Aureole etc.




Nimbus on-line




If it’s the Czech works you’re after, do not hesitate

  Founder: Len Mullenger
Classical Editor: Rob Barnett


Some items
to consider

 


Enjoy the Gothenburg Symphony Orchestra wherever you are. App available for iOS and Android

Lyrita 4CDs £16 incl.postage

Lyrita 4CDs £16 incl.postage


Decca Phase 4 - 40CDs


Judith Bailey, George Lloyd


BAX Orchestral pieces


CASKEN Violin Concerto

Schumann Symphonies Rattle


Complete Brahms
Bargain price

 

DVD REVIEW



Gerard Hoffnung CDs

Advertising on
Musicweb


Donate and get a free CD

New Releases

Naxos Classical

Hyperion

Musicweb sells the following labels
Acte Préalable
Alto
Arcodiva
Atoll
CDAccord
Cameo Classics
Centaur
Hallé
Hortus
Lyrita
Nimbus
Northern Flowers
Redcliffe
Sheva
Talent
Toccata Classics


Follow us on Twitter

Subscribe to our free weekly review listing
sample
 

alternatively
CD: MDT AmazonUK AmazonUS

Prima Donna - Leading Ladies of Opera
Giuseppe VERDI (1813 – 1901)
Ma chère compagne (Don Carlos)
Johann STRAUSS II (1825 – 1899)
Czardas (Die Fledermaus)
George Frideric HANDEL (1685 – 1759)
Fond flatt’ring world, Adieu (Theodora)
Giacomo PUCCINI (1858 – 1924)
Scuoti quella fronda di ciliegio (Madama Butterfly)
Giuseppe VERDI
Toi qui sus le néant des grandeurs de ce monde (Don Carlos)
Wolfgang Amadeus MOZART (1756 – 1791)
Dove sono (Le nozze di Figaro)
Richard STRAUSS (1864 – 1949)
Hab mir’s gelobt (Der Rosenkavalier)
Richard WAGNER (1813 – 1883)
Senta’s Ballad (Der fliegende Holländer)
Georges BIZET (1838 – 1875)
Les tringles des sistres tintaient (Carmen)
Richard STRAUSS
Ah! Du wolltest mich nicht (Salome)
Camille SAINT-SAËNS (1835 – 1921)
Amour! Viens aider ma faiblesse! (Samson et Dalila)
Wolfgang Amadeus MOZART
Che soave zeffiretto (Le nozze di Figaro)
Giuseppe VERDI
Ah, fors’è lui che l’anima … Sempre libera (La traviata)
Full track listing with performers at end of review
Picture format: NTSC 4:3 FF & LBX; Sound format: Dolby digital 2.0 stereo
WARNER 50-51442-8586-9-3 [81:00]

Experience Classicsonline

It should be pointed out from the outset that all of these excerpts are from complete DVD recordings. Several of these I have seen, and generally they are well worth seeking out. Anyway, the present selection has a value of its own and those who for some reason prefer to see their favourite singers in isolated scenes will have their fill of morsels here. It goes without saying that we don’t get very much of sets and scenery. Focus is on the artists and only in the Fledermaus scene – and to some extent, the Carmen excerpt – do we get at least a whiff of the staging.

What we are offered is indeed something to savour. Karita Mattila, certainly one of the most attractive sopranos during the last fifteen years or so, is plainly stupendous in the two excerpts from Don Carlos in the production at Théâtre du Châtelet. It’s sung in the original French, and is probably the most recommendable recording of this version available, whether on CD or DVD. Kiri Te Kanawa’s creamy tones are a treat from the Domingo-conducted Fledermaus from Covent Garden although I have heard more fiery Klänge der Heimat. The production is lavish and we also get glimpses of Hermann Prey (Eisenstein) and Benjamin Luxon (Falke) – the latter even cart-wheeling (not shown here) in this most joyful production.

Dawn Upshaw is restrained and subdued in Peter Sellars’ modernist production of Theodora from Glyndebourne – so sensitively sung by this most discriminating of artists. The cherry blossom duet from Madama Butterfly is realistically set in the vast Arena di Verona, notoriously difficult when it comes to intimate scenes. Kabaivanska and Jankovic are not the most ingratiating couple one can imagine but they are more than acceptable.

More to my liking is Renée Fleming as the Countess in Le nozze di Figaro. Her warm tone and charming image makes her an ideal contessa. The trio from Der Rosenkavalier focuses very much on Kiri Te Kanawa’s Feldmarschallin, which was one of her best roles. Few exponents of the role – Lehmann, Schwarzkopf, Crespin and Söderström included - have peered deeper into the character. A further asset is Barbara Bonney, who has had few superiors as Sophie.

