4x4 
          North-West John 
          REEMAN (b. 1946) Scena (2002)a 
          [18 :11] Anthony GILBERT (b. 1934) String 
          Quartet No.4 (2002)b [20 :54] David 
          ELLIS (b. 1933) String Quartet 
          No.3 Op.70 (2002)a [27:16] Duncan 
          DRUCE (b. 1939)  String Quartet No.4 (2005)a 
          [11:44]  Manchester 
          Camerata Ensemblea; Tavec String Quartetb rec. 
          (live) St Thomas Church, Stockport, March 2005 (Reeman); Bollington 
          Arts Centre, Cheshire, march 2003 (Gilbert); Stockport Grammar School, 
          July 2004 (Ellis) and Mellor Parish Church, Stockport, July 2006 (Druce)
 Manchester 
          Camerata Ensemblea; Tavec String Quartetb rec. 
          (live) St Thomas Church, Stockport, March 2005 (Reeman); Bollington 
          Arts Centre, Cheshire, march 2003 (Gilbert); Stockport Grammar School, 
          July 2004 (Ellis) and Mellor Parish Church, Stockport, July 2006 (Druce) 
           CAMPION CAMEO 2046 
          [78:55][HC]
 CAMPION CAMEO 2046 
          [78:55][HC]
        A 
          very fine release with four appealing works that clearly deserve to 
          be heard more than once. I enjoyed it enormously. ... see Full 
          Review
          
           
          Believe in Love 
          – Rare 
          French and Italian Opera Arias Charles 
          GOUNOD (1818–1893) Sapho 
          (1851) - O ma lyre immortelle [5:29] La Reine de Saba (1862) 
          - Plus grand, dans son obscurité [5:30] Franco 
          FACCIO (1840–1891) Amleto (1865) - Dubita pur che brillino 
          [3:40] Carlos GOMES (1836–1896) Salvator 
          Rosa (1874) - Alla infelice suora–Volate, volate [4:13]  
          Charles GOUNOD Cinq Mars (1877) - Nuit resplendissante 
          [5:01] Camille SAINT-SAËNS (1835–1921) 
          Étienne Marcel (1879) - O beaux rêves évanouis! 
          [3:43] Charles GOUNOD Le Tribut 
          de Zamora (1881) - Que me dis-tu? [4:40] Amilcare 
          PONCHIELLI (1834–1886) Marion Delorme (1885) - M’è 
          tolto, ahimè, d’essere felice [3:45] Umberto 
          GIORDANO (1867–1948) Andrea Chenier (1896) - La mamma 
          morta [3:47] Ruggero LEONCAVALLO (1857–1919) 
          Chatterton (1896) - Benedetta dal ciel [2:09] 
          Zazà (1900) - Mamma! Io non l’ho avuta mai! [3:07]; Va 
          via! [2:27] Francesco CILEA (1866–1950) 
          Adriana Lecouvreur (1902) - Io son l’umile ancella [3:03] 
          Umberto GIORDANO Siberia (1903) 
          - Ah! Finalmente! [2:33] Francesco CILEA 
          
          Gloria (1907)- Amare! Amar! [2:27]; O mia cuna fiorita 
          [3:05] Pietro MASCAGNI (1863–1945) Isabeau 
          (1911) - Venne una vecchierella [3:18] Sì (1919) - Sortita 
          di Sì [3:24]  Elizabeth Whitehouse (soprano) Orchestra Victoria/Richard Bonynge rec. 
          14–18 February 2005, Robert Blackwood Hall, Monash University Arts Centre
 
          Elizabeth Whitehouse (soprano) Orchestra Victoria/Richard Bonynge rec. 
          14–18 February 2005, Robert Blackwood Hall, Monash University Arts Centre 
          
 MELBA 
          MR 301104 SACD [67:25] [GF]
MELBA 
          MR 301104 SACD [67:25] [GF]
        Readers 
          with an interest in some operatic by-ways 
          will find much to enjoy here. All the readings 
          are well considered and finely executed. ... 
          see Full 
          Review 
         
          Leon
          Björker – Bass 
          Wolfgang Amadeus MOZART (1756–1791) Die Zauberflöte 1. 
          Herr, ich bin zwar Verbrecherin [6:31] 2. O Isis und 
          Osiris [3:17] 3. In diesen heil’gen Hallen 
          [4:08] Don Giovanni 4. Don Giovanni, 
          a cenar teco [6:43] Richard WAGNER (1813–1883) 
          Tannhäuser  5. Gar viel und schön ward hier
          in dieser Halle [4:45] Die Meistersinger von
          Nürnberg 6. Nicht doch, Ihr Meister [4:02] 
          Giuseppe VERDI (1813–1901) La forza del destino 
          7. Il santo nome di Dio Signore [7:26] Requiem  8. Confutatis 
          maledictis [4:56] Ture RANGSTRÖM (1884–1947) 
          Kronbruden (The Crown Bride) 9. Stig
          Mattsson, jag har kallat på dig [4:41] Kurt 
          ATTERBERG (1887–1974) Fanal 10. 
          Vart sjönk vårt människovärde hän [3:12] Charles 
          GOUNOD (1818–1893) Roméo et Juliette  11. Dieu
          qui fis l’homme [6:10] Carlos GOMES (1836–1896) 
          Il Guarany 12. Alfin giungemmo all’ospitale tetto [2:22] 
          13. Che siate I benvenuti [5:50] 14. Gentile di cuore 
          [3:10] 15. Cecilia, esulta. Resto ai nostril lari–Salve
          possente Vergine [5:46]  Leon
          Björker (bass) Helga Görlin (soprano), Simon 
          Edwardsen (tenor), Einar Andersson (tenor) (tr. 1); Sigurd Björling 
          (baritone), Folke Jonsson (bass) (tr. 4); Conny Molin (baritone) (tr. 
          6); Brita Herzberg (soprano) (tr. 7); Jussi Björling (tenor), Hjördis 
          Schymberg (soprano), Göta Allard (soprano) (tr. 11); Copnny Söderström 
          (tenor), Henriette Guermant (soprano), Sigurd Björling (baritone), Arne 
          Ohlson (tenor), Gösta Björling (tenor), Georg Svedenbrant (baritone)
          (tr. 12-15); Stockholm Philharmonic Orchestra and Chorus/Issay Dobrowen
          (tr. 8); Royal Orchestra (and Chorus)/Herbert Sandberg; Nils Grevillius;
          Sixten Ehrling; Leo Blech rec. Concert Hall, Stockholm (tr.
          8), Royal Opera House, Stockholm, 1934–1959
 Leon
          Björker (bass) Helga Görlin (soprano), Simon 
          Edwardsen (tenor), Einar Andersson (tenor) (tr. 1); Sigurd Björling 
          (baritone), Folke Jonsson (bass) (tr. 4); Conny Molin (baritone) (tr. 
          6); Brita Herzberg (soprano) (tr. 7); Jussi Björling (tenor), Hjördis 
          Schymberg (soprano), Göta Allard (soprano) (tr. 11); Copnny Söderström 
          (tenor), Henriette Guermant (soprano), Sigurd Björling (baritone), Arne 
          Ohlson (tenor), Gösta Björling (tenor), Georg Svedenbrant (baritone)
          (tr. 12-15); Stockholm Philharmonic Orchestra and Chorus/Issay Dobrowen
          (tr. 8); Royal Orchestra (and Chorus)/Herbert Sandberg; Nils Grevillius;
          Sixten Ehrling; Leo Blech rec. Concert Hall, Stockholm (tr.
          8), Royal Opera House, Stockholm, 1934–1959  BLUEBELL ABCD 102 [74:12][GF]
 
          BLUEBELL ABCD 102 [74:12][GF]
        
All 
          in all this disc offers such magnificent bass singing that it should 
          be in every respectable vocal collection.... see Full 
          Review
         Box of Delights 
          Phyllis TATE (1911-1985) 
          London Fields (1958) [13:14] Samuel 
          COLERIDGE-TAYLOR (1875-1912) Four Characteristic Waltzes, 
          Op.22 (1899) – Valse de la reine [4:30] Three-fours – Valse Suite, 
          Op.71 (1909) arranged by Norman O’Neill No.2 Andante [2:47]; No.5 Andante 
          molto [4:12] Granville BANTOCK 
          (1868-1946) Russian Scenes (1899) [14:18] Cecil 
          ARMSTRONG-GIBBS (1889-1960) Fancy Dress – Dance Suite 
          Op.82 (1935) [17:22] Elisabeth 
          LUTYENS (1906-1983) En Voyage, suite for full orchestra 
          (1944) [15:02]
 
