MusicWeb International One of the most grown-up review sites around 2024
60,000 reviews
... and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

REVIEW


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Chandos recordings
All Chandos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing

 

 

 

alternatively
CD: MDT AmazonUK AmazonUS
Sound Samples & Downloads

Giuseppe VERDI (1813-1901)
Falstaff [125:19]
Sir John Falstaff – Fernando Corena (bass-baritone); Fenton – Juan Oncina/Kevin Miller (tenor); Ford – Walter Monarchesi (baritone); Dr Caius – Dermot Troy (tenor); Bardolfo – Daniel McCosham (tenor); Pistola (baritone); Alice Ford – Anna Maria Rovere (soprano); Nannetta – Eugenia Ratti (soprano); Meg Page – Fernanda Cadoni (mezzo); Mistress Quickly – Oralia Dominguez (contralto)
Glyndebourne Opera Chorus; Royal Philharmonic Orchestra/Carlo Maria Giulini
rec. Edinburgh Festival, 25 August 1955
no text or translations included
ICA ICAC 5061 [58:15 + 67:04]

Experience Classicsonline



There is a small but important group of operas that are essentially ensemble works, and in which the presence of a few star singers is less important than the quality of the team as a whole. Die Meistersinger, From the House of the Dead and Peter Grimes are prime examples but surely Falstaff comes at the top of the list. Everyone involved, including the chorus and orchestra as well as the many smaller parts, needs to be aware of their part in the work as a whole and in the chosen approach. If this is the case any small weaknesses in the main parts can easily be forgiven and the nature of the work can be triumphantly realised. That is surely the ambition of any opera company serious about its task, and is clearly the case here. I would not want to suggest that the present set is superior to all its many distinguished predecessors but it is certainly another vindication of the importance of ensemble in opera.
 
Glyndebourne took its productions to the early Edinburgh Festivals right from the first Festival in 1947 onwards. In 1955 it took Falstaff in a production originally intended to be conducted by Vittorio Gui but taken over by Giulini when the former became unwell. A later Glyndebourne version of the opera conducted by Gui with Geraint Evans, the original choice as Ford, has now been released on Glyndebourne’s own label. The usual very thorough rehearsal which has always been a feature of this company’s work is especially relevant to this opera. The result is a single-minded approach to its musical and dramatic character that is very striking. Whether this is due to the conductor’s efforts, to the long rehearsals or to careful casting I do not know but the result is a real overall success.
 
The individual casting is admirable. Fernando Corena’s recordings of buffo music by Donizetti and Cimarosa had shown his ability in this field. It is surprising that this production appears to have been his first performances as Falstaff. The part is often given to a baritone but a bass voice does have the advantage of suggesting the character’s scale without needing to resort to “funny” voices. He does not play with the words in quite the detailed way of, say, Tito Gobbi or Geraint Evans, but instead he exudes a more general good humour. I found it wholly convincing, especially when set within a cast all of whom display their character’s individual “humours” musically and without exaggeration. Walter Monachesi has a voice very different from Corena’s, which helps a lot in their scene together, and if the Merry Wives are not so well distinguished from each other, neither are they in most performances of the opera or indeed in Shakespeare. The role of Mistress Quickly is a gift for a singer with the necessary power in the lower register and ability of characterisation. Oralia Dominguez has both of these qualities and stands out even in such distinguished company. All of the other, by no means minor, parts are well filled. One oddity is that Kevin Miller takes over in Act 3 from Juan Oncina as Fenton. He may lack the same lyrical beauty of voice but there is no serious loss.
 
As I explained earlier, it is the quality of the ensemble that distinguishes this recording. All of the big complicated ensembles which can sound simply confused or untidy are here clear and transparent. Even with a recording which is adequate for a broadcast of the period but little more there is no real loss to the music. There are occasional stage noises, including what is probably the prompter at times, and some obtrusive applause but this simply makes the listener even more aware of what must have been a tremendous theatrical occasion. There is no libretto or even a synopsis which is regrettable but understandable in a version likely to appeal mainly to collectors who have more modern versions in their collections already. I would happily have exchanged the seven pages of listing of the ICA catalogue for more pictures of the original production - or indeed a more detailed description of it.
 
There are many distinguished recordings of Falstaff in the catalogue, including those conducted by Karajan (with Gobbi), Toscanini, and (some years later) Giulini in Los Angeles. The present set takes its place with them, like them offering hours of pleasure and delight. If the opera has a lesson it is the composer and librettist’s sheer delight in the varied character of humanity and its many frailties. This recording captures that varied character to perfection in a wonderfully relaxed and good humoured performance in which nearly everything seemed to have gone right.
 
John Sheppard

 

 

 


 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Past and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools






Error processing SSI file