One of the most grown-up review sites around
One of the most grown-up review sites around

Search MusicWeb Here


International mailing

Up to 40% off

  Founder: Len Mullenger

Some items
to consider


colourful imaginative harmony
Renate Eggebrecht violin

Leticia Gómez-Tagle
Chopin, Liszt, Scarlatti

Guillaume LEKEU

Book 1 Book 2 Book3
Mota The Triptych: -Website

Acte Prealable returns
with New Releases

Superior performance

Shostakovich 6&7 Nelsons

Verdi Requiem Thielemann

Marianna Henriksson
An outstanding recital

Arnold Bax
Be converted

this terrific disc

John Buckley
one of my major discoveries

François-Xavier Roth
A game-changing Mahler 3


Bryden Thomson


Vaughan Williams Concertos

RVW Orchestral



We are currently offering in excess of 51,000 reviews

Advertising on

Donate and keep us afloat


New Releases

Naxos Classical

Nimbus Podcast

Obtain 10% discount

Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels
Acte Préalable
(THE Polish label)
Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


CD: MDT AmazonUK AmazonUS

Felix Austria - Works for Viola da Gamba Consort
ANON Fantasia ŗ 4 Viole da gamba in G [03:10]
Johann Heinrich SCHMELZER (c1623-1689) Le veglie assequiose: Ritornello - Del silentio notturno for bass and 4 viole da gamba [03:18];
Giovanni LEGRENZI (1626-1690) Sonata for 4 viole da gamba and bc in e minor, from op. 10 [04:58]
Giovanni VALENTINI (1582-1649) Sonata Enharmonica for 4 viole da gamba and violone in g minor [03:52]; In te domine speravi for bass, viola bastarda and bc [05:02]
LEOPOLD I (1640-1705) Sonata for 4 viole da gamba and bc (1656) [07:00]
Johann Jacob FROBERGER (1616-1667), arr Michael FUERST Capriccio in F, arr for 4 viole da gamba [06:04]
Johann Jacob FROBERGER Toccata for keyboard in G [03:38]; Capriccio XII for keyboard [04:04]
Johann Jacob FROBERGER, arr anon Capriccio in G, arr for 4 viole da gamba in G [02:22]
Suite for lute in B flat (FbWV 605 & 612), arr for lute [07:52]
Giovanni LEGRENZI Sonata for 4 viole da gamba and bc in c minor, from op. 10 [05:23]
FERDINAND III (1608-1657) Hymnus Jesu Corona Virginum for baritone, 4 viole da gamba and bc [05:16]
ANON Fantasia ŗ 5 Stromenti in A [03:51]
Klaus Mertens (bass)
Hamburger Ratsmusik (Hermann Hicketier, Barbara Hofmann, Frauke Hess, Simone Eckert (viola da gamba), Ulrich Wedemeier (lute, theorbo), Michael Fuerst (organ))/Simone Eckert
rec. 13-16 January 2009, refectory, Convent Heilsbronn, Germany. DDD
CPO 777 451-2 [66:02]

Experience Classicsonline

Over the years I have heard many recordings of music written for the Imperial court in Vienna. Thatís no wonder: Vienna was a centre of music-making in Europe. During the 17th and 18th centuries some of the best musicians and composers were in the service of the Habsburg emperors. Most of the recordings concentrate on music for violins or voice. This disc is different in that it presents music for viol consort. Thatís all the more interesting, as it is often thought that in the 17th century consort music was only written in France and England. It is quite surprising that this kind of music was also written in Austria. Most musicians in the service of the Imperial court were from Italy, where the viol consort had gone out of fashion since the first quarter of the 17th century. The fact that Italian composers wrote music for viol consort was due to the personal preferences of the emperors, Ferdinand III and Leopold I, who also wrote some music for this kind of ensemble themselves.

