MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs

Presto Music CD retailer
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

Troubadisc Weinberg- TROCD01450

All Troubadisc reviews

FOGHORN Classics

Brahms String Quartets

All Foghorn Reviews

All HDTT reviews

Songs to Harp from
the Old and New World

all Nimbus reviews

all tudor reviews

Follow us on Twitter

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

Buy through MusicWeb for £17.75/18.25/19.00 postage paid World-wide.
You may prefer to pay by Sterling cheque or Euro notes to avoid PayPal. Contact for details

Purchase button


Jean-Philippe RAMEAU (1683-1764)
Dardanus (1739) [128:07]
Paul Agnew (tenor) - Dardanus
Paul Whelan (baritone) - Anténor
Kathryn McCusker (soprano) - Iphise
Stephen Bennett (bass) - Teucer
Damian Whiteley (bass) - Isménor
Penelope Mills (soprano) - Vénus
Miriam Allan (soprano) - Une Phrygienne; Un Songe
Anna Fraser (soprano) - Une Phrygienne
David Greco; Dan Walker; Corin Bone
Pinchgut Opera/Justin Way
Orchestra of the Antipodes (on period instruments)/Antony Walker
Artistic Directors: Erin Helyard and Antony Walker
rec. live, 30 November, 3-5 December 2005, City Recital Hall, Angel Place, Sydney
ABC CLASSICS 476 5844 [54:35 + 73:32]

Dardanus is a five-act opera with a libretto by Charles-Antoine Le Clerc de la Bruère (1714-1754). First performed on 19 November 1739, the performers were the Académie Royale de Musique in the Théâtre du Palais Royal. It immediately created controversy in its diversion from the style and traditions which had been established by Lully as far back as 1672 when that composer was granted exclusive rights to produce sung drama in the French capital.  
The original story is loosely based on that of Dardanus, son of Jupiter. However, in the opera, Dardanus, in love with Iphise, is at war with her father King Teucer, who has promised to marry his daughter to his ally King Antenor. Dardanus and Iphise meet through the intervention of the magician Isménor. Dardanus attacks a monster ravaging Teucer’s kingdom, saving the life of Anténor who is attempting, unsuccessfully, to kill it. Teucer and Dardanus make peace, the latter marrying Iphise.
The original criticisms of the opera included one contemporary comment which stated that “people were struck by the harmonic richness but there is so much music that in three whole hours the orchestra didn’t have time to as much as sneeze.” Rameau indeed omitted or reduced chunks of the original music in the later 1744 version, so the choice for performances has tended towards the original 1739 version, Here some of the 1744 additions have been included, such as the ‘Lieux funestes’ prison scene in Act IV scene I. The only significant omission in this version is that of the original Prologue, which is largely irrelevant to the main plot. Most of these choices put this recording into direct competition with the 2000 Archiv production with Marc Minkowski and his ensemble, Les Musiciens du Louvre, which is generally accepted to be the best available in a field of not very many.
The Orchestra of the Antipodes employ period instruments and have the kind of crisp, authentic sound we have come to expect from these kinds of revivals, something which is contradicted by the modern-dress staging depicted in photos in the booklet. It all looks and sounds very good, set in a fairly cavernous sounding hall. This is a live recording, and there is a certain amount of moving about and the pattering of not so tiny feet in some of the more mobile chorus scenes. None of this is very distracting, and in fact has its own kind of charm. My only worry is the sense of compression one gets at moments of high vocal drama, or in, say, the drum thwacks in ‘Mars bellone…’ in Act I scene III. Such things take away the sense of bottomless detail we have come to expect from modern recordings, but in general the soundstage is nice and wide and the balance good.
Kathryn MacCusker is a dramatic and impassioned Iphise. Paul Whelan’s deep and resonant voice makes for an impressive Aténor, as does that, in slightly lesser doses, of Stephen Bennett as King Teucer. The part of Dardanus himself is taken by Paul Agnew, who has plenty of range, from lovelorn youth to defiant champion. All are supported by a cracking choir, and there are many incredible harmonic moments from the orchestra which will satisfy Rameau fans or create new ones.
Which version you should choose – Anthony Walker or Marc Minkowski? Such opinions are always subjective and I’m basing my opinion on memory, but this ABC version is certainly good enough to justify attempting a comparison before purchasing. Archiv’s recording seems more reliable, but I get more of a sense of characterisation from some of the cast on ABC. It’s hard enough, bringing mythical characters to life through the tortuous twists and turns of French Baroque opera. This recording has the advantage of live stagecraft and excitement to carry us through the drama from beginning to end, rather than presenting a sequence of set-pieces connected by somewhat lacklustre recitatives. A final tambourin played through the wild applause of the audience is a nice touch as well. With recordings of this opera being thin enough on the ground this has to be a welcome addition to the catalogue, and is certainly worth seeking out.
Dominy Clements        


Advertising on

Donate and keep us afloat


New Releases

Naxos Classical
All Naxos reviews

Chandos recordings
All Chandos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews

all Bridge reviews

all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews

All Eloquence reviews

Lyrita recordings
All Lyrita Reviews


Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing



Return to Review Index

Untitled Document

Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.