Kaija 
          SAARIAHO 
          (b.1952) Nymphéa 
          for string quartet and live electronics 
          (1987) [18’58] John 
          CAGE (1912-1992) String Quartet 
          in Four Parts (1949/50) [17’12] Bruno 
          MADERNA (1920-1973) 
          Quartetto per archi in due tempi (1955) 
          [13’54]  Cikada String Quartet Recorded at Sofienberg 
          Church, Oslo, August 2001
 
          Cikada String Quartet Recorded at Sofienberg 
          Church, Oslo, August 2001  ECM NEW SERIES 1799 472 4222 [50’16] [TH]
 
          ECM NEW SERIES 1799 472 4222 [50’16] [TH]
        Bold 
          and innovative music logically programmed 
          ... see Full 
          Review 
         Camille 
          SAINT-SAËNS 
          (1835-1921) Le 
          Carnival des animaux (1886) [21:00] Francis 
          POULENC (1899-1963) Concerto for 
          2 pianos in D minor (1932) [17:31] Manuel 
          INFANTE (1883-1958) Danses Andalouses 
          (1921) [14:18] Maurice 
          RAVEL (1875-1937) Rapsodie espagnole 
          (1907) [14:15] La Valse (1920) [11:06] Güher 
          and Süher Pekinel (pianos), Gérard 
          Soufflard (double bass), Robert Fontaine (clarinet), 
          Geneviève Amar (flute), Éric 
          Levionnais (violoncello)
 
          Camille 
          SAINT-SAËNS 
          (1835-1921) Le 
          Carnival des animaux (1886) [21:00] Francis 
          POULENC (1899-1963) Concerto for 
          2 pianos in D minor (1932) [17:31] Manuel 
          INFANTE (1883-1958) Danses Andalouses 
          (1921) [14:18] Maurice 
          RAVEL (1875-1937) Rapsodie espagnole 
          (1907) [14:15] La Valse (1920) [11:06] Güher 
          and Süher Pekinel (pianos), Gérard 
          Soufflard (double bass), Robert Fontaine (clarinet), 
          Geneviève Amar (flute), Éric 
          Levionnais (violoncello)  Orchestre Philharmonique de Radio France/Marek 
          Janowski rec. Teldec Studio, Berlin, November 
          1989 (Infante, Ravel); Studio 104, Radio France, 
          Paris, November 1990 (Saint-Saëns, Poulenc)
 
          Orchestre Philharmonique de Radio France/Marek 
          Janowski rec. Teldec Studio, Berlin, November 
          1989 (Infante, Ravel); Studio 104, Radio France, 
          Paris, November 1990 (Saint-Saëns, Poulenc) 
           WARNER APEX 2564 62125-2 [78:10] [GPJ]
 
          WARNER APEX 2564 62125-2 [78:10] [GPJ]
        This 
          is a fine CD; the recording for the two pianos 
          alone is just a little boxy, though not enough 
          to be a serious problem. That of the works 
          with orchestra is first-class. ... see Full 
          Review  
         
          Aulis 
          SALLINEN (b. 
          1935) Barabbas 
          Dialogues Op.84 (2002/3)  Petteri Salomaa (baritone, Barrabas); Riikka 
          Rantanen (mezzo-soprano, The Woman); Juha 
          Kotilainen (bass-baritone, Judas); Mari Palo 
          (soprano, The Maiden); Topi Lehtipuu (tenor, 
          The Youth); Kalle Holmberg (narrator); Mika 
          Väyrynen (accordion); Elina Vähälä 
          (violin); Arto Noras (cello); Ilpo Mansnerus 
          (flute); Michael Lethiec (clarinet); Ari-Pekka 
          Mäenpää (percussion); Ralf 
          Gothoni (piano and conductor) rec. Naantali 
          Music Festival, June 2004
 
          Petteri Salomaa (baritone, Barrabas); Riikka 
          Rantanen (mezzo-soprano, The Woman); Juha 
          Kotilainen (bass-baritone, Judas); Mari Palo 
          (soprano, The Maiden); Topi Lehtipuu (tenor, 
          The Youth); Kalle Holmberg (narrator); Mika 
          Väyrynen (accordion); Elina Vähälä 
          (violin); Arto Noras (cello); Ilpo Mansnerus 
          (flute); Michael Lethiec (clarinet); Ari-Pekka 
          Mäenpää (percussion); Ralf 
          Gothoni (piano and conductor) rec. Naantali 
          Music Festival, June 2004  CPO 777 077-2 [56:34] [HC]
 
          CPO 777 077-2 [56:34] [HC]
        I 
          firmly believe that Barabbas Dialogues 
          is a great piece of music that should not 
          – and must not – be ignored. ... see Full 
          Review 
        
 
          Alfred 
          SCHNITTKE (1934-1998) 
          Film Music Volume One The 
          Commissar - suite (1967) [47:31] Story 
          of an Unknown Actor - suite (1976) [18:38] 
           Berlin Radio Symphony Orchestra/Frank Strobel 
          rec. Deutschlandradios Berlin, 5-7 Dec 2002, 
          26-28 May 2003. DDD
 
          Berlin Radio Symphony Orchestra/Frank Strobel 
          rec. Deutschlandradios Berlin, 5-7 Dec 2002, 
          26-28 May 2003. DDD 
 CAPRICCIO hybrid CD/SACD–CC71041 [66:09.] 
          [MM]
 
          CAPRICCIO hybrid CD/SACD–CC71041 [66:09.] 
          [MM] 
        
My 
          first exposure to Schnittke’s work ... an 
          incredibly poignant romantic voice and a flair 
          for experimental manipulation of orchestral 
          acoustics. ... see Full 
          Review  
        
 
          Paul 
          SCHOENFIELD 
          (b.1947) Viola 
          Concerto (1997-98) [19.11] Robert Vernon (viola) 
          Berlin Radio Symphony Orchestra/Yoel Levi 
          recorded Jesus Christus Kirche, Berlin, November 
          2000 Four Motets (1995) [11.22] BBC Singers/Avner 
          Itai recorded St Paul’s Church, Knightsbridge, 
          London, July 2000 The Merchant and The Pauper 
          (1999) – Excerpts from Act II [26.48] Jennifer 
          Larson (soprano) Pei Yi Wang (mezzo soprano) 
          Christopher Meerdink (tenor) Gary Moss (baritone) 
          Tyler Oliphant (baritone) Mark Kent (bass) 
          Isaiah Sheffer (speaker)  University of Michigan Opera Orchestra 
          and Chorus/Kenneth Kiesler recorded Hill Auditorium, 
          University of Michigan, January 2001
 
           University of Michigan Opera Orchestra 
          and Chorus/Kenneth Kiesler recorded Hill Auditorium, 
          University of Michigan, January 2001  NAXOS MILKEN ARCHIVE 8.559418 [57.41] 
          [JW]
 
          NAXOS MILKEN ARCHIVE 8.559418 [57.41] 
          [JW] 
        
Schoenfield’s 
          music has often been noted for its Hassidic 
          aspects though the melancholic elements that 
          co-exist have perhaps been downplayed. ... 
          see Full 
          Review  
        
 
          Franz SCHUBERT 
          (1797-1828) Symphony 
          No. 1 in D major D.82 (1813) [25:35] Symphony 
          No. 3 in D major D.200 (1815) [24:32] Symphony 
          No. 8 in B minor D.759 Unfinished (1822) 
          [28:17]  Bamberg Symphony Orchestra/Jonathan Nott Rec. 
          Joseph-Keilberth-Saal, Bamberg, March, December 
          2003. DDD
 
          Bamberg Symphony Orchestra/Jonathan Nott Rec. 
          Joseph-Keilberth-Saal, Bamberg, March, December 
          2003. DDD  TUDOR 7141 [79:23] [PCW]
 
          TUDOR 7141 [79:23] [PCW]
        This 
          is probably a disc that you’ll either love 
          or hate - if you get the chance, give it a 
          spin and find out ... see Full 
          Review 
         
