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              CD: MDT 
              AmazonUK 
              AmazonUS 
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            RECORDING OF THE MONTH 
              Eternal Light  
              see end of review for track listing  
                
              Elin Manahan Thomas (soprano)  
              Robin Blaze (counter-tenor) (track 16)  
              Age of Enlightenment Orchestra/Harry Christophers  
              rec. No date given. St. Paul’s Church, Deptford, London, England 
               
              Full texts and English translation included  
                
              UNIVERSAL 4765970 [63:31]   | 
         
        
            
              
            
 alternatively 
              CD: MDT 
              AmazonUK 
              AmazonUS 
            | 
          Byd Y Soprano - Soprano World  
            see end of review for track listing 
              
            Elin Manahan Thomas (soprano)  
            Charlotte Mobbs (soprano) (tr. 3); Robert Davies (baritone) (tr. 6); 
            The Sixteen/Harry Christophers (trs. 1 and 6); City of London Sinfonia/Stuart 
            Stratford (trs. 2, 3 and 10); Ensemble Bro Morgannwg/John Hugh Thomas 
            (tr. 7); Christopher Glynn (piano) (trs. 4, 5, 8, 9, 11, 12); Alistair 
            Ross (organ) (tr. 1)  
            rec. March 2009 Henry Wood hall, London, England (all tr. s except 
            tr. 7); September 2008 St. Mary’s Church, Swansea, Wales (tr. 
            7);  
            Only texts provided for trs. 11-12 (English translations)  
              
            SAIN SCD2651 [44:59]  | 
         
         
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                  Soprano Elin Manahan Thomas is often seen on our television 
                  screens singing on programmes such as the BBC’s Songs 
                  of Praise. I saw Thomas in performance a few years ago as 
                  a member of The Sixteen singing early sacred music in the setting 
                  of Kendal Parish Church, Cumbria and I still have fond memories 
                  of her soaring soprano.  
                     
                  The Welsh soprano won a choral scholarship to Clare College, 
                  Cambridge where she read Anglo-Saxon, Norse and Celtic. Thomas 
                  joined the Monteverdi Choir in 2000 and has sung with The Sixteen, 
                  Polyphony, Cambridge Singers and the Gabrieli Consort. Increasingly 
                  she is in great demand as an international soloist.  
                     
                  Thomas has specialised in performing early music especially 
                  with the choral group The Sixteen. Her release titled Eternal 
                  Light on Universal covers music from the Renaissance and 
                  the Baroque period. The release titled Byd Y Soprano - Soprano 
                  World comprises mainly music from the Romantic period with 
                  some Classical and a Baroque piece. Late-Romantic music is not 
                  repertoire that one usually associates with Thomas in solo performance. 
                  It is not surprising that this highly talented singer will want 
                  to show her versatility by singing a wide range of repertoire. 
                  This stance will naturally invite comparisons with the finest 
                  singers in world.   
                   
                  I cannot think of a finer exponent of early music around today 
                  than Thomas. Her soprano voice has an exceptional purity, with 
                  a silky smooth tone and light creamy fluidity. The voice isn’t 
                  heavy but neither is it over-bright and piercing. When listening 
                  to The Sixteen I was easily able to distinguish her voice owing 
                  to its clarity and carry yet I wouldn’t describe it as 
                  being over-distinctive.  
                     
                  On the disc Eternal Light Thomas’s performance 
                  was a revelation, revealing a glorious voice of elevated quality 
                  which wonderfully suited to Renaissance and Baroque music. I 
                  believe it to be superior to Emma Kirkby in her prime. Of the 
                  sixteen well chosen tracks not one disappoints. In addition 
                  there are two ‘killer’ tracks that are so exceptional, 
                  containing a special element of spirituality that one rarely 
                  encounters. Those ‘killer’ tracks are Eternal 
                  Source of Light Divine and When I am laid in earth 
                  (Dido's Lament) from Purcell’s opera Dido and 
                  Aeneas. Eternal Light is worth obtaining for those 
                  two tracks alone. I have played selections from this release 
                  at several Recorded Music Societies and Thomas’s performances 
                  have drawn considerable attention. Stunningly recorded at St. 
                  Paul’s Church, Deptford, London the release includes a 
                  splendid booklet containing full texts and English translations 
                  as necessary.  
                     