          Box of Delights 
          Phyllis TATE (1911-1985) 
          London Fields (1958) [13:14] Samuel 
          COLERIDGE-TAYLOR (1875-1912) Four Characteristic Waltzes, 
          Op.22 (1899) – Valse de la reine [4:30] Three-fours – Valse Suite, 
          Op.71 (1909) arranged by Norman O’Neill No.2 Andante [2:47]; No.5 Andante 
          molto [4:12] Granville BANTOCK 
          (1868-1946) Russian Scenes (1899) [14:18] Cecil 
          ARMSTRONG-GIBBS (1889-1960) Fancy Dress – Dance Suite 
          Op.82 (1935) [17:22] Elisabeth 
          LUTYENS (1906-1983) En Voyage, suite for full orchestra 
          (1944) [15:02]  London Philharmonic 
          Orchestra/Barry Wordsworth Royal Philharmonic Orchestra/Simon Joly (Lutyens) 
          rec. Tate: March 1988, Walthamstow Town Hall, August 1989, Henry Wood 
          Hall; remainder in Henry Wood Hall, August and September 1989. DDD
 London Philharmonic 
          Orchestra/Barry Wordsworth Royal Philharmonic Orchestra/Simon Joly (Lutyens) 
          rec. Tate: March 1988, Walthamstow Town Hall, August 1989, Henry Wood 
          Hall; remainder in Henry Wood Hall, August and September 1989. DDD  LYRITA SRCD214 [71:32] [JW]
 
          LYRITA SRCD214 [71:32] [JW]
        Banish 
          humdrum days with this delightful collection 
          ... see Full 
          Review 
         
          The British 
          Book Judith 
          WEIR 
          (b. 1954) String 
          Quartet (1990) [13:27] Edward 
          ELGAR (1857–1934) String Quartet 
          in E minor Op.83 (1918) [26:11] Peter 
          Maxwell DAVIES (b. 1934) Little 
          Quartet No.1 (1980) [8:50] Little Quartet 
          No.2 (1977, rev. 1987) [4:03]  Reinhold-Quartett rec. MDR Chorsaal, Augustplatz, 
          Leipzig, April, December 2005
 
          Reinhold-Quartett rec. MDR Chorsaal, Augustplatz, 
          Leipzig, April, December 2005  GENUIN GEN 86065 [52:59] [JS]
 
          GENUIN GEN 86065 [52:59] [JS]
        The 
          overall impression is favourable, especially 
          the Weir and Maxwell Davies. ... see Full 
          Review  
        
British 
          Composers Conduct on Acoustic  Frederic COWEN (1852-1935) The Butterfly's 
          Ball Overture (1901) Symphony Orchestra/Cowen rec. 1916 [3:27] Frank BRIDGE (1879-1941) The Sea - suite (1910-11) 
          London Symphony Orchestra/Frank Bridge rec. 1923 [17:17] Gustav HOLST (1874-1934) Beni Mora - 
          Oriental site (1909-10) London Symphony Orchestra/Gustav Holst rec. 
          1924 [13:57] Charles Villiers STANFORD 
          (1852-1924) Songs of the Fleet op.117 (1910) Harold Williams 
          (baritone) London Symphony Orchestra/Stanford rec. 1923 [22:13] Edward 
          ELGAR (1857-1934) Fringes of the Fleet (1917) Charles 
          Mott, Frederick Henry, Frederick Stewart, Harry Barratt (baritones) 
          Symphony Orchestra/Elgar rec. 1917 [14:09] Landon 
          RONALD (1873-1938) In An Eastern Garden (No.2 from 
          The Garden of Allah) (1920) [4:23]  Arthur Beckwith (violin) Royal Albert Hall Orchestra/Landon Ronald rec. 
          1920
 
          Arthur Beckwith (violin) Royal Albert Hall Orchestra/Landon Ronald rec. 
          1920  DUTTON CDBP 9777 
          [76:13][RB]
 DUTTON CDBP 9777 
          [76:13][RB]
        
An 
          historically important collection of special interest to British music 
          enthusiasts and academics. ... see Full 
          Review
         British Music for flute, oboe and piano 
           Eugène GOOSSENS (1893-1962) 
          Pastorale et Arlequinade for flute, oboe and piano (1924) 
          [6:58] Madeleine DRING (1923-1977) 
          Trio for flute, oboe and piano (1968) [9:56] Richard 
          Rodney BENNETT (b. 1936)  Sounds and Sweet Aires for 
          flute, oboe and piano (1985) [12:55] Edward 
          McGUIRE (b. 1948) Three Dialogues for flute and oboe 
          (1966) [5:10] Rhian SAMUEL (b. 1944) 
          Shadow Dance for flute, oboe and piano (1984) [4:36] Thea 
          MUSGRAVE (b. 1928) Impromptu for flute and oboe (1967) 
          [4:59] Malcolm ARNOLD (1921-2006) 
           Suite Bourgeoise for flute, oboe and piano (c.1939-40) [11:56]
 
          British Music for flute, oboe and piano 
           Eugène GOOSSENS (1893-1962) 
          Pastorale et Arlequinade for flute, oboe and piano (1924) 
          [6:58] Madeleine DRING (1923-1977) 
          Trio for flute, oboe and piano (1968) [9:56] Richard 
          Rodney BENNETT (b. 1936)  Sounds and Sweet Aires for 
          flute, oboe and piano (1985) [12:55] Edward 
          McGUIRE (b. 1948) Three Dialogues for flute and oboe 
          (1966) [5:10] Rhian SAMUEL (b. 1944) 
          Shadow Dance for flute, oboe and piano (1984) [4:36] Thea 
          MUSGRAVE (b. 1928) Impromptu for flute and oboe (1967) 
          [4:59] Malcolm ARNOLD (1921-2006) 
           Suite Bourgeoise for flute, oboe and piano (c.1939-40) [11:56] 
           Nancy Ruffer (flute); 
          John Anderson (oboe); Helen Crayford (piano) rec. St. Silas Church, 
          Chalk Farm, London, 18–19 July 2005 (Bennett; McGuire; Samuel; Musgrave); 
          Potton Hall, Suffolk, 18 May 2006 (Goossens; Dring; and Arnold). DDD
 Nancy Ruffer (flute); 
          John Anderson (oboe); Helen Crayford (piano) rec. St. Silas Church, 
          Chalk Farm, London, 18–19 July 2005 (Bennett; McGuire; Samuel; Musgrave); 
          Potton Hall, Suffolk, 18 May 2006 (Goossens; Dring; and Arnold). DDD 
           DUTTON EPOCH CDLX 7181 
          [57:50][[MC]
 DUTTON EPOCH CDLX 7181 
          [57:50][[MC]
        Dutton 
          have released a well performed and recorded disc of delightful British 
          Music for flute, oboe and piano. ... see Full 
          Review
         Pablo Casals:  
          Encores and Transcriptions 5 (Complete Acoustic 
          Recordings 3) Fryderyk CHOPIN 
          (1810-1849) Nocturne in E flat arr. Popper [3:52] 
          Frederick CROUCH (1808-1896) Kathleen Mavourneen [2:56] 
          Thomas MOORE (1779-1852) Believe me if all those endearing 
          young charms [3:06] Edward ELGAR 
          (1857-1934)  Salut d’amour [2:29] 
          Katharine Tynan HINKSON Would God I were the tender apple 
          blossom [3:08] David POPPER (1843-1913) 
           Gavotte in D, Op. 23 [4:05] 
          Anton RUBINSTEIN (1829-1894)  Romance in E flat [2:59] 
          Edward MACDOWELL (1860-1908)  To a Wild Rose [2:47] 
          Giovanni SGAMBATI (1841-1914) Serenata Napoletana, Op. 24, No. 
          2 [3:16] Teresa Clothilde 
          Del RIEGO (1876-1968)  Oh, dry those tears [3:23] 
          Max BRUCH (1838–1920) Kol Nidrei [9:03] 
          Alexander GLAZUNOV (1865-1936) Mélodie arabe, Op. 20, No. 1 [3:15] 
          Joseph HAYDN (1732-1809)  Adagio from Concerto in D 
          [4:36] Felix MENDELSSOHN (1809-1847) 
           Serenade, Op. 67, No. 6 [2:25] 
          Johannes BRAHMS (1833-1897) Sapphische Ode [3:27] 
          Pyotr Ilyich TCHAIKOVSKY (1840-1893) Mélodie  Op.42 No.3 
          [3:10] Autumn Songs. Op. 37, No. 10 [3:55] 
          Georg Frideric HANDEL (1685-1759) Minuet [2:22] Cesar 
          CUI (1835-1918) Berceuse, Op. 20, No. 18 [3:09] 
          Johann Sebastian BACH  (1685-1750)  Adagio from Adagio and 
          Fugue in C BWV 564 arr. Siloti [4:16] Enrique 
          GRANADOS (1867-1916)  Intermezzo from Goyescas - arr. Gaspar 
          Cassadó [4:41]
 