          Franz SCHUBERT (1797-1828) 
          String Quartet in G major, D.887 (1826) [45.10] Five German Dances, 
          D.90 (1813) [14.26]  Kodály String Quartet rec 16 April 2002 (Dances), 17-19 June 
          2002 (Quartet), Phoenix Studio, Budapest
 
          Kodály String Quartet rec 16 April 2002 (Dances), 17-19 June 
          2002 (Quartet), Phoenix Studio, Budapest  NAXOS 8.557125 [59.36][TB]
 
          NAXOS 8.557125 [59.36][TB]
        A 
          fine example of interpretation and performance. One of the best recordings 
          ... a splendid disc recommended with the utmost enthusiasm. ... see 
          Full Review
          
        
        Franz 
          SCHUBERT (1797-1828) Sacred Music Offertorium 
          in B minor, D.963 (1828) [9.25] Salve Regina in B major, 
          D.386 (1816) [2.52] Magnificat in C major, D.486 (1815) [8.32] 
          Psalm 23, D.706 (1820) [5.07] Salve regina in B major, 
          D.106 (1814) [4.48] Tantum Ergo in E flat major, D.962 (1828) 
          [5.34] Offertorium in C major, D.136 (1815) [5.07] Chorus 
          of Angels, D.440 (1819) [3.27] Offertorium in F major, D.223 
          (1823) [5.24] Gott in der Natur, D. 757 (1822) [6.55] Stabat 
          Mater in G minor, D.175 (1815) [6.55] Heilig, Heilig, from Deutsche 
          Messe, D.872 (1827) [3.05]  Celina 
          Lindsley (soprano), Magdalena Hajossyova (mezzo), Gabriela Schrekenbach 
          (contralto), Peter Schreier (tenor), Werner Hollweg (tenor), Walton 
          Grönroos (bass) Berlin Radio Symphony Orchestra and Chorus Marcus 
          Creed, Dietrich Knothe (conductors) rec. 11-12 March 2005, RIAS Berlin
 
          Celina 
          Lindsley (soprano), Magdalena Hajossyova (mezzo), Gabriela Schrekenbach 
          (contralto), Peter Schreier (tenor), Werner Hollweg (tenor), Walton 
          Grönroos (bass) Berlin Radio Symphony Orchestra and Chorus Marcus 
          Creed, Dietrich Knothe (conductors) rec. 11-12 March 2005, RIAS Berlin 
           CAPRICCIO 
          71 050 [66.16][TB]
 
          CAPRICCIO 
          71 050 [66.16][TB]
         
          Often 
            imaginative and sensitive music accorded a high standard of performance. 
            An excellent issue. ... see Full 
            Review
         
        Robert 
          SCHUMANN (1810-1856) Liederkreis Op.24 
          (1840) [22.14] Der arme Peter Op.53 No.3 (1840) [5.08] Belsazar 
          Op.57 (1840) [4.20] Dichterliebe (1840) [30.53]  Thomas 
          E. Bauer (baritone) Uta Hielscher (piano) recorded at Reistadl, Neumarkt/Oberpfalz, 
          Germany, 4-6 October 2004. DDD
 
          Thomas 
          E. Bauer (baritone) Uta Hielscher (piano) recorded at Reistadl, Neumarkt/Oberpfalz, 
          Germany, 4-6 October 2004. DDD  NAXOS 
          8.557075 [62.35][CF]
 
          NAXOS 
          8.557075 [62.35][CF]
        This 
          element of partnership between these two young 
          artists is a strong plus on this highly enjoyable 
          disc ... see Full 
          Review
         
          Robert 
          SCHUMANN (1810-1856) 
          Dichterliebe 
          op. 48 [30:43]; Dein Angesicht op. 127/2 [02:36]; 
          Lehn’ dein Wang’ op. 142/2 [0:47]; Es leuchtet 
          meine Liebe op. 127/3 [02:02]; Mein Wagen 
          rollet langsam op. 142/4 [03:31] Robert 
          FRANZ (1815-1892) Im wunderschönen 
          Monat Mai op. 25/5 [01:38]; Am leuchtenden 
          Sommermorgen op. 11/2; Uns wüssten’s 
          die Blumen op. 12/6; Ich hab’ im Traume geweinet 
          op. 25/3; Allnächtlich in Traume op. 
          9/4; Im Rhein, im heiligen Strome op. 18/2 
          Johannes BRAHMS (1833-1897) 
          Meine Liebe ist grün op. 63/5; Wenn 
          um del Hollunder op. 63/6; Versunken op. 86/5; 
          5 Lieder op. 49 [12:56]  Stephan Loges (baritone), Alexander Schmalcz 
          (piano) Recorded at Champs Hill, Coldwaltham, 
          West Sussex, UK, on 10th-12th 
          November 2004
 
          Stephan Loges (baritone), Alexander Schmalcz 
          (piano) Recorded at Champs Hill, Coldwaltham, 
          West Sussex, UK, on 10th-12th 
          November 2004  ATHENE 23202 [69:04] [CH]
 
          ATHENE 23202 [69:04] [CH]
         
        
Not 
          the best modern Dichterliebe, but lieder enthusiasts 
          will welcome the group by Franz. ... see Full 
          Review  
        
Isaac 
          SCHWARTZ 
          (b.1923) 
          Yellow 
          Stars, concerto for orchestra in seven 
          parts (1998)  National Philharmonic of Russia/Vladimir 
          Spivakov Recorded at Svetlanov’s Hall, Moscow, 
          May 2004 A Film by Joan Grossman with writings 
          and excerpts from Jewish Ghetto diaries and 
          notebooks Dolby Digital 5.1, NTSC/B+W, Colour/4.3, 
          Region Code 0, DVD 5, Languages D, E, F
 
          National Philharmonic of Russia/Vladimir 
          Spivakov Recorded at Svetlanov’s Hall, Moscow, 
          May 2004 A Film by Joan Grossman with writings 
          and excerpts from Jewish Ghetto diaries and 
          notebooks Dolby Digital 5.1, NTSC/B+W, Colour/4.3, 
          Region Code 0, DVD 5, Languages D, E, F 
 CAPRICCIO DVD 93 508 [57.44] [JW]
 
          CAPRICCIO DVD 93 508 [57.44] [JW]
        Joan 
          Grossman’s film illustrates Yellow Stars with 
          film footage from a variety of sources and 
          locations, travelling in a rough chronological 
          arc ... see 
          Full Review 
         
          Dmitri SHOSTAKOVICH 
          (1906-1975) Piano Quintet, Op. 57 (1940) [30.55] 
          String Quartet No. 1, Op. 49 (1838) [13.00] String Quartet No. 
          4, Op. 83 (1849) [22.07]  Ewa Kupiec 
          (piano) Petersen String Quartet rec. 20-23 October 2003, Bayerischer 
          Rundfunk Studio, Munich
 
          Ewa Kupiec 
          (piano) Petersen String Quartet rec. 20-23 October 2003, Bayerischer 
          Rundfunk Studio, Munich  CAPRICCIO 
          67 082 [66.19][TB]
 
          CAPRICCIO 
          67 082 [66.19][TB]
         
          There 
            are more subtle relationships of phrasing 
            than the artists here choose to find ... 
            see Full 
            Review
           Alexander 
            SCRIABIN (1872-1915) 
            The Complete Mazurkas Ten 
            Mazurkas, Op. 3 (1888-1890) Nine Mazurkas, 
            Op. 25 (1898-1899) Two Mazurkas, Op. 40 
            (1903)
Alexander 
            SCRIABIN (1872-1915) 
            The Complete Mazurkas Ten 
            Mazurkas, Op. 3 (1888-1890) Nine Mazurkas, 
            Op. 25 (1898-1899) Two Mazurkas, Op. 40 
            (1903)  Eric Le Van (piano) Recorded Studio 
            2, Bayerischer Rundfunk, Munich, April 2002
 
            Eric Le Van (piano) Recorded Studio 
            2, Bayerischer Rundfunk, Munich, April 2002 
             MUSIC & ARTS CD1125 [72:39] [DS]
 
