Aureole etc.

Golden Age singers

Nimbus on-line

Faure songs
Charlotte de Rothschild (soprano);

  Founder: Len Mullenger
Classical Editor: Rob Barnett

Some items
to consider


paid for


100th birthday of Mieczyslaw Weinberg on December 8, 2019.
Renate Eggbrecht has recorded all 3 violin Sonatas

Mozart Brahms
Clarinet Quintets

Deaconoff; Stockhausen

Live at the Clifton Festival

Choir at Clifton Cathedral


New Releases

Naxos Classical

Click to see New Releases
Get 10% off using code musicweb10

Nimbus Podcast

Obtain 10% discount

Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger



Advertising on

Donate and keep us afloat



Recordings of the Month


Conner Riddle Songs

Rodzinski Sibelius

Of Innocence and Experience


Symphonies 1, 2, 3



Aho Symphony 5

Dowland - A Fancy


Rachmaninov_ Babayan



CD: MDT AmazonUK AmazonUS

Franz Joseph HAYDN (1732-1809)
Keyboard concerto in D major, H XVIII:11 [19:44]
Keyboard concerto in G major, H XVIII:4 [23:55]
Keyboard concerto in F major, H XVIII:3 [21:00]
Jolanda Violante (fortepiano)
L’Arte dell’Arco/Federico Guglielmo (violin and director)
rec. 18-28 April 2008, Studio Magister, Preganziol-Treviso, Italy.

Experience Classicsonline

Nothing contrasts Haydn’s music with that of his contemporary and friend Mozart like their keyboard concertos. Haydn wrote some 14 concertos to Mozart’s 27, and many of these were as capable of being played on the organ or harpsichord as on the fortepiano. Admittedly the early Mozart concertos also lend themselves to the harpsichord – I have a recording of no. 9, the “Jeunehomme”, on that instrument. But Mozart’s mature concertos are inseparable from the dynamic contrasts of the fortepiano. He, far more than Haydn, grasped the potential for dramatic and intimate dialogue between soloist and orchestra. The result is that, while Mozart’s concertos are central to his evolution as a composer, the same cannot be said of those by Haydn.

The Haydn keyboard concertos are nevertheless worth getting to know. The two earliest examples on this recording date from 1770-71, and are pleasant works in the Galant style. The last, no. 11 in D major, has been dated to 1779-80, and is much more in the style of the Classical concerto. For most people this work is “The Haydn keyboard concerto”; it has received far more recordings than any other of Haydn’s keyboard concertos. On the present disc these concertos are all played on a fortepiano by Jolanda Violante, with a period instruments orchestra.

There are no notes about the instrument Violante is playing, but it sounds like a modern copy of a fortepiano. Unfortunately the sound of this instrument is the major letdown of this disc. It is just not very interesting, having little of the contrasting registers and tonal variety of historic fortepianos like a Stein or Graf. I don’t know if it has an una corda pedal, but if so I couldn’t hear any trace of it; this effect would have added some much needed variety to its tone colour.

Violante does not add much ornamentation, or employ rubato noticeably, except in the slow movements. Her playing of these works is generally very enjoyable; her passage work is clean and her demeanour is both sprightly and imperturbable. Occasionally, for example in the “Hungarian” finale of no. 11, she races the orchestra in a vivacious fashion. The light action of the fortepiano comes into its own in the outer movements, allowing Violante to rattle off the extended scale and arpeggio passages at great velocity. But the slow movements are a little on the dull side, mainly because of the rather dead-sounding solo instrument.

The orchestra has an attractively “coloured” sound and plays in excellent style, with the usual period instrument dynamic bulges. The finales are attacked with real brio and vitality. No information is given about this ensemble, but they sound quite small in number. Winds feature only in no. 11; the liner-notes mention that no. 3 includes a pair of ad libitum horn parts, but only strings are used for this and no. 4. For some reason the orchestra sounds a bit livelier (and louder) in concertos nos. 3 and 4 than in no. 11. This is a pity, because it means that, although no. 11 is the most substantial work on this disc, it gets the most distant recording.

Leif Ove Andsnes recorded the same three Haydn concertos in 2000 with the Norwegian Chamber Orchestra. That recording received Gramophone magazine’s award for "Best Concerto Recording" for that year. On that disc (EMI Classics 56960), the concertos are played in ascending number order; for some reason, the Brilliant disc plays them in the reverse order. Andsnes directs the orchestra as well as playing the solo on a modern grand piano, and does both with his usual sensitivity. Tempos are similar to those on the Brilliant disc. Although the orchestra plays on modern instruments, it adopts several period-instrument practices. These performances thus have most of the advantages of a historically informed performance, with none of the drawbacks. The Concerto no. 11 is also available in the same recording on the compilation disc set “Leif Ove Andsnes: a portrait” (EMI Classics 74789).

Those who dislike the fortepiano won’t be converted by this release. However its bargain price, together with Jolanda Violante’s stylish playing and a really excellent period orchestra are undoubted attractions.

Guy Aron








































































Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews


      Composer surveys
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site


Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure



Bulletin Board

Give your opinions or seek answers

Pat and present

Helpers invited!

How Did I Miss That?

Currently suspended but there are a lot there with sound clips

Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Other links
Web News sites etc

A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools

Untitled Document

Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.