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        Camille 
          SAINT–SAËNS (1835 
          – 1921)  Cello Sonatas 1 & 2 
 
          Mats Lidström (cello), Bengt Forsberg (piano) rec. 1999 DDD 
 
          HYPERION HELIOS CDH55342 [63:46] 
 
          [BBr]
        I 
          cannot praise this disk too highly. 
        Camille 
          SAINT-SAËNS (1835–1921) Album pour Piano, Études 
 
          Mi-Joo Lee (piano) 
 
          MUSIKPRODUKTION DABRINGHAUS UND GRIMM MDG 604 0590-2 [72:25] 
          
 [MC]
        Excellent 
          playing - gloriously committed, fresh, confident and perceptive. This 
          deserves a wider circulation.
        Camille 
          SAINT-SAËNS (1835-1921) 
          Music for wind instruments Clarinet Sonata, Oboe Sonata, Bassoon 
          Sonata Romance, Caprice, Tarantella 
 
          Canada’s National Arts Centre Wind Qnt, Stéphane Lemelin 
          (piano) rec. 2008 
 
          NAXOS 8.570964 [64:23] 
 
          [JS]
        Charm 
          and entertainment in the company of humanity, skill and craftsmanship. 
        Camille 
          SAINT-SAËNS (1835-1921) The Complete Symphonies 
 
          l'ORTF Ntl O/Jean Martinon rec. 1972-5 
 
          EMI CLASSICS 6318042  [79:05 + 77:13] 
 
          [GD] 
        The 
          best of the few options available.
      Pablo 
          de SARASATE (1844-1908) Zigeunerweisen see 
          TCHAIKOVSKY
        Alessandro 
          SCARLATTI (1660-1750)  Messa per il Santo Natale, Stabat 
          Mater see PERGOLESI
        Domenico 
          SCARLATTI (1685-1757) Complete Keyboard Sonatas, Vol. 
          13 
 
          Chu-Fang Huang (pno) rec. 2008 
 
          NAXOS 8.572107 [67:04] 
 
          [MB] 
        Enough 
          to tempt the palate of the most jaded collector. The element of pleasant 
          surprise is still alive and well in the recording studio. 
        Franz 
          SCHMIDT (1873 – 1939) Symphony 4, Variations on a Hussar’s 
          Song 
 
          Malmö SO/Vasily Sinaisky rec. 2008/9 
 
          NAXOS 8.572118 [75:02] 
 
          [BBr]
        There 
          are better versions of both works elsewhere.
      
RECORDING 
          OF THE MONTH  Franz 
          SCHUBERT (1797-1828) Piano Duets 
 
          Paul Lewis, Steven Osborne (piano) rec. 2010 
 
          HYPERION CDA67665  [76:06] 
 
          [DC]
        A 
          perfect partnering: Schubert in all his brilliance and emotive power.
        Franz 
          SCHUBERT 
          (1797-1828) 
          Piano Duets: Fantasia, Variations sur un thème original, Rondo, Duo 
          
 Irena 
          Kofman, André de Groote (piano) rec. 2008 
 
          TALENT DOM 2911 119 [64:43] 
 
          [DC]
        A 
          two horse race in identical repertoire: alas with only one winner. 
      Franz 
          SCHUBERT (1797-1828) Arpeggione Sonata, Piano Sonata 
          D784 Robert SCHUMANN (1810-1856) Kinderszenen 
          
 Håvard 
          Gimse (piano) Henning Kraggerud (viola) rec. 2008 
 
          NAIM NAIMCD104  [61:50] 
 
          [RBe]
        Gimse 
          and Kraggerud are clearly fine players but they both may need to look 
          to other repertoire to showcase their considerable talents.
        Franz 
          SCHUBERT (1797-1828) Octet 
 
          Fibonacci Sequence rec. 2008. 
 
