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The Organs of the Canary Islands
CD 1
Gran Canaria: Las Palmas - Catedral Santa Ana
Soror da PIEDADE (after 1750) Discurso de 1° tom [3:05]
Narcís CASANOVES (1747-1799) Paso en Do mayor [4:03]
Antonio MESTRES (18th century) Toccata de Sexto tono [2:27]; Marcha o Juego de Clarines [5:22]
Miguel LOPEZ (1669-1723) 5 versos de medio registro [7:02]

Gran Canaria: Telde- San Juan
Pablo BRUNA (1611-1679) Pange lingua [2:19]; Tiento de dos tiples [5:18]

Gran Canaria: Agüimes – San Sebastián
Anon (ms. 1709) Canaria in C [1:10]
Anon (ms. 18th century) Canaria in D [0:51]
Antonio de CABEZÓN (1510-1566) Himno Te lucis ante terminum [1:09]

Gran Canaria: Las Palmas- Santo Domingo
Jusepe XIMENEZ (1600-1666) Batalla de 6 tono [6:37]
Portuegese Anon (18th century) Toccata in C [2:38]
Pedro Carrera y LANCHARES (fl.1786-1815) Versos de 4° tono [6:11]
Joan B. CABANILLES (1644-1712) Tiento XIII de dos tiples i dos baixos [9:49]; Toccata IV [2:17]; Tiento XII de falsas 6° tono [2:57]; Tiento XI Lleno 5° tono [7:49]
CD 2
Parroquia de la Encarnación, Santa Cruz de La Palma–Portable Organ

Antonio de CABEZÓN Un gay bergier [3:18]; Fabordones de sexto tono [3:20]; Tiento IX Quinto tono [3:17]
Antonio CARREIRA (ca. 1525-1597) Tiento de 1° Tom [1:54]
Joan B. CABANILLES Pascalles 1° tono [3:08]
Joseph URROS (ca.1700) Versos de primero tom de meio registro [5:49]

Tenerife: Orotava – S. Juan
Michael PRAETORIUS (1571-1621) Canarie [1:16]
Dietrich BUXTEHUDE (1637-1707) Canzonetta in G [2:23]
Michal NOVENKO (b.1962) Variation on Canaria [1:08]
Giovanni Bernardo LUCCHINETTI (1730-1801) Sonata a 2 organi [4:09]
Georg Philipp TELEMANN (1681-1767) Fuge in A minor [1:59]; Fuge in A major [1:34]
Tenerife: Puerto de La Cruz – Nuestra Señora de la Peña de Francia
Georg Philipp TELEMANN Komm Heiliger Geist [3:04] Allein Gott in der Höh sei Ehr [1:57]; Allein Gott in der Höh sei Ehr [4:49]
Johann Friedrich SCHWENCKE (1792-1852) Wer weiss, wie nahe mir mein Ende [3:58];
Komm Heileger Geist [1:10]
Teneriffe: Santa Cruz de Tenerife – Parroquia de la Concepción
Jonathan BATTISHILL (1738-1801) Air [1:05]
Charles BURNEY (1726-1814) Fugue in F minor [4:33]
George Elbridge WHITING (1840-1924) Chorale Prelude [3:41]

Tenerife: La Laguna - Nuestra Señora de la Concepción
George Elbridge WHITING Andante tranquillo [2:32]
Samuel WESLEY (1766-1837) Air and Gavotte [4:14]
Léon BOËLLMANN (1862-1897) Sortie (Heures mystiques) [1:52]; Andantino (Heures mystiques) [2:02]
Tenerife: Orottava - Parroquia de la Concepción
Adolphe HESSE (1809-1863) Fantasie für die Orgel zu 4 Handen in C minor, Op.35 [6:36]
Michal Novenko, Tomáš Flégr and Martin Böcker (organs)
rec. Canary Islands, 26 April-3 May 2009
PRIORY PRCD1032 [73:15 + 78:01]
Experience Classicsonline


 
Most people who travel to Lanzarote or Gran Canaria for their holidays are in search of the sun, the sea, sangria and whatever else a holiday in the Canary Islands may bring. A fair number will venture into the local church or cathedral as a sightseer or a worshipper. Few will choose to visit these islands on an ‘organ bash’. The liner-notes explain that there are dozens of organs in the Canary Islands. This is great news. Alas, most of them are unplayable. Bad news! However, there is a huge diversity of instruments to explore. Although part of the Kingdom of Spain, their geographical position allows for a wide range of influences which include Hispanic, Portuguese, German, British, French and Italian cultures. Michal Novenko points out that all of these nations had their impact on organ design, playing and repertoire in these islands.
 