          Pablo Casals:  
          Encores and Transcriptions 5 (Complete Acoustic 
          Recordings 3) Fryderyk CHOPIN 
          (1810-1849) Nocturne in E flat arr. Popper [3:52] 
          Frederick CROUCH (1808-1896) Kathleen Mavourneen [2:56] 
          Thomas MOORE (1779-1852) Believe me if all those endearing 
          young charms [3:06] Edward ELGAR 
          (1857-1934)  Salut d’amour [2:29] 
          Katharine Tynan HINKSON Would God I were the tender apple 
          blossom [3:08] David POPPER (1843-1913) 
           Gavotte in D, Op. 23 [4:05] 
          Anton RUBINSTEIN (1829-1894)  Romance in E flat [2:59] 
          Edward MACDOWELL (1860-1908)  To a Wild Rose [2:47] 
          Giovanni SGAMBATI (1841-1914) Serenata Napoletana, Op. 24, No. 
          2 [3:16] Teresa Clothilde 
          Del RIEGO (1876-1968)  Oh, dry those tears [3:23] 
          Max BRUCH (1838–1920) Kol Nidrei [9:03] 
          Alexander GLAZUNOV (1865-1936) Mélodie arabe, Op. 20, No. 1 [3:15] 
          Joseph HAYDN (1732-1809)  Adagio from Concerto in D 
          [4:36] Felix MENDELSSOHN (1809-1847) 
           Serenade, Op. 67, No. 6 [2:25] 
          Johannes BRAHMS (1833-1897) Sapphische Ode [3:27] 
          Pyotr Ilyich TCHAIKOVSKY (1840-1893) Mélodie  Op.42 No.3 
          [3:10] Autumn Songs. Op. 37, No. 10 [3:55] 
          Georg Frideric HANDEL (1685-1759) Minuet [2:22] Cesar 
          CUI (1835-1918) Berceuse, Op. 20, No. 18 [3:09] 
          Johann Sebastian BACH  (1685-1750)  Adagio from Adagio and 
          Fugue in C BWV 564 arr. Siloti [4:16] Enrique 
          GRANADOS (1867-1916)  Intermezzo from Goyescas - arr. Gaspar 
          Cassadó [4:41]  Pablo Casals 
          (cello) Walter Golde (piano); Romano Romani (piano); Edouard Gnedron 
          (piano) Unnamed orchestral accompaniment rec.1920-25
 Pablo Casals 
          (cello) Walter Golde (piano); Romano Romani (piano); Edouard Gnedron 
          (piano) Unnamed orchestral accompaniment rec.1920-25  NAXOS HISTORICAL 8.110987 [76:22] [JW]
 
          NAXOS HISTORICAL 8.110987 [76:22] [JW]
        A 
          great series for lovers of mouthful titles. 
          And the longer it proceeds – to all our musical 
          benefit – the more complicated it gets. ... 
          see Full 
          Review 
         The Cold Dancer – 
          Contemporary String Quartets from Scotland 
          Kenneth DEMPSTER (b. 1962) String 
          Quartet No.4 The Cold Dancer (2005) [12:22] James 
          CLAPPERTON (b. 1968) The Great Divorce (1990) [16:03] Judith 
          WEIR (b. 1954) String Quartet (1990) [13:23] William 
          SWEENEY (b. 1950) String Quartet No.3 (2004) [36:34]
 
          The Cold Dancer – 
          Contemporary String Quartets from Scotland 
          Kenneth DEMPSTER (b. 1962) String 
          Quartet No.4 The Cold Dancer (2005) [12:22] James 
          CLAPPERTON (b. 1968) The Great Divorce (1990) [16:03] Judith 
          WEIR (b. 1954) String Quartet (1990) [13:23] William 
          SWEENEY (b. 1950) String Quartet No.3 (2004) [36:34]  The Edinburgh Quartet rec. no information available, published 2006
 
          The Edinburgh Quartet rec. no information available, published 2006 
           DELPHIAN DCD 34038 
          [78:24] [HC]
 DELPHIAN DCD 34038 
          [78:24] [HC]
        Much 
          very beautiful music to be heard here. ... 
          see Full Review 
          
         
          Don Quixote in Spanish Music 
          Joaquín RODRIGO (1901-1999) 
          Ausencias de Dulcinea (1947-8) [12:24] 1 José 
          García ROMÁN (b.1945) La resurrección de Don
          Quijote (1993-4) [16:45] 2 Francisco 
          Asenjo BARBIERI (1823-1894) Don Quijote (1861) [9:46] 3 Jorgé 
          Fernández GUERRA (b.1952) Tres momentos de Don Quichotte 
          (2004-5) [18:06] Gerardo GOMBAU (1906-1971) 
          Don Quijote velando las armas (1945) [9:11]  Orquesta
          y Coro de la Comminidad de Madrid/José Ramón Encinar, 
          with  Lillian Moriani, Victoria Marchante, Celia Alcedo
          (soprano); María José Suárez (mezzo); Antonio José Lopez (baritone) 1;  
          Víctor Arriola (violin) 2; Fernando Cobo (tenor) 3. 
          rec. 13-22 July 2005, Sede de la Orquesta y Coro de la Communidad de 
          Madrid, Hortaleza, Madrid
 Orquesta
          y Coro de la Comminidad de Madrid/José Ramón Encinar, 
          with  Lillian Moriani, Victoria Marchante, Celia Alcedo
          (soprano); María José Suárez (mezzo); Antonio José Lopez (baritone) 1;  
          Víctor Arriola (violin) 2; Fernando Cobo (tenor) 3. 
          rec. 13-22 July 2005, Sede de la Orquesta y Coro de la Communidad de 
          Madrid, Hortaleza, Madrid  NAXOS 8.570260 [66:12][GPu]
 
          NAXOS 8.570260 [66:12][GPu]
        
A 
          pleasant exploration of some Spanish musical responses to Don Quixote 
          introduces us to some unfamiliar works in a well-paled and well-recorded 
          programme … see Full Review 
        
Festive 
          Mass at the Imperial Court of Vienna 1648 
          Girolamo FANTINI (c.1602-1675) Imperial Sonata No.1 (c.1638) 
          [3:12] Andreas RAUCH (1592-1656) Atollite Portas, Principes 
          (1634) [5:15] RAUCH Jubilate Deo for Four Choirs (c.1648) 
          [3:31] Christoph STRAUS 
          (c.1575-1631) Missa Veni Sponsa Christi 
          (c.1620-30): Symphonia-Kyrie-Gloria [8:36] Giovanni 
          PRIULI (1575-1629) Venite Exultemus in 8 parts 
          (c.1620) [2:31]  STRAUS Missa Veni Sponsa Christi:Credo [8:06] Antonio 
          BERTALI (1605-1669) Sonata I (c.1640) [2:12]  
          RAUCH Benedicite for Four Choirs (c.1648) [5:59] STRAUS Missa Veni Sponsa Christi: Sanctus-Benedictus [2:35] PRIULI O Quam Dulcis in 8 parts (c.1620) [3:43] RAUCH Pater Noster for Three Choirs (c.1648) [4:06] STRAUS Missa Veni Sponsa Christi: Agnus Dei [1:55] BERTALI Sonata II (c.1640) [2:01] RAUCH Cantate Domino for Five Choirs (c.1648) [5:59] FANTINI Imperial Sonata No.2 (c.1638) [2:25]  Yvonne Seymour (soprano); Margaret Cable (mezzo); Rogers Covey-Crump 
          (tenor); Phillip Daggett (tenor); Ian Partridge 
          (tenor); David Collins (tenor); Stephen Varcoe (bass); Roger 
          Langford (bass) Yorkshire Bach Choir; Yorkshire 
          Baroque Soloists; Baroque Brass of London/Peter Seymour rec. 
          11-13 July 1989, Chapel of St. Mary and St. Eviralda, Everingham
 
