What do you think of when someone mentions Switzerland? Bankers? 
                  Scenic beauty? Roger Federer? Skiing? Maybe all of those. However, 
                  I guess you will not think of it as the most linguistically 
                  and culturally diverse western European nation. Switzerland’s 
                  diversity derives from its history, having existed as the world’s 
                  oldest democracy for some seven hundred years. After internal 
                  religious conflict, the Congress of Vienna guaranteed its independence 
                  and neutrality in 1815. A new federal state of Cantons was formed 
                  in 1848 with Bern as the capital. The Cantons reflect the country’s 
                  cultural and linguistic diversity. Sharing borders with France, 
                  Germany and Italy these are the appropriate languages of the 
                  population who usually speak at least two along with English. 
                  The diversity of the geographical locations also influences 
                  the artistic and cultural milieu. 
                    
                  The contents of the DVD are concentrated in only two Chapters. 
                  These are focused wholly on the Museo Vela at Lignornetto in 
                  the Swiss-Italian canton of Ticino. The galleries have remarkable 
                  collections of the works of the Vela family, the sculptors Vincenzo 
                  (1820-1891), his elder brother Lorenzo (1812-1897), and his 
                  son Spartaco. The principal part of the collection includes 
                  the works in gesso, a soft material, of Vincenzo’s figures 
                  later reworked in stone. The Museo Vela houses the largest such 
                  exhibition in the world with some spectacular carvings such 
                  as Christ’s head in a crown of thorns and a funerary monument 
                  of an Angel and Child. Vincenzo’s works show his political 
                  affiliations with a statue of Count Cavour, the father of Italian 
                  independence and its first Prime Minister alongside Garibaldi 
                  and Victor Emanuelle II. There is also his model of Napoleon 
                  as he lies near to death. There are many views of the various 
                  galleries and the exterior of the house. The film ends with 
                  the sun setting over the surrounding countryside. Vicenzo rebuilt 
                  the magnificent house between 1862 and 1865. In accordance with 
                  the family’s wishes Spartaco bequeathed it and the contents 
                  to the nation. 
                  
                  Chopin composed most of the music. It dates from the start of 
                  his liaison with the French novelist George Sand. Of the Preludes 
                  Opp. 28 and 45 those included here are the most recognisable. 
                  Attempts are made to match the music to the tone of the sculptures 
                  and paintings. Irina Zaritzkaya plays with a nice balance of 
                  virtuosity and feel for the different moods. The recordings 
                  are well balanced and tonally full. The Variations brillantes 
                  accompany the opening Chapter, the music based on a melody from 
                  an opera by Hérold and Halévy. 
                    
                  Robert J Farr 
                Communication received
                
                Dear Len
                I see with pleasure that Robert J. Farr reviews the latest 
                  of my Video disc release on the Naxos Musical Journey series 
                  (SWITZERLAND) of which I am the scriptwriter and director. Many 
                  years ago, I have created quite a few of those, in fact, the 
                  product is my invention, it was I to be able to convince Klaus 
                  Heymann to start such a product, in order to appetise more people 
                  to classical music.
                Robert Farr does not mention the cameraman’s and my own 
                  name (seen in the credits). In reviews, generally, at least 
                  film directors and script writers deserve that!