            MUSIC & ARTS CD1125 [72:39] [DS]
          Grab 
            up this Music & Arts release and enjoy 
            Scriabin's unique and transcendent music 
            performed by a "Scriabinist to the manner 
            born". ... see Full 
            Review
           Ruth CRAWFORD 
            SEEGER 
            (1901-1953) Suite 
            for five wind instruments and piano (1927 
            revised 1929) [9.45] Sonata for violin and 
            piano (1925-26) [14.21] Two Ricercari (Poems 
            of H T Tsiang) (1932) [8.16] Prelude No.1 
            – Andante (1924) [1.14] Prelude No.9 – Tranquillo 
            (1928) [2.54] Study in Mixed Accents (1930) 
            [1.31] Diaphonic Suite No.1 for flute (1930) 
            [5.06] Diaphonic Suite No.2 for bassoon 
            and cello (1930) [4.17] Three Songs (Poems 
            of Carl Sandburg) (1930, 1932) [9.05]
 
            Ruth CRAWFORD 
            SEEGER 
            (1901-1953) Suite 
            for five wind instruments and piano (1927 
            revised 1929) [9.45] Sonata for violin and 
            piano (1925-26) [14.21] Two Ricercari (Poems 
            of H T Tsiang) (1932) [8.16] Prelude No.1 
            – Andante (1924) [1.14] Prelude No.9 – Tranquillo 
            (1928) [2.54] Study in Mixed Accents (1930) 
            [1.31] Diaphonic Suite No.1 for flute (1930) 
            [5.06] Diaphonic Suite No.2 for bassoon 
            and cello (1930) [4.17] Three Songs (Poems 
            of Carl Sandburg) (1930, 1932) [9.05]  Continuum Cheryl Seltzer and Joel Sachs, 
            directors
 
            Continuum Cheryl Seltzer and Joel Sachs, 
            directors 
            Recorded American Academy and Institute 
            of Arts and Letters, NYC, 1991 and 1992 
             NAXOS 8.559197 [56.30] [JW]
 
            NAXOS 8.559197 [56.30] [JW]
          This 
            woman packs a modernist punch and you’ve 
            been duly warned. ... see Full 
            Review 
           
         
           RECORDING 
          OF THE MONTH Jean 
          SIBELIUS (1865-1957) Symphony No. 1 in E 
          minor (1899) [34:17] Leopold Stokowski conducts his Symphony Orchestra 
          Symphony No. 2 in D major (1902) [42:02]
RECORDING 
          OF THE MONTH Jean 
          SIBELIUS (1865-1957) Symphony No. 1 in E 
          minor (1899) [34:17] Leopold Stokowski conducts his Symphony Orchestra 
          Symphony No. 2 in D major (1902) [42:02]  NBC Symphony Orchestra/Leopold Stokowski Rec. New York, 11, 13 July 
          1950 (Symphony 1); 15-16, 23 Sept 1954 (Symphony 2). ADD mono
 
          NBC Symphony Orchestra/Leopold Stokowski Rec. New York, 11, 13 July 
          1950 (Symphony 1); 15-16, 23 Sept 1954 (Symphony 2). ADD mono  CALA RECORDS CACD 0541 [76:25][RB]
 
          CALA RECORDS CACD 0541 [76:25][RB]
        In 
          the First bitingly passionate idiosyncratically 
          glorious - a stranger to routine. Stokowski’s 
          Second is monumental - a more temperate beast 
          - fascinating stuff. A must-have for Sibelians 
          and Stokowskians ... see Full 
          Review
        Jean 
          SIBELIUS (1865-1957) 
          Jordens 
          Sang (Song of the Earth) Op. 93 (1919) [14:20] Valpautettu 
          Kuningatar (The Captive Queen) (1906) [9:16] Two Chorales: 
          Herr du bist ein fels (1889) [1:41]; Herr erzige uns deine Gnade 
          (1889) [3:05]Kantaati Tohtorin – Ja Maisterin 0 Vihkijaisissa 
          31 Paivana Toukokuuta (1894) [31:47] Promotional Cantata, with Helena 
          Juntunen (soprano) and Juha Hostikka (baritone) Partiolaisten Marssi, 
          (Scout March) Op.91b (1918) [3:47] Mann Virsi, 
          Op.95 (1920) [5:47] Processional (Onward, Ye Peoples) 
          Op. 113 No. 6 (1927/1938) [3:46]  Dominante Choir Lahti Symphony Orchestra/Osmo Vänskä rec. 
          Sibelius Hall, Lahti, Finland, 7–10 Jan, 21–24 Aug 2004. 
          DDD
 
          Dominante Choir Lahti Symphony Orchestra/Osmo Vänskä rec. 
          Sibelius Hall, Lahti, Finland, 7–10 Jan, 21–24 Aug 2004. 
          DDD  BIS-CD 1365 
          [74:22] [JPh]
 BIS-CD 1365 
          [74:22] [JPh]
        May 
          be recommended to all completists collecting 
          the Sibelius Edition as well as the general 
          music-lover curious about the choral works 
          of Sibelius. I cannot imagine that we will 
          get many other versions, and if we do, they 
          are unlikely to be performed and recorded 
          better. ... see Full 
          Review 
         
          Naresh SOHAL 
          (b.1939) Chamber Music: 
          Volume 1 Chiaroscuro 
          II (1976) Con Tempo String Quartet Shades 
          IV for solo viola (1982) Rivka Golani 
          (viola) Shades VI for solo violin (2001) 
          Cristina Angelescu (violin) Trio for piano, 
          violin and cello (1990) Cristina Angelescu 
          (violin); Adrian Mantu (cello); Malcolm Troup 
          (piano) Hexad for flute, horn, percussion, 
          violin, cello and bass [1971]  Daniel Pailthorpe (flute, Timothy Jackson 
          (horn, Richard Benjufield, (percussion); Anne 
          Solomon (violin); Michael Atkinson (cello); 
          Paul Sherman (double-bass); Roger Montgomery 
          (director) rec. Gateway Studio, Kingston, 
          June 2001. DDD
 
           Daniel Pailthorpe (flute, Timothy Jackson 
          (horn, Richard Benjufield, (percussion); Anne 
          Solomon (violin); Michael Atkinson (cello); 
          Paul Sherman (double-bass); Roger Montgomery 
          (director) rec. Gateway Studio, Kingston, 
          June 2001. DDD  MERU CD 001 [69.06] [GH]
 
          MERU CD 001 [69.06] [GH]
        ... 
          Again this piece achieves a wonderfully committed 
          and powerful performance with the music seemingly 
          in the bones of the players. ... see Full 
          Review
         Gaspare 
          SPONTINI 
          (1774-1850) La 
          Vestale (1807)
 
          Gaspare 
          SPONTINI 
          (1774-1850) La 
          Vestale (1807)  Maria Callas (soprano) – Giulia Franco 
          Corelli (tenor) – Licinio Enzo Sordello (baritone) 
          – Cinna Nicola Rossi-Lemeni (bass) – Il Sommo 
          Sacerdote Ebe Stignani (mezzo) - La Gran Vestale 
          Vittorio Tatozzi (bass) - Un Console Nicola 
          Zaccaria (bass) – Aruspice Orchestra and Chorus 
          of La Scala ilan/Antonino Votto Recorded live 
          in La Scala, December 1954
 
           Maria Callas (soprano) – Giulia Franco 
          Corelli (tenor) – Licinio Enzo Sordello (baritone) 
          – Cinna Nicola Rossi-Lemeni (bass) – Il Sommo 
          Sacerdote Ebe Stignani (mezzo) - La Gran Vestale 
          Vittorio Tatozzi (bass) - Un Console Nicola 
          Zaccaria (bass) – Aruspice Orchestra and Chorus 
          of La Scala ilan/Antonino Votto Recorded live 
          in La Scala, December 1954  ANDROMEDA ANDRCD 5016 [59.54 + 70.39] 
          [JW]
 
