MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


Support us financially by purchasing this from

Sergei PROKOFIEV (1891-1953)
Violin Concerto No.1 [23.10]
Carl August NIELSEN (1865-1931)
Violin Concerto [38.24]
Liya Petrova (violin)
Odense Symphony Orchestra/Kristiina Poska
rec. 2017, Carl Nielsen Hall, Odense, Denmark
ORCHID CLASSICS ORC100086 [61.48]

Liya Petrova won the 2016 Carl Nielsen International Violin Competition which made this disc of Nielsen's only Violin concerto inevitable. It is quite some years since this piece was so rare in the recorded catalogue that one had to search hard to find anything. Today one can choose from something like thirty or forty recordings including some by the top celebrity names. I have eight recordings in my own collection alone. That being so, Liya Petrova has to justify recommendation. The first point in her favour is the gorgeous sound she produces. This really is the most beautiful playing, matched with considerable power and apparently limitless technique. This last also coming to her aide in Prokofiev's much more famous First Concerto.

Nielsen wrote his concerto in 1911 and it was first performed by the composer's friend Peder Møller, then leader of the Royal Danish Orchestra. It had some success at the time and has never been out of the repertoire in Denmark, but internationally it did not establish itself till quite recently. Even the great Nielsen scholar and supporter Robert Simpson damned it with faint praise in his 1952 study when he declared it the least significant of the composer's three concertos. Admittedly he was comparing it with two of the greatest concertos ever written, those for flute and clarinet, so perhaps one can see what he means. The Violin Concerto does not set out to be one of those great flamboyant crowd-pleasing affairs such as the Tchaikovsky or a profound masterpiece like those of Brahms and Beethoven. But the Nielsen is a muscular composition full of energy and some good tunes evenly distributed through its two bi-partite movements, each starting with a slow introduction. Since first hearing the work in the 1960s I have failed to understand its comparative neglect in our concert halls. Interestingly, I do not remember hearing a performance of it, on disc or live, that ever failed to satisfy. This present recording is no exception. If I may be permitted a brief comparison, I had to hand Baiba Skride's recent version with the Tampere orchestra. She displays more willingness to indulge in dynamic extremes and her orchestra is more clearly recorded than the Odense Symphony on Petrova's disc, but again, I could live happily with either.

Prokofiev's work is more normal in that it does represent the two key characteristics of its composer in the 1910s, lyricism and spikey virtuosity. The great virtuoso Szigeti was drawn, says the note, to its "mixture of fairy-tale naiveté and daring savagery" and he went on to bring the work international fame. Petrova is fully up to the savage and lyrical demands whilst still sounding remarkably beautiful.

I have a soft spot for the Odense Symphony, having spent time taking sommerhus holidays on Funen, and know how good they and their concert hall are from firsthand experience. Their recorded sound here does not do them justice. It is definitely not the fault of the conductor Kristiina Poska, who clearly has both concertos well under control and encourages the orchestra to match the soloist's trenchancy and energy. Nonetheless I find the recorded sound of these fine players slightly foggy, particularly compared to the Tampere orchestra. However, the Tampere set is two discs and different repertoire apart from the Nielsen, so we are not comparing like with like. The Odense orchestra has the Nielsen in their blood. They must play more of it than most orchestras, being right in the middle of home territory, in a hall bearing his name and right next door to the best Nielsen archive there is. The complex lines of, especially, the wind players are superbly done. Maybe some injudicious multiplication of microphones has worked against clarity.

If the coupling of the Nielsen and Prokofiev appeals then you are in for a rare pleasure with Liya Petrova's lovely playing. She obviously deserved her win in that competition and her busy schedule of concerts across Europe playing all the standard, and some of the not-so-standard works, reflects a career on the rise.

Dave Billinge

 

 



Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing