Innovations: 
          Music by Camilleri, Stravinsky and Bartok 
          Charles 
          CAMILLERI (b. 1931) Concerto for 
          Two Pianos and Percussion (2005) [20.59] Igor 
          STRAVINSKY (1882-1971) The Rite 
          of Spring (1912-13 revised 1947) Reduction 
          for piano duet by the composer. [34.18] Bela 
          BARTOK (1881-1945) Sonata for Two 
          Pianos and Percussion (1937) [26.51]  Kathryn Page; Murray McLachlan (piano) Heather 
          Corbett; Stephen Burke (percussion) rec. Whiteley 
          Hall, Manchester, 1 Sept 2005, 28 Jan 2006. 
          DDD Stereo
 
          Kathryn Page; Murray McLachlan (piano) Heather 
          Corbett; Stephen Burke (percussion) rec. Whiteley 
          Hall, Manchester, 1 Sept 2005, 28 Jan 2006. 
          DDD Stereo  DUNELM RECORDS DRDO258. [2 CDs: 82.11] 
          [DHJ]
 
          DUNELM RECORDS DRDO258. [2 CDs: 82.11] 
          [DHJ]  
        
A 
          thought provoking and rewarding issue. ... 
          see Full 
          Review 
        
 
          Giacomo CARISSIMI 
          (1605-1674) 
          Motetti e Sacri Concerti  Ensemble Il Cantar Novo: Cristina Curti, 
          Francesca Cassarini (soprano), Cristina Calzolari 
          (contralto), Giovanni Cantarini (tenor), Alberto 
          Salarelli (bass), Cecilia Amadori (cello), 
          Elena Dalla Casa (organ)/Pietro Ceccarelli 
          rec. October 2004, Abbazia di Santa Maria 
          Annunziata Nuova di Scolca, S. Fortunato di 
          Rimini, Italy. DDD
 
          Ensemble Il Cantar Novo: Cristina Curti, 
          Francesca Cassarini (soprano), Cristina Calzolari 
          (contralto), Giovanni Cantarini (tenor), Alberto 
          Salarelli (bass), Cecilia Amadori (cello), 
          Elena Dalla Casa (organ)/Pietro Ceccarelli 
          rec. October 2004, Abbazia di Santa Maria 
          Annunziata Nuova di Scolca, S. Fortunato di 
          Rimini, Italy. DDD  TACTUS 602801 [62:13] [JV]
 
          TACTUS 602801 [62:13] [JV]
        An 
          interesting recording of Carissimi's motets 
          and sacred concertos which have been largely 
          neglected, but it can hardly be recommended 
          due to technical deficiencies and a rather 
          unsatisfying interpretation ... see Full 
          Review 
         
          (Maria) 
          Luigi (Carlo 
          Zanobi Salvadore) CHERUBINI 
          (1760-1842) 
          Les 
          Abencerages - opera in three acts 
          (1813) [126:43] Noraime: Margherita Rinaldi 
          (soprano) Almanzor: Francisco Ortiz (tenor) 
          Gonzalve de Cordouz: Jean Dupouy (tenor) Alamir: 
          Andrea Snarski (bass) Kaled: Ermanno Lorenzi 
          (tenor) Alemar: Jacques Mars (bass) Abderame: 
          Mario Machi (bass) Octair: Carlo Schreiber 
          (bass) Egilone: Carmen Lavani (soprano) 1st 
          Troubadour: Angelo Degli Innocenti (tenor) 
          1st Coriphee: Vittorina Magnaghi (soprano) 
          2nd Coriphee: Maria del Fante (mezzo) Le Herault 
          d’Aermes: Carlo Schreiber (bass) Female solo 
          voices: Carmen Lavani, Maria del Fante, Vittoria 
          Magnaghi Coro RAI di Milano/Mino Bordignon 
           Orchestra Sinfonica RAI di Milano/Peter 
          Maag Rec: live, RAI studios Milan, 15 January 
          1975
 
           Orchestra Sinfonica RAI di Milano/Peter 
          Maag Rec: live, RAI studios Milan, 15 January 
          1975  ARTS ARCHIVES 43066-2 [57:05 + 69:38] 
          [IB]
 
          ARTS ARCHIVES 43066-2 [57:05 + 69:38] 
          [IB]
        The 
          1975 radio sound is well transferred; warm 
          but with detail preserved. In short, if it 
          appeals, take the plunge! ... see Full 
          Review
        Frederick 
          CHOPIN 
          (1810-1849) 
          Sonata No.3 in B minor, Op.58 (1844) 24 Preludes, Op.28 (1839)  Ann Schein (Piano) rec. November 2004, New York
 
          Ann Schein (Piano) rec. November 2004, New York  MSR CLASSICS MS 1119 [71:21] [JL]
 
          MSR CLASSICS MS 1119 [71:21] [JL]
        Two
              major works of Chopin are given highly competent renderings by
              Ann Schein, but compared with notable Chopin players’ performances
              available on recordings, her playing lacks personality. ... see Full
              Review 
         RECORDING 
          OF THE MONTH George 
          CRUMB 
          (b. 1929) Songs, 
          Drones, and Refrains of Death (1962-68) 
          [29:04]: Refrain One [1:25]; I The 
          Guitar / Death Drone I [4:20]; Refrain 
          Two [0:52]; II Casida of the Dark Doves 
          [4:15]; Refrain Three [1:06]; Death-Drone 
          II [1:49]; III Song of the Rider, 1860 
          [1:56]; Cadenza Apassionata for two 
          drummers [1:32]; Refrain Four [1:05]; 
          IV Casida of the Boy Wounded by the Water 
          [2:09]; Death Drone III [8:36] 
          Quest (1994) [25:41] Refrain 
          I [1:08]; I Dark Paths [5:07]; 
          II Fugitive Sounds [2:09]; Refrain 
          2 [0:42]; III Forgotten Sounds [4:22]; 
          IV Fugitive Sounds [1:06]; Refrain 
          3 [1:04]; V Nocturnal [10:04] Nicholas 
          Isherwood (baritone); Alexander Swete (guitar/amplified 
          guitar); Franzisco Obieta (double bass/amplified 
          double bass); Carmen Erb (percussion); Peter 
          Degenhardt (piano/harpsichord); Hugo Read 
          (soprano saxophone); Silke Aichorn (harp). 
          Ensemble New Art/Fuat Kent rec. Radiostudio 
          Zurich, 12-15 June 2004
RECORDING 
          OF THE MONTH George 
          CRUMB 
          (b. 1929) Songs, 
          Drones, and Refrains of Death (1962-68) 
          [29:04]: Refrain One [1:25]; I The 
          Guitar / Death Drone I [4:20]; Refrain 
          Two [0:52]; II Casida of the Dark Doves 
          [4:15]; Refrain Three [1:06]; Death-Drone 
          II [1:49]; III Song of the Rider, 1860 
          [1:56]; Cadenza Apassionata for two 
          drummers [1:32]; Refrain Four [1:05]; 
          IV Casida of the Boy Wounded by the Water 
          [2:09]; Death Drone III [8:36] 
          Quest (1994) [25:41] Refrain 
          I [1:08]; I Dark Paths [5:07]; 
          II Fugitive Sounds [2:09]; Refrain 
          2 [0:42]; III Forgotten Sounds [4:22]; 
          IV Fugitive Sounds [1:06]; Refrain 
          3 [1:04]; V Nocturnal [10:04] Nicholas 
          Isherwood (baritone); Alexander Swete (guitar/amplified 
          guitar); Franzisco Obieta (double bass/amplified 
          double bass); Carmen Erb (percussion); Peter 
          Degenhardt (piano/harpsichord); Hugo Read 
          (soprano saxophone); Silke Aichorn (harp). 
          Ensemble New Art/Fuat Kent rec. Radiostudio 
          Zurich, 12-15 June 2004  NAXOS 8.559290 [54:45] [JWi]
 