          ANDROMEDA ANDRCD 5016 [59.54 + 70.39] 
          [JW]
        This 
          live 1954 La Scala performance has long been 
          admired by Callas’s delirious worshippers. 
          And quite rightly too .... but sound is pretty 
          awful ... see Full 
          Review 
        Max 
          STEINER 
          (1888-1971) Compilation: 
          The RKO Years 1929-1936 Music 
          from: CD1: Cimarron (1931); Symphony 
          of Six Million (1932); Bird of Paradise 
          (1932); Sweepings (1933); Morning 
          Glory (1933); Of Human Bondage (1934) 
          CD2: Little Women (1933); The Little 
          Minister (1934) CD3: The Lost Patrol 
          (1934); The Informer (1935) Early 
          1930s recordings made from original materials 
          and original soundtracks  BYU (Brigham Young University) FILM MUSIC 
          ARCHIVES FMA-MS110 [3 CDs: 77:22 + 63:06 
          + 73:09] [IL]
 
          BYU (Brigham Young University) FILM MUSIC 
          ARCHIVES FMA-MS110 [3 CDs: 77:22 + 63:06 
          + 73:09] [IL]
        A 
          compilation that no student of the earliest 
          days of Hollywood’s Golden Age of Film Music 
          can afford to ignore ... see Full 
          Review
         William 
          Grant STILL 
          (1895-1978) Three 
          Visions (1935) [9.50] Seven Traceries (1939) 
          [16.39] The Blues [from the Ballet Lenox Avenue] 
          (1937) [2.50] A Deserted Plantation (1933) 
          [12.33] Africa (1928) arranged for piano by 
          Verna Arvey 
          [23.51]
William 
          Grant STILL 
          (1895-1978) Three 
          Visions (1935) [9.50] Seven Traceries (1939) 
          [16.39] The Blues [from the Ballet Lenox Avenue] 
          (1937) [2.50] A Deserted Plantation (1933) 
          [12.33] Africa (1928) arranged for piano by 
          Verna Arvey 
          [23.51]  Mark Boozer (piano) Recorded at ACA Digital 
          Recording Studio, Atlanta, August 2001 and 
          October 2002
 
          Mark Boozer (piano) Recorded at ACA Digital 
          Recording Studio, Atlanta, August 2001 and 
          October 2002  NAXOS 8.559210 [65.31] [JW]
 
          NAXOS 8.559210 [65.31] [JW]
        Still 
          was at his finest in his orchestral music. 
          The piano works, however adeptly done, left 
          me disappointed. Scraping the Still barrel. 
          ... see Full Review 
          
         
          Richard 
          STRAUSS 
          (1864 - 1949): Four 
          Last Songs, op. posth.: (Frühling 
          [4.10]; September [4.21]; Beim Schlafengehen 
          [5.31], Im Abendrot [7.42]) Zueignung, 
          op 10, no 1 [2.01] Cäcilie, op 
          27, no 2 [2.27] Morgen, op 27, no 1 
          [3.35] Liebeshymnus, op 32, no 3 [2.21] 
          Hymne an die Liebe, op 71 [8.08] Don 
          Juan, symphonic poem, op 20 [19.40]  Georgina von Benza (soprano) Rundfunk-Sinfonieorchester 
          Saarbrücken/Marco de Prosperis Rec. 17-22 
          February 2003. DDD
 
          Georgina von Benza (soprano) Rundfunk-Sinfonieorchester 
          Saarbrücken/Marco de Prosperis Rec. 17-22 
          February 2003. DDD  TADE CD 002 [60:10] [ED]
 
          TADE CD 002 [60:10] [ED]
        You 
          have to give Tade credit for guts and trying 
          at least. Atmospheric but not amazing ... 
          see Full 
          Review
         
          Richard 
          STRAUSS (1864-1949) 
          Feuersnot 
          (1901) [87:59] Gaspare 
          SPONTINI (1774-1851) La Vestale 
          (1897): Excerpts [66:30] Feuersnot: 
          Gundula Janowitz (Diemut; soprano); John Shirley-Quirk 
          (Kunrad; baritone); Helmut Krebs (Schweiker 
          von Gundelfingen); Helmut Berger-Tuna (Ortolf 
          Sentlinger); Barbara Scherier (Elsbeth); Maria-José 
          Brill (Wigelis); Carole Malone (Margaret); 
          Klaus Lang (Jörg Pöschel); Walton 
          Grönroos (Hämerlein); Shoko Miahara 
          (Kofel); Josef Becker (Kunz Gilgenstock); 
          Karl-Ernest Mercker (Ortlieb Tulbeck); Gabriele 
          Schreckenbach (Ursula); Wolf Appel (Ruger 
          Aspeck); Maddalena De Faria (Walpurg) 
          Tölzer Knabenchor, RIAS Kammerchor Radio-Symphonie 
          Orchester Berlin/Erich Leinsdorf Recorded 
          live May 5/15, 1978, location not given La 
          Vestale: Gundula Janowitz (Julia; 
          soprano); Ruza Baldani (La grande Vestale); 
          Gilbert Py (Licinius; tenor); Giampaolo Corradi 
          (Cinna); Agostino Ferrin (Le grand Pontife; 
          bass); Orchestra e Coro [di Roma?] della RAI/Jesus 
          Lopez Cobos Recorded live in Rome, 1974  PONTO PO-1034 [78:14 + 76:15] [CH]
 
          PONTO PO-1034 [78:14 + 76:15] [CH]
        A 
          finely cast and conducted version of a rare 
          Richard Strauss opera. ... see Full 
          Review  
         Igor 
          STRAVINSKY 
          (1882-1971) The 
          Rake’s Progress (1948-51) Tom Rakewell: 
          Leo Goeke (soprano) Anne: Felicity Lott (tenor) 
          Nick Shadow: Samuel Ramey (bass-baritone) 
          Trulove, Anne’s father: Richard Van Allan 
          (bass) Baba the Turk: Rosalind Elias (mezzo)
Igor 
          STRAVINSKY 
          (1882-1971) The 
          Rake’s Progress (1948-51) Tom Rakewell: 
          Leo Goeke (soprano) Anne: Felicity Lott (tenor) 
          Nick Shadow: Samuel Ramey (bass-baritone) 
          Trulove, Anne’s father: Richard Van Allan 
          (bass) Baba the Turk: Rosalind Elias (mezzo) 
           Glyndebourne Chorus and London Philharmonic 
          Orchestra/Bernard Haitink Stage production: 
          John Cox Set design: David Hockney Rec. Glyndebourne 
          Festival Opera 1975 by Southern Television. 
          DVD Region 0.
 
          Glyndebourne Chorus and London Philharmonic 
          Orchestra/Bernard Haitink Stage production: 
          John Cox Set design: David Hockney Rec. Glyndebourne 
          Festival Opera 1975 by Southern Television. 
          DVD Region 0.  
 
           ARTHAUS 
          MUSIK 101 093 [146:00] [ED]
ARTHAUS 
          MUSIK 101 093 [146:00] [ED]
        An 
          entirely self-recommending classic. Not to 
          be missed, whether for the cerebral pleasures 
          of artistic influence or simply a cracking 
          all-round operatic experience. ... see Full 
          Review 
          
           
            William STERNDALE BENNETT 
            (1816-1875) Symphony in G minor op. 43 (1867) 
            [27:07] Cipriani POTTER (1792-1871) 
            Symphony No. 7 in F major (1826) [34:02]  Czech Chamber Philharmonic Orchestra/Douglas Bostock rec. 4-5 Sept 
            2004, Hronovická Kulturní Dum, CZ Pardubice. DDD The 
            British Symphonic Collection - Vol. 14 world premiere recordings
 
            Czech Chamber Philharmonic Orchestra/Douglas Bostock rec. 4-5 Sept 
            2004, Hronovická Kulturní Dum, CZ Pardubice. DDD The 
            British Symphonic Collection - Vol. 14 world premiere recordings  CLASSICO CLASSCD 634 [61:09][RB]
 
            CLASSICO CLASSCD 634 [61:09][RB]
         
         
          ClassicO 
            draw the curtains back to let in the light on these two symphonies. 
            The most immediately pleasing is the Sterndale Bennett but it is fascinating 
            to hear the Potter. ... see Full 
            Review
         
