Aureole etc.

Golden Age singers

Nimbus on-line

Faure songs
Charlotte de Rothschild (soprano);

  Founder: Len Mullenger
Classical Editor: Rob Barnett


Some items
to consider

Free classical music concerts by Gothenburg Symphony Orchestra.


Moravec - Twelfth Night Recital
15%off £17.21 (until Dec 7)

Katerina Englichová - harp
15%0ff £10.83 (until Dec 7)

  • Today's leading<br>clarinet-piano duo
  • Stellar debut<br>piano recital
  • Clarinet transcriptions Jonathan Cohler
  • Jonathan Cohler & Claremont Trio
  • French clarinet masterpieces
  • Today's leading<br>clarinet-piano duo

Sibelius Symphonies Maazel
4CDs + Blu-ray audio
Special Price £36.75

RVW A Sea Symphony - Elder

Shostakovich Symphony 10 Nelsons

Verdi Requiem

Dvorak Opera Premiere

Grieg, Mendelssohn sonatas




Would you like a hyperlinked weekly summary of the CDs we have reviewed?

Click for further details

Sample: See what you will get

Editorial Board
Classical Editor
Rob Barnett
Seen & Heard
Editor Emeritus
   Bill Kenny
Editor in Chief
   Stan Metzger
MusicWeb Webmaster
   David Barker
MusicWeb Founder
   Len Mullenger


alternatively Crotchet

Jan SandStrÖm (b. 1954)
Från Mörker till Ljus (From Darkness to Light) for reader, baritone and chamber orchestra (1991)
1. Begynnelsen var Mörkret (In the Beginning was Darkness) [10:24]
2. I en Verkstad i Flandern (In a workshop in Flanders) [1:43]
3. Den Sista Arbetsdagen (The last day of work) [1:09]
4. Mellantiden (The Time Between) [1:52]v
5. En Vägg av Sol (A Wall of Sunlight) [1:57]
6. Ur Jesse Rot (From Jesse’s Root) (orch.) [2:27]
7. De Fromma Djuren (The Animals’ Devotion) [0:53]
8. Ur Jesse Rot (From Jesse’s Root) [3:02]
9. Lidandets Ansikte (The Face of Suffering) [1:52]
10. Klarheten (Clarity) [1:23]
11. Kommendanten (The Commandant) [1:53]
12. Den Sörjande Modern (The Grieving Mother) [6:39]
13. Korset är Inte Slutpunkten (The Cross is not the End) [1:55]
14. I Denna Mörka Tid (In this Dark Time) [8:11]
Peter Mattei (baritone); Sven Wollter (reader)
Norrbotten Chamber Orchestra/Petter Sundkvist
rec. January 2002, Aula Aurora, Luleå, Sweden
Texts and translations included

This recording is a production completely from the Gulf of Bothnia area. Both the composer and the author of the text teach at the University of Luleå. The soloist was born in the area of Gammelstad, near the church that was the poet’s inspiration. The instrumentalists form the native ensemble for the same area.
Jan Sandström is well-known for his first trombone concerto (The Motorbike Concerto) and many other orchestral pieces. In this somewhat atypical creation he has taken a series of poems by the Swedish poet Folke Isaksson and created a work in which the verses are alternately recited or sung, usually but not always accompanied by chamber orchestra.
Isaksson’s poems deal with the beginning of the Book of Genesis, the progress of Gamelstad church’s altarpiece from Antwerp to its final home, the Passion, instances of modern injustice and finally a more hopeful world situation. The music is in a different style in each section, but hangs together well and will not insult any listener who appreciates Corigliano or Gorecki. Track 1 with its Stravinskian use of winds is inspired, especially as the baritone elaborates on the basic material of the piece. Tracks 2 and 3 are readings of poems describing the journey of the altar piece. It should be pointed out that throughout the piece Sven Wollter does not “orate” or “declaim”. He just reads the poems as if to himself. Nothing could be more sincere. Mellandtiden is an aria unaccompanied for the baritone: a true tour de force. This surprises the listener by being more folk-like than the opening material. The sixth through eighth tracks form a single section describing the carvings of the altarpiece and how they might have appeared to the children of Gammelstad when first seen. Here the baritone’s music is in an almost popular style, but without any trace of kitsch. The reading Lidanets Ansikte reminds us that the main focus of the altarpiece is the Passion and here an element of modernity enters the text, which increases as the work continues.
The orchestra plays by itself for the first time in the tenth track, Klarheten (Clarity). This is the clarity Jesus would have perceived after death and by extension the clarity all would perceive in a world without evil. This is a very difficult concept to portray in music without writing à la Massenet, but the composer does well with just a slight shifting of chords in the strings. After a reading dealing with the banality of evil the baritone sings of the grief of Mary after the Crucifixion. Naturally this section is a little more dissonant than the music that has appeared up to now, but it is also an effective synthesis of the styles that have preceded it. The last reading and last musical section are linked. Here the music slows appreciably and one is left with some feeling of hope in spite of the brutality of tracks twelve and thirteen. This feeling increases as the composer presents the original material in yet another way, this time leading to a luminous finish.
Peter Mattei was the soloist at the world premiere of this work in 1991 and his account can be considered authoritative. There are a few moments when his voice is not up to some of the lower notes, but basically he gives a fine and sometimes inspired performance. As said above Sven Wollter uses no dramatics. It is as if he is reading you the poems in your own home. Petter Sundquist provides capable accompaniment and elicits alternating mystical and terrifying sounds from the orchestra. The recording quality is good for the soloist and reader but could have been a little more life-like for the players. To conclude, this is a major work that will appeal to a large audience. Although obviously not a "Christmas” work its message is a good one for the holidays.
William Kreindler


Gerard Hoffnung CDs

Advertising on

Donate and get a free CD

New Releases

Naxos Classical


Musicweb sells the following labels
Acte Préalable
Cameo Classics
Prima voce
Red Priest
Toccata Classics

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
Classical Editor
Rob Barnett
Seen & Heard
Editor Emeritus
   Bill Kenny
Editor in Chief
   Stan Metzger
MusicWeb Webmaster
   David Barker
MusicWeb Founder
   Len Mullenger


Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews


      Composer surveys
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site


Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure



Bulletin Board

Give your opinions or seek answers

Pat and present

Helpers invited!

How Did I Miss That?

Currently suspended but there are a lot there with sound clips

Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Other links
Web News sites etc

A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools

Return to Review Index

Untitled Document

Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.