          NAXOS 8.559290 [54:45] [JWi]
        A 
          mesmerising and beautiful effect, with a glistening 
          resonance of sound. Not entirely straightforward 
          to grasp but grows on the listener with repetition. 
          Quite fascinating. ... see 
          Full Review 
        Nick 
          DAVIS Candescence 
          Forever More [4:32] Flight to Freedom 
          [4:03] La Mamselle [4:12] In My Heart [4:27] 
          Yearning [4:20] A Lover’s Lament [3:58] Return 
          of the Brave [4:03] Sojourn [4:54] Lullaby 
          for Madeline [3:19] The Fallen [5:46] Sampled 
          instruments from the East West Quantum Leap 
          Symphonic Orchestra (gold edition) and East 
          West PM1 Bösendorfer 290 Piano Library; 
          Dan Carney (violin) rec. July 2005-February 
          2006.  ND 009 [44:06] [GPu]
 
          ND 009 [44:06] [GPu]
        An 
          enjoyable disc of popular neo-classical music, 
          crafted from sampling software and well worth 
          hearing … see Full 
          Review 
          Adam 
          DE LA HALLE (13th 
          century)  Le 
          jeu de Robin et de Marion (circa 1280) 
          [74.26] (English translation by Rosemary Pitts 
          and Anthony Pitts)  Adam il Bochus/Pilgrim/Narrator - John Crook 
          (voices) Aubert li Chevaliers/Sir Albert - 
          Alexander Hicker (tenor) Baudons/Baldwin - 
          Richard Eteson (tenor, coconuts) Gautiers 
          li Testus/Walter the Mule - Francis Brett 
          (bass) Huars/Howard - Joanna Forbes (soprano) 
          Marion - Kathryn Oswald (alto) Peronelle - 
          Rebecca Hickey (soprano) Robin - Alexander 
          L’Estrange (counter-tenor, tambourine) Rogaus/Roger 
          - Antony Pitts (Bagpipe Drone, Billingsgate 
          Trumpet, Cowhorns, Portative Organ, Tambourine) 
          Tonus Peregrinus: Mary Remnant (Bells, Drum, 
          Fiddle, Gittern/Citole, Harp, Pipe and Tabor, 
          Rebec, Shawm, Symphony, Whitecastle Pipe)/Antony 
          Pitts and Joanna Forbes rec. 22-23 September, 
          3 October 2003, Sedgwick Park, West Sussex; 
          28 September 2004, Finchcocks, Goudhurst, 
          Kent
 
          Adam il Bochus/Pilgrim/Narrator - John Crook 
          (voices) Aubert li Chevaliers/Sir Albert - 
          Alexander Hicker (tenor) Baudons/Baldwin - 
          Richard Eteson (tenor, coconuts) Gautiers 
          li Testus/Walter the Mule - Francis Brett 
          (bass) Huars/Howard - Joanna Forbes (soprano) 
          Marion - Kathryn Oswald (alto) Peronelle - 
          Rebecca Hickey (soprano) Robin - Alexander 
          L’Estrange (counter-tenor, tambourine) Rogaus/Roger 
          - Antony Pitts (Bagpipe Drone, Billingsgate 
          Trumpet, Cowhorns, Portative Organ, Tambourine) 
          Tonus Peregrinus: Mary Remnant (Bells, Drum, 
          Fiddle, Gittern/Citole, Harp, Pipe and Tabor, 
          Rebec, Shawm, Symphony, Whitecastle Pipe)/Antony 
          Pitts and Joanna Forbes rec. 22-23 September, 
          3 October 2003, Sedgwick Park, West Sussex; 
          28 September 2004, Finchcocks, Goudhurst, 
          Kent  NAXOS 8.557337 [74.26] [RH]
 
          NAXOS 8.557337 [74.26] [RH]
        Very 
          much a mixed bag, but certainly a worthwhile 
          attempt. ... see Full 
          Review 
          
         Gaetano 
          DONIZETTI (1797-1848) 
          Songs: Amore e morte [2:28]; Ah, 
          rammenta, o bella Irene [4:34]; Una 
          lagrima [3:52]; La mère et l’enfant 
          [5:14]; Amor marinro [2:03]; È 
          morta [5:26]; Su l:onda tremola [2:58]; 
          L:amor funesto [4:56]; Giuro d:amore 
          [2:44]; Il sospiro [3:14]; La 
          ninna-nanna [7:34]; Le crépuscule [2:57]; 
          La lontananza [2:00]; L’amor mio 
          [2:37]; La sultana [5:54]; Il 
          pescatore [8:33]
 
          Gaetano 
          DONIZETTI (1797-1848) 
          Songs: Amore e morte [2:28]; Ah, 
          rammenta, o bella Irene [4:34]; Una 
          lagrima [3:52]; La mère et l’enfant 
          [5:14]; Amor marinro [2:03]; È 
          morta [5:26]; Su l:onda tremola [2:58]; 
          L:amor funesto [4:56]; Giuro d:amore 
          [2:44]; Il sospiro [3:14]; La 
          ninna-nanna [7:34]; Le crépuscule [2:57]; 
          La lontananza [2:00]; L’amor mio 
          [2:37]; La sultana [5:54]; Il 
          pescatore [8:33]  Dennis O'Neill (tenor); Ingrid Surgenor (piano). 
          rec. St Silas Church, St Silas Place, London, 
          24-26 February 1997.
 
          Dennis O'Neill (tenor); Ingrid Surgenor (piano). 
          rec. St Silas Church, St Silas Place, London, 
          24-26 February 1997.  NAXOS 8.557780 [67:04][CC]
 
          NAXOS 8.557780 [67:04][CC]
          
          This is a simply 
          gorgeous selection of songs. Donizetti's craftsmanship 
          is never, ever in doubt; neither is the devotion 
          of the O'Neill/Surgenor partnership. ... see 
          Full 
          Review
         RECORDING 
          OF THE MONTH Paul 
          DUKAS 
          (1865-1935) Piano 
          Sonata in E flat minor (1900) [45:13] Abel 
          DECAUX (1869-1943) Clairs de lune 
          (1900-1907) [19:40].
RECORDING 
          OF THE MONTH Paul 
          DUKAS 
          (1865-1935) Piano 
          Sonata in E flat minor (1900) [45:13] Abel 
          DECAUX (1869-1943) Clairs de lune 
          (1900-1907) [19:40].  Marc-André Hamelin (piano). rec. Henry 
          Wood Hall, London, 26-27 August 2004 (Dukas), 
          15 December 2005 (Decaux). DDD
 