         
          Igor STRAVINSKY (1892-1971) 
          The Firebird [Zhar-Ptitsa] Ballet in two scenes (complete 
          original 1910 version for large orchestra) [44.52] Recorded 29 November 
          1996 Petrushka Burlesque in four scenes (1911, rev. 1947) 
          [34.01] Recorded 1 February 1997  Philharmonia 
          Orchestra/Robert Craft Recorded at Abbey Road Studios, London, England. 
          Notes in English and Deutsch.
 Philharmonia 
          Orchestra/Robert Craft Recorded at Abbey Road Studios, London, England. 
          Notes in English and Deutsch.  NAXOS 6.110081 
          Hybrid SACD
 NAXOS 6.110081 
          Hybrid SACD  [78.53][PSh]
 
          [78.53][PSh]
         
          Fine 
            authoritative digital performances and recordings of popular orchestral 
            classics. ... see Full Review
         
         Thomas 
          TALLIS (c.1505-1585) 
          Jesu 
          salvator saeculi [4:14] Gaude gloriosa 
          [17:20] Sermone blando angelus [5:16] 
          Magnificat [10:28] Nunc dimittis 
          3:15] Mihi autem nimis [2:28] Absterge 
          Domine [5:49] Derelinquat [3:55] 
          Loquebantur varii linguis [3:58] Suscipe 
          quaeso Domine [9:05] O nata lux [1:57]
 
          Thomas 
          TALLIS (c.1505-1585) 
          Jesu 
          salvator saeculi [4:14] Gaude gloriosa 
          [17:20] Sermone blando angelus [5:16] 
          Magnificat [10:28] Nunc dimittis 
          3:15] Mihi autem nimis [2:28] Absterge 
          Domine [5:49] Derelinquat [3:55] 
          Loquebantur varii linguis [3:58] Suscipe 
          quaeso Domine [9:05] O nata lux [1:57] 
           The Cardinall’s Musick/Andrew Carwood 
          Recorded in Fitzalan Chapel, Arundel Castle, 
          12-14 January 2005
 
           The Cardinall’s Musick/Andrew Carwood 
          Recorded in Fitzalan Chapel, Arundel Castle, 
          12-14 January 2005  HYPERION CDA67548 [69.15] [EM]
 
          HYPERION CDA67548 [69.15] [EM]
        Cardinall’s 
          Musick excel themselves here. The singing 
          is radiant, warm and luminous with the individual 
          winding strands of voices clear and concise. 
          I heartily recommend this disc. ... see Full 
          Review 
        Thomas 
          TALLIS (c.1505-1585) 
          Spem 
          in alium (40-part Motet) [12:14] Salve intermerata 
          (Motet) [23:10] Missa Salve intermerata [27:51] 
          With all our heart [3:15] Discomfort them, 
          O Lord [6:38] I call and cry to thee, O Lord 
          [4:12]  Oxford Camerata/Jeremy Summerly Recorded at 
          All Hallows, Gospel Oak, London 21-23 January 
          2005 DDD
 
          Oxford Camerata/Jeremy Summerly Recorded at 
          All Hallows, Gospel Oak, London 21-23 January 
          2005 DDD  NAXOS 8.557770 [77:19][JQ]
 
          NAXOS 8.557770 [77:19][JQ]
        Control 
          of dynamics is well done and when the louder 
          passages occur the singing is thrillingly 
          full-throated.... see Full 
          Review
         Thomas 
          TALLIS (c.1505–1585) Spem in Alium; 
          Salve intemerata; Missa Salve intemerata; With all 
          our hearts; Discomfort them, O Lord; I call and cry to 
          thee, O Lord Oxford 
          Camerata/Jeremy SummerlyRecorded All Hallows Church, Gospel Oak, London, 
          21–23 January 2005
 Oxford 
          Camerata/Jeremy SummerlyRecorded All Hallows Church, Gospel Oak, London, 
          21–23 January 2005  
  NAXOS 6.110111 [77.19] [RH]
 
          NAXOS 6.110111 [77.19] [RH]
        
        Naxos 
          will be hoping to sell this disc on the basis 
          of the attraction of Spem in Alium, but I 
          should buy it for the lovely performances 
          of the mass and the motet, Salve intemerata. 
          ... see Full 
          Review
         BARGAIN 
          OF THE MONTH Peter 
          Ilyich TCHAIKOVSKY 
          (1840 - 1894) Symphony 
          No. 5 in e, Op. 64 (1888) [48.51] St. Petersburg 
          Philharmonic Orchestra/Yuri Temirkanov Recorded 
          Philharmonic Hall, St Petersburg, Russia, 
          11 April 1992. Capriccio Italien 
          in A, Op. 45 (1880) [14.34]
BARGAIN 
          OF THE MONTH Peter 
          Ilyich TCHAIKOVSKY 
          (1840 - 1894) Symphony 
          No. 5 in e, Op. 64 (1888) [48.51] St. Petersburg 
          Philharmonic Orchestra/Yuri Temirkanov Recorded 
          Philharmonic Hall, St Petersburg, Russia, 
          11 April 1992. Capriccio Italien 
          in A, Op. 45 (1880) [14.34]  Royal Philharmonic Orchestra/Yuri Temirkanov 
          Recorded EMI Studio 1, Abbey Road, London, 
          UK, 11 March 1990. Notes in English, Deutsch, 
          Français.
 
           Royal Philharmonic Orchestra/Yuri Temirkanov 
          Recorded EMI Studio 1, Abbey Road, London, 
          UK, 11 March 1990. Notes in English, Deutsch, 
          Français.  RCA BMG 82876 65831-2 [63.44] [PSh]
 
          RCA BMG 82876 65831-2 [63.44] [PSh]
        An 
          exceptional version of this often played symphony, 
          IF you like the Stokowski approach, and IF 
          you are in the right mood. Whatever mood you’re 
          in, this is the best Italien you can get. 
          ... see Full 
          Review  
        
 
          Pyotr 
          Ilyich TCHAIKOVSKY 
          (1840-1893) Capriccio 
          Italien Op.45 (1880) [14.49] Francesca da Rimini Op.32 (1877) [24.02] 
          Marche Slave Op.31 [10.38] Overture – 1812 Op.49 (1880) [14.57]  Academy of St Martin-in-the-Fields/Neville Marriner Recorded at St Jude’s, 
          London, 1990-92
 
          Academy of St Martin-in-the-Fields/Neville Marriner Recorded at St Jude’s, 
          London, 1990-92  CAPRICCIO 
          SACD 71 042
 CAPRICCIO 
          SACD 71 042  [64.53][JW]
 
          [64.53][JW]
         
          Playing 
            that is well-mannered, rather sedentary. 
            Neither especially playful nor viscerally 
            exciting. ... see Full 
            Review
           RECORDING 
            OF THE MONTH Peter 
            Ilyich TCHAIKOVSKY (1840–1893) 
            The 
            Sleeping Beauty complete ballet 
            (1890) Nina Semizorova – Princess Aurora 
            Aleksei Fadeyechev – Prince Desire Nina 
            Speranskaya – Lilac Fairy Yuri Vetrov - 
            Carabosse Aleksandr Vetrov - Bluebird Maria 
            Bilova – Princess Florine Andrei Sitnikov 
            – King Florenstin Irina Nesterova – Queen
RECORDING 
            OF THE MONTH Peter 
            Ilyich TCHAIKOVSKY (1840–1893) 
            The 
            Sleeping Beauty complete ballet 
            (1890) Nina Semizorova – Princess Aurora 
            Aleksei Fadeyechev – Prince Desire Nina 
            Speranskaya – Lilac Fairy Yuri Vetrov - 
            Carabosse Aleksandr Vetrov - Bluebird Maria 
            Bilova – Princess Florine Andrei Sitnikov 
            – King Florenstin Irina Nesterova – Queen 
             The Bolshoi Ballet Orchestra of the Bolshoi 
            Theatre/Aleksandr Kopilov. Recorded live 
            at the Bolshoi Theatre, Moscow in 1989 DVD 
            (PCM Stereo).
 
