liturgical works by a 20th century British composer and as such has been well served on disc. There are numerous versions available from just about every type of choir from boy-voiced church choirs to mixed secular groups. The Gabrieli Consort are the equal of any and as elsewhere benefit from a heightened yet subtle response to the text and the musical implications of it. This is subtle and refined music-making not crude word-painting or ugly pointing up of passing musical material. The sense is that one has stumbled on an act of private and personal grieving. There is an intimacy and an identification with the restrained passion of the work that transcends the physical act of ‘making music’ and reaches to the very essence - offering both mourning and consolation. I imagine the recording of this work in the glorious space that is Ely Cathedral must have been a very spiritually uplifting and moving experience for the performers – it certainly sounds that way.
A few last practical details; full texts are printed with English-only translations where necessary. The format of the CD is the increasingly popular mini-book style with the disc slipping neatly into a pocket inside the front cover. The liner is beautifully printed on high quality paper in English only. It includes several photographs from the sessions as well as a couple of very atmospheric pictures of the cathedral. The interview/liner between Paul McCreesh and Consort member Greg Skidmore is that rarest of things – interesting and informative. Special mention to producer Adrian Peacock and engineer Neil Hutchinson who have achieved a perfect recording for this kind of disc; atmospheric yet detailed, intimate yet able to expand to meet the demands of the several passionately ecstatic climaxes. My only surprise is that it seems to have been recorded in 2009. Why have we had to wait so long for a disc of such quality? A disc of the year without doubt.
Nick Barnard

See also review by John Quinn













































































































Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews


      Composer surveys
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site


Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure



Bulletin Board

Give your opinions or seek answers

Pat and present

Helpers invited!

How Did I Miss That?

Currently suspended but there are a lot there with sound clips

Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Other links
Web News sites etc

A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools

Untitled Document

Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.