As a glance at the track-listing will indicate, this is a wide-ranging 
                  programme. It appears to offer a good representation of the 
                  varied musical fare to which Benjamin Nicholas ensures his young 
                  singers are exposed. It certainly gives them a broad musical 
                  education. One thing seems evident from the results that we 
                  can hear on this disc: the boys love singing. Throughout 
                  the programme enthusiasm and commitment are abundantly in evidence. 
                  
                  
                  Enthusiasm will only get you so far, however. Happily, the fifteen 
                  treble members of Tewkesbury Abbey’s Schola Cantorum collectively 
                  have excellent voices, good musicianship and sound technique 
                  as well so the musical results on this disc are very good. 
                  
                  We hear several very good soloists during the programme but 
                  there’s one exceptional voice among the choir in the shape of 
                  Laurence Kilsby. The year before this recording was made he 
                  was, at the age of eleven, BBC Radio 2’s Young Chorister of 
                  the Year for 2009 and it’s not hard to see why from the several 
                  solos that are allotted to him. The one that particularly caught 
                  my attention was the very first item on the disc, Quilter’s 
                  lovely song Music, When Soft Voices Die. Laurence Kilsby 
                  makes a strong impression right from the start, producing a 
                  rich, round sound – there’s no hint of shrillness, even though 
                  he has some fine top notes. But what strikes me particularly 
                  is the intelligence with which a twelve-year old addresses the 
                  music. Kilsby doesn’t just get through the notes, he offers 
                  a genuine and mature interpretation of the song. I also enjoyed 
                  his account of the other Quilter song and, needless to say, 
                  more regular treble fare, such as the first verse of John Ireland’s 
                  lovely anthem or the Bach/Gounod piece, is grist to his mill. 
                  I hope this young man develops into an equally good adult singer 
                  when his voice breaks. 
                  
                  It will be seen that there are some pieces in the programme 
                  that one is accustomed to hearing treble choirs sing but I applaud 
                  very strongly the good leavening of modern music in the selection. 
                  The pieces by Arvo Pärt and by Philip Wilby – both of them 
                  well executed – are excellent; the Wilby piece is charming. 
                  Gabriel Jackson’s The Land Of Spices must present 
                  a real challenge to young singers. Not only is the wide-ranging 
                  vocal line very demanding – and though the Tewkesbury boys cope 
                  valiantly it sounds as if they find the music a bit taxing at 
                  times – but also the words, by George Herbert, are far from 
                  straightforward. It’s a very interesting piece and I think the 
                  choir does well to put it across as successfully as they do. 
                  
                  
                  There’s also a short, but characteristically interesting vocal 
                  offering from James MacMillan. I’d not previously heard either 
                  Dutch Carol or the organ piece that MacMillan wrote for 
                  his own wedding but I enjoyed both. It’s also good to hear this 
                  fine composer, who usually writes in a very serious vein, composing 
                  somewhat lighter music. 
                  
                  As well as directing the choir very well Benjamin Nicholas contributes 
                  two instrumental solos. One is the aforementioned MacMillan 
                  piece while the other is the item by Howard Skempton, which 
                  is a piano solo. I’m afraid I found the Skempton to be a dreary 
                  piece, which doesn’t really seem to go anywhere. In general 
                  Paul Baxter’s recorded sound is up to its usual high standard 
                  on this disc though I was a little disconcerted from time to 
                  time because it seemed to me that sometimes the sound of the 
                  piano, when accompanying singers, was clouded a little in the 
                  resonant acoustic of Merton College Chapel. Oddly, however, 
                  I didn’t notice this during the Skempton piece. 
                  
                  When the singers are accompanied their support comes either 
                  from Helen Porter, Director of Music at Dean Close School, Cheltenham, 
                  where the boys are educated, or from organist Carleton Etherington, 
                  who is the organist at Tewkesbury Abbey. Both make admirable 
                  contributions. 
                  
                  Returning to the singing, the boys’ renditions of the three 
                  Vaughan Williams items all give great pleasure. I had mixed 
                  feelings about some of their American offerings, though all 
                  are well sung. Copland’s simple, sincere arrangement of At 
                  The River is a success but I didn’t think the Bernstein 
                  song works at all as an item for a group of trebles. In the 
                  booklet we read that this was one of the encores on a 2005 American 
                  concert tour. It may have worked satisfactorily in that context 
                  but I don’t care for it as something to listen to repeatedly 
                  on disc. On the other hand, I was fearful that Barber’s great 
                  song, also an encore piece from that same US tour, would not 
                  sound right, but it does and the boys sing it very well. 
                  
                  The very last piece in the programme is entitled How Can 
                  I Keep From Singing? That is a rather fitting conclusion; 
                  it sums up the evident joy these boys have not only in singing 
                  well but also in singing for sheer pleasure. It’s a very good 
                  way to round off a happy disc.   
                John Quinn
                Track listing
                  Roger QUILTER (1877-1953) 
                  
                  Music, When Soft Voices Die [1:45]
                  Arvo PÄRT (b. 1945) 
                  Vater Unser [2:36]
                  Henry PURCELL (1659-1695) 
                  
                  Fairest Isle (Address To Britain)[2:17]
                  Roger QUILTER (1877-1953) 
                  
                  Love’s Philosophy [1:41]
                  Gabriel JACKSON (b. 1962) 
                  
                  The Land Of Spices [5:35]
                  Howard SKEMPTON (b. 1947) 
                  
                  Whispers [3:49]
                  Léo DELIBES (1836-1891) 
                  O Salutaris Hostia [2:39]
                  John IRELAND (1879-1962) 
                  
                  Ex Ore Innocentium [3:20]
                  Philip WILBY (b. 1949) 
                  
                  The Flower [3:12]
                  Richard Rodney BENNETT (b. 
                  1936) 
                  A Song At Evening [3:31]
                  Johann Sebastian BACH (1685-1750)/Charles 
                  GOUNOD (1818-1893) 
                  Ave Maria [2:42]
                  Henry PURCELL 
                  Nymphs And Shepherds [1:44]
                  James MACMILLAN (b. 1959) 
                  
                  Dutch Carol [1:38]
                  Trad. (arr.Ralph 
                  VAUGHAN WILLIAMS (1872-1958)) 
                  I Will Give My Love An Apple [1:37]
                  Linden Lea [2:30]
                  Dirge For Fidele [3:27]
                  Leonard BERNSTEIN (1918-1990) 
                  
                  Somewhere [2:39]
                  Samuel BARBER (1910-1981) 
                  
                  Sure On This Shining Night [2:39] 
                  Robert LOWRY (1826-1899), 
                  arr. Aaron COPLAND (1900-1990) 
                  
                  At The River [2:28]
                  John TAVENER (b. 1944), 
                  arr. Barry ROSE (b. 
                  1934) 
                  The Lord’s Prayer [2:27]
                  James MACMILLAN 
                  Wedding Introit [3:08]
                  Patrick HADLEY (1899-1973) 
                  
                  I Sing Of A Maiden [2:15]
                  trad., 
                  arr. Percy GRAINGER (1882-1961) 
                  Skye Boat Song [2:49]
                  Robert LOWRY 
                  arr. John SCOTT (b. 1956) 
                  How Can I Keep From Singing? [4:01]