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             Norwegian Safari  
              Håkon BERGE (b.1954) 
               
              Girlander, for accordion [9:21]  
              Antonio BIBALO (1922-2008) 
               
              Accordion Sonata, Quasi una Fantasia [11:50]  
              Wolfgang PLAGGE (b.1960) 
               
              Fractals, for accordion, op.142 [6:08]  
              Erlend SKOMSVOLL (b.1969) 
               
              Piece for accordion [5:58]  
              Terje BJØRKLUND (b.1945) 
               
              Meditatio, for accordion and violin [7:15]  
              Sigmund LILLEBJERKA (b.1931) 
               
              Dazzle Dance, for accordion [3:12]  
                
              Øivind Farmen (accordion)  
              Elise Båtnes (violin)  
              rec. Farmen Studio; Inger Helgesen Stuidproduksjon (Meditatio). 
              No dates given. DDD  
                
              AURORA ACD 5064 [43:45]   
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                A safari is an overland journey undertaken by hunters or tourists 
                  - quite how six works for accordion which "explore the 
                  ambiguous territory of timbral similarities and the relationship 
                  between classical structure and informal styles", all written 
                  by contemporary Norwegian composers, come into it is anyone's 
                  guess - there is no explanation in the booklet notes!  
                   
                  Aurora is the label of the Norwegian Society of Composers, which 
                  laudably "works towards creating opportunities for the 
                  dissemination of contemporary music and for increasing public 
                  awareness of this art form." So far the label has published 
                  nearly 150 CDs.  
                   
                  This latest release opens with Håkon Berge's imaginative 
                  Girlander ('Garland'), a work requiring considerable dexterity 
                  and stamina. It begins with almost rodent-like scurryings, squeakings 
                  and scratchings, and remains primarily in the higher registers 
                  throughout, even in the more reflective middle section.  
                   
                  Antonio Bibalo's Sonata, Quasi una Fantasia, composed 
                  in 1977, is the most substantial piece in the programme, 
                  and the booklet describes it as the "focal point, the heart 
                  of the recording perhaps." Though Bibalo did not write 
                  much chamber music, this was not his only piece for accordion 
                  - in 1988 he wrote Two Nocturnes. This is a complex, often introspective 
                  work and not easy-going, by any means, but still tonal and, 
                  with perseverance, approachable and ultimately rewarding.  
                   
                  Fractals is probably a fairly common title for music composed 
                  in the 21st and late 20th century, given the modernist fascination 
                  and post-modernist obsession with ostinatos. Wolfgang Plagge's 
                  work was a test-piece in an international accordion competition 
                  - in fact, the score can be downloaded for free from the associated 
                  website here 
                  - and certainly requires considerable technique. The notes describe 
                  this as a "dialogue between pedal notes and light echo 
                  effects", but that makes it sound less interesting than 
                  it is.  
                   
                  Hyperbole best describes the claim in the booklet notes that 
                  "the name Erlend Skomsvoll was on everybody's lips in 2000 
                  when the Norwegian pianist arranged a selection of songs by 
                  Chick Corea for the Molde International Jazz Festival." 
                  Nevertheless, Skomsvoll’s Stykke ('Piece') is not without merit, 
                  as it pulses like the heart of a runner who periodically pauses 
                  for breath.  
                   
                  Terje Bjørklund's simple Meditatio is probably the most immediately 
                  appealing and also the most beautiful work on this CD. According 
                  to the notes, Meditatio is "in jazz terrain", with 
                  a "lyrical, almost film music-like atmosphere about the 
                  music." The only part of that frankly half-baked description 
                  which is accurate is the "lyrical". This is an intimate, 
                  gorgeous, evocative, folk-like work, with the violin colour 
                  both complementing and augmenting the accordion.  
                   
                  Finally, though neither dazzling nor dancy, Sigmund Lillebjerka's 
                  Dazzle Dance is an impish little piece which includes a brief 
                  burst of pure percussion - button clicking. The booklet describes 
                  Lillebjerka as an organist, but this seems to be a mistake - 
                  he is primarily a composer of orchestral and chamber music, 
                  and Dazzle Dance is his sole work for accordion.  
                   
                  Øivind Farmen, pictured incidentally in brooding pose in the 
                  CD booklet, performs the often quite demanding music on this 
                  disc very well. Though his biographical notes are adequate, 
                  it would have been nice to have had some information about the 
                  magnificent-sounding instrument he plays.  
                   
                  The sound quality is outstanding - though the booklet does admit 
                  to both mixing and mastering.  
                  The CD case is a cardboard one which looks and feels nice when 
                  new - lovely photos of Norwegian mountains and lochs - but which 
                  will inevitably deteriorate with use and age; for one thing, 
                  the booklet is housed in a slot which will eventually need Sellotape 
                  for life-support.  
                   
                  In sum, this disc is worthy of genuine consideration by anyone 
                  interested in adventurous accordion music, although at a rather 
                  parsimonious 44 minutes in length, digital download, the format 
                  in which it was originally released in November 2010, is much 
                  the better buy.  
                   
                  Byzantion 
                   
                 
                
                  
                  
                  
                  
                  
                
                 
                   
                 
                 
             
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