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Dmitri KABALEVSKY (1904-1987)
Piano Concerto No. 3 op. 50 (1952) [18:45]
Rhapsody for piano and orchestra on the theme of the song School
Years op. 75 (1964) [12:09]
Poem of Struggle for orchestra and chorus op. 12 (1930)
[9:09]
Nikolai RIMSKY-KORSAKOV (1844-1908)
Piano Concerto in C sharp minor (1883) [14:06]
Hsin-Ni Liu
(piano)
Gnesin Academy Chorus
Russian Philharmonic Orchestra/Dmitry Yablonsky
rec. Studio 5, Russian State TV & Radio Company KULTURA,
Moscow, 10-15 June 2005, 29 November 2006. DDD
NAXOS 8.557794 [54:09]  |
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Here is
an inexpensive collection of three works by Kabalevsky and
one by Rimsky-Korsakov. The Kabalevsky Third Piano Concerto,
dedicated to Soviet Youth, is well enough known. It is carefree,
catchy, neatly romantic and wonderfully memorable. Hsin-Ni
Liu despatches its 18:45 in machine-gun exuberance in the
outer movements and in delicate pastels in the central Andante.
From a dozen years after the Third Concerto comes Kabalevsky's Rhapsody on
the theme of the song School Years. It is dedicated
to the Young Musicians of the Volga region. Like the much
recorded Third Concerto it makes clever, sparkling and playful
use of the woodwind.
The short
Rimsky-Korsakov Concerto in one movement is pearly and has
the tang of Borodin. The recording allows us to hear the
key-click mechanisms of the woodwind soloists’ instruments.
The performances are spot-on and seem well prepared yet not
drilled to death.
Moving
away from the concerto aspect of the disc the sequence ends
with a final patriotic and dramatic gesture. Kabalevsky's Poem
of Struggle takes us back all the way to the 1930s; it
is in fact his first major work. The text which appears in
the last segment is bloodcurdlingly acquisitive with the
international Revolution being taken to Berlin, Dresden,
Paris and Warsaw … and then the Far East. It's a fascinating
novelty which speaks with the burning, fearsome and ruthless
ardour of its Soviet times. The rushing militaristic writing
is directly redolent of Myaskovsky's Fifth and Sixth Symphonies:
the Red Flag whips in the wind of violent change. The piece
is alive with the concatenating strenuous uproar of trumpet
fanfares and tramping militia. The choir exude the fervour
of the words which are printed in English but not in transliterated
Russian.
Short playing
time for which you have the compensation of three works for
piano and orchestra. Add to this a very rare early Kabalevsky
piece from the youthfully aggressive first maturity of the
Soviet Union.
Rob Barnett
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