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             Piano Rarities Vol. 2: French Composers  
              Amédée MÉREAUX 
              (1802-1874)  
              1-5. Études nos.8,44,2,22,13 [15:59] from 60 Grandes etudes 
              en caprices charactéristiques dans le style libre et dans 
              le style severe  
              Déodat de SÉVÉRAC 
               (1872-1921)  
              6. Où l’on entend une veille boîte à musique 
              [1:14] No.6 from En Vacances  
              Nöel GALLON  (1891-1966) 
               
              7. Le petit mendiant [0:55]  
              Jean GALLON (1878-1959) 
               
              8. Thème varié [3:29]  
              Simone PLÉ-CAUSSADE (1897-1985) 
               
              9. Le chant du pâtre [1:12]  
              Jean-Michel  
              DAMASE  (b.1928)  
              10. Dédicase [3:10]  
              Jean-Jacques LAUBRY  
              (1916-2001)  
              11. Prélude No.4 [1:26]  
              Jacob TARDIEN  (b.1975) 
               
              12. Pièce pour piano [3:53]  
              René BERTHELOT  
              (1903-1999)  
              13. Valse lointaine [2:06]  
              Jean WIENER (1896-1982) 
               
              14. Polka lente [1:47] No.3 from Quatre Petites Pièces - 
              Radio  
              15. Java [2:35]  
              Albert LAVIGNAC  (1846-1916) 
               
              16. Galop-Marche à 8 mains sur un seul piano* [3:22]  
              Cyprien KATSARIS  (b.1951) 
               
              17. Improvisation libre sur des musiques de film et sur les Feuilles 
              mortes [9:12]  
              Michel SOGNY  (b.1947) 
               
              18-20. 3 études from Études pour piano, quatrième 
              série, dans le style hongrois [4:32]  
              21. Réminiscentiel, No.4 des Pièces de concert [6:26] 
               
              Stéphane BLET  
              (b.1969)  
              22. Sonate Renaissance [6:24]  
              Yves CLAOUÉ  (1927-2001) 
               
              23. Rengua-2 pour 1 flûte, 2 hautbois, 2 bassons, 2 
              cors, quintette à cordes et piano** [10:39]  
                
              Cyprien Katsaris (piano)  
              *accompanied by Frank Braley, François-Joël Thiollier 
              and Alexei Volodin  
              **accompanied by the soloists of the Salzburger Kammerphilharmie/Yo 
              Kuk Lee  
              rec. tracks 1-9, 13 studio Teije van Geest, Sandhausen, Germany, 
              March, 2009; 10-12, 22 as above, December, 2007; 18-21 live, The 
              Piano Sal, Yamaha Artist Services, New York City, USA, 10 March, 
              2006; 14-16 live, Festival de Radio France et Montpellier Languedoc 
              Roussillon, France, 29 July 2005; 17 live, Hyogo Performing Arts 
              Center, Japan, 1 November 2008; 23 live, Mozarteum, Großer 
              Saal, Salzburg, Austria, 4 December 1998  
                
              PIANO 21 P21037-N [78:35]  
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                As I drove along listening to this disc the following adjectives sprang to 
                  mind: charming, disarming, beguiling, whimsical and gamine. 
                  Can music be said to be ‘gamine’ I then asked myself 
                  and checked its definition which is said to mean mischievous, 
                  teasing or sexually appealing and since when I thought of it 
                  I had in mind Audreys Hepburn and Tautou I knew that it was 
                  what I meant. To sum up, what it boils down to is that this 
                  music is quintessentially French. With the odd exception it 
                  is immediately recognisable as being French and in fact couldn’t 
                  be anything else. What is it that makes music so indelibly linked 
                  to a country I ask myself. I find it difficult to come up with 
                  an answer. Up until I heard this disc I would have listed such 
                  composers as writing quintessentially French music as including 
                  Debussy, Satie, Jean Françaix, George Auric, Milhaud, 
                  Poulenc and various others to which list I can now add all 15 
                  of the composers represented here the bulk of whom I had never 
                  before come across.  
                   
                  The disc is a hugely enthralling and enjoyable celebration of 
                  ‘joie de vivre’ and is one of those discs you never 
                  tire of hearing - a tonic when you’re in need of being 
                  cheered up. There is an appealing innocence about the music 
                  that cannot fail to charm and I loved every minute of it. Part 
                  of its success is due to pianist Cyprien Katsaris’s clever 
                  choice of programme as well as his ability to bring out every 
                  wistful nuance underpinned by an obvious love for the music. 
                  His enjoyment in playing it comes across very forcefully. I 
                  am loath to pick out any particular piece because that would 
                  leave out the others when every track has its own highly attractive 
                  and distinctive features. However, if I had to pick one to give 
                  a flavour of the playful and fun nature of the disc it would 
                  have to be track 16: Galop-Marche à 8 mains sur un 
                  seul piano (for 4 players at a single piano). No wonder 
                  it brought the house down at a Radio France Festival; can you 
                  imagine the shenanigans caused by four pianists trying to do 
                  their bit and needing to leap around amongst themselves causing 
                  convulsive laughter from the audience. That sums up the nature 
                  of the disc which is a celebration of the fun side of music. 
                  It doesn’t always have to be serious. It can let its hair 
                  down yet still warrant being taken seriously. That this 
                  is something understood the world over was also ably demonstrated 
                  by Katsaris’s own arrangement in medley form of several 
                  French film music themes. This gained huge applause from the 
                  Japanese audience.  
                   
                  The music on this disc is another way of proving that music 
                  can be light in nature without being classed as ‘light 
                  music’. This is a winning disc in every respect and I 
                  now have an enviable self-inflicted task of seeking out more 
                  music by these wonderful composers to add to the growing number 
                  of those whose music I don’t know enough of; oh, for more 
                  time!  
                     
                  Steve Arloff   
                   
                     
                 
                   
                 
             
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