I have always had a special liking for the late lamented Hildegard Behrens. Her Salome in the classic Karajan recording is the only real challenger to Birgit Nilsson’s 1960s recording with Solti. I also admire her Isolde in the Bernstein recording. Her Sentan in Der fliegende Holländer from the Savonlinna Festival is deeply sensitive and intense and is further proof that she was one of the foremost dramatic sopranos of the second half of the 20th century.

Maria Ewing’s sexy Carmen – again from Glyndebourne – is well known and she once again confirms that she was one of the superior singing-actors of the last twenty years or so. Even more so is Catherine Malfitano’s horrifying personification of the perverse Salome. She sings marvellously but it is her stupendous acting that remains before one’s eyes long afterwards.

Shirley Verrett, a longstanding favourite of mine, is a seductive Dalila. Her vibrato has widened somewhat but the intensity of her delivery is undiminished and her concluding smile is irresistible.

Back at Glyndebourne Renée Fleming and Alison Hagley are a good Contessa and Susanna in the letter duet from Le nozze di Figaro and Edita Gruberova’s brilliantly sung Sempre libera from La traviata is a fine close to this traversal of a number of standard numbers.

We don’t get more than occasional glimpses of the sets – focus is on the singers, and rightly so – but anyone wanting visual as well as auditory glimpses of his/her favourite singers in their best roles need look no further. I suspect though that seeing and hearing these excerpts one will end up wanting the complete operas and in the booklet the full length versions are listed.

Göran Forsling

Full track listing:

Prima Donna - Leading Ladies of Opera
1. Opening credits
Giuseppe VERDI (1813 – 1901)
2. Ma chère compagne (Don Carlos)
Karita Mattila (soprano)
Conductor: Antonio Pappano
Théâtre du Châtelet, Paris, March 1996
Johann STRAUSS II (1825 – 1899)
3. Czardas (Die Fledermaus)
Kiri Te Kanawa (soprano)
Conductor: Placido Domingo
Royal Opera House, Covent Garden, December 1983
George Frideric HANDEL (1685 – 1759)
4. Fond flatt’ring world, Adieu (Theodora)
Dawn Upshaw (soprano)
Conductor: William Christie
Glyndebourne Festival Opera, June 1996
Giacomo PUCCINI (1858 – 1924)
5. Scuoti quella fronda di ciliegio (Madama Butterfly)
Raina Kabaivanska (soprano), Eleonora Jankovic (mezzo)
Conductor: Maurizio Arena
Arena di Verona, July 1983
Giuseppe VERDI
6. Toi qui sus le néant des grandeurs de ce monde (Don Carlos)
Karita Mattila (soprano)
Conductor: Antonio Pappano
Théâtre du Châtelet, Paris, March 1996
Wolfgang Amadeus MOZART (1756 – 1791)
7. Dove sono (Le nozze di Figaro)
Renée Fleming (soprano)
Conductor: Bernard Haitink
Glyndebourne Festival Opera, May 1994
Richard STRAUSS (1864 – 1949)
8. Hab mir’s gelobt (Der Rosenkavalier)
Kiri Te Kanawa (soprano), Barbara Bonney (soprano), Anne Howells (mezzo)
Conductor: Georg Solti
Royal Opera House, Covent Garden, February 1985
Richard WAGNER (1813 – 1883)
9. Senta’s Ballad (Der fliegende Holländer)
Hildegard Behrens (soprano)
Conductor: Leif Segerstam
Savonlinna Festival, 1989
Georges BIZET (1838 – 1875)
10. Les tringles des sistres tintaient (Carmen)
Maria Ewing (soprano), Elizabeth Collier (soprano), Jean Rigby (mezzo)
Conductor: Bernard Haitink
Glyndebourne Festival Opera, August 1985
Richard STRAUSS
11. Ah! Du wolltest mich nicht (Salome)
Catherine Malfitano (soprano)
Conductor: Giuseppe Sinopoli
Deutsche Oper, Berlin, September 1990
Camille SAINT-SAËNS (1835 – 1921)
12. Amour! Viens aider ma faiblesse! (Samson et Dalila)
Shirley Verrett (mezzo)
Conductor: Colin Davis
Royal Opera House, Covent Garden, October 1981
Wolfgang Amadeus MOZART
13. Che soave zeffiretto (Le nozze di Figaro)
Renée Fleming (soprano), Alison Hagley (soprano)
Conductor: Bernard Haitink
Glyndebourne Festival Opera, May 1994
Giuseppe VERDI
14. Ah, fors’è lui che l’anima … Sempre libera (La traviata)
Edita Gruberova (soprano)
Conductor: Carlo Rizzi
Gran Teatro La Fenice, Venice, December 1992

 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Pat and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools






Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.