          DEUX–ELLES DXL1145 [61:00] 
 
          [RMo]
        A 
          fine version yet lacking the last degree of refinement and Viennese 
          charm.
        Franz 
          SCHUBERT (1797-1828) String Quintet 
 
          London String Qt, Horace Britt (cello) rec. 1928 
 
          PRISTINE AUDIO XR PACM071 [43:30] 
 
          [JW]
        The 
          LSQ were a very fine Schubert group, as their other surviving performances 
          demonstrate, and this is no exception.
        Franz 
          SCHUBERT 
          (1797-1828) Vocal 
          Duets, Trios and Quartets 
 
          Elly Ameling (soprano) Janet Baker (mezzo) Peter Schreier, Horst Laubenthal 
          (tenors) Dietrich Fischer-Dieskau (baritone) Gerald Moore (piano) Rias 
          Kammerchor 
 
          BRILLIANT CLASSICS 94082 [65:02 + 57:41] 
 
          
          Franz SCHUBERT (1797-1828) Winterreise 
          
 Christian 
          Hilz (baritone) Eckart Sellheim (fortepiano) 
 
          BRILLIANT CLASSICS 94053 [64:20] 
 
          [RB] 
        Two 
          new Schubert releases from the upstart label Brilliant Classics: one 
          extremely good and the other which didn’t appeal to me at all.
        Franz 
          SCHUBERT (1797-1828) Piano sonata see 
          In the mists 
        Robert 
          SCHUMANN (1810-1856) Transcriptions for Cello 
          and Piano 
 
          Francesco Dillon (cello) Emanuele Torquati (piano) rec. 2010 
 
          BRILLIANT CLASSICS 94060 [62:53 + 52:14] 
 
          [RB]
        Artistically 
          well advocated, generous and sensibly priced.
        Robert 
          SCHUMANN (1810-1856) Manfred - Overture, Symphonies 
          2 & 4 
 
          NBC SO/Arturo Toscanini/Bruno Walter, rec. 1940, 1946 
 
          GUILD GHCD 2362 [69:22] 
 
          [JW]
        Walter 
          didn’t record the Second and Toscanini didn’t record the Fourth, so 
          there is symmetry at work here. 
      Robert 
          SCHUMANN (1810-1856) Kinderszenen see SCHUBERT
        Robert 
          SCHUMANN (1810-1856) Symphonies 1-4 see 
          Sir Adrian Boult 
        Alexander 
          SCRIABIN (1872-1915) The Complete Mazurkas 
          
 Boris 
          Bekhterev (piano) rec. 2010 
 
          CAMERATA CMCD-28222  [68:03] 
 
          [SS]
        Bekhterev’s 
          natural affinity and understanding of Scriabin shines through.
        Aleksandr 
          SCRIABIN (1872-1915) 
          Sonata 4 see BRAHMS
        Alexander 
          SCRIABIN (1872 – 1915) La Poème d'Extase see 
          HIGDON
        William 
          SHAKESPEARE (1564-1616) Romeo and Juliet  
          
 Ellie 
          Kendrick, Adetomiwa Edun, Dominic Dromgoole (dir.) rec. 2009 
 
          OPUS ARTE OA1029D 
 [101.77 
          + 66.56] 
 [MM-B]
        It 
          is probably the closest you will ever get to experiencing a “real” performance, 
          as it would have been when Shakespeare was alive.
        Dmitri 
          SHOSTAKOVICH (1906-1975) 
          Symphony 10 
 
          London SO/Maxim Shostakovich rec. 1990 
 
          ALTO ALC1083 [59:30] 
 
          [RB]
        Understated, 
          highly individual, telling. A work you thought you knew. 
        Dmitri 
          SHOSTAKOVICH (1906-1975) 
          Violin Concerto 2, Symphony 15 
 
          David Oistrakh (violin) Moscow PO/Kyrill Kondrashin rec. 1967/74 
 
          ALTO ALC1062 [70:21] 
 
          [RB]
        Atmosphere 
          and concentration you could cut with a knife.  
      Jean 
          SIBELIUS (1865-1957) Symphony 1, Karelia Suite, 
          The Swan of Tuonela, Finlandia 
 
          Royal PO/Sir Alexander Gibson rec. 1989 
 
          ALTO ALC1089 [65:26] 
 
          [RB] 
        Plenty 
          of vibrancy but no lack of careful and sensitive dynamic gradation and 
          spatial sense. 
        Jean 
          SIBELIUS (1865 – 1957) Symphonies 1 & 3 
 
          New Zealand SO/Pietari Inkinen rec. 2009 
 
          NAXOS 8.572305 [70:04] 
 