          Yvonne Seymour (soprano); Margaret Cable (mezzo); Rogers Covey-Crump 
          (tenor); Phillip Daggett (tenor); Ian Partridge 
          (tenor); David Collins (tenor); Stephen Varcoe (bass); Roger 
          Langford (bass) Yorkshire Bach Choir; Yorkshire 
          Baroque Soloists; Baroque Brass of London/Peter Seymour rec. 
          11-13 July 1989, Chapel of St. Mary and St. Eviralda, Everingham 
           ALTO 
          ALC 1006 [62:44][WK]
 ALTO 
          ALC 1006 [62:44][WK]
        A 
          reissue from 1989 demonstrating both some 
          fine little-known music and the expertise 
          of the Yorkshire Bach Choir at its best. ... 
          see Full 
          Review
         
          The Golden Age 
          of Light Music – Amor Amor - Music 
          for Romance - see
          review for details rec. 1940-56 
           GUILD 
          LIGHT MUSIC GLCD 5133 [78:24] [JW]
GUILD 
          LIGHT MUSIC GLCD 5133 [78:24] [JW]
        Another 
          notch then on Guild’s Light Music bedpost 
          - insinuating romance from a less than burnished 
          time. ... see Full 
          Review 
        The 
          Golden Age of Light Music: Continental Flavour 
          see review for full listing rec. 1930-56  GUILD LIGHT MUSIC GLCD 5132 [77:03] [JW]
 
          GUILD LIGHT MUSIC GLCD 5132 [77:03] [JW]
        Another
              successful entrant in this increasingly exhaustive and sometimes
              exhausting series ... see Full
              Review 
         
          Great 
          Tenor Arias Giuseppe 
          VERDI (1813-1901) La donna e mobile (Rigoletto) 
          [3:34] Alfredo Kraus (ten) Philharmonia Orchestra/Julius Rudel (rec.1979); 
          Celeste Aida (Aida) [4:49] Jose Carreras (ten) Vienna Philharmonic/Herbert 
          von Karajan (rec.1980); Di quella pira (Il Trovatore) [2:02] 
          Franco Corelli (ten) Chorus and Orchestra of Rome Opera House/Thomas 
          Schippers (rec.1965); Ingemisco (Requiem) [3:43]  Luciano Pavarotti (ten); Orchestra of La Scala, Milan/Riccardo Muti 
          (rec.1987) Giacomo PUCCINI (1858-1924) 
          Recondita armonia (Tosca) [2:53] Placido Domingo (ten) National 
          Philharmonic/Eugene Kohn (rec.1990); E lucevan le stelle (Tosca) 
          [2:59] Carlo Bergonzi (ten) Orchestra of Rome Opera House/Thomas Schippers 
          (rec.1965) Che gelida manina (La Boheme) [4:29]Nicolai Gedda 
          (ten) Orchestra of Rome Opera House/Thomas Schippers (rec.1964) Dovunque 
          al mondo (Madame Butterfly) [2:59] Jussi Bjoerling (ten), Mario 
          Sereni (bar) Orchestra of Rome Opera House/Gabriele Santini (rec.1961); 
          Nessun dorma (Turandot) [4:10] Jose Carreras (ten); Strasbourg 
          Philharmonic/Alain Lombard (rec.1978) Pietro 
          MASCAGNI (1863-1945) Viva il vino spumeggiante (Cavalleria 
          rusticana) [3:08] Jose Carreras (ten) Julia Hamari (mezzo) Ambrosian 
          Chorus, Philharmonia Orchestra/Riccardo Muti (rec.1980); Tutto ho tentato 
          (L’amico Fritz) [3:11] Luciano Pavarotti (ten); Chorus and Orchestra 
          of Covent Garden. Gianandrea Gavazzeni (rec.1968) Franz 
          LEHÁR (1870-1948) Gern hab ich die Frau’n geküsst 
          (Paganini) [3:17] Nicolai Gedda (ten) Bavarian Symphony Orchestra/Willi 
          Boskovsky (rec.1977); Da geh’ ich zu Maxim (Merry Widow) [2:53] 
          Nicolai Gedda (ten); Graunke Symphony Orchestra/Willy Mattes (rec.1967) 
          Georges BIZET (1838-1875) 
          La fleur que tu m’avais jetée (Carmen) [4:16] Jon Vickers (ten); 
          Paris Conservatoire Orchestra/Rafael Fruhbeck de Burgos (rec.1970) Wolfgang 
          Amadeus MOZART (1756-1791) Un’ aura amorosa (Cosi 
          fan tutte) [4:44] Alfredo Kraus (ten); Philharmonia Orchestra/Karl 
          Böhm (rec.1963) Gaetano DONIZETTI 
          (1797-1848) Fra poco a me ricovero (Lucia di Lammermoor) 
          [3:38] Alfredo Kraus (ten); Royal Philharmonic Orchestra/Nicola Rescigno 
          (rec.1984) Francesco Paolo TOSTI 
          (1846-1916) Marechiare [3:25]  Ruggero 
          LEONCAVALLO (1857-1919) Mattinata [2:06] Giuseppe 
          di Stefano (ten); Orchestra/Gian Mario Guarino (rec.1961) Rudolf 
          SIECZYNSKI (1879-1952) Wien, du Stadt meiner Träume 
          [4:51) Placido Domingo (ten); English Chamber Orchestra. Julius Rudel 
          (rec.1986) Friedrich von FLOTOW 
          (1812-1883) Ach so fromm (Martha) [2:47] Fritz Wunderlich (ten); 
          Berlin Symphony Orchestra/Berislav Klobucar (rec.1960)
 
          Luciano Pavarotti (ten); Orchestra of La Scala, Milan/Riccardo Muti 
          (rec.1987) Giacomo PUCCINI (1858-1924) 
          Recondita armonia (Tosca) [2:53] Placido Domingo (ten) National 
          Philharmonic/Eugene Kohn (rec.1990); E lucevan le stelle (Tosca) 
          [2:59] Carlo Bergonzi (ten) Orchestra of Rome Opera House/Thomas Schippers 
          (rec.1965) Che gelida manina (La Boheme) [4:29]Nicolai Gedda 
          (ten) Orchestra of Rome Opera House/Thomas Schippers (rec.1964) Dovunque 
          al mondo (Madame Butterfly) [2:59] Jussi Bjoerling (ten), Mario 
          Sereni (bar) Orchestra of Rome Opera House/Gabriele Santini (rec.1961); 
          Nessun dorma (Turandot) [4:10] Jose Carreras (ten); Strasbourg 
          Philharmonic/Alain Lombard (rec.1978) Pietro 
          MASCAGNI (1863-1945) Viva il vino spumeggiante (Cavalleria 
          rusticana) [3:08] Jose Carreras (ten) Julia Hamari (mezzo) Ambrosian 
          Chorus, Philharmonia Orchestra/Riccardo Muti (rec.1980); Tutto ho tentato 
          (L’amico Fritz) [3:11] Luciano Pavarotti (ten); Chorus and Orchestra 
          of Covent Garden. Gianandrea Gavazzeni (rec.1968) Franz 
          LEHÁR (1870-1948) Gern hab ich die Frau’n geküsst 
          (Paganini) [3:17] Nicolai Gedda (ten) Bavarian Symphony Orchestra/Willi 
          Boskovsky (rec.1977); Da geh’ ich zu Maxim (Merry Widow) [2:53] 
          Nicolai Gedda (ten); Graunke Symphony Orchestra/Willy Mattes (rec.1967) 
          Georges BIZET (1838-1875) 
          La fleur que tu m’avais jetée (Carmen) [4:16] Jon Vickers (ten); 
          Paris Conservatoire Orchestra/Rafael Fruhbeck de Burgos (rec.1970) Wolfgang 
          Amadeus MOZART (1756-1791) Un’ aura amorosa (Cosi 
          fan tutte) [4:44] Alfredo Kraus (ten); Philharmonia Orchestra/Karl 
          Böhm (rec.1963) Gaetano DONIZETTI 
          (1797-1848) Fra poco a me ricovero (Lucia di Lammermoor) 
          [3:38] Alfredo Kraus (ten); Royal Philharmonic Orchestra/Nicola Rescigno 
          (rec.1984) Francesco Paolo TOSTI 
          (1846-1916) Marechiare [3:25]  Ruggero 
          LEONCAVALLO (1857-1919) Mattinata [2:06] Giuseppe 
          di Stefano (ten); Orchestra/Gian Mario Guarino (rec.1961) Rudolf 
          SIECZYNSKI (1879-1952) Wien, du Stadt meiner Träume 
          [4:51) Placido Domingo (ten); English Chamber Orchestra. Julius Rudel 
          (rec.1986) Friedrich von FLOTOW 
          (1812-1883) Ach so fromm (Martha) [2:47] Fritz Wunderlich (ten); 
          Berlin Symphony Orchestra/Berislav Klobucar (rec.1960)  CLASSICS FOR PLEASURE 0946 3 82618 2 7 [70:23][TH]
 
