Il Convitto Armonico is an Italian vocal ensemble which specialises
in early music, and comprises singers from Italian conservatories.
It was formed in 1990 by Stefano Buschini and Marco Montanelli.
Their recording of Victoria's Missa O Quam Gloriosum
is their third disc. They released a disc of music by Lorenzo
Perosi in 2000 and another of music by Marc'Antonio Ingegneri
in 2003. New to me; I suspect that they will be new to many
people.
The choir comprises seventeen singers (four soprano, four alto,
four tenor and five basses), with women on the top two lines.
They make a rich, vibrant sound and though they use more vibrato
than a comparable English choir, the results are not excessive.
In fact, this combined with the dark, virile sound made by the
altos results in a rather special sound. Their performance of
polyphony is vibrant and robust, but with still a decent feeling
for line. I imagine that they would be the ideal ensemble for
those Italian friends of mine who complain that English groups
sound far too pallid in this repertoire, even if they can be
admired for their polished musicality.
It would be easy to point up places where the recordings by
such groups as Westminster Cathedral or Kings College Cambridge
show a more finely honed musicality, but that would be missing
the point. This is an account of Victoria's mass which is
notable for its vibrant richness and the robust vividness with
which the group portrays the counterpoint. This is especially
true when you consider that two of the major recordings in the
catalogue use boys on the top line - the top two lines in the
case of Westminster Cathedral.
The disc opens with the plainchant O quam gloriosum followed
by the motet and then the Mass based on the motet. The motet
was published in 1572, whilst Victoria was working in Rome at
the German College. The mass was published in 1583 in a volume
whose introduction presented Victoria's request to King
Philip of Spain that he be transferred back to Spain. This request
was granted and the King named Victoria Chaplain to his sister
Empress Maria.
On their recent disc of Victoria's Missa Gaudeamus,
the Lay Clerks of Westminster Cathedral surround the mass with
the all the relevant plainchant propers for the Feast of the
Assumption. On this disc Il Convitto Armonico take a different
route and provide us with a selection of Victoria's motets
and hymns.
The motets include such familiar items as O Magnum Mysterium,
but also rarer items like Iste sanctus which receives
its first recording here. Amongst the hymns, both Tristes
eran apostolic and the Te deum receive their first
recordings. The three hymns (the third being Veni, creator
spiritus) come from Victoria's extensive writings for
the vespers service, where polyphony alternates with plainchant.
He shows his imagination by writing striking but approachable
settings which develop from germs of plainchant.
The group varies the line-up during the motets and hymns to
provide variations in texture. The first five motets are sung
tutti. But O sacrum convivium is sung by the women's
voices, Vere languores by the men's voices and O
vos omnes by just four men. These show the sort of control
of which the group is capable and provide a necessary contrast
to the vigour and robustness which characterises much of their
work.
I must add here a note about the sound quality of the tenor
line. Stefano Baldi who sings the top tenor line is described
on the choir's web-site as being a counter-tenor and tenor.
This means that in the items where he sings the top line, his
voice has a distinctly low counter-tenor sound rather than an
over-stretched tenor. This makes the all-male items all the
more welcome and seems to add to the choir's flexibility
in the middle lines for the tutti items.
The CD booklet contains an article on Victoria and his music,
along with texts in Latin. Though the texts detail exactly who
is singing when - which is very useful - they fail to provide
translations so you might need to dig around the internet for
these.
None of the British mixed voice choirs have taken up this mass,
which seems strange. So if you would like to have the mass sung
by women's voices then this disc is for you, though Il Convitto
Armonico paints the music in far more vivid colours than you
might be used to. Similarly, if you already have the Kings or
the Westminster recording, then think about getting this one
as well - it provides a welcome contrast.
This is highly desirable and provides a welcome touch of warmth
and vibrancy of tone to one of Victoria's loveliest masses.
Robert Hugill
Il Convitto Armonico/Stefano
Buschini 
