Aureole etc.




Golden Age singers

Nimbus on-line




Faure songs
Charlotte de Rothschild (soprano);

  Founder: Len Mullenger
Classical Editor: Rob Barnett


CD REVIEW

Some items
to consider

 


Enjoy the Gothenburg Symphony Orchestra wherever you are. App available for iOS and Android


Mahler symphony 6 Nott


Vaughan Williams Symphony 3 etc.


Lyrita New Recording


Lyrita Premiere Recordings

Lyrita 4CDs £16 incl.postage

Lyrita 4CDs £16 incl.postage


Decca Phase 4 - 40CDs


Judith Bailey, George Lloyd


BAX Orchestral pieces


CASKEN Violin Concerto

Schumann Symphonies Rattle


Complete Brahms
Bargain price

 

 

 

 

 

AVAILABILITY
Crotchet AmazonUK AmazonUS

 

Solomon – The Master Pianist
Ludwig van BEETHOVEN (1770-1827)

Piano Concerto No 3 in C minor, Op. 37 (1800-03) [35.54] ¹
Piano Concerto No 5 in E flat major, ‘Emperor’ Op. 73 (1809) [37.33] ¹
Edvard GRIEG (1843-1907)
Piano Concerto in A minor op. 16 (1869) [29.09] ¹
Robert SCHUMANN (1810 - 1856)
Piano Concerto in A Minor, Op. 54 (1846) [29.42] ¹
Ludwig van BEETHOVEN (1770-1827)

Piano Sonata in E minor, Op. 90 (1814) [13.09]
Piano Sonata in C minor Op. 13, "Grande Sonate Pathétique" (1798-99) [19.18]
Piano Sonata in C sharp minor, Op. 27 No. 2 Sonata quasi una Fantasia, "Moonlight: (1801) [18.03]
Piano Sonata in C major, Op. 53 "Waldstein" (1803-04) [23.34]
Piano Sonata in E flat major, Op. 81a, "Das Lebwohl" ("Les Adieux") (1809-10) [16.16]
Piano Sonata in F minor, Op. 57, "Appassionata" (1804-05) [20.55]
Piano Sonata in B flat major, Op. 106. "Für das Hammerklavier" (1817-18) [47.35]
Johannes BRAHMS (1833-1897)

Piano Concerto No.2 in B flat Op.83 (1881) [45.34] ²
Pyotr Il'yich TCHAIKOVSKY (1840-1893)
Piano Concerto No. 1 in B-flat minor, Op. 23 (1875) [32.25] ²
Domenico SCARLATTI (1685-1757)

Sonata in F L384 [3.29]
Johann Sebastian BACH (1685-1750) – Ferrucio BUSONI (1866-1924)
Cantata BWV140 'Wachet auf' [4.53]
Wolfgang Amadeus MOZART (1756-1791)

Piano Sonata No.11 K331 [21.55]
Piano Sonata No.17 K576 [14.04]
Piano Concerto No.24 K491 [29.51] ¹
Franz LISZT (1811-1886)

Hungarian Fantasia [15.35] ³
Alexander SCRIABIN (1872-1915)

Piano Concerto (1904) [26.47] º
Arthur BLISS (1891-1975)

Piano Concerto in B flat (1938) [37.17]
Solomon (piano)
Philharmonia Orchestra/Herbert Menges ¹
Philharmonia Orchestra/Issay Dobrowen ²
Philharmonia Orchestra/Walter Susskind ³
Liverpool Philharmonic Orchestra/Adrian Boult º
rec. 1943-46
EMI CLASSICS ICON 2061022 [7 CDs: 73:27 + 72:16 + 76:13 + 68:40 + 78:53 + 74:57 + 80:15]
Experience Classicsonline

This hefty seven-disc set is a consolidation of some of Solomon’s most august recordings. So there’s nothing new for collectors, merely – to employ an understatement - a distillation of that fabled wisdom in a box that retails at around the £17 mark. For which you really can’t ask for more.

Newcomers to his art will have to balance the pleasures of acquiring the Third and Fifth Beethoven concertos without the rest of the cycle. Similarly you have the Second Brahms concerto but not the First – and some of his greatest, most profoundly important Beethoven sonata recordings but not all that he recorded. So even at this price bracket one might still be tempted to augment this box with the extensive Testament reissue series.

That’s a dilemma that can only really be resolved given one’s inclination toward comprehensive collections. The performances themselves are famously enshrined in recorded history. A frequent collaborator on disc was Herbert Menges, piano-playing brother of the violinist Isolde. He was an adept, underrated musician who directs authoritatively. Solomon had earlier recorded the C minor Concerto on 78s with Boult; here, with Menges, he’s just as persuasive. He eschews the galvanic and declamatory in favour of an aristocratic explication of the solo line whereas in the Emperor this profile works even better. Here he is at something like his finest, vesting the slow movement with time-numbing beauty, refraining from externalised show in the outer movements, directing things inward with no less of force or weight. .