          CLASSICS FOR PLEASURE 0946 3 82618 2 7 [70:23][TH]
        Few 
          complaints regarding choice of music and performances ... see Full 
          Review
        Heavenly 
          Harmonies - 
          Three Trebles from Blackburn Cathedral Claudio MONTEVERDI (1567-1643) Currite populi 
          [03:14] Maledetto sia l'aspetto [01:18] Alessandro GRANDI (c1577-1630) O quam tu pulchra 
          es [03:05] Marc-Antoine CHARPENTIER (1643-1704) Panis angelicus 
          (H 243) [01:25] Thomas TOMKINS (1572-1656) A Fantasy [03:03] 
          George Frideric HANDEL (1685-1759) Rodelinda (HWV 
          19): Art thou troubled (after Dove sei) [04:30] Semele (HWV 58): 
          Where'er you walk [04:26] Messiah (HWV 56) He shall feed his 
          flock [04:50]; How beautiful are the feet [02:15] Johann Sebastian BACH (1685-1750) Magnificat in D 
          (BWV 243): Et exultavit [02:47]Gottfried Heinrich STÖLZEL (?) (1690-1749) Bist 
          du bei mir [02:44] Johann Sebastian BACHWas mir behagt, 
          ist nur die muntre Jagd (BWV 208): Schafe können sicher weiden 
          [04:19] Henry PURCELL (1659-1695) Voluntary 
          in G (Z 720) [02:45] Evening Hymn (Z 193) [03:48] Joseph CORFE (1740-1820) My misdeeds prevail against 
          me [02:59] Maurice GREENE (1696-1755) Arise!, Shine, O Zion, 
          anthem: The Gentiles shall come to Thy light [01:10] Matthew LOCKE (c1621-1677) O Domine 
          Jesu Christe/ [01:42] Anon. Sweet was the song (Egerton-ms) [01:35] 
          James NARES (1715-1783) Rejoice in the Lord o 
          ye righteous [04:28] Peter CORNET (c1560-c1626) Fantasia [02:21] 
          Maurice GREENE Lord, let me know mine end, anthem: 
          For man walketh in a vain shadow/ [01:14] Joseph CORFE I will magnify thee, O Lord [02:30] 
          Thomas Augustine ARNE (1710-1778) Where the bee 
          sucks [02:32] William CROFT (1678-1727) Voluntary in d minor 
          [01:56] Pelham HUMFREY (1647-1674) A Hymn to God the Father 
          [02:29] Michael ARNE (1740/41-1786) Care flies from the 
          lad that is merry [01:22] Richard DERING (c1580-1630) 
          Gaudent in coelis [01:44] 
           Daniel Adams, James Holding, 
          Thomas Croxson (trebles), Richard Tanner, Greg Morris (organ) rec. March, 
          April 2002; August 2004, Blackburn Cathedral, UK. DDD
 Daniel Adams, James Holding, 
          Thomas Croxson (trebles), Richard Tanner, Greg Morris (organ) rec. March, 
          April 2002; August 2004, Blackburn Cathedral, UK. DDD LAMMAS LAMM194D [72:44] [JV]
 
          LAMMAS LAMM194D [72:44] [JV]
        This
              disc is mainly interesting for the singing of the three trebles,
              whereas the interpretation of the music is not always satisfying … see Full
              Review
         
           Improvisata  Antonio 
          VIVALDI (1678-1741) Sinfonia “Improvisata” in C major [3:23] 
          Giovanni Battista SAMMARTINI 
          (c.1700-1775) Overture (sinfonia) in G minor J-C 57 (c.1740s) 
          [9:11] Carlo MONZA (c.1735-1801) 
          Sinfonia detta “La tempesta di mare” in D major edited Fabio Biondi 
          [5:44] Luigi BOCCHERINI (1743-1805) 
          Sinfonia No.6 “La casa del diavolo” (1771) revised Antonio de Almeida 
          [19:15] Giuseppe DEMACHI (1732-after 
          1791) Sinfonia “Le campane di Roma” in F major [16:03]
  
          Improvisata  Antonio 
          VIVALDI (1678-1741) Sinfonia “Improvisata” in C major [3:23] 
          Giovanni Battista SAMMARTINI 
          (c.1700-1775) Overture (sinfonia) in G minor J-C 57 (c.1740s) 
          [9:11] Carlo MONZA (c.1735-1801) 
          Sinfonia detta “La tempesta di mare” in D major edited Fabio Biondi 
          [5:44] Luigi BOCCHERINI (1743-1805) 
          Sinfonia No.6 “La casa del diavolo” (1771) revised Antonio de Almeida 
          [19:15] Giuseppe DEMACHI (1732-after 
          1791) Sinfonia “Le campane di Roma” in F major [16:03]  Europa Galante/Fabio Biondi (violin/director) rec. Fondazione Teatro 
          Regio di Parma, Auditorium Paganini, November 2004
 
          Europa Galante/Fabio Biondi (violin/director) rec. Fondazione Teatro 
          Regio di Parma, Auditorium Paganini, November 2004  VIRGIN CLASSICS 3 63430 2 [53:38][JW]
 
          VIRGIN CLASSICS 3 63430 2 [53:38][JW]
        Authoritative, 
          intelligent and entirely successful performances  ... see Full 
          Review
        Jewish 
          Operas Volume 2 David SCHIFF (b. 1945) Gimpel the 
          Fool (excerpts) (1985) [23.39] (1) Elie SIEGMEISTER (1909-1991) Lady of the Lake 
          (excerpts) (1985) [17.36] (2) Hugo WEISGALL (1912-1997) Esther (excerpts) 
          (1993) [11:07] (3)  Gimpel – Gary Moss (baritone) (1) Elka –Megan Besley (soprano) (1) Goat 
          – Alissa Mercurio (soprano) (1) Apprentice – Michael Gallant (tenor) 
          (1) Rabbi – Nicholas Phan (tenor) (1) Badkhn – Theodore Bikel (speaker) 
          (1) Isabella – Carol Meyer (soprano) (2) Blumberg - Robert McPherson 
          (baritone) (2) Ernesto – Marcus DeLoach (baritone) (2) Esther – Juliana 
          Gondek (soprano) (3) Xerxes – Ted Christopher (baritone) (3) University 
          of Michigan Opera Orchestra and Chorus/Kenneth Kiesler (1) Seattle Symphony/Gerard 
          Schwarz (2, 3) rec. (1) Hill Auditorium, University of Michigan, Ann 
          Arbor, January 2001; (2) Batsyr University Chapel, Seattle, May 2000; 
          (3) Benaroya Hall, Seattle, May 1999
 
          Gimpel – Gary Moss (baritone) (1) Elka –Megan Besley (soprano) (1) Goat 
          – Alissa Mercurio (soprano) (1) Apprentice – Michael Gallant (tenor) 
          (1) Rabbi – Nicholas Phan (tenor) (1) Badkhn – Theodore Bikel (speaker) 
          (1) Isabella – Carol Meyer (soprano) (2) Blumberg - Robert McPherson 
          (baritone) (2) Ernesto – Marcus DeLoach (baritone) (2) Esther – Juliana 
          Gondek (soprano) (3) Xerxes – Ted Christopher (baritone) (3) University 
          of Michigan Opera Orchestra and Chorus/Kenneth Kiesler (1) Seattle Symphony/Gerard 
          Schwarz (2, 3) rec. (1) Hill Auditorium, University of Michigan, Ann 
          Arbor, January 2001; (2) Batsyr University Chapel, Seattle, May 2000; 
          (3) Benaroya Hall, Seattle, May 1999  NAXOS 8.559450 [54.22][RH]
 
          NAXOS 8.559450 [54.22][RH]
        A 
          fascinating disc. One well worth exploring if you are interested in 
          20th century opera. My only real complaint was that it was 
          too short and could have been twice as long. ... see Full 
          Review
         