            The Bolshoi Ballet Orchestra of the Bolshoi 
            Theatre/Aleksandr Kopilov. Recorded live 
            at the Bolshoi Theatre, Moscow in 1989 DVD 
            (PCM Stereo). 
 ARTHAUS 
            MUSIK 101 113 [145:00] [JPh]
ARTHAUS 
            MUSIK 101 113 [145:00] [JPh]
          As 
            far as ballet DVDs are concerned, I have 
            not enjoyed one so much for so long. If 
            traditional productions are for you, then 
            try this one – you will not be disappointed. 
            ... see Full 
            Review
           Virgil THOMSON 
            (1896-1989) Synthetic 
            Waltzes (1925) [5.01] Four Songs to Poems 
            of Thomas Campion (1951) [9.40] Sonata for 
            Violin and Piano (1930) [12.55] Two by Marianne 
            Moore (1963) [4.42] Praises and Prayers 
            (1963) [18.35]
 
            Virgil THOMSON 
            (1896-1989) Synthetic 
            Waltzes (1925) [5.01] Four Songs to Poems 
            of Thomas Campion (1951) [9.40] Sonata for 
            Violin and Piano (1930) [12.55] Two by Marianne 
            Moore (1963) [4.42] Praises and Prayers 
            (1963) [18.35]  Continuum/Cheryl Seltzer and Joel Sachs 
            (directors) Recorded Wright Music Hall, 
            Middle Tennessee State University, 1988 
            (except Synthetic Waltzes and Four Songs 
            to Poems of Thomas Campion, recorded New 
            York City, 1989)
 
            Continuum/Cheryl Seltzer and Joel Sachs 
            (directors) Recorded Wright Music Hall, 
            Middle Tennessee State University, 1988 
            (except Synthetic Waltzes and Four Songs 
            to Poems of Thomas Campion, recorded New 
            York City, 1989)  NAXOS 8.559198 [50.53] [JW]
 
            NAXOS 8.559198 [50.53] [JW]
          Thomson’s 
            insouciance may sometimes be held against 
            him but at his finest he shows the utmost 
            clarity and beauty in his response. ... 
            see Full Review 
            
         
        Ernst 
          TOCH (1887-1964) Cantata of the Bitter Herbs 
          (1938) [39.51] English and Hebrew texts supplied by Rabbi Jacob Sonderling 
          and Don Alden.  Theodore 
          Bikel, narrator;* Carol Meyer, soprano; Elizabeth Shammash, mezzo; Richard 
          Clement, tenor; Prague Philharmonic Choir Czech Philharmonic Orchestra/Gerard 
          Schwarz Recorded in the Rudolfinum, Prague, Czech Republic, October 
          2000* Jephta, Rhapsodic Poem (Symphony No 5, Op 89 [in 
          one movement]) (1963) [25.26] Seattle Symphony Orchestra/Gerard Schwarz 
          Recorded Benaroya Hall, Seattle, Washington, USA, June 1998 Notes in 
          English. English and Hebrew texts.
 
          Theodore 
          Bikel, narrator;* Carol Meyer, soprano; Elizabeth Shammash, mezzo; Richard 
          Clement, tenor; Prague Philharmonic Choir Czech Philharmonic Orchestra/Gerard 
          Schwarz Recorded in the Rudolfinum, Prague, Czech Republic, October 
          2000* Jephta, Rhapsodic Poem (Symphony No 5, Op 89 [in 
          one movement]) (1963) [25.26] Seattle Symphony Orchestra/Gerard Schwarz 
          Recorded Benaroya Hall, Seattle, Washington, USA, June 1998 Notes in 
          English. English and Hebrew texts.  NAXOS 
          AMERICAN CLASSICS 8.559417 [65.17][PSh]
 
          NAXOS 
          AMERICAN CLASSICS 8.559417 [65.17][PSh]
        Colourful 
          dramatic orchestral music by “The world’s 
          most forgotten composer” who is fortunately 
          being rediscovered. ... see Full 
          Review
         
          Luigi TOMASINI 
          (1741-1808) 
          Trio 
          for baryton, viola and cello in C (Korcak 
          19) [08:43] Trio for baryton, violin and cello 
          in G (Korcak 27) [12:12] Trio for baryton, 
          violin and cello in e minor (Korcak 34) [13:12] 
          Trio for baryton, violin and cello in A (Korcak 
          33) [11:16] Trio for baryton, viola and cello 
          in D (Korcak 20) [10:26] Esterházy 
          Ensemble (on period instruments): (Kerstin 
          Linder-Dewan, violin;  András Bolyki, viola; Mária 
          Andrásfalvy-Brüssing, cello; Michael 
          Brüssing, baryton) Recorded in March, 
          April 2003, Chamber Music Studio of the Südwestrundfunk, 
          Stuttgart, Germany. DDD
 
          András Bolyki, viola; Mária 
          Andrásfalvy-Brüssing, cello; Michael 
          Brüssing, baryton) Recorded in March, 
          April 2003, Chamber Music Studio of the Südwestrundfunk, 
          Stuttgart, Germany. DDD  CPO 999 973-2 [56:18] [JV]
 
          CPO 999 973-2 [56:18] [JV]
        A 
          rare opportunity to hear the baryton in music 
          by someone we only knew as a brilliant violinist 
          and friend of Haydn - recommended to the adventurous 
          ... see Full 
          Review 
         
          Giuseppe 
          VERDI (1813–1901) 
          Don Carlo (Four-act version, 1884)  Nicolai Ghiaurov (bass) – Filippo II; Franco Corelli (tenor) – Don Carlo; 
          Eberhard Waechter (baritone) – Rodrigo; Martti Talvela (bas) – Il Grande 
          inquisitore; Tugomir Franc (bass) – Un frate; Gundula Janowitz (soprano) 
          – Elisabetta; Shirley Verrett (mezzo) – Eboli; Edita Gruberova (soprano) 
          – Tebaldo; Ewald Aichberger (tenor) – Il conte di Lerma; Judith Blegen 
          (soprano) – La voce dal cielo Chorus and Orchestra from the Vienna State 
          Opera/Horst Stein rec. live ORF (Austrian Radio), premiere, Vienna State 
          Opera, 25 Oct 1970. ADD
 
          Nicolai Ghiaurov (bass) – Filippo II; Franco Corelli (tenor) – Don Carlo; 
          Eberhard Waechter (baritone) – Rodrigo; Martti Talvela (bas) – Il Grande 
          inquisitore; Tugomir Franc (bass) – Un frate; Gundula Janowitz (soprano) 
          – Elisabetta; Shirley Verrett (mezzo) – Eboli; Edita Gruberova (soprano) 
          – Tebaldo; Ewald Aichberger (tenor) – Il conte di Lerma; Judith Blegen 
          (soprano) – La voce dal cielo Chorus and Orchestra from the Vienna State 
          Opera/Horst Stein rec. live ORF (Austrian Radio), premiere, Vienna State 
          Opera, 25 Oct 1970. ADD  ORFEO C 649 053 D [60:48 + 71:04 + 37:08][GF]
 
          ORFEO C 649 053 D [60:48 + 71:04 + 37:08][GF]
         
          I 
            hope my enthusiasm for this set shines through. 
            Probably one of the most important “historical” 
            issues. Not only die-hard Verdians but all 
            serious opera lovers should give it a try 
            ... see Full 
            Review
           
            Giuseppe 
            VERDI (1813–1901) 
            Nabucco Renato 
            Bruson (baritone) – Nabucco; Ghena Dimitrova 
            (soprano) – Abigaille; Dimiter Petkov (bass) 
            – Zaccaria; Bruna Baglioni (soprano) – Fenena; 
            Ottavio Garaventa (tenor) – Ismaele; Ellero 
            d’Artegna (bass) – High Priest; Aronne Ceroni 
            (tenor) – Abdallo; Giovanna Di Rocco (soprano) 
            – Anna  Orchestra and Chorus of the Arena di Verona/Maurizio 
            Arena Producer: Renzo Giacchieri; Designer: 
            Luciano Minguzzi; Directed for video by 
            Brian Large Recorded live at the Arena di 
            Verona in 1981
 
            Orchestra and Chorus of the Arena di Verona/Maurizio 
            Arena Producer: Renzo Giacchieri; Designer: 
            Luciano Minguzzi; Directed for video by 
            Brian Large Recorded live at the Arena di 
            Verona in 1981  NVC ARTS 0630-19390-2 [approx. 130:00] 
            [GF]
 
