Magnificent 
                  programming here from Serkin. This 1973 recital reflected his 
                  enthusiasm for Bach - apparently he introduced Schoenberg to 
                  this work - while also including the music of another of his 
                  enthusiasms, Max Reger.
                The 
                  Bach is in fact an oasis of calm. To be able to project this 
                  level of intimate calm to an acoustic space as large as London's 
                  RFH is impressive indeed. There is a hypnotic purity of thought 
                  to the performance that is quite remarkable.
                
				Bach to Reger's Variations and Fugue on a theme of Bach is 
                  a logical progression. BBC Legends has usefully tracked each 
                  variation. The piece is a huge canvas in Serkin's hands. All 
                  aspects of Reger's straitlaced seriousness of intent and of 
                  his harmonies seem entirely right. What's more, the scale of 
                  Reger's conception is entirely in accord with Serkin's ability 
                  to project the larger canvas; not to mention his sometimes absolutely 
                  huge sound! In fact, this would be the ideal introduction to 
                  Reger or anyone wishing to get to know his music. A next step 
                  might be Mark Latimer's disc on Warner 
                  Classics.
                
				Serkin's 
                  Beethoven is legendary and these BBC performances help to flesh 
                  out his discography. In 2005 I reviewed a two-disc Music 
                  & Arts set that included a phenomenal 1952 Columbia 
                  Waldstein. There was no Op. 78, though. Serkin's approach 
                  is interesting in that he sets out to create true contrasts 
                  between the work's two movements. One could easily guess the 
                  'ma non troppo' qualifier to the first movement's allegro. This 
                  sets the ultra quick-fire second movement ('Allegro vivace') 
                  into high relief. Magnificent. 
                This 
                  live Waldstein is extremely assured. The concentration 
                  involved in the first movement is almost palpable, the structural 
                  grasp almost without parallel. It is also remarkably technically 
                  accurate. The lead-in to the finale is exquisitely managed, 
                  while there are some truly beautiful shadings of tone in the 
                  finale. The gorgeous sonorities are expertly controlled. 
                
				This must have been a very special night on the South Bank. 
				Great pianism meets great programming - what more could one have asked? 
                  Perhaps to have the evening preserved. So it is that we should 
                  count ourselves lucky to hear this. The BBC Legends series continues 
                  to fascinate and stimulate. 
                Colin 
                  Clarke