The chosen repertoire is quite remarkable. That is certainly the case with the two pieces by Giovanni Valentini. He was born in Venice, and was appointed organist at the court of Archduke Ferdinand II in Graz in 1614. When Ferdinand was elected Holy Roman Emperor in 1619 he followed him to Vienna, and in 1626 was appointed Kapellmeister. He also served the emperor's successor, Ferdinand III, whom he taught in composition. His motet In te domine speravi is written for bass, viola bastarda and bc. The viola bastarda is not an instrument, but rather a way to play the viola da gamba. In New Grove it is described as a style "which condensed a polyphonic composition (madrigal, chanson or motet) to a single line, whilst retaining the original range, and with the addition of elaborate diminutions, embellishments and new counterpoint". In this particular piece the whole range of the viola da gamba is explored. The result is a strange piece which is a kind of competition between voice and viol, with large leaps in both parts. In effect it is more a musical game than an expressive setting of a text. Klaus Mertens and Simone Eckert master their parts brilliantly.

Even more remarkable is the Sonata Enharmonica. It is based on the fact that in mean-tone tuning A sharp and B flat are not identical. In his liner-notes Michael Fuerst writes: "[The] a-sharp is considerably lower in pitch so as to produce a pure major third with the f-sharp, whereas the b-flat is higher, so as to create a pure major third when played with a d. Valentini repeats the same 2 bars of g-minor music a major third higher, in b-minor, thus juxtaposing a-sharps and b-flats within 4 bars." He adds that viols and lute can play in both pitches by splitting frets. There is no comparable solution for the organ. As here an organ is used in the basso continuo I would have liked to know how this problem was solved. Unfortunately he leaves us guessing. Anyway, it is a most peculiar piece which reflects the sense of experiment of composers in the first half of the 17th century.

Johann Jacob Froberger's music for keyboard isn't without harmonic experiments either. In particular his Capriccio XII which Michael Fuerst plays at the organ, is remarkable for its harmonic progressions. Two of Froberger's pieces are played with viol consort. These are no new discoveries: Froberger had never written music for viol consort, as far as we know. Both are arrangements of keyboard pieces. The Capriccio in G is from a manuscript preserved in the Viennese Gesellschaft der Musikfreunde. The Capriccio in F is inspired by a transcription of a Thuringian court musician, Jacob Ludwig. Apparently he found the task too difficult and stopped after a few bars. This transcription is an attempt by Michael Fuerst, and it really sounds very natural, as if it had been written for viol consort. The Suite in B flat is an arrangement of movements from two harpsichord suites by Froberger, the last of which is one of Froberger's most famous pieces. It sounds very natural on the lute, which is no surprise as lute and harpsichord are idiomatically very close.

The two sonatas by Legrenzi are also notable: the composer had never been in the service of the Imperial court, but he dedicated his op. 10 to Leopold I. The fact that the set contains two sonatas for four viols can only be explained by Leopold's preference for the viol consort. It is a bit odd that these two sonatas are played without the basso continuo which is indicated in the score. This way they seem even more old-fashioned than they are. This decision isn't explained in the liner-notes.

As already mentioned, Ferdinand III and Leopold I were also composers. The first half of the latter's Sonata is largely homophonic, and begins with sequences of ascending and descending scales, with the viols mostly playing in parallel. In the second half there are some solo episodes for the various viols, and the piece ends with a kind of dialogue between one viol and the other three. Throughout echo effects frequently appear. It is not the most interesting piece of consort music I have ever heard but for curiosity's sake it is good that it is included in the programme.

In comparison Ferdinand III seems the greater talent, but maybe the quality of his hymn Jesu Corona Virginum is also due to the composition lessons of Giovanni Valentini. It is a nice piece with five stanzas, which are separated by ritornellos of the viol consort. These are, in turn, reminiscent of the Sonata Enharmonica by Valentini, though without the harmonic experiments.

Without any doubt this is an interesting disc with some highly intriguing repertoire. Most of the pieces have never been recorded before, or - in the case of Froberger - not in this scoring for viols. Klaus Mertens sings the three vocal items with great flair, as one would expect. The Hamburger Ratsmusik is an excellent ensemble, producing a warm sound and playing with great expression. In short, this disc is a worthwhile addition to the discography.

Johan van Veen

























Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews


      Composer surveys
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site


Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure



Bulletin Board

Give your opinions or seek answers

Pat and present

Helpers invited!

How Did I Miss That?

Currently suspended but there are a lot there with sound clips

Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Other links
Web News sites etc

A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools

Untitled Document

Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.