From: 50 Songs of Old Ireland (1892):
The Return from Fingal [2:44]
I Heard 'mid Oak-Trees Olden [2:04]
My Love's an Arbutus [2:44]
'Tis I Can Weave Woollen and Linen [1:35]
An Irish Lullaby [4:09]
From: 30 Irish Songs and Ballads (1893):
Sweet Isle (Air: O'Connor’s Lament) [2:47]
Our Iniskilling Boy (Air: The Irish Lad's a Jolly Boy) [1:31]
The Irish Reel [1:20]
From: 50 Songs of Erin, op.76 (1900):
The Falling Star (Air: Caoine) [4:10]
The Heroes of the Sea (Air: Street Ballad) [1:14]
The Leafy Cool-Kellure (Air: The White-Breasted Boy) [2:20]
The Alarm (Air: Leatherbags Donnell) [1:12]
The Melody of the Harp (Air: The Melody of the Harp) [2:59]
Marching to Candahar [1:09]
Eva Toole [1:38]
From: The Irish Melodies of Thomas Moore: the Original
Airs Restored & Arranged, op.60 (1894):
Remember the Glories of Brien the Brave (Air: Molly McAlpin)
[2:13]
The Song of Fionnuala (Air: Arrah, my Dear Eveleen) [3:39]
Let Erin Remember the Days of Old (Air: The Little Red Fox)
[2:21]
'Tis the Last Rose of Summer (Air: The Groves of Blarney) [4:17]
As a Beam o'er the Face of the Waters (Air: The Young Man's
Dream) [2:50]
The Meeting of the Waters (Air: The Old Head of Dennis) [2:02]
How Dear to me the Hour (Air: The Twisting of the Rope) [3:45]
The Wine-Cup is Circling (Air: Michael Hoy) [1:49]
It is Not the Tear (Air: The Sixpence) [3:08]
From: Six Irish Folksongs (1924):
The Irish Lover (The Londonderry Air) [3:03]
This CD was previously reviewed here.
The title is misleading - these are not strictly songs, nor
are they as arranged by Stanford. This is in fact a fairly random
grouping of Irish folk tunes drawn from Stanford's various collections
of songs further arranged (presumably) by Gilberto Fornito for
flute.
According to Christopher Howell's booklet notes, the arrangements
were undertaken because the texts of Stanford's close friend,
A.P. Graves, include "allusions to abstruse historical
events" which, along with his "would-be poetic diction"
are felt to "weigh heavily upon performance, while some
of his humorous poems verge on the bad Irish joke." That
is as may be but by the same argument, a good half of all operas
and lieder ever written would have to be binned. Allusions to
historical events aside, moreover, similar objections to the
trite doggerel of pop song lyrics may be raised, but that does
not stop them being relentlessly inflicted on new millions!
At least Stanford's music - his Romantic colourisation of folk
material, naturally - has been more or less preserved intact.
Nevertheless, given the rather arbitrary selection of pieces
from Stanford's scores of arrangements - the tracks have been
grouped in the listing above to allow a clearer picture of what
comes from where, but the recording has them in a more or less
random order - Fornito's rather unpolished flute and the lacklustre,
slightly removed recorded sound, there is still no compelling
reason at least for the art music fan to covet this release.
The best way to consider the disc is filed under 'easy listening.'
As such it represents a reasonable, relaxing purchase - perhaps
for background music to Irish-themed soirées, if such things
still exist - although even then it might be as well to listen
in smaller chunks. Even allowing for the alternation of flute
and piccolo, and Stanford's attractive sculptings, there is
only so much variation to begin with in folk music! It may also
appeal to flautists looking for ideas for practice and performance,
particularly amateurs.
Byzantion
see also review
by John France
Collected reviews and contact at reviews.gramma.co.uk
Gilberto Fornito (flute, piccolo) 
