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Karol
SZYMANOWSKI (1882-1937)
Violin Concerto No. 1 Op. 35 (1916) [26:36]
Violin Concerto No. 2 Op. 61 (1933) [22:57]
Alena Baeva (violin)
Opole Philharmonic Symphony Orchestra/Bogusław
Dawidow
rec. Opole Philharmonic Concert Hall, March
2007
DUX 0575 [49:32]  |
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Dux are doing some splendid things
of late. They also happen to be generous
to young artists as this disc shows.
Alena Baeva, a young violinist born
in Kazakhstan in 1985, confidently
essays both the Szymanowski concertos
accompanied by the Opole Philharmonic
Symphony Orchestra and Bogusław
Dawidow.
The brace of concertos
was slightly dryly recorded in Opole
Philharmonic Concert Hall in March
2007, recording sessions made about
six months after Ilya Kaler made
his Naxos recordings in Warsaw review.
Kaler’s conductor Antoni Wit brings
a rather more sharply incisive profile
to bear orchestrally than does Dawidow
for Baeva. There are also, in truth,
more colours in Kaler’s playing
than are as yet evident in the younger
Baeva’s arsenal. The apex of phrases
is reached just that bit more effulgently
with Kaler and Wit – and the sumptuousness
of Naxos’s recording serves only
to intensify the feeling that this
Dux is a touch reserved in comparison.
But that’s not to denigrate the
new teaming which plays beautifully
in the Andantino section of the
First Concerto. We also find the
Vivace scherzando is brightly
launched and finely articulated
as well. In the end though the greater
ardour and sweep of the Naxos pairing
wins the day.
The balancing of
the tricky Second Concerto is also
more telling in the Naxos. Kaler’s
phrasing hits all the right lyric
buttons, his intonation never wavering.
The Naxos set up brings out a telling
and more vivid sense of orchestral
perspectives and once again the
irresistible sweep and allure of
the budget competition is preferable.
That said try to hear Baeva’s throaty
tone in this concerto.
There are no fillers.
This is now a crowded
field with reissues of first class
performances creating a real problem
for purchasers. Classic performances
at fast tempi seldom if ever now
countenanced? Then it must be Uminska
and/or David Oistrakh in No.1, albeit
in imperfect sound. Wanda Wilkomirska?
Kulka – Naxos 8553685? The rock
solid pairing of Thomas Zehetmair
and Simon Rattle - (EMI 5034292).
Bargain price bracket but
superb in every way? Then look no
further than Ilya Kaler on Naxos
8557981. He would be my current
all-things-taken-into-account recommendation.
Jonathan Woolf
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