                  The release entitled Byd Y Soprano - Soprano World is 
                  a very different kettle of fish. Here the repertoire is mainly 
                  Late-Romantic with some Classical. This just doesn’t suit 
                  her voice in the same way as early music. Clearly there is more 
                  than one way of interpreting a song and Thomas sings all her 
                  selections extremely well. In particular I must say how much 
                  I enjoyed her interpretation of Richard Strauss’s masterworkMorgen 
                  (Morning). But in this repertoire the weight and amplitude of 
                  the voice, its richness and depth of emotional expression is 
                  just not able to compete with the world’s greatest lyric 
                  interpreters. In the Gounod and Delibes songs the intensely 
                  fierce competition includes such distinguished performers as 
                  Angela Gheorghiu, Anna Netrebko, Natalie Dessay, Joan Sutherland 
                  and Maria Callas. In Schubert and Richard Strauss, Thomas traverses 
                  the same Lieder territory as Elisabeth Schwarzkopf, Jessye 
                  Norman, Cheryl Studer, Lucia Popp and Renée Fleming. 
                  Also included on Soprano World are two attractive Welsh 
                  songs Y Gylfinir (The Curlew) by Dilys Elwyn-Edwards 
                  and Gweddi Pechadur (The Sinner’s Prayer) 
                  by Morfydd Llwyn Owen. All but one of the songs were recorded 
                  in the Henry Wood Hall, London and although acceptable I didn’t 
                  enjoy the sound quality anywhere near as much as Eternal 
                  Light. Thomas is principally accompanied by pianist Christopher 
                  Glynn, three songs are with the City of London Sinfonia, two 
                  songs with The Sixteen and one with Ensemble Bro Morgannwg. 
                  In Sous le dôme épais (Flower Duet) from 
                  Delibes’ Lakmé Thomas is partnered with 
                  soprano Charlotte Mobbs and in the duet La Ci Darem La Mano  
                  from Mozart’s opera Don Giovanni she is joined 
                  by her husband the baritone Robert Davies.  
                     
                  I’m sure Thomas admirers will want to purchase both releases. 
                  The real treasure is the magnificently performed and recorded 
                  disc Eternal Light which I have been playing over and 
                  over again.    
                   
                  Michael Cookson  
                     
                  Track listing 
                  Eternal light 
                  Hildegard of Bingen (1098-1179)  
                  1. O Euchari in leta via [1:40]  
                  Georg Frideric HANDEL (1685-1739)  
                  2. Eternal Source of Light Divine -  
                  Ode for the Birthday of Queen Anne [3:50]  
                  Antonio VIVALDI (1678-1741)  
                  3. Nulla in Mundo Pax Sincera [5:54]  
                  Georg Frideric HANDEL (1685-1739)  
                  4. Ombra mai fu [2:52]  
                  Giovanni Battista PERGOLESI (1710-1736)  
                  5. Et Jesum [2:12]  
                  Johann Sebastian BACH (1685-1750)  
                  6. Bist Du Bei Mir, BWV508 [2:51]  
                  Antonio VIVALDI (1678-1741)  
                  7. Dell'aura al sussurar [2:09]  
                  (Arrangement by Christopher Charles Hazel)  
                  Thomas ARNE (1710-1778)  
                  8. Where the bee sucks [2:10]  
                  Georg Frideric HANDEL (1685-1739)  
                  9. Where'er You Walk [5:07]  
                  Johann Sebastian BACH (1685-1750)  
                  10. Aus Liebe will mein Heiland sterben [5:18]  
                  Georg Frideric HANDEL (1685-1739)  
                  11. Lascia ch'io pianga [5:15]  
                  Georg Frideric HANDEL (1685-1739)  
                  12. Let the bright seraphim  
                  John DOWLAND (1563-1626)  
                  13. Flow My Tears [4:16]  
                  Henry PURCELL (1659-1695)  
                  14. When I Am laid In earth (Dido's Lament) [4:42]  
                  John DOWLAND (1563-1626)  
                  15. Weepe you no more sad fountains [4:10]  
                  Claudio MONTEVERDI (1567-1643)  
                  16. Pur ti miro [4:50]  
                Soprano world 
                  Antonio VIVALDI (1678-1741)  
                  1. Dell'aura Al Sussurrar [2:22]  
                  Charles GOUNOD (1818-1893)  
                  2. Je Veux Vivre Dans Le Rève [3:39]  
                  Léo DELIBES (1836-1891)  
                  3. Sous Le Dôme Épais [4:22]  
                  Robert SCHUMANN (1810-1856)  
                  4. Du Ring An Meinem Finger [2:54]  
                  Richard STRAUSS (1864 - 1949)  
                  5. Morgen [4:44]  
                  Wolfgang Amadeus MOZART (1756-1791)  
                  6. La Ci Darem La Mano [3:20]  
                  Joseph HAYDN (1732-1809)  
                  7. Nun Blut Die Flur Das Frisch Grun [5:06]  
                  Franz SCHUBERT (1797-1828)  
                  8. An Die Musik [2:43]  
                  Franz SCHUBERT (1797-1828)  
                  9. Ave Maria [2:16]  
                  Johann STRAUSS II (1825-1899)  
                  10. Mein Herr Marquis [2:43]  
                  Dilys ELWYN-EDWARDS (1918-2012)  
                  11. Y Gylfinir (The Curlew) [2:13]  
                  Morfydd LLWYN OWEN (1891-1918)  
                  12. Gweddi Pechadur (The Sinner’s Prayer) [6:04] 
                             
                  
                  
                  
                   
               
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