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Giuseppe
VERDI (1813-1901)
Il Trovatore (1852) [127:37]
Maria Callas (soprano) – Leonora
Giuseppe di Stefano (tenor) – Manrico
Rolando Panerai (baritone) – Conte di Luna
Fedora Barbieri (mezzo) – Azucena
Nicola Zaccaria (bass) – Ferrando
Luisa Villa (soprano) – Ines
Renato Ercolani (tenor) – Ruiz
Orchestra and Chorus of La Scala, Milan/Herbert von Karajan
rec. La Scala, 1956, mono. ADD
ALTO ALC2004 [66:44
+ 60:53]  |
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For the performances of
the principals and the conductor this recording has become
justly famous. It captures the legendary - and all too rare
- pairing of Callas and Karajan and, while it has its flaws,
it is just as compelling to hear now as it must have been
in 1956. The performance itself has been frequently commented
on, and there are at least three reviews of it - in varying
forms - on this site alone so I don’t intend to comment on
the performances. The most interesting thing about this release
must be the quality of the transfers and the reissue on the
Alto label. I’m sorry to report that it is a big disappointment.
I haven’t come across
Alto before, though from their packaging it looks as though
they have something in common with the Regis group. They
have joined the large – too large? - group of labels who
have made it their business to reissue recordings whose 50-year
copyright has now expired in the UK and Europe. Naxos has
been the most successful of these, and EMI have also got
in on the game by reissuing their own recordings under the
EMI Historical label. To be quite frank I’m not sure why
Alto bothered. This performance has already been reissued
as an EMI Great Recording of the Century (mid-price), on
EMI Historical and on Naxos (both budget price) so it’s not
as if they’re getting in on a gap in the market.
The transfer is notably
unsuccessful. The hiss is apparent from the very outset,
an unforgivable flaw considering that EMI have completely
eliminated it from their issue of this set. That puts all
of the voices at an additional distance and at times relegates
the orchestra almost to the next room! Furthermore it increases
the mild distortion that had already been present in this
set, but which EMI and Naxos had done so much to reduce.
The (unwritten) top notes at the end of Act I are unbearable
and at big choral climaxes - notably the Anvil Chorus of
Act II - the clang is intrusive rather than atmospheric.
Alto have done nothing
to illuminate this classic set and have in fact clouded it
in sound even less appealing than it already had. Even the
packaging is unappealing: the front cover looks like a very
unattractive example of CGI-gone-wrong, with di Stefano’s
head unconvincingly superimposed on the body of a much younger
and more athletic sword-wielding troubadour. No: avoid this
issue. If you want this fantastic performance at budget price
then pick it up on EMI
Historical and be thankful that the copyright is only
50 years!
Simon Thompson
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