          Marc-André Hamelin (piano). rec. Henry 
          Wood Hall, London, 26-27 August 2004 (Dukas), 
          15 December 2005 (Decaux). DDD  HYPERION CDA67513 [64:59] [CC]
 
          HYPERION CDA67513 [64:59] [CC]
        This
              has to be one of my ‘Records of the Year 2006’. 
          Simply stunning. ... see Full 
          Review
        
 RECORDING OF THE MONTH 
          Cello 
          Classics Old and New 
          Antonín 
          DVOŘÁK (1841-1904) 
          Cello Concerto in B minor, Op. 104 (1894-95) 
          [37.44] Augusta 
          Read THOMAS (b. 1964) Ritual 
          Incantation for cello and chamber orchestra, 
          (1999) [13.25]
 
          RECORDING OF THE MONTH 
          Cello 
          Classics Old and New 
          Antonín 
          DVOŘÁK (1841-1904) 
          Cello Concerto in B minor, Op. 104 (1894-95) 
          [37.44] Augusta 
          Read THOMAS (b. 1964) Ritual 
          Incantation for cello and chamber orchestra, 
          (1999) [13.25]  David Finckel (cello) Taipei Symphony Orchestra/Felix 
          Chiu-Sen Chen rec. October 2003, ChungShan 
          Hall, Taipei, Taiwan. DDD
 
          David Finckel (cello) Taipei Symphony Orchestra/Felix 
          Chiu-Sen Chen rec. October 2003, ChungShan 
          Hall, Taipei, Taiwan. DDD  ARTISTLED [51.10] [MC]
 
          ARTISTLED [51.10] [MC]
        Finckel 
          performs one of the finest accounts of the 
          Dvořák Cello Concerto ever recorded. 
          I urge you to hear it. ... see Full 
          Review 
         
          Bechara 
          EL-KHOURY 
          (b.1957) Danse 
          pour orchestre, Danse des Aigles, Op. 
          9 (1980) [2:26] Image symphonique, Les 
          Dieux de la terre, Op.26 (1982) [9:50] 
          Suite symphonique, La nuit et le fou, 
          Op.29 (1982) [13:10] Requiem pour orchestre, 
          Op.18 (1980) [20:15] Poème symphonique, 
          No.1, Le Liban en flammes, Op.14 (1980) 
          [20:31] Poème pour orchestre, Le 
          Regard du Christ, Op.2 (1979) [10:27] 
           Orchestre Colonne/Pierre Dervaux rec. L’Église 
          Notre-Dame du Liban, Paris, September-October 
          1983
 
          Orchestre Colonne/Pierre Dervaux rec. L’Église 
          Notre-Dame du Liban, Paris, September-October 
          1983  NAXOS 8.557691 [76:35] [GPu]
 
          NAXOS 8.557691 [76:35] [GPu]
        Some 
          weaknesses, but this contains much striking 
          and distinctive music by a composer who deserves 
          to be better known in Britain … see Full 
          Review 
         Hans-Ola 
          ERICSSON (b.1958) 
           The Four Beasts´ Amen. Mass for organ and electronics based 
          on texts by Olov Hartman (1999-2000) [47:08] Melody to the Memory 
          of a Lost Friend XIII, for organ and electronics (1985) [9:57] Canzon 
          del Principe. An intabulation on an intabulation for organ and electronics 
          (Don Carlo Gesualdo) (2002) [4:59] from Höga Visan (Song of Songs), 
          a church opera Flügeltüren, for organ, percussion and electronics 
          (2002, rev. 2004) Vocalise, for high soprano and organ (2004)
 
          Hans-Ola 
          ERICSSON (b.1958) 
           The Four Beasts´ Amen. Mass for organ and electronics based 
          on texts by Olov Hartman (1999-2000) [47:08] Melody to the Memory 
          of a Lost Friend XIII, for organ and electronics (1985) [9:57] Canzon 
          del Principe. An intabulation on an intabulation for organ and electronics 
          (Don Carlo Gesualdo) (2002) [4:59] from Höga Visan (Song of Songs), 
          a church opera Flügeltüren, for organ, percussion and electronics 
          (2002, rev. 2004) Vocalise, for high soprano and organ (2004) 
           Anders Hannus (sound direction/electronics); 
          Susanne Rydén (soprano); Tommy Björk (percussion); Hans-Ola Ericsson 
          (organ) rec. August 2004 Őrgryte New Church, Sweden (Four Beasts’ 
          Amen), January 2005 Luleå Cathedral, Sweden (Melody & Vocalise Flügeltüren), 
          August 2004 Norrfjärden Church, Sweden (Flügeltüren)
 Anders Hannus (sound direction/electronics); 
          Susanne Rydén (soprano); Tommy Björk (percussion); Hans-Ola Ericsson 
          (organ) rec. August 2004 Őrgryte New Church, Sweden (Four Beasts’ 
          Amen), January 2005 Luleå Cathedral, Sweden (Melody & Vocalise Flügeltüren), 
          August 2004 Norrfjärden Church, Sweden (Flügeltüren)  BIS SACD-1486
 
          BIS SACD-1486  [79'49]  
          [DC]
 [79'49]  
          [DC]
        Wow! … Aaaaah!
              ... see Full Review 
         
           Gabriel 
          FAURÉ (1845-1924) 
          Requiem, 
          Op 48 (1891) [33.59] (arr. M. Wager) Maurice 
          DURUFLÉ (1902-1986) Requiem, 
          Op 9 (1947) [39.01]
 
          Gabriel 
          FAURÉ (1845-1924) 
          Requiem, 
          Op 48 (1891) [33.59] (arr. M. Wager) Maurice 
          DURUFLÉ (1902-1986) Requiem, 
          Op 9 (1947) [39.01]  Swedish Radio choir/Fredrik Malmberg Miah 
          Persson (sop); Malena Ernman, (mezzo); Olle 
          Persson, (bar); Mattias Wager, (organ) rec. 
          DSD, Hedvig Eleonoro Church, Stockholm, Sweden, 
          April 2004. Hybrid SACD. CD tracks, 2.0 stereo. 
          SACD tracks 2.0 stereo and 5.0 surround. Notes 
          in English, Deutsch, Français. Latin 
          texts with English translations. Photos of 
          artists.
 
