One of the most grown-up review sites around

54,416 reviews
and more.. and still writing ...

Search MusicWeb Here



International mailing

Founder: Len Mullenger                                    Editor in Chief:John Quinn             

Some items
to consider


paid for


100th birthday of Mieczyslaw Weinberg on December 8, 2019.
Renate Eggbrecht has recorded all 3 violin Sonatas

FOGHORN Classics

Mozart Brahms
Clarinet Quintets

New Releases

Naxos Classical

Click to see New Releases
Get 10% off using code musicweb10

Nimbus Podcast

Obtain 10% discount

Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger



Advertising on

Donate and keep us afloat



Recordings of the Month



From Ocean’s Floor


Conner Riddle Songs

Rodzinski Sibelius

Of Innocence and Experience



CD: AmazonUK AmazonUS

Frederick CHOPIN (1810-1849)
Complete Music for Solo Piano
CD 1: Opp. 1-7 [64:18]
CD 2: Opp. 9-15 [69:40]
CD 3: Opp. 16-23 [71:45]
CD 4: Opp. 24-27 [72:09]
CD 5: Opp. 28-32 [74:05]
CD 6: Opp. 33-38 [72:00]
CD 7: Opp. 39-47 [74:11]
CD 8: Opp. 48-55 [79:52]
CD 9: Opp. 56-61 [75:34]
CD 10: Opp. 62-70 [66:18]
Tatiana Shebanova (piano)
rec. Witold Lutoslawski Concert Studio No.2 of the Polish Radio in Warsaw. Stereo. DDD
DUX 0640-0649 [10 CDs: 719:52]
[also listed as Dux 0650-59]


Experience Classicsonline

Chopinís 200th anniversary in 2010 is unlikely to pass the record industry by, and the number of pianists, both newcomers and established names, who have major Chopin releases due for imminent release, can only be guessed. The Dux label, a Polish independent, have staked their claim early with a 10 CD box set of the composerís complete works for solo piano played by Tatiana Shebanova. The results are impressive, for these are deeply felt, skilfully executed and well recorded discs. They are unlikely to be significantly bettered by any subsequent releases in Chopinís anniversary year.

This is far from the first complete-works type Chopin recording project, but the innovation here is that the pieces are programmed in opus number order. This is both practical and sensible, practical because the diminutive length of individual works allows them to be grouped neatly into 70 minute units and sensible because it allows the avid listener to take a chronological overview and the less committed to dip in without being deluged by whole CDs filled with works of a single genre. The publication history of Chopinís music also vindicates the approach to a degree. With the exception of the first 20 or so opuses and the posthumous publications, they were published (and therefore assigned opus numbers) in chronological order. Unpublished works are omitted, but as these are mostly juvenilia, this is unlikely to alarm any but the most fanatical of collectors. The posthumous works are presented in the order of opus numbers assigned by Julian Fontana up to Op.70. No explanation is given for the omission of the Four Polonaises Op. 71, or the Op. 72 Nocturne and Funeral March. Again, these are works of Chopinís early years, but the Nocturne in particular deserves inclusion, if not for its significance to Chopinís development, then purely on the basis of its considerable musical merits.

Listening to Chopinís music in chronological order is a revealing experience. The early opuses are confident essays in their various genres, with lighter textures than the mature works, but clearly anticipating the greatness of his short adult career. And the gradual reduction of ostentatious decoration in the late works is also interesting to follow in the later discs. But the overall impression is of a consistently high level of inspiration, Chopin moving around his small group of genres, each time further developing the scope of the form he chooses.

The performances are of a consistently high standard, and are clearly the work of a pianist with a long affinity with this repertoire. The interpretations lean more towards the intimate than the overtly expressive, and there is a notable absence of bombast in the louder scherzos and etudes. It is an approach that pays greatest dividends in Chopinís more relaxed works, and particularly in his nocturnes. The Op.48 no.1 for example, opens with a tremendous sense of spaciousness in the bass progression, delicacy and precision of touch creating a spellbinding soundworld, while the fluid tempo creates natural continuity into the main theme. This is similarly the case with the Nocturne Op.55 no.1, in which an underlying lyricism creates continuity and flow, despite the very slow tempo.

Faster works are also well served by the precision of Shebanovaís technique and her ability to create a sense of flowing continuity, even in Chopinís most complex passages. The Minute Waltz Op.64 no.1 and the Butterfly Etude Op.25 no.9, for example, are both at the fast end of the spectrum, but each is also played with greater delicacy than many versions on record. The combination makes for a sprightly reading, each note clearly articulated, and each phrase both sculpted and invigorated. The Revolutionary Etude Op.10 no.12, is not a work traditionally associated with delicacy, but again Shebanova gives a restrained account, at least by the more volcanic standards of some of her male colleagues, and the results are impeccable. Again, this is slightly faster than most readings, but the clarity of the left-hand runs is exceptional and the logic of phrasing by which the right-hand chordal melody is structured maintains an admirable sense of control over the workís melodic shape. Here, and indeed throughout the set, both rubato and pedalling are ever-present but never excessive. The rubato in particular - especially in the waltzes - breathes life into the music despite its always being within narrow confines. The end of a phrase is briefly held here, a climax anticipated there, but always with reference to a clearly perceptible underlying tempo.

The recorded sound is impressive throughout, the bass resonance of the piano a particular delight. If I have one quibble, it is an occasional feeling of remoteness, as if the microphones are set too far from the piano, but it is a very minor concern. The packaging is attractive, the opus numbers on the spines demonstrating another virtue of the chronological approach, in that the recording forms an easily accessible reference. More information in the booklets would have been nice, as each contains the same short essay, translated with a few jarring grammatical errors from Polish.

In the UK Dux is distributed by Discovery and you can order it from them direct at £76.99 with free UK delivery. Details of world distribution from Aleksandra Kitka-Coutellier. It is certainly worth paying proper money for, considering the exceptional standard of the performance and the high audio quality. A complete Chopin edition by Garrick Ohlsson (not just the solo piano works) on Hyperion and a slightly antiquated Ashkenazy set of Decca are likely to be the main competition to this edition. In my opinion, Shebanova is at least the equal of those pianists when it comes to Chopin. Her lack of bravura in the flashier works may not be to everybodyís taste, but it certainly endears the recording to me. These are distinctive and accomplished interpretations and the set is a major artistic achievement.

Gavin Dixon



Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews


      Composer surveys
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site


Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure



Bulletin Board

Give your opinions or seek answers

Pat and present

Helpers invited!

How Did I Miss That?

Currently suspended but there are a lot there with sound clips

Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Other links
Web News sites etc

A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools

Untitled Document

Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.