Aureole etc.




Golden Age singers

Nimbus on-line




Faure songs
Charlotte de Rothschild (soprano);

  Founder: Len Mullenger
Classical Editor: Rob Barnett


Some items
to consider

 


Enjoy the Gothenburg Symphony Orchestra wherever you are. App available for iOS and Android


Mahler symphony 6 Nott


Vaughan Williams Symphony 3 etc.


Lyrita New Recording


Lyrita Premiere Recordings

Lyrita 4CDs £16 incl.postage

Lyrita 4CDs £16 incl.postage


Decca Phase 4 - 40CDs


Judith Bailey, George Lloyd


BAX Orchestral pieces


CASKEN Violin Concerto

Schumann Symphonies Rattle


Complete Brahms
Bargain price

 

 

 

 

REVIEW



Gerard Hoffnung CDs

Advertising on
Musicweb


Donate and get a free CD

New Releases

Naxos Classical

Hyperion

Musicweb sells the following labels
Acte Préalable
Alto
Arcodiva
Atoll
CDAccord
Cameo Classics
Centaur
Hallé
Hortus
Lyrita
Nimbus
Northern Flowers
Redcliffe
Sheva
Talent
Toccata Classics


Follow us on Twitter

Subscribe to our free weekly review listing
sample
 

alternatively
CD: MDT AmazonUK AmazonUS
Sound Samples & Downloads

Fryderyk CHOPIN (1810-1849)
Complete Songs
Track-listing at end of review
Olga Pasichnyk (soprano), Natalya Pasichnyk (piano)
rec. Warsaw Concert Hall, Poland, 21-23 December 2009
Sung texts and English translations available here
NAXOS 8.572499 [57:04]

Experience Classicsonline

It was just a few months since I welcomed a disc with Chopin’s complete songs, marvellously performed by the great Lied singer Konrad Jarnot. I even had it on my list of possible candidates for Recording of the Year but in the semi-finals it lost against Yann Beuron’s Fauré recording. It is still a very good disc but has two drawbacks: there are no texts and translations in the booklet and it is sung in German. The new Naxos disc is sung in the original Polish and while the rather meagre inlay has no room for the texts they can be accessed on the Naxos website. That’s good service but I have never quite managed to come to terms with listening to music in front of the computer. To be frank: I hate that and I have found that I am not alone. End of complaint.

The original language makes an important difference insofar as it was the Polish words that Chopin set. To sensitive song composers the musical values inherent in the sounds as much as the actual meaning of the words are essential. Here one feels an integration that seems totally authentic while Jarnot’s German texts stand out as slightly strange birds. Since he is such a distinctive interpreter, the ‘wrong’ language didn’t bother me but I get closer to the atmosphere of the songs in the Olga Pasichnyk’s readings. Coming from Ukraine, Polish obviously isn’t her mother tongue but parts of her studies were carried through in Warsaw and she was soloist at the Warsaw Chamber Opera from 1992. Hers is a truly lovely and beautiful voice and she is a most sensitive singer, producing ravishing pianissimos. The majority of these songs are lyrical and poetic and Olga Pasichnyk is an ideal interpreter. It also seems that a female voice is more natural in this repertoire, though that may just be prejudice. But she also has the required power Hulanka (tr. 4), this outgoing, burlesque dance, where she responds with some stirring chest notes while otherwise retaining the elegance and sensitivity.

She is also careful with words and the whole recital is so alive and ‘lived-in’. Just listen to her inflexions of the text in Sliczny chlopiec (tr. 8) and the hushed intensity in Melodia (tr. 9). She certainly covers all the interpretative facets of these songs. One of my favourites is Moja pieszczoyka (tr. 12), a delicate waltz, that I can’t remember hearing better sung, and Piosnka litewska (Lithuanian Song)(tr. 16) is another highlight, simple and enchanting.

Her sister Natalya is an extraordinarily flexible accompanist and contributes greatly to the overall impression.

As a bonus we are offered four out of the twelve songs the famous singer Pauline Viardot arranged from mazurkas by Chopin. Viardot was a technical phenomenon with a range of three octaves and virtuoso technique and the songs were written to show off her ability. Chopin was also satisfied with the songs and they are splendid showpieces. Olga Pasichnyk has both the brilliant top as well as a contralto depth – listen to Coquette (tr. 23) – and the technique to negotiate the vocal fireworks.

The recording is fully worthy of the interpretations and anyone wanting a recording of this lesser known part of Chopin’s oeuvre need look no further. At super budget price and sung in the original Polish – the Viardot songs are in French – and with texts and translations available on the internet this is a self-recommending issue.

Göran Forsling

Track-listing

Seventeen Songs Op. 74
1. Zyczenie [1:43]
2. Wiosna [1:52]
3. Smutna Rzeka [3:27]
4. Hulanka [2:25]
5. Gdzie lubi [1:01]
6. Precz z moich oczu! [3:04]
7. Posel [2:20]
8. Sliczny chlopiec [2:42]
9. Melodya [2:41]
10. Wojak [2:14]
11. Dwojaki koniec [2:23]
12. Moja pieszczoyka [2:03]
13. Nie ma czego trzeba [3:06]
14. Piersien [1:37]
15. Narzectony [2:06]
16. Piosnka litewska [1:57]
17. Spiew grobowy [5:06]
18. Czary [1:45]
19. Dumka [1:35]
20. Seize-ans [3:28]
21. Aime-moi [2:37]
22. L’oiselet [3:20]
23. Coquette [2:31]

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Pat and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools






Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.