          [BBr]
        This 
          bodes well for a complete cycle from Inkinen and the NZSO.
      Valentin 
          SILVESTROV 
          (b. 1937)  
          Sacred Works 
 
          Kiev Chamber Ch/Mykola Hobdych rec. 2006/07 
 
          ECM NEW SERIES 2117 (476 3316) [75:23] 
 
          [JW]
        Bass-hewn 
          Eastern Orthodoxy to Elysian refinement, carried on the winds of Silvestrov’s 
          meaningful harmonic shifts. A splendid disc. 
        Christian 
          SINDING (1856-1941) Suite see KORNGOLD
        Alvin 
          SINGLETON (b.1940) Praisemaker see HIGDON
        Kaikhosru 
          SORABJI (1892-1988) 
           100 
          Transcendental Studies for piano (1940-44): Nos 44-62 
 
          Fredrik Ullén (piano) rec. 2006 
 
          BIS BIS-CD-1713 [80:25] 
 
          [RB]
        Refulgent 
          hyper-Szymanowskian writing, angry dissonance, delightfully stirring 
          jewelled veils.
        John 
          Philip SOUSA (1854-1932) Marches 
 
          The Great American Main Street Band/Timothy Foley rec. 1990 
 
          EMI CLASSICS 6411222 [66:33] 
 
          [JS]
        For 
          anyone wanting just a single disc of Sousa it might well be just right.
        Walter 
          STEFFENS (b.1934) Guernica and Other Paintings 
            
 
          Frierich Flamme (organ) Rainer Schmidt (viola) Northwest German Phil/János 
          Kulka, North German RSO & Ch/Helmut Franz, Klaud Weise rec. 2005 
          
 LABOR 
          RECORDS LAB 7084 [77:37] 
 
          [RB] 
        Steffens 
          takes with utmost seriousness the transcribing of music from paintings. 
          The results are fascinating and can hold the attention without fore-knowledge 
          that what you hear began as something seen by the composer.
         
          Johann STRAUSS Jr (1825-1899) Waltzes & 
          Polkas see RIMSKY-KORSAKOV
        Richard 
          STRAUSS (1864 – 1949)  Amor - Opera Scenes 
          and Lieder  
 
          Natalie Dessay (soprano) Felicity Lott (soprano) Angelika Kirchschlager 
          (mezzo) Sophie Koch (mezzo) Thomas Allen (baritone) Royal Opera House, 
          Covent Garden O/Antonio Pappano rec. 2004 
 
          VIRGIN CLASSICS 6419332 [65.35] 
 
          [RH] 
        This 
          disc is something of a curiosity.
        Igor 
          STRAVINSKY 
          (1882-1971) 
          The Rite of Spring, Petrushka 
 
          Rex Lawson (pianola) rec. 1991 
 
          NIMBUS RECORDS NI 2577 [71:37] 
[JW]  
          
         This 
          is fascinating.
      Sir 
          Arthur SULLIVAN (1862-1900) 
          Pineapple Poll, Henry VIII Suite, Victoria and Merrie 
          England Suite 
 
          Philharmonia O/Sir Charles Mackerras, Royal PO/Royston Nash rec. 1974-82 
          
 DECCA 
          ELOQUENCE 480 1284 [66:12] 
 
          [JF]
        An 
          important release: Pineapple Poll is the main event and is given the 
          definitive performance.  
        Peter 
          Ilyich TCHAIKOVSKY 
          (1840-1893) The 
          six symphonies and the tone poems 
 
          Russian National Orchestra/Mikhail Pletnev rec. Moscow, 1993-96. DDD 
          
 DEUTSCHE 
          GRAMMOPHON UNIVERSAL COLLECTORS EDITION 477 8699 [7 CDs: 488:17] 
          
 
          [RB]
        Admirable 
          with a great sense of three-dimensional imaging and satisfyingly emotional 
          musical insight. 
        Pyotr 
          Ilyich TCHAIKOVSKY (1840-1893) 
          Symphonies 4-6, Serenade, Moscow, Nutcracker suite 
 
          Russian Federation Large SO/Gennady Rozhdestvensky rec. 1988-92 
 
          ALTO ALC 1104/5/6 [72:35 + 70:50 + 67:43] 
 
