One of the most grown-up review sites around

2020
54,928 reviews
and more.. and still writing ...

Search MusicWeb Here

     
  
 

 

International mailing


 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


CD REVIEW - RECORDING OF THE MONTH

Some items
to consider

 

paid for
advertisements


3 for 2 Offer



All Forgotten Records Reviews


TROUBADISC

100th birthday of Mieczyslaw Weinberg on December 8, 2019.
Renate Eggbrecht has recorded all 3 violin Sonatas
All Troubadisc reviews


FOGHORN Classics


Mozart Brahms
Clarinet Quintets
All Foghorn Reviews


Puertas de Madrid
www.emecdiscos.com
All EMEC reviews


www.emecdiscos.com
All EMEC reviews


All Reference Recordings


Eugène Ysaÿe: Violin Discoveries
review
All Divine Art Reviews


Debussy Complete Preludes

 


 


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

 

Discs for review may be sent to:
Jonathan Woolf
76 Lushes Road
Loughton
Essex IG10 3QB
United Kingdom
Ph. 020 8418 0616
jonathan_woolf@yahoo.co.uk


 

 


alternatively AmazonUK  

 

 

Johann Sebastian BACH (1685-1750)
Cantatas, Vol. 33
Jesu, nun sei gepreiset, BWV 41 (1725) [27:40]
Ich hab in Gottes Herz und Sinn, BWV 92
(1725) [30:12]
Herr Gott, dich loben alle wir, BWV 130 (1725) [15:08]
Yukari Nonoshita (soprano), Robin Blaze (counter-tenor), Jan Kobow (tenor), Dominik Wörner (bass)
Bach Collegium Japan/Masaaki Suzuki
rec. April 2005, Kobe Shuin Women’s University Chapel, Japan
BIS-SACD-1541 [74:12]


‘Music’s greatest treasure trove’ is an apt description of the Bach cantatas, since again and again the music-lover will discover riches of the highest quality and depth. So it proves here in this latest collection from the distinguished combination of Masaaki Suzuki and Bach Collegium Japan. Together they have achieved remarkable things in their Bach odyssey, and this latest collection must rank among their most successful to date.

They perform three cantatas from 1725 in Leipzig. Jesu, nun sei gepreiset (Jesus now be praised), BWV 41, began the same year as the cantata performed on 1 January for the Feast of the Circumcision. Bach employed his favoured method of using an existing chorale melody - this time by Johannes Herman - as the basis for a complex chorus as the opening movement. This is also a substantial structure, and Suzuki articulates its complex textures with remarkable clarity, aided by the excellent BIS recording, SACD sound at its best. There is also a more complex relationship of tempi than Bach generally employs, and this is itself a challenge to the performers, though here the balancing of faster and slower identities is handled with masterly transitions and control. Suzuki’s concern for articulation in his phrasing reaps the strongest of dividends, and the balancing of the three trumpets is particularly effective.

The solo numbers that follow are no less fine, as are the various instrumental obbligati. The solo voices, save for the counter-tenor Robin Blaze, join with the twelve voices of the chorus, and to splendid effect. While Gustav Leonhardt’s celebrated performance of this cantata (Sony Classical SK68265) remains a poetic and sensitive interpretation, Suzuki manages to articulate the music’s nature more keenly still, and with better recorded sound, as we might expect some forty years on. 

Ich hab in Gottes Herz und Sinn (I have into God’s heart and soul), BWV 92, was first performed at the end of January 1725. It has a less grand manner than BWV 41, but no less subtlety in its treatment of the opening chorus with interpolated chorale melody. The orchestra features a pair of oboes d’amore with strings and continuo, a particular and highly effective sound, which is again well captured by atmospheric recording. Altogether less dramatic in character, the music makes an effective foil to the other two featured pieces, the treatments of the chorale melody if anything more imaginative still. The rhythmic felicities of the opening chorus are beautifully shaped, although the tenor and bass arias might have been more strongly characterized in their phrasing and delivery. No such caveats with Yukari Nonoshita’s soprano solo, however, replete with beautifully played obbligato oboe d’amore above pizzicato strings at a perfectly judged tempo.

With Herr Gott, dich loben alle wir, BWV 130, the splendours of trumpet sound return, not only at the beginning and ending of the sequence of movements, but also in the magnificent bass aria ‘Der alte Drache brennt vor Neid’, with Dominik Wörner at the peak of his form. More delicate is the tenor aria ‘Laß, o Furst der Cherubinen’, equally well sung by Jan Kobow yet quite different in approach. The trumpets are particularly well recorded and always add that extra dimension Bach surely intended they should.

Terry Barfoot

Bach Collegium Japan on BIS page

 

 


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews


All Chandos reviews


All Hyperion reviews


All Foghorn reviews


All Troubadisc reviews


Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews


All Lyrita Reviews

 


Obtain 10% discount

Recordings of the Month

November


Donizetti - Le Convenienze ed Inconvenienze Teatrali


Chamber Symphonies 2 & 4


French Cello Concertos

 

October


Shostakovich

 

 
Return to Review Index



Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.