The Grieg-Schumann pairing is the piano equivalent of the violinist’s Bruch-Mendelssohn. In both cases mere routine will not do but neither will gaucherie and striving for effect. Here we find nobility in profusion. In truth the Grieg reflects Solomon’s reserve rather more than some may like but his avoidance of the flamboyant and the gestural preserves a reading of aquiline self-abnegation and poetic refinement. The Schumann was a favourite of his and his lineage via Mathilde Verne, a pupil of Clara Schumann, was always seen to offer a particular slant on the repertoire – though his time with Verne was wretched. His playing is unselfconscious, relatively straightforward but illuminated by tonal beauty and poetic phrasing. The Philharmonia winds distinguish themselves throughout.

The third and fourth discs are given over to "named" Beethoven sonatas, amongst Solomon’s most revered recordings. Olympian grandeur suffuses the Pathetique the slow movement of which has absolute refinement of spirit and lyricism. The Moonlight reminds one that his famously slow tempo for the opening movement was balanced by fearsomely animated drive in the finale. Clarity of articulation elevates the Waldstein to elite status whilst Les Adieux is as fine an example of his sonata playing as you will find, notwithstanding the perhaps greater reputation of the Hammerklavier and Appassionata. Both these last two are contained in the indispensable fourth CD. These are performances of measured gravity and colossal architectural and tonal perception. The extraordinary tempo sustenance of the Adagio sostenuto, so emblematic a feature of Solomon’s art, is simply one example of his transcendent control in this repertoire.

Moving on to the Brahms B flat Concerto with Dobrowen we find myriad subtleties of balance and colouration, generated through intellectual probity of the highest order. Dobrowen was a first class accompanist and a Brahmsian of distinction and the performance is just as fine as Solo’s First Concerto with Kubelík. The Tchaikovsky – again with Dobrowen - is badly balanced with over prominent winds to get a doubtfully big perspective. Demerits here to the Walter Legge-Arthur Clarke team. Nevertheless the performance reprises Solomon’s Harty-led triumph back in the days of recorded yore, one that’s seen the reissue rounds over the years. For those who consider Solomon over cautious and cerebral the virtuosic flourishes here should put them right.

The sixth disc gives us a zestful Scarlatti sonata and a rather lugubrious Bach-Busoni Wachet auf. The two Mozart sonatas confirm Solomon’s reputation as an interpreter of the highest refinement and the single concerto by the composer enshrined in this box, the C minor K491, is an emotively multifaceted and lyrically inspired reading, once more with the Philharmonia. Those for whom his Mozart was not tensile or muscular enough should note Solomon’s playing of the Saint-Saëns’ first movement cadenza and the rapt simplicity - the inescapable phrasal rightness – of his custodianship of the Larghetto.

There are certainly fireworks in the Liszt Hungarian Fantasia - dramatic and dark-hued - and the final two items are both powerful concerto statements; the Scriabin Concerto in F sharp minor and the concerto written for Solomon by Bliss. You’ll find the world première performance of the Englishman’s Concerto - in New York – on APR. This EMI traversal is the first commercial recording given with the Liverpool Philharmonic then – in wartime – Britain’s leading orchestra. Bliss’s romantic extroversion and the touching depth of his concerto’s central movement received a perfect exponent in Solomon. The Scriabin was not issued at the time of its recording, 1949. The piano is backwardly balanced – another Legge/Clarke mistake. But just listen to the poetic delicacy of the second movement theme before the unleashing of the variations.

So a strong, solid conspectus of Solomon’s art. Strong on Beethoven of course, with a representative concerto arsenal; good representative Mozart; a serious-minded collection in fact, befitting Solo’s Olympian disposition and reportorial choices. At the price it’s a steal and is sure to encourage further investigation of his art not covered here – the miraculous wartime Chopin sides; the remainder of the Beethoven sonatas set down before his stroke; the Archduke Trio with Pini and Holst; his Schubert; the Brahms concerto with Kubelík and the Op.5 sonata; the Cluytens-directed Beethoven concertos; Carnaval. So many more. Try Testament for those.

It must be noted that some of the original recordings were not brilliantly engineered in the first place and remastering hasn’t been able to alleviate congestion, faulty balances and spotlighting. That’s a small matter however when put against such noble, characterful and poetic musicianship such as Solomon displays throughout this set.

Jonathan Woolf


 


Gerard Hoffnung CDs

Advertising on
Musicweb


Donate and get a free CD

New Releases

Naxos Classical

Hyperion

Musicweb sells the following labels
Acte Préalable
Alto
Arcodiva
Atoll
CDAccord
Cameo Classics
Centaur
Hallé
Hortus
Lyrita
Nimbus
Northern Flowers
Redcliffe
Sheva
Talent
Toccata Classics


Follow us on Twitter

Subscribe to our free weekly review listing
sample
 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Pat and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools




Return to Review Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.