          Swedish Radio choir/Fredrik Malmberg Miah 
          Persson (sop); Malena Ernman, (mezzo); Olle 
          Persson, (bar); Mattias Wager, (organ) rec. 
          DSD, Hedvig Eleonoro Church, Stockholm, Sweden, 
          April 2004. Hybrid SACD. CD tracks, 2.0 stereo. 
          SACD tracks 2.0 stereo and 5.0 surround. Notes 
          in English, Deutsch, Français. Latin 
          texts with English translations. Photos of 
          artists. 
 BIS 
          SACD-1206 [73.54] [PSh]
BIS 
          SACD-1206 [73.54] [PSh]
        Beautiful, 
          intimate versions of these works with outstanding 
          contributions by baritone soloist Olle Persson. 
          ... see Full 
          Review  
        
 
          Gerald 
          FINZI 
          (1901-1956)  
          Intimations of Immortality op. 29 (1949-50) 
          [38:58] For Saint Cecilia op. 30 (1947) 
          [16:37]  James Gilchrist (tenor) Bournemouth Symphony 
          Chorus/Greg Beardsell Bournemouth Symphony 
          Orchestra/David Hill rec. The Concert Hall, 
          The Lighthouse, Poole, 4-5 June 2005. DDD
 
          James Gilchrist (tenor) Bournemouth Symphony 
          Chorus/Greg Beardsell Bournemouth Symphony 
          Orchestra/David Hill rec. The Concert Hall, 
          The Lighthouse, Poole, 4-5 June 2005. DDD 
           NAXOS 8.557863 [55:35] [JW]
 
          NAXOS 8.557863 [55:35] [JW]
        I’d 
          rate this Intimations well enough but there 
          are rather too many little problems that tend 
          to drag it down a touch and as for St Cecilia 
          it receives a stirring, chest swelling interpretation, 
          with crisp brass and alert percussion to the 
          fore. ... see Full 
          Review 
         RECORDING 
          OF THE MONTH Nicolas FLAGELLO 
          (1928-1994) Piano 
          Concerto No. 1 (1950) [28:48] Dante's Farewell 
          (1962) (orch. Anthony Sbordini) [13:43] 
          Concerto Sinfonico for saxophone quartet 
          and orchestra (1985) [22:53]
RECORDING 
          OF THE MONTH Nicolas FLAGELLO 
          (1928-1994) Piano 
          Concerto No. 1 (1950) [28:48] Dante's Farewell 
          (1962) (orch. Anthony Sbordini) [13:43] 
          Concerto Sinfonico for saxophone quartet 
          and orchestra (1985) [22:53]  Tatjana Rankovich (piano) Susan Gonzalez (soprano) 
          National Radio Symphony Orchestra of Ukraine/John 
          McLaughlin Williams New Hudson Saxophone Quartet 
          Rutgers Symphony Orchestra/Kynan Johns rec. 
          Large Concert Studio, National Radio Company 
          of Ukraine (Kiev), 22-26 June 2005; Mason 
          Gross Performing Arts Center, Rutgers University, 
          New Jersey, USA, 6 November 2004. DDD
 
          Tatjana Rankovich (piano) Susan Gonzalez (soprano) 
          National Radio Symphony Orchestra of Ukraine/John 
          McLaughlin Williams New Hudson Saxophone Quartet 
          Rutgers Symphony Orchestra/Kynan Johns rec. 
          Large Concert Studio, National Radio Company 
          of Ukraine (Kiev), 22-26 June 2005; Mason 
          Gross Performing Arts Center, Rutgers University, 
          New Jersey, USA, 6 November 2004. DDD  NAXOS 8.559296 [65:28] [RB]
 
          NAXOS 8.559296 [65:28] [RB]
        You 
          will know by now whether this is for you. 
          It merits a wholehearted endorsement. ... 
          see Full Review 
          
         
          Wolfgang 
          FORTNER 
          (1907-1987) 
          Concerto for violin and large chamber orchestra  
          (1947) [22.24] Ludwig 
          van BEETHOVEN (1770-1827) Violin 
          Concerto in D minor Op.61  (1806) [43.20] 
           Gerhard Taschner (violin) Berlin Philharmonic 
          Orchestra/ Wilhelm Furtwängler (Fortner); 
          Georg Solti (Beethoven) rec. Titania-Palast, 
          Berlin 1949 (Fortner), Gemeindesaal, Berlin 
          1952 (Beethoven)
 
          Gerhard Taschner (violin) Berlin Philharmonic 
          Orchestra/ Wilhelm Furtwängler (Fortner); 
          Georg Solti (Beethoven) rec. Titania-Palast, 
          Berlin 1949 (Fortner), Gemeindesaal, Berlin 
          1952 (Beethoven)  MUSIKPRODUKTION DABRINGHAUS UND GRIMM MDG 
          642 1113-2 [66.01] [JW]
 
          MUSIKPRODUKTION DABRINGHAUS UND GRIMM MDG 
          642 1113-2 [66.01] [JW]
        Taschner 
          devotees will not hesitate and Furtwängler 
          admirers may not have caught the Fortner in 
          its previous appearances … a valuable disc. 
          ... see Full 
          Review 
         Benjamin 
          FRANKEL (1906-1973) Curse of the 
          Werewolf (1959) [34:22] So Long at the Fair (1950) [6:21] 
          The Net - Love Theme (1953) [3:05] The Prisoner (1955) 
          [30:35]
 
          Benjamin 
          FRANKEL (1906-1973) Curse of the 
          Werewolf (1959) [34:22] So Long at the Fair (1950) [6:21] 
          The Net - Love Theme (1953) [3:05] The Prisoner (1955) 
          [30:35]  Royal Liverpool 
          Philharmonic Orchestra/Carl Davis rec. Philharmonic Hall, Liverpool, 
          26-27 July 2005. DDD
 Royal Liverpool 
          Philharmonic Orchestra/Carl Davis rec. Philharmonic Hall, Liverpool, 
          26-27 July 2005. DDD  NAXOS FILM MUSIC CLASSICS 8.557850 [74:40][JF]
 
          NAXOS FILM MUSIC CLASSICS 8.557850 [74:40][JF]
        A 
          great CD. Enjoy the movie images if this is 
          your ‘bag’ – or listen to it as ‘absolute 
          music’ if you do not want to associate this 
          wonderful music with hairy hands, sharp incisors 
          and thumbscrews. ... see Full 
          Review
         Luis
                  de FREITAS BRANCO (1890-1955) Violin
                  Concerto (1916) [31.52] Joly
                  Braga SANTOS (1924-1988) Crossroads (Ballet) (1968) [16.22] Divertimento
                  No.1 (1960) [20.41]  Alexandre
                  da Costa (violin) Orquestra Sinfónica de Extremadura/Jesús
                  Amigo rec. Palacio de Congresos y Exposociones de Merida, October
                  2004
 Alexandre
                  da Costa (violin) Orquestra Sinfónica de Extremadura/Jesús
                  Amigo rec. Palacio de Congresos y Exposociones de Merida, October
                  2004  VMS
                  158 [69.28] [JW]
 VMS
                  158 [69.28] [JW]
        A 
          courageous and enjoyable release. ... see 
          Full Review
         
          Mauro 
          GIULIANI (1781-1828) 
          Opere per Voce e Chitarra Sei Cavatine, 
          op. 39 (soprano-chitarra): Par di giubilo 
          [1:16]; Confuso smarrito [1:41];Alle mie tante 
          lagrime [3:21]; Ah! non dir che non t’adoro 
          [2:12]; Ch’io senta amor per femmine [2:36]; 
          Già presso al termine [3:11] Valzer, 
          op.57 (chitarra): No 1, La Minore [2:52]; 
          No.7, La maggiore [2:01]; No. 4, Sol maggiore 
          [2:10]. Sei Lieder op. 89 (soprano-chitarra): 
          Abschied [2:44]; Lied Aus Der Ferne [3:58]; 
          Abschied [4:56]; Lied [2:21] Ständchen 
          [2:34]; An Das Schicksal [2:59] Valzer, 
          op. 57 (chitarra) No. 6, Mi maggiore [3:47]; 
          No 5, Do maggiore [2:14]; No 10, Do maggiore 
          [2:29]; No 12, Do maggiore [2:16]. Arietta, 
          op.95 (soprano-chitarra): Ombre amene [2:20]; 
          Fra tutte le pene [2:01]; Quando sarà 
          quel di [1:31]; Le dimore amor non ama [2:43]; 
          Ad altro laccio [1:58]; Di due bell anime 
          [2:45].  Cristina Curti (soprano); Aldo Vianello (guitar) 
          rec. no information provided.
 
