Aureole etc.




Nimbus on-line




If it’s the Czech works you’re after, do not hesitate

  Founder: Len Mullenger
Classical Editor: Rob Barnett


Some items
to consider

 


Enjoy the Gothenburg Symphony Orchestra wherever you are. App available for iOS and Android


Tudor 7188


Vaughan Williams Symphony 3 etc.


Lyrita New Recording


Lyrita Premiere Recordings

Lyrita 4CDs £16 incl.postage

Lyrita 4CDs £16 incl.postage


Decca Phase 4 - 40CDs


Judith Bailey, George Lloyd


BAX Orchestral pieces


CASKEN Violin Concerto

Schumann Symphonies Rattle


Complete Brahms
Bargain price

 

 

 

 

REVIEW



Gerard Hoffnung CDs

Advertising on
Musicweb


Donate and get a free CD

New Releases

Naxos Classical

Hyperion

Musicweb sells the following labels
Acte Préalable
Alto
Arcodiva
Atoll
CDAccord
Cameo Classics
Centaur
Hallé
Hortus
Lyrita
Nimbus
Northern Flowers
Redcliffe
Sheva
Talent
Toccata Classics


Follow us on Twitter

Subscribe to our free weekly review listing
sample
 

Availability
Download only: AmazonUK AmazonUS
The Classical Shop

Percy Eastman FLETCHER (1879-1932)
Music for Organ - Volume 7
Festal Offertorium (1926) [5:15]
Prelude, Interlude and Postlude, Op.27 (1910) [10:15]
Grand Choeur Triomphale (1910) [4:05]
Andante con Moto (1927?) [1:45]
Festival Toccata (1915) [7:27]
The Passion of Christ
(1922) [47:03]
Ronald Frost (organ)
Passion: The St. Ann Singers/Ronald Frost, Philip Asher (organ)
rec. St Ann’s Church, Manchester, 7, 9, 29 March 2006
DUNELM RECORDS DRD0260 [75:50]

Experience Classicsonline


I regularly play Percy Fletcher’s Parisian Sketch No. 2 ‘Bal Masque’ on the piano. It is the sort of piece that sounds impressive without really stressing my ‘Grade 6½’. Other music by this composer is often hauled out of the ‘piano stool’ and given an occasional airing. However, it was not until I heard his Elgar-inspired Epic Symphony for brass band that I came to realise that there is more to this composer than a string of ‘light’ musical numbers ideally suited for the ‘end of the pier’.
 
A few years ago I came across Fletcher’s fine ‘Festival Toccata’ (which is included on this CD). I heard it with an innocent ear, and admitted surprise at discovering who the composer was. So it came as a minor revelation to discover that he had also contributed an important -if not major - cantata called The Passion of Christ. This is a work that transcends the usual church cantatas that used to fill the choir cupboards of so many churches. It is something else to perform in Holy Week other than John Stainer’s great - but hackneyed - The Crucifixion.
 
A few brief notes on the composer may be of interest. Percy Eastman Fletcher was born on 12 December 1879 in Derby. His father was a professor of music and his mother was competent on the violin, piano and church organ. Fletcher naturally learnt much from his parents, but then continued with a private musical education before moving to London. There he worked at a variety of theatres including the Savoy, Drury Lane and The Prince of Wales. For some seventeen years he was musical director at His Majesty’s Theatre in the Haymarket. His works composed at this time included completing the score of Frederic Norton’sChu Chin Chow, writing a sequel called Cairo and then The Good Old Days which ran at the Gaiety Theatre during 1926.
 
Other compositions included a variety choral music including interesting-sounding pieces such as The Walrus and the Carpenter,The Enchanted Island and The Shafts of Cupid. The library catalogues show a great deal of songs and ballads. I have noted the Epic Symphony; however he did compose other pieces for that medium including Labour and Love.
 
It is a well-known aphorism that Percy Fletcher wrote more ‘light’ orchestral suites than the better-known Eric Coates. Certainly there seems to be plenty to explore amongst such titles as Six Cameos for a Costume Comedy, Rustic Revels, Sylvan Scenes, Woodland Pictures, Three Frivolities and At Gretna Green. I await an album of some of these pieces from an enterprising record company!
 
Percy Fletcher, although working in London, lived in Farnborough, Hampshire for many years. He died from of a cerebral haemorrhage in Holloway Sanatorium, Virginia Water on 10 September 1932.
 
