Aureole etc.




Nimbus on-line




If it’s the Czech works you’re after, do not hesitate

  Founder: Len Mullenger
Classical Editor: Rob Barnett


Some items
to consider

 


Enjoy the Gothenburg Symphony Orchestra wherever you are. App available for iOS and Android

Lyrita 4CDs £16 incl.postage

Lyrita 4CDs £16 incl.postage


Decca Phase 4 - 40CDs


Judith Bailey, George Lloyd


BAX Orchestral pieces


CASKEN Violin Concerto

Schumann Symphonies Rattle


Complete Brahms
Bargain price

 

REVIEW
RECORDING OF THE MONTH



Gerard Hoffnung CDs

Advertising on
Musicweb


Donate and get a free CD

New Releases

Naxos Classical

Hyperion

Musicweb sells the following labels
Acte Préalable
Alto
Arcodiva
Atoll
CDAccord
Cameo Classics
Centaur
Hallé
Hortus
Lyrita
Nimbus
Northern Flowers
Redcliffe
Sheva
Talent
Toccata Classics


Follow us on Twitter

Subscribe to our free weekly review listing
sample
 

alternatively
CD: MDT AmazonUK AmazonUS

Johann SCHELLE (1648 - 1701) Sacred Music
Lobe den Herrn, meine Seele [10:53]
Wohl dem, der den Herren fürchtet [7:41]
Aus der Tiefen [10:15]
Herr, lehre uns bedenken [9:36]
Gott, sende dein Licht [10:59]
Komm, Jesu, komm [5:42]
Christus, der ist mein Leben [9:28]
Christus ist des Gesetzes Ende [4:47]
Vom Himmel kam der Engel Schar [8:31]
The King's Consort/Robert King
rec. November 2000, St Jude-on-the-Hill, Hampstead Garden Suburb, London.
Originally issued on CDA67260
Texts and translations included
HYPERION HELIOS CDH55373 [78:54]

Experience Classicsonline

 

 
The vocal music which was written in Germany in the second half of the 17th century has long been neglected. One has the impression that hardly anything valuable was composed between, say, Heinrich Schütz and Johann Sebastian Bach. The best-known composer of this period was Dietrich Buxtehude, and even his sacred output has only been discovered fairly recently. Around 2000 Robert King devoted a series of discs to three composers who were the precedessors of Bach as Thomaskantor in Leipzig: Sebastian Knüpfer (1633-1676), Johann Schelle (1648-1701) and Johann Kuhnau (1660-1722).
 
Schelle spent his formative years in the electoral chapel in Dresden, which was then under the direction of Heinrich Schütz. At the age of 16 he entered the Thomasschule in Leipzig, and he continued his studies in music with the then Thomaskantor Sebastian Knüpfer. Just 22 years old he was appointed Kantor in Eilenburg and in 1676 was elected to succeed Knüpfer as Thomaskantor. The Leipzig town council had made an excellent choice as Schelle's reputation soon spread throughout central Germany. "One contemporary witness reports that listeners 'flew in like bees' for the 'sweet honey' of Schelle's church music", Peter Wollny writes in his liner-notes. He connects it with Schelle's style of composing. "What was presented to the audience was a new style - a sweet and delightful sound, combined with carefully-chosen texts and performed with a well-developed sense for big effects and refinement".
 
The programme which Robert King has chosen for this disc represents various aspects of church music of the late 17th century. It is true that melody plays an important role in Schelle's music but that doesn't mean that he breaks away from the German tradition of counterpoint. The funeral motet Christus ist des Gesetzes Ende is an impressive example of Schelle's mastery of counterpoint. A motet like this fits well into the tradition of motet-writing by German composers of the 16th and 17th centuries, but in this piece it is enriched by a more up-to-date expressive language. Another tradition is the use of hymns in various ways. In the early 17th century Michael Praetorius composed small-scale and large-scale pieces about the hymns which had been written under the inspiration of Martin Luther. A piece like Vom Himmel kam der Engel Schar, with its scoring for one vocal and three instrumental choirs is strongly reminiscent of Praetorius' large-scale chorale arrangements. Christus der ist mein Leben is also based on a hymn, but here the melody is treated in a quite different way.
 
In Herr, lehre uns bedenken various elements of 17th century German sacred music come together. It begins with a dictum, a literal quotation from the Bible. This is followed by a free poetic text in four stanzas, reflecting on mortality. Every stanza is followed by a ritornello in which the violin or the viola da gamba play a chorale often associated with death and used as funeral music. Wenn mein Stündlein vorhanden ist (When my hour has come) and Herzlich tut mich verlangen (Very sincerely am I yearning for a blessed end) are examples. Speaking of death, one of the most moving pieces is Komm, Jesu, komm, on a text which Johann Sebastian Bach also used for one of his motets. Like Bach’s motet, Schelle's setting from 1684 - for five voices, here performed with full choir and organ - was composed for a funeral.
 
The two first pieces reflect different practices of sacred music writing in Germany. Lobe den Herrn, meine Seele is for forces comprising 25 vocalists and instrumental musicians with an alternation of tutti and solo sections. This kind of music was strongly inspired by the style practised in Venice, and is present in the oeuvre of Schütz and later Rosenmüller. It is followed by a sacred concerto for solo voice and instruments, Wohl dem, der den Herren fürchtet. The scoring for solo voice allows an evocative setting of the text, with sometimes detailed depiction of single words. Schelle's interest in melody comes especially to the fore in Gott, sende dein Licht, where he manages to keep the texture of four voices and five instruments transparent, for instance through parallel motion of various parts.
 
It is very likely that a considerable part of Schelle's oeuvre has been lost. Later generations of musicians in Leipzig treated his music with scant respect or care. It is a matter of good fortune that due to Schelle's great reputation his music was disseminated through central Germany and that about 60 cantatas from his pen have been preserved.
 
It was a great idea of Robert King to record this selection of sacred works by Johann Schelle. Not only is he an historically interesting and significant composer, his music is also of high quality and is versatile in character. The performances do full justice to Schelle's oeuvre. It seems that King has a good feeling for the character of this repertoire. The rhythmic pulse - which is quite important in this music - is well exposed. The splendour of the large-scale compositions comes off perfectly thanks to the brilliant playing of the strings and wind. The vocalists deliver fine performances too, and their voices blend very well in the tutti sections. Their phrasing and articulation in the solo sections is quite good. It is also noticeable that the pronunciation of some singers is less than perfect. That is also the case with Robin Blaze, who gives an expressive reading of Wohl dem, der den Herren fürchtet.
 
It is great that this disc has been reissued in the Helios series, like the other discs in this project, with music by Knüpfer and Kuhnau. If you didn’t purchase this recording when it was first released, this is your chance to make up for lost time. Don't miss it.
 
For those who want to hear more from Schelle I refer to these recordings:-
 
Schelle: Sacred Concertos and Cantatas - La Capella Ducale, Musica Fiata/Roland Wilson (CPO)
 
Schelle: Actus auf Weyh-Nachten, Christmas Music - La Capella Ducale, Musica Fiata/Roland Wilson (deutsche harmonia mundi)
 
Thomaskantoren vor Bach (Knüpfer, Schelle, Kuhnau) - Cantus Cölln (Harmonia mundi)
 
Johan van Veen
http://www.musica-dei-donum.org
https://twitter.com/johanvanveen
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Pat and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools






Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.