          Cristina Curti (soprano); Aldo Vianello (guitar) 
          rec. no information provided.  TACTUS TC 780702 [64:56] [ZT]
 
          TACTUS TC 780702 [64:56] [ZT]
        Great 
          historical interest but comparatively low 
          in sheer musical pleasure. … see Full 
          Review 
        Mikhail 
          GLINKA (1804-1857) Ivan Susanin 
          (A Life for the Tsar) (1836) Libretto by Sergei 
          Gorodetsky (sung in Russian)  Ivan Susanin - Maxim Mikhailov (bass)  Antonida, his daughter 
          - Natalia Spiller (soprano) Vanya - Yelizaveta Antonova 
          (mezzo)  Bogdan Sobinin - Georgi Nelepp (tenor) A 
          Russian soldier - Alexander Hosson (bass)  A Polish 
          messenger - Ivan Skobtsov (tenor)  Sigismund - 
          Fyodor Svetlanov (bass)  Chorus and Orchestra of the Bolshoi 
          Theatre/Alexander Melik-Pashayev/Vassily Nebolsin (Epilogue) (conductors) 
          Recorded in Moscow in 1947 and the Epilogue in 1950  Appendix – Extracts 
          and selections from Acts III and IV  Act III duet Duet Kak mat’ 
          ubili I N Sokolova and Mark Reizen, recorded in 1950 Act III Romance 
          Nye o tom Antonina Nezhdanova, recorded 1913 Act IV Brattsi! V metyel’ 
          Helge Rosvaenge (in German) recorded 1940 – this tenor aria was omitted 
          from the 1947 recording Act IV Aria Bednyikon’ v polye pal Evgeniya 
          Zbruyeva, recorded in 1913 Aria Chuyut pravdu! 
          Feodor Chaliapin, recorded in 1923
 
          Ivan Susanin - Maxim Mikhailov (bass)  Antonida, his daughter 
          - Natalia Spiller (soprano) Vanya - Yelizaveta Antonova 
          (mezzo)  Bogdan Sobinin - Georgi Nelepp (tenor) A 
          Russian soldier - Alexander Hosson (bass)  A Polish 
          messenger - Ivan Skobtsov (tenor)  Sigismund - 
          Fyodor Svetlanov (bass)  Chorus and Orchestra of the Bolshoi 
          Theatre/Alexander Melik-Pashayev/Vassily Nebolsin (Epilogue) (conductors) 
          Recorded in Moscow in 1947 and the Epilogue in 1950  Appendix – Extracts 
          and selections from Acts III and IV  Act III duet Duet Kak mat’ 
          ubili I N Sokolova and Mark Reizen, recorded in 1950 Act III Romance 
          Nye o tom Antonina Nezhdanova, recorded 1913 Act IV Brattsi! V metyel’ 
          Helge Rosvaenge (in German) recorded 1940 – this tenor aria was omitted 
          from the 1947 recording Act IV Aria Bednyikon’ v polye pal Evgeniya 
          Zbruyeva, recorded in 1913 Aria Chuyut pravdu! 
          Feodor Chaliapin, recorded in 1923  NAXOS 8.111078-80 [3 CDs: 73.21 + 49.41 + 79.49][JW]
 
          NAXOS 8.111078-80 [3 CDs: 73.21 + 49.41 + 79.49][JW]
        Many 
          will relish the opportunity to hear this post-War set and the ancillary 
          material as well. ... see Full 
          Review
        Philip 
          GRANGE (b. 
          1956) Darkness 
          Visible: Cimmerian Nocturne (1978) [16.30]; Lament 
          of the Bow (2000) [17.19]; Variations (1986) [23.17]  Gemini/Ian Mitchell rec. Cosmo Rodewald Concert Hall, Manchester 
          University, 4-5 December 2004; 11 June 2005
 
           Gemini/Ian Mitchell rec. Cosmo Rodewald Concert Hall, Manchester 
          University, 4-5 December 2004; 11 June 2005  MÉTIER MSV CD 92083 [57.06] [GH]
 
          MÉTIER MSV CD 92083 [57.06] [GH] 
        Sometimes 
          tough music but this comes with a highly recommended 
          stamp for anyone patient enough to listen 
          to fine performances of good contemporary 
          music. ... see Full 
          Review
        
Edvard 
          GRIEG (1843-1907) 
          Music for String Orchestra Holberg Suite, op.40 
          [18:35]: (Präludium: Allegro vivace; Sarabande: Andante; Gavotte: Allegretto 
          – Musette poco piu mosso; Air: Andante religioso; Rigaudon: Allegro 
          con brio – poco meno mosso) Two Elegiac Melodies, op.34 
          No.1: Våren (Last Spring) [4:21] Two Melodies, 
          op.53 [7:25]: (No.1: Norsk (Norwegian); No.2: Det første Møde (The First 
          Meeting)) Two Lyric Pieces, op.68 [3:07]: (No.2: Bådnlåt 
          (At the Cradle)) Two Elegiac Melodies, op.34 [3:18]: (No.2: 
          Hjertesår (The Wounded Heart)) Two Nordic Melodies, op.63 
          [10:51]: (No.1: Folketonestil (In Folk Style); No.2a: Kulokk (Cow Call); 
          No.2b: Stabbelåten (Peasant Dance)) Peer Gynt, op.46 No.1b: 
          Åses dod (The Death of Åse) [4:20]  Oslo Camerata/Stephan Barratt-Due rec. Lommerdalen Church, Oslo, Norway, 
          25-28 August 2005
 
          Oslo Camerata/Stephan Barratt-Due rec. Lommerdalen Church, Oslo, Norway, 
          25-28 August 2005  NAXOS 
          8.557890 [51:58] [GPJ]
 NAXOS 
          8.557890 [51:58] [GPJ]
        A
              veritable smorgasbord of simply scrumptious music! ... see Full
              Review 
        George 
          Frideric HANDEL (1685–1759) 
          Recorder Sonata in C Major; Recorder Sonata in A minor; Recorder Sonata 
          in G minor; Recorder Sonata in B flat major; Recorder Sonata in F major; 
          Recorder Sonata in D minor (1724-26/1730) Harpsichord Suite No. 7 in 
          G minor (1720)  Alan Davis 
          (recorder) David Ponsford (harpsichord) rec. St. Andrew’s Church, Toddington, 
          Gloucestershire, 30-31 May 2000
 Alan Davis 
          (recorder) David Ponsford (harpsichord) rec. St. Andrew’s Church, Toddington, 
          Gloucestershire, 30-31 May 2000  GUILD GMCD7301 [78.51] [RH]
 
          GUILD GMCD7301 [78.51] [RH]
        This
              is a very enjoyable disc ... see Full
              Review 
                        George 
          Frideric HANDEL (1685-1759) 
           