          [RB]
        Another 
          Rozhdestvensky Tchaikovsky cycle emerges from the shadows - unruly vitality 
          yet taut control. A superb Pathetique.  
      Pyotr 
          Il’yich TCHAIKOVSKY (1840 – 1893) Symphony 4 
          Gioachino ROSSINI (1792–1868) 
          La Cenerentola Overture 
           
 
          NBC SO/Guido Cantelli rec. 1954 
 
          PRISTINE AUDIO PASC 245 [49:04]  Pyotr 
          Il’yich TCHAIKOVSKY 
          Symphony 4, Serenade 
 
          Boston SO/Serge Koussevitzky rec. 1949 
 
          PRISTINE AUDIO PASC 247 [75:06] [BBr]
        Both 
          performances are worthy of attention.
        Pyotr 
          Ilyich TCHAIKOVSKY (1849-1893) Serenade for Strings, 
          Souvenir de Florence 
 
          do.gma CO/Mikhail Gurewitsch 
 
          MUSIKPRODUKTION DABRINGHAUS UND GRIMM 912 1654-6 
 
          [65:01] 
 [GD]
        This 
          recording tries to bring the works together somewhere between the symphonic 
          and chamber music worlds. That might provide continuity across the programme, 
          but does both works a disservice. 
        Pyotr 
          Ilyich TCHAIKOVSKY (1840-1893) Piano trio Sergei 
          RACHMANINOV (1873-1943) Trio élégiaque 
 
          Gould Piano Trio 
 
          CHAMPS HILL RECORDS CHRCD 012 [65:44] 
 
          [IL] 
        Polished 
          performances of two outstanding works in the Piano Trio genre. 
        Pyotr 
          Ilyich TCHAIKOVSKY (1840-1893) Romeo and Juliet, 
          Capriccio Italien, Francesca da Rimini, Eugene Onegin 
          (excerpts) 
 
          Moscow State SO/Pavel Kogan, rec. 1990 
 
          ALTO ALC 1033 [68:22] 
 
          [RB]
        I 
          urge all true Tchaikovskians to hear this disc. 
        Pyotr 
          Ilyich TCHAIKOVSKY (1840-1893) 
          Violin Concerto Julius CONUS (1869-1942) 
          Violin Concerto Pablo de SARASATE (1844-1908) 
          Zigeunerweisen Erich Wolfgang KORNGOLD 
          (1897-1957) Violin Concerto 
 
          Jascha Heifetz (violin) Philharmonia O/Walter Susskind, RCA Victor SO/Isler 
          Solomon, William Steinberg, Los Angeles PO/Alfred Wallenstein rec. 1950-3 
          
 NAXOS 
          HISTORICAL 8.111359 [79:12] 
 
          [JW]
        Marvellously 
          communicative, quiveringly intense and breathtakingly virtuosic violin 
          playing.  
        Pyotr 
          Il'yich TCHAIKOVSKY (1840-1893) Sérénade mélancolique, Valse-Scherzo 
          see PAGANINI
        
RECORDING 
          OF THE MONTH Jukka TIENSUU 
          (b. 1948) Vie Missa, False Memories I-III 
 
          Kari Kriikku (clarinet) Helsinki PO/John Storgårds rec. 2009/10 
 
          ONDINE ODE 1166-2 [64:34] 
 
          [HC] 
        A 
          most desirable addition to Tiensuu’s discography … magnificent. 
Ralph 
          VAUGHAN WILLIAMS 
          (1872-1958) An Oxford Elegy, Flos Campi, Te Deum 
 
          Jack May (narrator) Roger Best (viola) Christ Church Cathedral Ch, Oxford, 
          English String O/Stephen Darlington rec. 1989 
 
          NIMBUS NI5166 [52:20] 
 
          [WH][RB]
        Creditable 
          performances for the most part, but let down by the sound. [WH] This 
          disc, modestly timed, brings together two of my favourite works by Vaughan 
          Williams in fine performances and adds three choral celebrations. [RB] 
          
        
BARGAIN 
          OF THE MONTH  
          Ralph 
          VAUGHAN WILLIAMS (1872-1958) On Wenlock Edge Peter 
          Warlock (1894-1930) The Curlew 
 
          James Griffett (tenor) Haffner String Qt rec. 1973 
 
          REGIS RRC 1316 [64:47] 
 