The present double CD explores organs built between the middle of the 17th century and the outbreak of the Great War in 1914.
 
The geographer notes seven islands in the Canary archipelago, however only three of these support playable instruments – Gran Canaria, Tenerife and La Palma. Priory Records have chosen to give as wide a range of different organ types as possible. I have listed the organs, their dates and builders below for reference.


Venue

Island

Date

Builder

Las Palmas Catedral Santa Ana

Gran Canaria

1862

Antoni Portell

Telde –San Juan

Gran Canaria

1792

Antonio Corchado

Agüimes – San Sebastian

Gran Canaria

ca.1799

Antonio Calvete

Las Palmas – Santo Domingo

Gran Canaria

1793

Antonio Corchado

Parroquia de la Encarnación, Santa Cruz de La Palma. Portable organ from Sevilla

La Palma

1658

Anon.

Orotava-San Juan (1) Positive organ

Tenerife

1723

O.D. Richborn

Orotava-San Juan (2) Positive organ

Tenerife

1773

Anon. from Hamburg

Puerto de la Cruz, Nuestra Señora de la Peña de Francia

Tenerife

1818

Geycke & Wohlien

Santa Cruz de Tenerife, Parroquia de la Concepción

Tenerife

1862

Bevington & Sons, London

La Laguna, Nuestra Señora de la Concepción

Tenerife

ca.1880

W. Bate & Co. London

Orotava, Parroquia de la Concepción

Tenerife

1914

E.F. Walcker

 
I recommend exploring this double-CD a ‘church at a time’. Armed with the organ specifications provided in the liner-notes the listener will be able to contrast and compare the wide variety of timbres, pipe voicings, registrations and tonal schemes these organs present and will enjoy the eclectic musical offerings.
 
It is not necessary to discuss all 42 tracks; however it is of interest to note that the selection covers a wide period of musical activity. Many of the pieces are Spanish and Portuguese from the sixteenth and seventeenth centuries. I was especially taken by the dramatic ‘Discurso de 1° tom’ which opens the proceedings. This is believed to have been composed by a nun. The three pieces by the Catalan composer Antonio Mestres were enjoyable as were the more diverse works by Joan B. Cabanilles one-time cathedral organist at Valencia.
 
Music by German composers is included. The Canarie by Michael Praetorius is a variation on a local folk tune which showcases the fine Richborn organ. The Canzonetta by Dietrich Buxtehude is pure fun. French music is represented by Léon Boëllmann: the ‘Sortie’ and the ‘Andantino’ from the Heures mystiques. These straightforward pieces sound particularly effective on the Bate organ.
 
It is good that a number of works by English and American composers have been selected. I enjoyed Jonathan Battishill’s delightful Air and Charles Burney’s Fugue in F minor played on the organ of Santa Cruz in Tenerife. The charming Air and Gavotte by Samuel Wesley is heard on the organ at La Laguna. I had not come across the music of Charles Elbridge Whiting before. However, this 19th century American composer and professor of music was active both sides of the Atlantic. His Chorale Prelude may be a little four-square, at least on the Bevington organ, however his Andante tranquillo is quixotic and sweet.
 
Three organists have contributed to the success of this project. Firstly, the Czech-born Michal Novenko, who has featured in other Priory organ bashes in the Balearics and Malta, plays a large number of these tracks. The second is Martin Böcker from the Ruhr in Germany who is an organist, harpsichordist and teacher specialising in master-classes and organ excursions. Finally, Tomáš Flégr is an active recitalist, who has spent time as organist at the Templo ecumenico on Gran Canaria. He is also a keen carillon player.
 
All the playing on these two CDs is excellent. The quality of the sound is superb. It is a testament to the sound engineer (uncredited) who has done such a sterling job in balancing the huge variety of acoustic and tonal idiosyncrasies.
 
The liner-notes are typically excellent and naturally include all the organ specifications. The downside is that the dates of most of the pieces of music are not cited and there appears to be confusion in the track-listings as to which pieces are by what composers. Additionally the church names do not quite tie up with the organ specs. For example, is the final piece played at Orotava, Parroquia de la Concepción or Nuestra Señora de la Concepción? This confusion appears to have carried over into the listings on the Amazon site and other CD retailers. I hope I have got it right in my review! However, these are relatively small points in such an excellent and important project.
 
This CD will be of huge interest to all organ music enthusiasts and will undoubtedly bring a little warmth and sunshine into the lives of people living in colder and greyer climes. It is an impressive achievement from every perspective. I am looking forward to many more explorations in this series. What about the Azores, Gibraltar and perhaps, nearer to blighty, the Islands of the UK?
 

John France


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



 


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