            NVC ARTS 0630-19390-2 [approx. 130:00] 
            [GF]
          Definitely 
            not a desert-island DVD but for Dimitrova’s 
            and Bruson’s singing well worth owning. 
            ... see Full 
            Review 
           RECORDING 
            OF THE MONTH Giuseppe 
            VERDI (1813 
            – 1901) Otello (1887) 
            Vladimir Atlantov (tenor) – Otello; Kiri 
            Te Kanawa (soprano) – Desdemona; Piero Cappuccilli 
            (baritone) – Iago; Antonio Bevacqua (tenor) 
            – Cassio; Gianfranco Manganotti (tenor) 
            – Roderigo; Gianfranco Casarini (bass) – 
            Ludovico); Flora Rafanelli (mezzo) – Emilia; 
            Orazio Mori (bass) – Montano; Gianni Brunelli 
            (bass) – A Herald
RECORDING 
            OF THE MONTH Giuseppe 
            VERDI (1813 
            – 1901) Otello (1887) 
            Vladimir Atlantov (tenor) – Otello; Kiri 
            Te Kanawa (soprano) – Desdemona; Piero Cappuccilli 
            (baritone) – Iago; Antonio Bevacqua (tenor) 
            – Cassio; Gianfranco Manganotti (tenor) 
            – Roderigo; Gianfranco Casarini (bass) – 
            Ludovico); Flora Rafanelli (mezzo) – Emilia; 
            Orazio Mori (bass) – Montano; Gianni Brunelli 
            (bass) – A Herald  Orchestra and Chorus of the Arena di 
            Verona/Zoltan Pesko Producer: Gianfranco 
            De Bosio; Designer: Vittorio Rossi; Directed 
            for video by Preben Montell; Produced for 
            video by Robin Scott Recorded live in the 
            Arena di Verona in 1982.
 
            Orchestra and Chorus of the Arena di 
            Verona/Zoltan Pesko Producer: Gianfranco 
            De Bosio; Designer: Vittorio Rossi; Directed 
            for video by Preben Montell; Produced for 
            video by Robin Scott Recorded live in the 
            Arena di Verona in 1982.  
 
             WARNER 
            NVC ARTS 4509-99214-2 [approx. 138:00] 
            [GF]
WARNER 
            NVC ARTS 4509-99214-2 [approx. 138:00] 
            [GF]
          Definitely 
            one of the finest experiences of a standard 
            opera I have seen, live or elsewhere, for 
            a long time. ... see Full 
            Review 
           
            Giuseppe 
            VERDI 
            (1813-1901) Il 
            Trovatore - Tacea la notte placida 
            [5.45], D’amor sull’ali rosee [6.10] 
            Nabucco - Ben io t’invenni [8.10] 
            Aida - Ritorna vincitor [7.05], O 
            cieli azzurri [7.03] La Forza del destino 
            - Pace, pace [6.00] Un Ballo in Maschera 
            - Ecco l’orrido campo [10.10] Otello 
            - Ave Maria [5.46] Don Carlo - Tu 
            che le vanitá [11.23] La Traviata 
            - E’strano, e’strano [9.51]  Georgina von Benza (soprano) Xavier Rivadeneira 
            (tenor) (La Traviata) Slovak Radio Symphony 
            Orchestra/Marco de Prosperis Rec. Slovak 
            Radio Bratislava, May 2003. DDD.
 
            Georgina von Benza (soprano) Xavier Rivadeneira 
            (tenor) (La Traviata) Slovak Radio Symphony 
            Orchestra/Marco de Prosperis Rec. Slovak 
            Radio Bratislava, May 2003. DDD.  TADE CD001 [78.09] [ED]
 
            TADE CD001 [78.09] [ED]
          Although 
            von Benza turns in generally decent performances, 
            go for more incisive alternatives. ... see 
            Full Review 
            
         
         
          Ezequiel 
          VIÑAO (b. 
          1960) Arcanum (1996)  Janet Youngdahl (soprano) Absolute Ensemble/Kristian Järvi rec. Master 
          Sound Astoria Studios, Queens, New York, May 2001
 
          Janet Youngdahl (soprano) Absolute Ensemble/Kristian Järvi rec. Master 
          Sound Astoria Studios, Queens, New York, May 2001  BIS-SACD-1187
 
          BIS-SACD-1187  [60:32][HC]
 
          [60:32][HC]
        If 
          you respond to the music of Pärt, Tavener, Vasks and Tüür, you should 
          enjoy this splendidly produced release ... see Full 
          Review
          Antonio 
          VIVALDI (1678-1741) 
          Six Violin Concertos for Anna Maria Concerto 
          in B minor, RV 387 [9:54] Concerto in A major, 
          RV 343 ‘Con violini d’accordatura diversa’ 
          [9:52] Concerto in D major, RV 229 [10:08] 
          Concerto in A major, RV 349 [10:44] Concerto 
          in D minor, RV 248 [11:34] Concerto in B flat 
          major, RV 366 [9:24]
 
          Antonio 
          VIVALDI (1678-1741) 
          Six Violin Concertos for Anna Maria Concerto 
          in B minor, RV 387 [9:54] Concerto in A major, 
          RV 343 ‘Con violini d’accordatura diversa’ 
          [9:52] Concerto in D major, RV 229 [10:08] 
          Concerto in A major, RV 349 [10:44] Concerto 
          in D minor, RV 248 [11:34] Concerto in B flat 
          major, RV 366 [9:24]  L'Arte dell'Arco/Federico Guglielmo (baroque 
          violin) Recorded: Chiesa di S. Maria, Sovizzo, 
          Vicenza, Italy, November 26-28, 2002 DDD
 
          L'Arte dell'Arco/Federico Guglielmo (baroque 
          violin) Recorded: Chiesa di S. Maria, Sovizzo, 
          Vicenza, Italy, November 26-28, 2002 DDD  CPO 777 078-2 [62:01] [MC]
 
          CPO 777 078-2 [62:01] [MC]
        Lovers 
          of the late-baroque music of Vivaldi might 
          want to explore this CPO release but overall 
          the result is disappointing. ... see Full 
          Review
        Richard 
          WAGNER (1813-1883) 
          Götterdämmerung (1869-74)  John Treleaven (tenor) ... Siegfried; Falk 
          Struckmann (baritone) ... Gunther; Günter 
          von Kannen (baritone) ... Alberich; Matti 
          Salminen (bass) ... Hagen; Deborah Polaski 
          (soprano) ... Brünnhilde; Elisabete Matos 
          (soprano) ... Gutrune/Third Norn; Julia Juon 
          (mezzo) ... Waltraute/First Norn; Leandra 
          Overmann (mezzo) ... Second Norn; Cristina 
          Obregón (soprano) ... Woglinde; Maria Rodríguez 
          (mezzo) ... Wellgunde; Francisca Beaumont 
          (mezzo) ... Flosshilde; Symphony Orchestra 
          and Chorus of the Gran Teatre del Liceu/Bertrand 
          de Billy. Rec. Live at the Gran Teatre del 
          Liceu, Barcelona on June 6th and 
          14th, 2004. Director: Harry Kupfer. 
          LPCM Stereo. 16:9 anamorphic. Digital DTS 
          Surround. PAL.
 