          [RB]
        Classic 
          and very individual recordings of English song. Do not be put off by 
          their nearly forty year old analogue origins.
      Ralph 
          VAUGHAN WILLIAMS (1872-1958) Three Shakespeare Songs 
          see Full 
          fathom five
        Ralph 
          VAUGHAN WILLIAMS (1872-1958) Symphony 6 see 
          ELGAR
        Ralph 
          VAUGHAN WILLIAMS (1872-1958) Songs of Travel see 
          Let Beauty Awake 
          
        Giuseppe 
          VERDI (1813-1901) Otello 
 
          Simon O'Neill, Anne Schwanewilms, Gerald Finley, Allan Clayton, Eufemia 
          Tufano, London SO & Ch/Sir Colin Davis rec. 2009 
 
          LSO LIVE LSO0700  
 [64:27 
          + 66:54] 
 
          [JP]
        Distinguished 
          by the fire and brimstone conducting of the ageless Sir Colin Davis 
          and O’Neill’s tireless, stentorian intensity and lovely Italianate refinement.
        Giuseppe 
          VERDI (1813-1901) Otello 
 
          Wolfgang Windgassen (tenor) Sena Jurinac (soprano) Norman Mittelmann 
          (baritone) Wiener Staatsoper Ch, Wiener Sängerknaben, Süddeutsch 
          RSO/Argeo Quadri rec. 1965 
 
          ARTHAUS 101 505 [134:00] 
 
          [GF]
        For 
          the historically inclined reader this is a real treat.
        Giuseppe 
          VERDI (1813-1901) Aida 
 
          Montserrat Caballé, Placido Domingo, Nicolai Ghiaurov, Royal Opera Ch, 
          New PO/Riccardo Muti rec. 1974 
 
          EMI CLASSICS 5406302 [3 CDs: 39.42 + 41.14 + 65.25 + bonus disc] 
          
 [RJF]
        Despite 
          limitations this is still a vivid recording with some excellent Verdi 
          singing of a quality hard to match today.
        Giuseppe 
          VERDI (1813 – 1901) Aida  
 
          Iano Tamar (soprano) Tatiana Serjan (soprano) Rubens Pelizzari (tenor) 
          Camerata Silesia, Polish Radio Choir Krakow, Bregenzer Festspielchor, 
          Wiener SO/Carlo Rizzi rec. live, 2009 
 
          UNITEL CLASSICA 702308 
[135:00] 
          [GF] 
        Innovative 
          for sure. One can marvel at ideas that suddenly illuminate the proceedings 
          but just as often one thinks: ‘What’s the point of this?’
Opera 
          Open Air Giuseppe 
          VERDI (1813-1901) Aida, Nabucco, La Traviata 
          Georges BIZET (1838-1870) Carmen 
          
 National 
          Theatre Brno Ch & O, Europa SO, Slovak PO & Ch/Ernst Märzendorfer 
          rec. 2004-8 EUROARTS 2058208 
[4DVDs: 
          150:00 + 165:00 + 122:00 + 134:00] 
 
          [RJF]
        Poor 
          singing in one of the four operas spoils the magnificent setting and 
          spectacular staging, but a bargain at the price. 
        Giuseppe 
          VERDI (1813-1901) Rigoletto 
 
          Juan Diego Florez, Zeljko Lucic, Diana Damrau, Staatsoper Dresden/Fabio 
          Luisi rec. 2008 
 
          VIRGIN CLASSICS 6418689 
 
          [137:00] 
 [RF]
        It 
          will be a few years yet before Juan Diego Florez brings to Verdi’s music 
          the vocal skills and nuance evident in his singing of the bel canto 
          composers.
       Louis 
          VIERNE (1870 – 1937) Le poème de l’amour, Psyché, 
          La ballade du désespéré 
 
          Michael Bundy (baritone) Jeremy Filsell (piano) rec. 2003-7 
 
          NAXOS 8.572346 [62:48] 
 
          [BBr]
        Vierne’s 
          musical world as displayed here is of little interest.
        Henri 
          VIEUXTEMPS (1820-1881) Viola Sonata see 
          CLARKE
        Heitor 
          VILLA-LOBOS 
          (1887-1959) Choros Vols 1-3 
 
          Cristina Ortiz (piano); São Paolo Symphony Orchestra/John Neschling 
          rec. 2003-6 
 
          BIS BIS-CD-1440, 1450 & 1520 
 
          [BW] 
        Try 
          any of these three recordings – the second volume is a good place to 
          start – and you’ll want all three.
        