          Concerti Grossi, Op. 3 (1734) 
          [58.00]  Northern Sinfonia of England/George Malcolm 
          rec. 1978. ADD
 
          Northern Sinfonia of England/George Malcolm 
          rec. 1978. ADD  ASV RESONANCE CD RSN 3065 [58.00] [RH]
 
        ASV RESONANCE CD RSN 3065 [58.00] [RH]
        
Not 
          too many modern instrument performances of 
          these concertos in the repertoire … this one 
          has been re-issued at an attractive price. 
          If in doubt, do try it. ... see Full 
          Review
         
          Joseph 
          HAYDN (1732–1809) 
          Orlando 
          Paladino (1782) Patricia Petibon (soprano) 
          – Angelica, Queen of Cathey; Christian Gerhaher 
          (baritone) – Rodomonte, King of Barbary; Michael 
          Schade (tenor) – Orlando, Paladin of Charlemagne; 
          Werner Güra (tenor) – Medoro, a Saracen 
          warrior, Angelica’s beloved; Johannes Kalpers 
          (tenor) – Licone, a shepherd; Malin Hartelius 
          (soprano) – Eurilla, a shepherdess; Markus 
          Schäfer (tenor) – Pasquale, Orlando’s 
          squire; Elisabeth von Magnus (mezzo) – Alcina, 
          a sorceress; Florian Boesch (bass) – Caronte, 
          ferryman of the underworld  Concentus Musicus Wien/Nikolaus Harnoncourt 
          rec. live, 11 – 15 July 2005, Stefaniensaal, 
          Graz, Austria. DDD
 
          Concentus Musicus Wien/Nikolaus Harnoncourt 
          rec. live, 11 – 15 July 2005, Stefaniensaal, 
          Graz, Austria. DDD  DEUTSCHE HARMONIA MUNDI 82876 73370 2 
          [68:21 + 78:17] [GF]
 
          DEUTSCHE HARMONIA MUNDI 82876 73370 2 
          [68:21 + 78:17] [GF]
        Bottom 
          line: One of the best 18th century 
          operas in a riveting performance that, with 
          ravishing singing from those involved, is 
          more than worth anyone’s money. ... see Full 
          Review 
           
          Joseph HAYDN 
          (1732-1809) String 
          Quartet in C major, Op.54 No.2 (1788) [19:52] 
          Grażyna BACEWICZ 
          (1909-1969) String Quartet No. 4 (1951) 
          [22:40] Antonín 
          Dvořák (1841-1904) String 
          Quartet No.14 in A flat major, Op.105 (1895) 
          [33:23]  The Szymanowski Quartet: Marek Dumicz (violin), 
          Gregorz Kotow (violin), Vladimir Mykytyka 
          (viola), Marcin Sieniawski (cello) rec. Angelika-Kauffmann-Saal, 
          Schwarzenberg, Austria, 24-27 March, 2004. 
          SACD
 
          The Szymanowski Quartet: Marek Dumicz (violin), 
          Gregorz Kotow (violin), Vladimir Mykytyka 
          (viola), Marcin Sieniawski (cello) rec. Angelika-Kauffmann-Saal, 
          Schwarzenberg, Austria, 24-27 March, 2004. 
          SACD  AVIE AV2092 [76:00] [GPu]
 
          AVIE AV2092 [76:00] [GPu]
        An 
          impressive and enjoyable recording debut by 
          the Szymanowski Quartet, even if I have my 
          slight reservations about the Haydn which 
          opens the programme ... see Full 
          Review 
          Joseph
                  HAYDN (1732-1809) Symphonies
                  - Volume 30 Symphony No.14 in A major (c.1761-63) [15.58]
                  Symphony No.15 in D major (c.1760) [19.12] Symphony No.16 in
                  B flat major (c.1760-63) [14.36] Symphony No.17 in F major
                  (c.1760-62) [18.56]
 Joseph
                  HAYDN (1732-1809) Symphonies
                  - Volume 30 Symphony No.14 in A major (c.1761-63) [15.58]
                  Symphony No.15 in D major (c.1760) [19.12] Symphony No.16 in
                  B flat major (c.1760-63) [14.36] Symphony No.17 in F major
                  (c.1760-62) [18.56]  Toronto
                  Camerata/Kevin Mallon rec. Grace Church on the Hill, Toronto,
                  July 2004
 Toronto
                  Camerata/Kevin Mallon rec. Grace Church on the Hill, Toronto,
                  July 2004  NAXOS
                  8.557656 [68.42] [JW]
 NAXOS
                  8.557656 [68.42] [JW]
        Deft
              playing, warmth and ease and lightness of articulation and rhythmic
              control ... see Full Review 
        Hans 
          Werner HENZE (b. 1926) I sentimenti di 
          C.P.E. Bach (1982) [12:30] Karl Amadeus 
          HARTMANN (1905-1963) Concerto funèbre (1939) [21:33] Symphonie 
          No.4 (1938, rev. 1947) [33:47]  Svetlin Roussev (violin) Philippe Bernold (flute) Xavier de Maistre 
          (harp) Orchestre d’Auvergne/Arie van Beek rec. L’Opéra 
          de Vichy, December 2004
 
          Svetlin Roussev (violin) Philippe Bernold (flute) Xavier de Maistre 
          (harp) Orchestre d’Auvergne/Arie van Beek rec. L’Opéra 
          de Vichy, December 2004  POLYMNIE POL 610 434 [67:49][DC]
 
          POLYMNIE POL 610 434 [67:49][DC]
        I 
          have no hesitation in recommending this recording of some fascinating 
          and historically significant repertoire. ... see Full 
          Review
        Hans 
          Werner HENZE (b.1926) Violin Concerto No.1 (1946) [26:57] 
          Violin Concerto No.3 (1997) [33:24] Fünf Nachtstücke (1990) [9:09]  Peter Sheppard Skærved (violin) Aaron Shorr (piano - Nachtstücke) 
          Saarbrücken Radio Symphony Orchestra/Christopher Lyndon-Gee rec. 16-17 
          September 2004 (Concerto No.1), 14-15 September (Concerto No.3), Große 
          Sendesaal, Saarbrücken, Germany. Fünf Nachtstücke rec. 12 December 2004, 
          Potton Hall, Suffolk.
 