          Walther Kirchhoff (1879-1951) 
          Richard WAGNER (1813-1883) Das 
          Rheingold (1869) - Immer ist Undank Loges Lohn [4:04] Das Rheingold 
          (1869) – Über Stock und Stein zu Tal [4:03] Lohengrin (1850) – Nun sei 
          bedankt [2:33] Lohengrin (1850) – Atmest du nicht mit 
          mir die süssen Düfte [2:53] Lohengrin (1850) – 
          Höchstes Vertrau’n [3:47] Lohengrin (1850) – In 
          fernen Land [3:59] Lohengrin (1850) – Mein lieber 
          Schwan [4:01] Die Meistersinger von Nürnberg (1868) 
          – Fanget an! [3:20] Die Meistersinger von Nürnberg 
          (1868) – Morgenlich leuchtend [3:37] Rienzi (1840) 
          – Allmächt’ger Vater, blick herab! [3:22] 
          Die Walküre (1870) – Winterstüwichen dem Wonnemond [2:56] 
          Siegfried (1876) – Dass der mein Vater nicht is [7:25] 
          Siegfried (1876) – Freundliches Vöglein, dich frage ich 
          [4:16] ¹ Götterdämmerung (1869-74) – Zu neuen Taten, 
          teurer Helde [11:04] ² Götterdämmerung (1869-74) 
          – Helle Wehr [3:12] ² ³ Götterdämmerung (1869-74) 
          – Brünnhilde! Heilige Braut [3:31] Giuseppe 
          VERDI (1813-1901) Un ballo in maschera (1859) 
          – O sag’ wenn ich fahr’ [3:03]  Walther Kirchhoff (tenor) Olga Schramm-Tschörner 
          ¹ Margarete Bäumer ² Alfred 
          Göbel ³ Unidentified accompanists rec. 1914-32
 
          Walther Kirchhoff (tenor) Olga Schramm-Tschörner 
          ¹ Margarete Bäumer ² Alfred 
          Göbel ³ Unidentified accompanists rec. 1914-32  PREISER 89686 [72:25][JW]
 
          PREISER 89686 [72:25][JW]
        Impresses 
          by virtue of his powers of characterisation. ... see Full 
          Review
         Erich
                      Kleiber Carl
                      Maria von WEBER (1786-1826) Euryanthe:
                      Overture (1823) [9:10] Wolfgang
                      Amadeus MOZART (1756-1791) Symphony No. 33 in
                      B flat major K.319 (1779) [20:01] Pyotr
                      TCHAIKOVSKY (1840-1893) Symphony No. 6 in B
                      minor Op.74 ‘Pathétique’ (1892) [46:30]
 Erich
                      Kleiber Carl
                      Maria von WEBER (1786-1826) Euryanthe:
                      Overture (1823) [9:10] Wolfgang
                      Amadeus MOZART (1756-1791) Symphony No. 33 in
                      B flat major K.319 (1779) [20:01] Pyotr
                      TCHAIKOVSKY (1840-1893) Symphony No. 6 in B
                      minor Op.74 ‘Pathétique’ (1892) [46:30]  Kölner
                      Rundfunk-Sinfonie-Orchester/Erich Kleiber rec. Funkhaus,
                      Saal 1, WDR Cologne, 20 January 1956 (Weber), 23 November
                      1953
(Mozart), 28 March 1955 (Tchaikovsky)
 Kölner
                      Rundfunk-Sinfonie-Orchester/Erich Kleiber rec. Funkhaus,
                      Saal 1, WDR Cologne, 20 January 1956 (Weber), 23 November
                      1953
(Mozart), 28 March 1955 (Tchaikovsky)  MEDICI
ARTS MM003-2 [75:51] [DC]
 MEDICI
ARTS MM003-2 [75:51] [DC]
        The
              orchestra might not be the greatest Kleiber ever conducted, but
              there is a sense of the musicians consciously raising their game
              for the old master ... see Full Review 
        The 
          Art of Lang Lang 
           Franz LISZT 
          (1811-1886) Hungarian Rhapsody No. 2 in c-charp minor [9:05] 
          Liebestraum, S. 541 No. 3 [5:46] Peter 
          TCHAIKOVSKY (1840-1893) Piano Concerto No. 1 in b-flat minor 
          Op. 23 Allegro con fuoco [7:18] Lu 
          WENCHENG (1898-1981) Autumn Moon on a Calm Lake (arr. Chen 
          Peixun) [4:08] Robert SCHUMANN 
          (1810-1856) Kinderszenen Op. 15: Traumerei [3:18] Frederic 
          CHOPIN (1810-1849) Nocturne in D-flat Op. 27 No. 2 (Live) 
          [6:41] Piano Sonata No. 3 in b minor Op. 58 Finale. Presto non tanto 
          [5:29] Wolfgang Amadeus MOZART 
          (1756-1791) Piano Sonata in C, K330 Allegro moderato 
          [6:35] Sergei RACHMANINOV (1873-1943) 
          Piano Concerto No. 2 in c minor, Op. 18 Adagio sostenuto 
          [12:27] Rhapsody on a Theme of Paganini, Op. 43, variation 18 [2:49] 
          Lang LANG and Lang GUO-REN 
          Horses [2:52] Yellow River Piano Concerto: Prelude: The song of 
          the Yellow River Boatmen [3:30]  Lang Lang (piano) Orchestras, conductors, and recording venues not given
 
