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Cole PORTER (1891-1964)
Anything Goes (1934)
Reno Sweeney - Kim Criswell
Billy Crocker - Cris Groenendaal
Hope Harcourt - Frederica von Stade
Moonface Martin - Jack Gilford
First Girl - Judy Green
Second Girl - Rebecca Caine
Evelyn - Simon Green
Four Sailors - Bryan Landrine, Michael B. Wailing, Bruce Hubbard, Del-Bourree Bach
Captain - Phil Ossafee
Purser - Dustin Stacks
Ambrosian Chorus
London Symphony Orchestra/John McGlinn
rec. 17-19 August 1988, CTS Studios, Wembley, Middlesex, UK.
Song texts not included

Experience Classicsonline

I came late to John McGlinns Broadway recordings, welcoming the reissue of Annie Get Your Gun (review) and the Jerome Kern Treasury (review). Painstaking research and reconstruction, a roster of good singers opera stars among them and sassy, loose-limbed playing from the London Sinfonietta combine in recordings of real spirit and charm. Canny collectors will be pleased to discover that EMIs big Broadway box 13 CDs in all can be had for under 20 online. In a market already awash with such sets, this must be one of the best bargains around.

In the meantime, EMI past masters at the art of repackaging have seen fit to reissue these discs separately, albeit at super-low prices. The downside is that the paperwork is skimpy and artwork uninspired; transfers are sometimes on the bright side too, but that matters little when the music-making is as infectious as this.

Cole Porters Anything Goes certainly had a difficult gestation, but the end result is a show with more than its fair share of classic numbers. The overture has all the fizz and frolic one expects from McGlinn and his big bands the LSO trombones are especially fine, rhythms as catchy as one could hope for. It never ceases to amaze me what chameleons our best orchestras are, switching easily between core classics and the exhibitionism and extravagance of American musicals. The shipboard shenanigans get under way with Kim Criswells delectable rendition of I get a kick out of you how embraceable that burbling tune is made to sound and a rousing, streamer-filled Bon voyage from the Ambrosian Singers.

Its so easy to surrender to this music, Cris Groenendaal and Frederica von Stades All through the night full of stars and velvet skies. One of the hallmarks of this McGlinn series is the occasional use of opera singers Thomas Hampson in Annie, for instance a crossover that works pretty well; certainly, von Stade makes an attractive Hope Harcourt, the oh-so-distant object of Billy Crockers affections. But the ensemble pieces are even more delightful, the sailors shanty-inspired Therell always be a lady fair wonderfully warm and witty. Its good to hear the late-lamented Bruce Hubbard among them he made a real impact in McGlinns Show Boat and Rattles Porgy and Bess.

So, any nits to pick? No, not really. The cast is uniformly good, the playing is beyond reproach and the recording has sparkle and space. Im not always keen on Criswells delivery though, her Mermanesque bawl and tendency to snarl under pressure a tad wearying after a while. In the meantime, theres a conveyor-belt of great tunes, Youre the top and Anything goes dispatched with commendable zest. The trombones in the latter so suggestive of Glenn Miller and the big bands of the next decade are just superb, McGlinn upping the tempo in the most natural way.

The second act is no less enjoyable, from the knee-bending G&S pastiche of Public enemy number one' to von Stades dreamy take on What a joy to be young. Turn down the lights, kick back and just wallow in those languid rhythms, the mood judged to perfection. And for once Criswells bugle-like tones pay off in Blow, Gabriel blow. Thats followed by Broadway and Hollywood veteran Jack Gilfords strangely vulnerable rendition of Moonface Martins Be like the bluebird. A real trouper, Gilford died of stomach cancer just two years later.

But I just cant end on a blue note, for theres still the mock-sultriness of von Stades The gypsy in me and three excised items in the shape of Theres no cure like travel, Kate the great and Waltz down the aisle. You know, with so many of these glorious McGlinn discs still to cross my desk Im more tempted than ever to buy that big box. Really, so much fun shouldnt come this cheap.

Dan Morgan












































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