          Peter Sheppard Skærved (violin) Aaron Shorr (piano - Nachtstücke) 
          Saarbrücken Radio Symphony Orchestra/Christopher Lyndon-Gee rec. 16-17 
          September 2004 (Concerto No.1), 14-15 September (Concerto No.3), Große 
          Sendesaal, Saarbrücken, Germany. Fünf Nachtstücke rec. 12 December 2004, 
          Potton Hall, Suffolk.  NAXOS 
          8.557738 [69:30][DC]
 NAXOS 
          8.557738 [69:30][DC]
        An 
          attractive proposition … listeners shouldn’t expect the easy ride of 
          a Barber or transparent filigree of a Dutilleux, they can count on some 
          seriously emotional meat ... see Full 
          Review
         Hans
                  Werner HENZE (b.
                  1926)  Guitar Music 1 Royal
                  Winter Music (Second Sonata on Shakespearean Characters) (1978/79)
                  [18:53] Drei Fragmente nach Hölderlin¹ (1958) [10:23] Drei
                  Tentos (1958) [5:35] Selbst und Zwiegespräche²³ (1984/85) [12:22]
                  Neue Volkslieder und Hirtengesängeº (1983/96) [12:42]  Franz
                  Halász (guitar), Colin Balzer (tenor)¹, Débora Halász (piano)²,  Gottfried
                  Schneider (violin)º, Sophia Reuter (viola)³º, Sebastian Hess
                  (cello)º, Karsten Nagel (bassoon)º rec. Bayerischer Rundfunk,
                  Studio 2, Germany, 24-25 November 2003, 19-20 January 2004
 Franz
                  Halász (guitar), Colin Balzer (tenor)¹, Débora Halász (piano)²,  Gottfried
                  Schneider (violin)º, Sophia Reuter (viola)³º, Sebastian Hess
                  (cello)º, Karsten Nagel (bassoon)º rec. Bayerischer Rundfunk,
                  Studio 2, Germany, 24-25 November 2003, 19-20 January 2004  NAXOS
                  8.557344 [59:54] [GF]
 NAXOS
                  8.557344 [59:54] [GF]
        A
              varied and fascinating birthday homage to Henze. It can be confidently
              recommended ... see Full Review 
        Ivan 
          Yevstafyevich KHANDOSHKIN (1747-1804) 
          Violin Sonata in G minor, Op.3, No.1 (published 1800-08) 
          [19:58] Violin Sonata in E flat major, Op.3, No.2 (published 1800-08) 
          [13:12] Violin Sonata in D major, Op.3, No.3 (published 1800-08) [13:09] 
          Six Old Russian Songs for Violin (c.1783): (No.1: Along the bridge, 
          this bridge [5:16]*; No.2: Is this my fate, this fate? [3:15]+; No.3: 
          Little dove why do you sit so sadly? [5:11]+; No.4: What happened and 
          why? [3:01]+; No.5: Once I gathered golden sheaves [2:59]*; No.6: Once 
          I was a young man [4:15]+)  Anastasia
          Khitruck (violin), Dimitry Yakubovski (viola)*, Kirill Yevtushenko
          (cello)+ rec. Melodiya Studios, St. Catherine’s Church, St.Petersburg,
          May 2005
 Anastasia
          Khitruck (violin), Dimitry Yakubovski (viola)*, Kirill Yevtushenko
          (cello)+ rec. Melodiya Studios, St. Catherine’s Church, St.Petersburg,
          May 2005  NAXOS 8.570028 
        [70:17][GPu]
 NAXOS 8.570028 
        [70:17][GPu]
        A 
          very worthwhile and enjoyable disc, even if 
          it plumbs no great depths. Khitruk is surely 
          a violinist of whom we shall hear much more 
          ... see Full 
          Review
         
           Gershon 
          KINGSLEY 
          (b. 1922) Voices 
          from the Shadow (1997) (Poetry 
          of the Holocaust) [37:02]
 
          Gershon 
          KINGSLEY 
          (b. 1922) Voices 
          from the Shadow (1997) (Poetry 
          of the Holocaust) [37:02]  Amy Goldstein (soprano); Mary Catherine George 
          (soprano); Matthew Walley (tenor); Larry Picard 
          (baritone); Derek Bermel (clarinet); Jorge 
          Avila (violin); Robin Zeh (violin); Liuh-Wen 
          Ting (viola); Sara Hewitt-Roth (cello); Milton 
          Granger (piano); Gershon Kingsley (conductor) 
          Jazz Psalms (1966) [12:25] Lisa 
          Vroman (soprano); The Kingsley Singers; Harvey 
          Estrin (flute); Patrick Rebillot (piano); 
          John Beal (bass); Gordon Gottleib (percussion); 
          Daniel Gottleib (percussion); Gershon Kingsley 
          (conductor) Shabbat for Today (1968) 
          (excerpts) [12:33] Cantor Howard M. Stahl; 
          Harry Goz (narrator); The Kingsley Singers; 
          Gershon Kingsley (synthesizers and conductor) 
          Shiru Ladonai (1970) (excerpts) 
          [15:25] Cantor Howard M Stahl; Lisa Vroman 
          (soprano); The Kingsley Singers; Gershon Kingsley 
          (synthesizers and conductor) No recording 
          details given
 
          Amy Goldstein (soprano); Mary Catherine George 
          (soprano); Matthew Walley (tenor); Larry Picard 
          (baritone); Derek Bermel (clarinet); Jorge 
          Avila (violin); Robin Zeh (violin); Liuh-Wen 
          Ting (viola); Sara Hewitt-Roth (cello); Milton 
          Granger (piano); Gershon Kingsley (conductor) 
          Jazz Psalms (1966) [12:25] Lisa 
          Vroman (soprano); The Kingsley Singers; Harvey 
          Estrin (flute); Patrick Rebillot (piano); 
          John Beal (bass); Gordon Gottleib (percussion); 
          Daniel Gottleib (percussion); Gershon Kingsley 
          (conductor) Shabbat for Today (1968) 
          (excerpts) [12:33] Cantor Howard M. Stahl; 
          Harry Goz (narrator); The Kingsley Singers; 
          Gershon Kingsley (synthesizers and conductor) 
          Shiru Ladonai (1970) (excerpts) 
          [15:25] Cantor Howard M Stahl; Lisa Vroman 
          (soprano); The Kingsley Singers; Gershon Kingsley 
          (synthesizers and conductor) No recording 
          details given  NAXOS AMERICAN CLASSICS MILKEN ARCHIVE 8.559435 
          [77:35] [SA]
 
          NAXOS AMERICAN CLASSICS MILKEN ARCHIVE 8.559435 
          [77:35] [SA]
        An 
          invaluable addition to the burgeoning American 
          Jewish Music archive and a thoroughly absorbing 
          and enjoyable disc. ... see Full 
          Review 
       
          Leo KRAFT 
          (b.1922) 
          Clarinet 
          Concerto (1987, rev. 2003) [15.31]* 
          Symphony in One Movement (1985) [16.57] 
          Jacob Wrestles with the Angel, tone 
          poem for large orchestra (2000) [09.08] Pacific 
          Bridges, for string orchestra and clarinet 
          obbligato (1989) [20.32]** 
           Roger Salander (clarinet)* 
          Zbigniew Kaleta, (clarinet)** 
          Moravian Philharmonic Orchestra/Joel Eric 
          Suben (Jerzy Kosek**) rec. 
          Olomouc, Czech Republic, Feb. 2003 (Jacob 
          Wrestles; Pacific Bridges); April 
          2004 (Clarinet Concerto; Symphony). DDD
 
          Roger Salander (clarinet)* 
          Zbigniew Kaleta, (clarinet)** 
          Moravian Philharmonic Orchestra/Joel Eric 
          Suben (Jerzy Kosek**) rec. 
          Olomouc, Czech Republic, Feb. 2003 (Jacob 
          Wrestles; Pacific Bridges); April 
          2004 (Clarinet Concerto; Symphony). DDD  CENTAUR CRC 2756 [62.17] [HC]
 