          Lang Lang (piano) Orchestras, conductors, and recording venues not given 
           DEUTSCHE GRAMMOPHON 
          442 9484 [69:48] [DB]
 DEUTSCHE GRAMMOPHON 
          442 9484 [69:48] [DB]
        A
              showpiece to a new popular talent … see Full
              Review 
          The
                  Language of Love - Songs
                  of the troubadours and trouvères ANONYMOUS (13th Century) Por
                  coi me bait mes maris? [2:23] Dansse Real* [3:05] La
                  Tierche Estampie Roial [3:08] En un vergier [6:56] La
                  Quarte Estampie Royal [2:50] En ma forest [3:12] Bele
                  Doette [9:04] La Prime Estampie Royal [3:40] Giraut
                  de BORNELH (c.1140 – c.1200) Reis glorios [7:32] Gaucelm
                  FAIDIT (c.1170 – 1230) Lo rossinholet salvatge [9:50] Colin
                  MUSET (fl. 1200) Volez oir la muse Muset?* [6:50] Bernart
                  de VENTADORN (c.1130 – c.1200) Can l’erba fresch’ [6:18]
 The
                  Language of Love - Songs
                  of the troubadours and trouvères ANONYMOUS (13th Century) Por
                  coi me bait mes maris? [2:23] Dansse Real* [3:05] La
                  Tierche Estampie Roial [3:08] En un vergier [6:56] La
                  Quarte Estampie Royal [2:50] En ma forest [3:12] Bele
                  Doette [9:04] La Prime Estampie Royal [3:40] Giraut
                  de BORNELH (c.1140 – c.1200) Reis glorios [7:32] Gaucelm
                  FAIDIT (c.1170 – 1230) Lo rossinholet salvatge [9:50] Colin
                  MUSET (fl. 1200) Volez oir la muse Muset?* [6:50] Bernart
                  de VENTADORN (c.1130 – c.1200) Can l’erba fresch’ [6:18]  Duo
                  Trobairitz: Faye Newton (soprano, symphonie*); Hazel Brooks
                  (vielle) rec. 17-18 February, 2005, St. Andrew’s Church Toddington
                  Gloucestershire,
United Kingdom. DDD
 Duo
                  Trobairitz: Faye Newton (soprano, symphonie*); Hazel Brooks
                  (vielle) rec. 17-18 February, 2005, St. Andrew’s Church Toddington
                  Gloucestershire,
United Kingdom. DDD  HYPERION
CDA67634 [64:55]
[MS]
 HYPERION
CDA67634 [64:55]
[MS]
        An
              excellent and carefully performed set of French troubadour and
              trouvère music; sparse, highly melodious and performed with great
              gentleness and candour … see Full
              Review 
        Legendary 
          British Performers (Classic Archive) ANONYMOUS 
          Have you seen but the white lily grow Filmed in Paris, 26 December 1972 
           Alfred Deller and 
          Mark Deller (counter-tenors); Desmond Dupré (lute/guitar) John 
          BLOW (1649-1708) Ah, Heav'n! What is't I hear? Filmed 
          in Paris, 26 December 1972 Alfred Deller and Mark Deller (counter-tenors); 
          Desmond Dupré (lute/guitar) Henry PURCELL 
          (1658-1695) Sound the trumpet Filmed in Paris, 26 December 1972 
          Alfred Deller and Mark Deller (counter-tenors); Desmond Dupré (lute/guitar) 
          Philip ROSSETER (1567-1623) What 
          then is love but mourning? Filmed in Paris, 26 December 1972 Alfred 
          Deller and Mark Deller (counter-tenors); Desmond Dupré (lute/guitar) 
          Johann Sebastian BACH (1685-1750) 
          Jesu, Joy of Man's Desiring (from Cantata BWV147) Arr.Myra Hess, 
          Filmed in London, 20 October 1954 Myra Hess (piano) Adagio (from 
          Toccata, Adagio & Fugue, BWV564) Filmed in London, 20 October 
          1954 Myra Hess (piano) Ludwig van BEETHOVEN 
          (1770-1827) Piano Sonata No. 31 in A flat major, Op. 110 
          Filmed in London, 20 October 1954 Myra Hess (piano) Frank 
          BRIDGE (1879-1941) Go Not, Happy Day Filmed in London, 7 
          May 1964 Peter Pears (tenor); Benjamin Britten (piano) Benjamin 
          BRITTEN (1913-1976) Down by the Salley Gardens Filmed in 
          London, 7 May 1964 Peter Pears (tenor); Benjamin Britten (piano) The 
          Plough Boy Filmed in London, 7 May 1964 Peter Pears (tenor); Benjamin 
          Britten (piano) Wolfgang Amadeus MOZART 
          (1756-1791) Piano Quartet No. 1 in G minor, K478 - Andante 
          Filmed in London, 7 May 1964 Benjamin Britten (piano); Emanuel Hurwitz 
          (violin); Cecil Aronowitz (viola); Terence Weil (cello) Antonín 
          DVOŘÁK (1841-1904) Scherzo capriccioso, Op. 66 
          Filmed at the Free Trade Hall, Manchester, 30 January 1962 Hallé Orchestra/Sir 
          John Barbirolli Enrique GRANADOS 
          (1867-1916) Goyescas: Intermezzo Filmed in London, 
          4 February 1962 Jacqueline du Pré (violoncello); Iris du Pré (piano) 
          Felix MENDELSSOHN (1809-1847) 
          Song Without Words in D, Op. 109 Filmed in London, 4 February 
          1962 Jacqueline du Pré (violoncello); Iris du Pré (piano) Camille 
          SAINT-SAËNS (1835-1921)  Allegro Appassionato in B 
          minor Op. 43 Filmed in London, 4 February 1962 Jacqueline du Pré (violoncello); 
          Iris du Pré (piano) Franz LISZT (1811-1886) 
          Après une lecture du Dante - Fantasia quasi Sonata Filmed in London, 
          26 October 1961 John Ogdon (piano) Franz 
          SCHUBERT (1797-1828) Impromptu in A flat major, D899 
          No. 4 Filmed in London, 15 January 1956 Solomon (piano) NTSC System 
          4:3; Colour Mode BW; Disc Format DVD9; Sound Format LPCM Mono 2.0 (PCM 
          dual mono) sound remastered for DVD; Menu Languages E, F, D, E Filmed 
          in London/Paris 1954-1972 Directed by Patricia Foy, Phil Bates, Walter 
          Todds, Jacques Brialy
 Alfred Deller and 
          Mark Deller (counter-tenors); Desmond Dupré (lute/guitar) John 
          BLOW (1649-1708) Ah, Heav'n! What is't I hear? Filmed 
          in Paris, 26 December 1972 Alfred Deller and Mark Deller (counter-tenors); 
          Desmond Dupré (lute/guitar) Henry PURCELL 
          (1658-1695) Sound the trumpet Filmed in Paris, 26 December 1972 
          Alfred Deller and Mark Deller (counter-tenors); Desmond Dupré (lute/guitar) 
          Philip ROSSETER (1567-1623) What 
          then is love but mourning? Filmed in Paris, 26 December 1972 Alfred 
          Deller and Mark Deller (counter-tenors); Desmond Dupré (lute/guitar) 
          Johann Sebastian BACH (1685-1750) 
          Jesu, Joy of Man's Desiring (from Cantata BWV147) Arr.Myra Hess, 
          Filmed in London, 20 October 1954 Myra Hess (piano) Adagio (from 
          Toccata, Adagio & Fugue, BWV564) Filmed in London, 20 October 
          1954 Myra Hess (piano) Ludwig van BEETHOVEN 
          (1770-1827) Piano Sonata No. 31 in A flat major, Op. 110 
          Filmed in London, 20 October 1954 Myra Hess (piano) Frank 
          BRIDGE (1879-1941) Go Not, Happy Day Filmed in London, 7 
          May 1964 Peter Pears (tenor); Benjamin Britten (piano) Benjamin 
          BRITTEN (1913-1976) Down by the Salley Gardens Filmed in 
          London, 7 May 1964 Peter Pears (tenor); Benjamin Britten (piano) The 
          Plough Boy Filmed in London, 7 May 1964 Peter Pears (tenor); Benjamin 
          Britten (piano) Wolfgang Amadeus MOZART 
          (1756-1791) Piano Quartet No. 1 in G minor, K478 - Andante 
          Filmed in London, 7 May 1964 Benjamin Britten (piano); Emanuel Hurwitz 
          (violin); Cecil Aronowitz (viola); Terence Weil (cello) Antonín 
          DVOŘÁK (1841-1904) Scherzo capriccioso, Op. 66 
          Filmed at the Free Trade Hall, Manchester, 30 January 1962 Hallé Orchestra/Sir 
          John Barbirolli Enrique GRANADOS 
          (1867-1916) Goyescas: Intermezzo Filmed in London, 
          4 February 1962 Jacqueline du Pré (violoncello); Iris du Pré (piano) 
          Felix MENDELSSOHN (1809-1847) 
          Song Without Words in D, Op. 109 Filmed in London, 4 February 
          1962 Jacqueline du Pré (violoncello); Iris du Pré (piano) Camille 
          SAINT-SAËNS (1835-1921)  Allegro Appassionato in B 
          minor Op. 43 Filmed in London, 4 February 1962 Jacqueline du Pré (violoncello); 
          Iris du Pré (piano) Franz LISZT (1811-1886) 
          Après une lecture du Dante - Fantasia quasi Sonata Filmed in London, 
          26 October 1961 John Ogdon (piano) Franz 
          SCHUBERT (1797-1828) Impromptu in A flat major, D899 
          No. 4 Filmed in London, 15 January 1956 Solomon (piano) NTSC System 
          4:3; Colour Mode BW; Disc Format DVD9; Sound Format LPCM Mono 2.0 (PCM 
          dual mono) sound remastered for DVD; Menu Languages E, F, D, E Filmed 
          in London/Paris 1954-1972 Directed by Patricia Foy, Phil Bates, Walter 
          Todds, Jacques Brialy  EMI CLASSICS DVB 38846192
 
          EMI CLASSICS DVB 38846192  [100:12][CF]
 
          [100:12][CF]
        The 
          birth-pangs of music on television laid bare see but there’s enough 
          here to enjoy the music and the performances for what they are, legendary 
          gems. ... see Full Review
          
           Lotte Lehmann – Lieder 
          Recordings, Vol. 2 (1937-1940) Robert 
          SCHUMANN (1810–1856) 1. Alte Laute, Op. 35, No. 12 
          [2:29] Johannes BRAHMS (1833–1897) 
          2. Botschaft, Op. 47, No. 1 [2:08] 3. Das Mädchen spricht, 
          Op. 107, No. 3 [1:17] 49 Volkslieder: 4. No. 25 Mein Mädel 
          hat einen Rosenmund [1:40] Carl 
          SJÖBERG (1861–1900) 5. Tonerna (Visions) [2:25] 
          CALCOTT (?-?) 6. Drink to me only 
          [3:06] Hugo WOLF (1860–1903) 7. 
          Gebet [2:47] 8. Nun lass uns Frieden schliessen [1:55] 
          9. Frühling übers Jahr [1:45] 10. Auf ein altes Bild [2:24] 
          11. In der Frühe [2:14] 12. 
          Auch kleine Dinge [2:18] 13. Und willst 
          du deinen Liebsten sterben sehen [2:24] 14. 
          Peregrina I [1:52] 15. Der Knabe und 
          das Immlein [2:47] 16. Heimweh [2:51] 
           Robert SCHUMANN 17. Er 
          und sie, Op. 78, No. 2 [3:48] 18. So wahr die Sonne scheinet, 
          Op. 37, No. 12 [1:51] 19. Unterm Fenster, Op. 34, No. 3 [1:26] 
          20. Familien-Gemälde, Op. 34, No. 4 [3:31] 21. Ich denke dein, 
          Op. 78, No. 3[2:39] Franz SCHUBERT (1797–1828) 
          Winterreise, D 911: 22. No. 23 Die Nebensonnen 
          [2:26] 23. No. 13 Die Post [2:07] 24. No. 18 Der stürmische 
          Morgen [0:45] 25. No. 5 Der Lindenbaum [4:08] 26. No. 20 
          Der Wegweiser [4:14] 27. No. 15 Die Krähe [2:59] 28. No. 
          21 Das Wirtshaus [4:32] 29. No. 19 Täuschung [1:17] 30. 
          No. 22 Mut! [1:27] 31. No. 17 Im Dorfe [2:46] 32. No. 
          8 Rückblick [2:32]
 