          John Treleaven (tenor) ... Siegfried; Falk 
          Struckmann (baritone) ... Gunther; Günter 
          von Kannen (baritone) ... Alberich; Matti 
          Salminen (bass) ... Hagen; Deborah Polaski 
          (soprano) ... Brünnhilde; Elisabete Matos 
          (soprano) ... Gutrune/Third Norn; Julia Juon 
          (mezzo) ... Waltraute/First Norn; Leandra 
          Overmann (mezzo) ... Second Norn; Cristina 
          Obregón (soprano) ... Woglinde; Maria Rodríguez 
          (mezzo) ... Wellgunde; Francisca Beaumont 
          (mezzo) ... Flosshilde; Symphony Orchestra 
          and Chorus of the Gran Teatre del Liceu/Bertrand 
          de Billy. Rec. Live at the Gran Teatre del 
          Liceu, Barcelona on June 6th and 
          14th, 2004. Director: Harry Kupfer. 
          LPCM Stereo. 16:9 anamorphic. Digital DTS 
          Surround. PAL.  OPUS ARTE OA0913D
 
          OPUS ARTE OA0913D  [3 DVDs: 284:00][CC]
 
          [3 DVDs: 284:00][CC]
        This 
          is in many respects superb. The acid test 
          is that one should emerge exhausted from Wagner's 
          emotional outpourings, yet uplifted, and this 
          de Billy and his team of soloists do in the 
          final analysis achieve. ... see Full 
          Review
         
          Richard 
          WAGNER 
          (1813-1883) Die 
          Meistersinger von Nürnberg (1868) 
          Maria Müller (soprano) Eva; Camilla Kallab 
          (mezzo) Magdalena; Max Lorenz (tenor) Walther 
          von Stolzing; Jaro Prohaska (baritone) Hans 
          Sachs; Josef Greindl (bass) Pogner; Benno 
          Arnold (tenor) Kunz Vogelgesang; Helmut Fehn 
          (bass) Konrad Nachtigall; Eugen Fuchs (baritone) 
          Beckmesser); Fritz Krenn (bass) Fritz Kothner; 
          Gerhard Witting (tenor) Balthasar Zorn; Karl 
          Krollmann (tenor) Augustin Moser; Herbert 
          Gosebruch (bass) Hermann Ortel; Gustav Rödin 
          (tenor) Ulrich Eisslinger; Franz Sauer (bass) 
          Hans Schwarz; Alfred Dome (bass) Hans Foltz; 
          Erich Zimmermann (tenor) David; Erich Pina 
          (bass) Nightwatchman Bayreuth Festival Chorus 
          and Orchestra/Wilhelm Furtwängler. Extracts: 
          Die Meistersinger von Nürnberg 
          (1868) – Act 1 Preludea 
          [9'29]; Parsifal (1882) - Karfreitagszauberb 
          [10'55]; Götterdämmerung 
          (1876) - Siegfried's Funeral 
          Marcha [9'32]; Tristan 
          und Isolde (1865) – Prelude 
          and Liebestodc [18'58] 
           Berliner Philharmoniker/Wilhelm Furtwängler. 
          Rec. Bayreuth Festival. 1943, aFebruary 
          2nd, 1949, bApril 25th, 
          1951, cNovember 8th, 
          1942.
 
          Berliner Philharmoniker/Wilhelm Furtwängler. 
          Rec. Bayreuth Festival. 1943, aFebruary 
          2nd, 1949, bApril 25th, 
          1951, cNovember 8th, 
          1942.  MUSIC & ARTS CD1153 [4 CDs: 72'36 
          + 74'32 + 78'52 + 71'02] [CC]
 
          MUSIC & ARTS CD1153 [4 CDs: 72'36 
          + 74'32 + 78'52 + 71'02] [CC]
        A 
          real treat, but be warned this is not a complete 
          Meistersinger (there are gaps). But my word, 
          it is worth it to experience Furtwängler's 
          astonishing grasp of this huge score. ... 
          see Full 
          Review 
        
           
          Richard 
          WAGNER (1813-1883) 
          Tristan 
          und Isolde (1865) [212'12] Wolfgang 
          Millgram (tenor) Tristan; Hedwig Fassbender 
          (soprano) Isolde; Lennart Forsén (bass) 
          King Marke; Gunnar Lundberg (baritone) Kurwenal; 
          Magnus Kyhle (tenor) Melot; Martina Dike (mezzo) 
          Brangaene; Ulrik Qvale (tenor) Shepherd and 
          Young Sailor; John Erik Eleby (baritone) Helmsman; 
           Royal Swedish Opera Male Chorus and Orchestra/Leif 
          Segerstam. rec. Konserthuset, Stockholm, 14-19 
          June 2004.
 
           Royal Swedish Opera Male Chorus and Orchestra/Leif 
          Segerstam. rec. Konserthuset, Stockholm, 14-19 
          June 2004.  NAXOS 8.660152/4 [3 CDs: 63'41 + 78'25 
          + 70'07] [CC]
 
          NAXOS 8.660152/4 [3 CDs: 63'41 + 78'25 
          + 70'07] [CC]
         
        
Investigate 
          by all means – the price makes this a real 
          possibility. But this is a Tristan that will 
          not leave anyone emotionally drained. ... 
          see Full 
          Review  
        
Bruno 
          WALTER (1876-1962) 
          Tragödie 
          I-II-III op. 12/4-6 [06:31]; Des Kindes schlaf [02:12]; Die Lerche [03:35]; 
          Elfe [01:46]; Waltraut’s Lied I op.11/3 [01:43]; Waltraut’s Lied II 
          op.11/4; Liebeslust op.11/6 [03:14] Richard 
          STRAUSS (1864-1949)  Freundliche Vision op.48/1 [02:45]; 
          Das Rosenband op.36/1 [03:37]; Nachtgang op.29/3 [02:44]; Muttertändelei 
          op.43/2 [02:08]; Mädchenblumen; 4 Lieder op.22 [09:40]; Hat gesagt 
          ; bleibt’s nicht dabei op.36/3 [02:04]; Du meines Herzens Krönelein 
          op.21/2 [02:01]; Traum durch die Dämmerung op.29/1 [02:54]; Schlechtes 
          Wetter op69/5 [02:17] Joseph MARX (1882-1964) 
          Hat dich die Liebe berührt [02:53]; Ein Drängen ist in 
          meinem Herzen [01:14]; Traumgekrönt [02:05]; Und gestern hat er 
          mir Rosen gebracht [01:44]  Emma Bell (soprano); Andrew West (piano) Recorded 5th-7th 
          April 2004 at Potton Hall SA-CD heard on CD equipment
 
          Emma Bell (soprano); Andrew West (piano) Recorded 5th-7th 
          April 2004 at Potton Hall SA-CD heard on CD equipment  
 
           LINN CKD 238 [58:33] [RB]
LINN CKD 238 [58:33] [RB]
        An 
          intensely attractive and thoughtfully constructed 
          recital ... see Full 
          Review 
        Bruno 
          WALTER 
          (1876-1962) Sonata 
          for piano and violin (1908) [34:20] Karl 
          GOLDMARK (1857-1934) Suite No. 
          1 in D major for violin and piano, Op. 11 
          (1869) [30:21]  Philippe 
          Graffin (violin, Pascal Devoyon (piano) Rec 
          15-16 Jan 1999 (Walter, 23 June 2000 (Goldmark), 
          Henry Wood Hall
 Philippe 
          Graffin (violin, Pascal Devoyon (piano) Rec 
          15-16 Jan 1999 (Walter, 23 June 2000 (Goldmark), 
          Henry Wood Hall  HYPERION CDA67220 [64.41] [RB]
 
          HYPERION CDA67220 [64.41] [RB]
        Thoughtful 
          poetry rather than unbridled abandon - such 
          is the nature of this music. ... see Full 
          Review 
         
          Kurt WEILL (1900-1950) Symphony 
          No. 1 (1921) [26:50] Symphony No. 2 (1933-34) [29:40] Lady 
          in the Dark - Symphonic Nocturne (arr. Robert Russell 
          Bennett) (1940) [17:32]  Bournemouth Symphony Orchestra/Marin Alsop Recorded at the Lighthouse 
          Concert Hall, Poole, UK 12-14 January 2004.
 
          Bournemouth Symphony Orchestra/Marin Alsop Recorded at the Lighthouse 
          Concert Hall, Poole, UK 12-14 January 2004.  NAXOS 8.557481 [74:02][KS]
 
          NAXOS 8.557481 [74:02][KS]
          
        
The 
            Second has a veil of darkness about it while the First is much more 
            angular, brimming with ethereal melodies. Add this one to your collection 
            soon. ... see Full Review
           
         
          Detailed listing (last two days)]
          [Part 
          1 New]  [Part 
          2 A-B] [Part 3 C-L]
          [Part 4 M-R]  [Part 
          5 S-Z]
          [Part 6 Misc A-L]  [Part 
          7 Misc M-Z]