          CENTAUR CRC 2756 [62.17] [HC]
        Unfamiliar 
          repertoire played with aplomb, conviction 
          and commitment. A very fine release well worth 
          investigating, for Kraft’s stylistically consistent, 
          well-crafted music is simply too good to be 
          ignored. ... see Full 
          Review 
         
          Joseph 
          Martin KRAUS 
          (1756-1792) String 
          Quartets: in G major VB187 Op.1 No.6 [21.07]; 
          in C minor VB179 [7.42]; in E majorVB180 
          [18.01]; in G minor VB 183 Op.1 No.3 [10.22]; 
          in B major VB 181 Op.1 No.2 [12.20]  Salagon Quartet rec. SWR Studios, Stuttgart, 
          December 2005. DDD
 
          Salagon Quartet rec. SWR Studios, Stuttgart, 
          December 2005. DDD  CARUS 83.194 [69.32] [JW]
 
          CARUS 83.194 [69.32] [JW]
        I
              doubt Kraus’s String Quartets would lead to 
          riots in the stalls but the performances are 
          pretty good ... see Full 
          Review  
        
 
          Joseph Martin 
          KRAUS 
          (1756 – 1792) Complete 
          German Songs: An 
          das Klavier, VB 94♀; Die Henne, VB 77♂; 
          Schweizer Rundgesang, VB 72♀♂; 
          Anselmuccio, VB 86♂; Die Mutter bei 
          der Wiege, VB 92♀; Der Mann im Lehnstuhl, 
          VB 91♂; An – als ihm die – starb, VB 
          74♀; Das Rosenband, VB 85♂; Der 
          Abschied, VB 95♀; Die Welt nach Rousseau, 
          VB 76♂; Daphne am Bach, VB 83♀; 
          An mein Mädchen, VB 87♂; Ein Lied 
          um Regen, VB 90♀♂; An den Wind 
          I, VB 79♀; An den Wind II, VB 80♂; 
          Das schwarze Lieschen aus Kastilien, VB 88♀; 
          Der nordische Witwer, VB 89♂; Ein Wiegenlied: 
          Seht doch das kalte Nachtgesicht, VB 93♀; 
          Ich bin vergnügt, VB 82♂; Hans 
          und Hanne, VB 78♂♀; An eine Quelle, 
          VB 75♂; Phidile, VB 84♀; Ich bin 
          ein deutscher Jüngling, VB 81♂; 
          Ein Wiegenlied: So schlafe nun, du Kleine, 
          VB 96♀; Rheinweinlied, VB 73♂; 
          Gesundheit, VB 97♀♂  Birgid Steinberger (soprano)♀, Martin 
          Hummel (baritone)♂, Glen Wilson (piano) 
          rec. Reitstadel Neumarkt, Oberpfalz, Germany, 
          2-4 August, 2004. DDD
 
          Birgid Steinberger (soprano)♀, Martin 
          Hummel (baritone)♂, Glen Wilson (piano) 
          rec. Reitstadel Neumarkt, Oberpfalz, Germany, 
          2-4 August, 2004. DDD  NAXOS 8.557452 [62:55] [GF]
 
          NAXOS 8.557452 [62:55] [GF] 
        
Honest 
          and inspired readings of these attractive 
          songs. ... see Full 
          Review 
         Joseph
                  Martin KRAUS (1756-1792) Complete German Songs An
                  das Klavier, VB 94 [2:17] 1 Die
                  Henne, VB 77 [2:19] 2 Schweizer
                  Rundgesang, VB 72 [2:02] 1, 2 Anselmuccio,
                  VB 86 [1:08] 2     Die Mutter
                  bei der Wiege, VB 92 [1:44] 1 Der
                  Mann im Lehnstuhl, VB 91 [1:44] 2 An – als
                  ihm die – starb, VB 74 [3:25] 1 Das Rosenband, VB
                  85 [1:52] 2 Der Abschied, VB 95 [7:14] 1 Die
                  Welt nach Rousseau, VB 76 [0:58] 2 Daphne am Bach,
                  VB 83 [3:30] 1 An mein Mädchen, VB 87 [1:22] 2 Ein
                  Lied um Regen, VB 90 [4:01] 1,2 An den Wind I, VB
                  79 [1:34] 1 An den Wind II, VB 80 [2:05] 2 Das
                  schwarze Lieschen as Kastillien, VB 88 [3:53] 1 Der
                  nordische Witwe, VB 89 [3:29] 2Ein Wiegenlied: Seht
                  doch das kalte Nachtgesicht, VB 93 [3:32] 1 Ich
                  bin vergnügt, VB 82 [2:12] 2 Hans
                  und Hanne, VB 78 [2:06] 1,2 An
                  eine Quelle, VB 75 [1:41] 2 Phidile,
                  VB 84 [2:13] 1 Ich bin ein
                  deutscher Jüngling, VB 81 [1:45] 2 Ein
                  Wiegenlied: So schlafe nun, du Kleine, VB 96 [1:45] 1 Rheinweinlied,
                  VB 73 [2:39] 2 Gesundheit, VB 97 [0:22] 2 Birgit
                  Steinberger (soprano)1,
Martin Hummel (baritone)2, Glen Wilson (piano) rec. 2-4 August 2004,
Reitstadel Neumarkt, Oberpfaltz, Germany
 Birgit
                  Steinberger (soprano)1,
Martin Hummel (baritone)2, Glen Wilson (piano) rec. 2-4 August 2004,
Reitstadel Neumarkt, Oberpfaltz, Germany  NAXOS
8.557452 [62:55] [GPu]
 NAXOS
8.557452 [62:55] [GPu]
        Kraus
              is a rewarding and interesting figure and this is an enjoyable
              survey of his work as a composer of lieder ... see Full
              Review 
         
          Jean LANGLAIS 
          (1907-1991) 
          Corpus 
          Christi (op. 208, 1979) Messe 
          d’Escalquens (op. 19, 1935)  Emmanuel Le Divellec (organ) female vocal 
          ensemble Ad Limina rec: French Church, Berne, 
          Switzerland, 1-4 April 2005. DDD
 
          Emmanuel Le Divellec (organ) female vocal 
          ensemble Ad Limina rec: French Church, Berne, 
          Switzerland, 1-4 April 2005. DDD  HORTUS 040 [64:30]
 
          HORTUS 040 [64:30] 
        Whatever 
          your opinion of Langlais’s music his strength 
          as a composer of music to colour a liturgical 
          occasion is rendered undeniable by this CD. 
          Very recommendable. ... see Full 
          Review 
         
          Guillaume LEKEU 
          (1870-1904) Piano Trio in C minor (1891) [40.47] 
          Arthur de GREEF (1862-1940) Piano 
          Trio in F minor (1935) [21.55]  Piano Trio Narziss und Goldmund rec. Academiezaal, Sint Truiden, July 
          2005
 
          Piano Trio Narziss und Goldmund rec. Academiezaal, Sint Truiden, July 
          2005  PHAEDRA 92046 
          [62.42][JW]
 PHAEDRA 92046 
          [62.42][JW]
        A 
          strong contrasting brace of trios; Lekeu: hothouse Franckian fervour 
          and tortured melancholy; de Greef: lyricism and Brahmsian vigour ... 
          see Full Review