RECORDING 
          OF THE MONTH Antonio VIVALDI 
          (1678-1741) 
          L'Estro Armonico Concertos 
 
          Mercury Baroque/Antoine Plante rec.2010 
 
          MERCURY BAROQUE/HPR 84501 38529 [66:14] 
 
          [DB]
        Eight 
          concertos from Vivaldi's great L'Estro Armonico, performed as well as 
          it is possible to imagine and excellently recorded.  
          
        Antonio 
          VIVALDI (1678-1741) Ottone in Villa 
 
          Julia Lezhneva, Veronica Cangemi, Roberta Invernizzi (soprano) Sonia 
          Prina (alto) Topi Lehtipuu (tenor) Il Giardino Armonico/Giovanni Antonini, 
          rec. 2010 
 
          NAÏVE OP30493 [76:59 + 57:36] 
 
          [MS]
        Another 
          success in Naïve's Vivaldi Edition: not the most profound or original 
          Baroque opera ever written; but one which enthusiasts shouldn't miss. 
          
      Richard 
          WAGNER (1813-1883) Tannhäuser 
 
          Lucia Popp, Waltraud Meier, Siegfried Jerusalem, Kurt Moll, Bavarian 
          RSO & Ch/Bernard Haitink, rec. 1985 
 
          EMI CLASSICS OPERA 6408002 [3 CDs: 56:07 + 66:51 + 50:41] 
 
          [BW]
        A 
          welcome reissue with a considerable price advantage over Sinopoli and 
          Solti. 
      George 
          WALKER (b. 1922) Chamber Music and Songs 
 
          Janet Stasio (sop.) Patricia Green (mezzo) James Martin (bar.) Sona 
          Sonora Str Qt, Capitol Chamber Artists, Videmus Ens, Cygnus Ens, George 
          Walker (pno) rec. 1994-2008 
 
          NAXOS 8.559659 [74:23] 
 
          [WK]
        An 
          interesting variety of works from one of America’s senior composers.
        
BARGAIN 
          OF THE MONTH  
           
          Peter Warlock (1894-1930) The Curlew see 
          VAUGHAN 
          WILLIAMS
         
        Mieczysław 
          WEINBERG (1919-1996) Chamber Symphonies 1 & 4 
 
          Umeå SO/Thord Svedlund rec. 1998 
 
          ALTO ALC1036 [62:10] 
 
          [RB] Mieczysław 
          WEINBERG (1919-1996) Symphony 2, Chamber Symphony 2 
 
          Umeå SO/Thord Svedlund rec. 1998 
 
          ALTO ALC1037 [56:48] 
 
          [RB]
        Warm 
          and sumptuous recordings of four twentieth century classics of the North 
          European string orchestra genre.
Józef 
          WIENIAWSKI (1837-1912) Piano Concerto see 
          GOETZ
        
RECORDING 
          OF THE MONTH Hugo 
          WOLF (1860-1903)  Mörike-Lieder  
          
 Wolfgang 
          Holzmair (baritone) Imogen Cooper (piano) 
 
          WIGMORE HALL LIVE WHLIVE0029 [73:25] 
 
          [CC] 
        Magnificently 
          focused, with little or no sense of strain … seemingly infinite sensitivity. 
          A very special disc.
        Eugène 
          YSAŸE 
          (1858-1931)  Ysaÿe 
          Impressions  Six Sonatas for violin solo, Op. 27 
 
          Wojciech Koprowski (violin) rec. 2008/9 
 
          CD ACCORD ACD 147-2 [65:01] 
 
          [AM] 
          
          For all his technical command, he rarely engages 
          with the score’s implicit demand to reproduce Ysaÿe’s idea of style 
          and sound.
         
         
        
        Click 
          for alphabetical listings by composer:
          [Part 
          1 New] [Part 
          2 A-B] [Part 3 C-L]
          [Part 4 M-R] [Part 
          5 S-Z]
          [Part 6 Misc A-L] [Part 
          7 Misc M-Z] 
          [last 5 days] [Recommended 
          recordings]