          Lotte Lehmann – Lieder 
          Recordings, Vol. 2 (1937-1940) Robert 
          SCHUMANN (1810–1856) 1. Alte Laute, Op. 35, No. 12 
          [2:29] Johannes BRAHMS (1833–1897) 
          2. Botschaft, Op. 47, No. 1 [2:08] 3. Das Mädchen spricht, 
          Op. 107, No. 3 [1:17] 49 Volkslieder: 4. No. 25 Mein Mädel 
          hat einen Rosenmund [1:40] Carl 
          SJÖBERG (1861–1900) 5. Tonerna (Visions) [2:25] 
          CALCOTT (?-?) 6. Drink to me only 
          [3:06] Hugo WOLF (1860–1903) 7. 
          Gebet [2:47] 8. Nun lass uns Frieden schliessen [1:55] 
          9. Frühling übers Jahr [1:45] 10. Auf ein altes Bild [2:24] 
          11. In der Frühe [2:14] 12. 
          Auch kleine Dinge [2:18] 13. Und willst 
          du deinen Liebsten sterben sehen [2:24] 14. 
          Peregrina I [1:52] 15. Der Knabe und 
          das Immlein [2:47] 16. Heimweh [2:51] 
           Robert SCHUMANN 17. Er 
          und sie, Op. 78, No. 2 [3:48] 18. So wahr die Sonne scheinet, 
          Op. 37, No. 12 [1:51] 19. Unterm Fenster, Op. 34, No. 3 [1:26] 
          20. Familien-Gemälde, Op. 34, No. 4 [3:31] 21. Ich denke dein, 
          Op. 78, No. 3[2:39] Franz SCHUBERT (1797–1828) 
          Winterreise, D 911: 22. No. 23 Die Nebensonnen 
          [2:26] 23. No. 13 Die Post [2:07] 24. No. 18 Der stürmische 
          Morgen [0:45] 25. No. 5 Der Lindenbaum [4:08] 26. No. 20 
          Der Wegweiser [4:14] 27. No. 15 Die Krähe [2:59] 28. No. 
          21 Das Wirtshaus [4:32] 29. No. 19 Täuschung [1:17] 30. 
          No. 22 Mut! [1:27] 31. No. 17 Im Dorfe [2:46] 32. No. 
          8 Rückblick [2:32]  Lotte Lehmann (soprano) Lauritz Melchior (tenor) 
          (17–21); Ernö Balogh (piano) (1–6); Paul Ulanowsky (piano) (7–16, 22–32); 
          orchestra/Bruno Reibold (17–21) rec. 16 March 1937 (1–6), 6 January 
          1939 (7–16), 30 January 1939 (17–21), 26 February 1940 (22–32). ADD
 
          Lotte Lehmann (soprano) Lauritz Melchior (tenor) 
          (17–21); Ernö Balogh (piano) (1–6); Paul Ulanowsky (piano) (7–16, 22–32); 
          orchestra/Bruno Reibold (17–21) rec. 16 March 1937 (1–6), 6 January 
          1939 (7–16), 30 January 1939 (17–21), 26 February 1940 (22–32). ADD 
           NAXOS 8.111094 [78:50][GF]
 NAXOS 8.111094 [78:50][GF]
        This disc is a must for every 
          lover of German Lieder ... see Full 
          Review 
        Lotte 
          Lehmann – Lieder Recordings: Vol. 3 (1941) 
          Robert SCHUMANN (1810–1856) Frauenliebe 
          und –Leben, Op. 42 (1840) [20:23] Dichterliebe, 
          Op. 48 (1840) [27:03] Franz SCHUBERT (1797–1828) 
          Winterreise, D 911 (1827), excerpts [30:22] No. 1 Gute 
          Nacht [4:23] No. 3 Gefrorne Tränen [2:49] No. 4 Erstarrung [2:54] No. 
          6 Wasserflut [3:25] No. 10 Rast [4:07] No. 11 Frühlingstraum [4:13] 
          No. 12 Einsamkeit [2:41] No. 16 Letzte Hoffnung [2:26] No. 24 Der Leiermann 
          [3:20]  Lotte Lehmann (soprano) Bruno Walter (piano) (Schumann); Paul 
          Ulanowsky (piano) (Schubert) rec. Los Angeles, 24 June 1941 (Frauenliebe); 
          13 August 1941 (Dichterliebe), 14, 19 March 1941 (Winterreise)
 
          Lotte Lehmann (soprano) Bruno Walter (piano) (Schumann); Paul 
          Ulanowsky (piano) (Schubert) rec. Los Angeles, 24 June 1941 (Frauenliebe); 
          13 August 1941 (Dichterliebe), 14, 19 March 1941 (Winterreise)  NAXOS 8.111244 [77:48][GF]
 
          NAXOS 8.111244 [77:48][GF]
        My 
          admiration for Lehmann in lieder is not only undiminished – it has grown 
          further. The close recording leaves almost no barrier between the singer 
          and the listener and in this case lends the songs a rare intimacy. ... 
          see Full Review 
        
George 
          London 
          Wolfgang Amadeus MOZART (1756–1791) Le nozze di Figaro 
          1. Aprite un po’ quegli occhi [4:04] Don Giovanni 
          2. Là ci darem la mano [5:32] 3. Finch’ han dal vino [2:49] 
          4. Deh, vieni alla finestra [2:06] 
          Jacques OFFENBACH (1819–1880) Les contes d’Hoffmann 
          5. Scintille diamant! [3:49] 
          Charles GOUNOD (1818–1893) Faust 6. Vous 
          qui faites l’endormie [2:55] 
          Giuseppe VERDI (1813–1901) Aida 7. A te 
          grave cagion m’adduce, Aida [8:01] 
          Modest MUSSORGSKY (1839–1881) Boris Godunov 
          8. Boris’s monologue [5:47] Alexander 
          BORODIN (1833–1887) Prince Igor 9. Prince Igor’s 
          aria [7:40] Pyotr TCHAIKOVSKY 
          (1840–1893) Eugene Onegin 10. Eugene Onegin’s 
          aria [4:22] 11. Opera’s closing scene [9:33] 
          Richard WAGNER (1813–1883) Die Walküre 12. 
          Wotan’s farewell and closing scene [15:12]  George London (bass-baritone) Irmgard Seefried (soprano) (2), Erich 
          Kunz (baritone) (3), Astrid Varnay (soprano) (7), Valerie Bak (soprano) 
          (11) Orchester des Wiener Rundfunks/Max Schönherr (1-3, 5, 6, 8), Orchester 
          des Wiener Staatsoper/Karl Böhm (4), Orchester des Bayerischen Rundfunks/Hermann 
          Weigert (7, 9, 12); Richard Kraus (10, 11) rec. 18 October 1951, Vienna 
          (1,3, 5, 6, 8); 6 November 1955, Vienna (4); 5 October 1953, Munich 
          (7), 3 October 1953, Munich (9), 30 June, 5 July 1954, Munich (10, 11), 
          1953, Munich (12) trs. 2-4, 10-11 sung in German; the rest in the original 
          language
 
          George London (bass-baritone) Irmgard Seefried (soprano) (2), Erich 
          Kunz (baritone) (3), Astrid Varnay (soprano) (7), Valerie Bak (soprano) 
          (11) Orchester des Wiener Rundfunks/Max Schönherr (1-3, 5, 6, 8), Orchester 
          des Wiener Staatsoper/Karl Böhm (4), Orchester des Bayerischen Rundfunks/Hermann 
          Weigert (7, 9, 12); Richard Kraus (10, 11) rec. 18 October 1951, Vienna 
          (1,3, 5, 6, 8); 6 November 1955, Vienna (4); 5 October 1953, Munich 
          (7), 3 October 1953, Munich (9), 30 June, 5 July 1954, Munich (10, 11), 
          1953, Munich (12) trs. 2-4, 10-11 sung in German; the rest in the original 
          language  ARCHIPEL ARPCD0365 
          [71:58] [GF]
 ARCHIPEL ARPCD0365 
          [71:58] [GF]
        A 
          pleasure to hear such steady and attractive singing. Admirers of this 
          great Canadian should give it a try but the technical quality leaves 
          much to be desired ... see Full Review
          
          
           
          
        
        Detailed 
          listing 
          (last five 
          days)]
          [Part 1 New]   [Part 
          2 A-B] 
          [Part 3 C-L]
          [Part 4 M-R]  [Part 
          5 S-Z]
          [Part 6 Misc A-L][Part 
          7 Misc M-Z] 
          [Recommended recordings]