£16 post free World-wide

 


555 sonatas 9Cds mp3 files
Only £22


 


Benjamin: Written on Skin £16

Search
What's New
Previous CDs
Concerts
Jazz
Nostalgia
Composers
Resources
Announce
Labels index


Every day we post 10 new Classical CD and DVD reviews. A free weekly summary is available by e-mail. MusicWeb is not a subscription site. To keep it free please purchase discs through our links.

  Classical Editor Rob Barnett    



CD REVIEW

Some items
to consider


BRAHMS Complete Edition
58CD £95.22


Shostakovich 14 Petrenko


Rachmaninov #3
Prokofiev #2

 


Dunedin Consort

Peter Grimes

Hymn of Jesus: Sea Drift

Complete Mozart Edition
Mozart complete edition

Vaughan Williams Symphonies 5 & 8 £11

Weiner, Klepper, Bloch, Schulhoff £12 post free


Available again

alternatively
Crotchet

 

Antonio VIVALDI (1678–1741)
Concerto in D major, RV 234, L’Inquietudine [6.07]
Concerto in E minor, RV 273 [14.45]
Sonata in D minor op. 1 no. 12, RV 63, La Follia [9.22]
Concerto in E flat major, Op. 8 no. 5, RV 253, La Tempesta di Mare [9.03]
Sovvente il sole (from Andromeda Liberata) [9.07] (1)
Concerto in D minor, Op. 3 no. 11, RV 565 (from L’Estro Armonico) [9.27]
Daniel Hope (violin)
Anne Sofie von Otter (mezzo) (1) Chamber Orchestra of Europe
rec. St. Paul’s Deptford (London), March 2008
DEUTSCHE GRAMMOPHON 4777463 [57.44]

 

Experience Classicsonline


Daniel Hope has already recorded a disc of Bach concertos and a disc of Mendelssohn concertos with the Chamber Orchestra of Europe. In many ways this new issue follows on from the Bach disc, using modern instruments but adopting period performance practice. The continuo group includes a number of distinguished performers: William Conway (cello), Kirstian Bezuidenhout (keyboard), Elizabeth Kenny (lute, theorbo). Working without a conductor freed Hope to experiment with improvisation and ornamentation as well as taking a hand in the sound that the ensemble makes.

The first concerto on the disc, L’Inquietudine, opens fast and furious. The ensemble strings play crisply and rhythmically, very much off the string but with an intensity which is entirely modern. The result sounds striking but also a little hard-edged, played with this degree of crispness. With the bow off the string, the modern strings lack the warmth that playing with lower tension gut lines bring. This opening movement characterises the remainder of the disc: it is highly disciplined, superbly played but very high pressure.

The slow movement of this concerto again uses rather strong string tone in the ensemble passages but this is contrasted with a fine line from Hope. In the final movement he treats us to positively lovely streams of notes.

The disc is not all high pressure. Hope certainly knows when to ease off. He does so in the last movement of L’Inquietudine and similarly in the opening of the Concerto in E minor. Here the element of contrast is striking, between the hard-edged rather massive tutti sections and the smoother-lined, rather delicate moments.

Whatever you think about the high pressure element, overall the playing is superb. In the slow movement of the E minor concerto, both soloist and orchestra produce some stunning translucent delicately-textured moments. Hope’s solo line manages to spin a superb web of notes, never seeming hampered or constrained by period performance practice.

For the third item on the disc, instead of a concerto we get Vivaldi’s Sonata for two violins which consists of variations on La Follia. Here Hope is joined by Lorenza Borrani, the leader of the Chamber Orchestra of Europe. The playing has a brilliant hardness which is partly modified by the lovely sound from the continuo with fretted instruments to the fore.

The Sonata is followed by the Concerto in E flat major, La Tempesta di Mare. As in the previous concertos the ensemble is crisp but chiselled. This is moderated by Hope’s solo line where he delivers the cascades of notes in quite brilliant fashion.

That a warm, sweet tone is not beyond the ensemble’s parameters is demonstrated by the aria from Vivaldi’s opera Andromeda Liberata. Here Anne Sofie von Otter’s lovely mezzo-soprano voice is balanced beautifully by Hope’s obbligato. His violin playing here develops a wonderful sweetness which he never quite manages in any of the other pieces on the disc.

The final work here is the concerto in D minor for two violins and cello from L’Estro Armonico with the other solo violin again played by Lorenza Borrani and solo cello by William Conway. Perhaps because the solo part is in fact played by three people, this concerto seems to have a warmth which is lacking in some of the other pieces in this collection.

In many ways this is an admirable disc, with some superbly disciplined playing and an interesting dialogue between modern ways and period practice. It is unfortunate that the end result seems to have generated a rather hard-edged product. Some listeners may respond well, but I would certainly advise listening before buying. Whilst Daniel Hope’s playing is superb, the Chamber Orchestra of Europe may be a bit of an acquired taste in this repertoire. 

Robert Hugill





 


Gerard Hoffnung CDs

Advertising on
Musicweb


Donate and get a free CD

New Releases

Naxos Classical

Hyperion

Musicweb sells the following labels
Acte Préalable
Alto
Arcodiva
CDAccord
Centaur
Hallé
Hortus
Lyrita
Nimbus
Northern Flowers
Redcliffe
Sheva
Talent
Toccata Classics


Follow us on Twitter

Subscribe to our free weekly newsletter
 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Pat and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools




Return to Review Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.