The present CD includes music that is a million miles away from the ‘end of the pier’. The opening ‘Festal Offertorium’ is a case in point. This is a big, gutsy piece that deserves to take its place alongside organ music by Harwood, Stanford and Harris as a powerful and confident example of the Edwardian style. I am not convinced that the dating of this piece is necessarily correct. I believe that it could be earlier than 1926 when it was published in an album of organ pieces.
 
I loved the ‘Prelude, Interlude and Postlude’ Op.27 which dates from 1910. This is a truly gorgeous piece. It does seem to be easier to play than some of the big war-horses presented on this disc. However, they are well written, with lovely tunes that are never dull.
 
The ‘Grand Choeur Triomphale’ is another great piece for use as a recessional. It is a rousing flourish that fairly romps along; however there are considerable contrasts between the different sections of ‘choeur’ and these are well reflected in the organ registration. It also dates from 1910. The ‘Andante con Moto’ is really a hymn tune prelude: however the liner-notes omit to say which tune! It is a lovely piece, full of spine-tingling harmonies and beautiful voicings on the organ.
 
The last of the organ works is the relatively well-known ‘Festival Toccata’. It was published by Novello in an album called A Wedding Bouquet. Even I have had a go at this - however with very little success. It is impressive and should take its place with the great ‘toccatas’ of the world. To my ear it is certainly as good as the better-known examples by Gigout or Whitlock. Dating from 1915, it was dedicated to Edwin Lemare - composer and sometime organist of Sheffield Parish Church - now the Cathedral.
 
The main event is the abovementioned cantata The Passion of Christ. This was written in 1922. Philip Scowcroft, who writes the excellent liner-notes, suggests that this ‘is one of those shortish sacred cantatas designed for smaller, perhaps less-experienced church choirs.’ I agree with him that there were hundreds of these products - I seem to recall something by a chap from Warrington called T. Mee Patison (The Miracles of Christ?) being sung at my Parish Church back in the nineteen-seventies. It was a wee bit average.
 
The mood of Fletcher’s Passion is unbelievably far away from the ‘Bal Masque’ and the orchestral suites. There is nothing ‘light’ or ‘whimsical’ about this well-wrought, deeply felt exploration of Christ’s sufferings. The obvious referential marker is Elgar however, I am with Scowcroft when he warns us not to expect another Gerontius. The work is scored for chorus and organ with soprano, tenor and bass/baritone solos. Fletcher has made use of congregational hymns; however he has followed Bach’s practice of using pre-existing tunes. They are heard here in Fletcher’s arrangement.
 
I enjoyed this Passion. There are many passages that are exquisitely beautiful. It is a deliberately introverted and hugely spiritual offering that deserves the occasional revival.
 
The CD has been well-produced with good sound quality reflecting the atmosphere of St. Ann’s Church in Manchester. The liner-notes are excellent - if a little short on information on the organ pieces. The words of the Passion are given in full. The booklet also includes a detailed profile of Ronald Frost B.Mus, FRCO, FRMCM, FRSCM, FGCM, FNMSM, FRSA and a shorter note about Philip Asher the current Pilling Organ Scholar at St. Ann’s Church. Asher plays the organ for the Passion.
 
Of importance to all organ enthusiasts is the essential history of the instrument, complete with facts and figures and the all important ‘spec’. I have noted before that the organ was not constructed by a Mancunian firm, but the Salfordian Glyn & Parker in 1730. Such distinctions are important in ‘Lancashire’; I loathe saying ‘Greater Manchester’.
 
The St Ann’s Singers are largely drawn from the ranks of the regular church choir. They have devoted themselves to much music-making in the Manchester area and have recently given performances of Fauré’s Requiem, and works by Elgar and Bairstow.
 
Finally, the booklet includes a useful discography of Dunelm's Organ Recordings. Many are on the present instrument in St. Ann’s however Frost has also been active in other Lancastrian and Derbyshire churches.
 
This is a CD that deserves success. It has bravely explored uncharted territory with The Passion of Christ; the organ pieces by Fletcher are not available together on any other CD. I concede I have a soft spot for St Ann’s Church for a variety of personal and family reasons however it is good to see this pillar of Manchester music-making contributing to the revival of one of the lesser-known composers from the first half of the twentieth century.
 
John France  

Notes
1. From the Divine Art website (distributors of Dunelm) (August 2012)
We regret that due to serious illness at the Dunelm branch, we are currently unable to produce any Dunelm titles in CD format, but hope that in due course they will be restored to circulation.

2. From the editor
The excellent booklet notes that John France mentions are not available from the download stores.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Pat and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools






Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.