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             Romantic Chamber Music  
              Felix MENDELSSOHN (1809-1847) 
               
              Sextet in D, Op 110 [30:46]  
              Conradin KREUTZER (1780-1849) 
               
              Grand Septet in E flat, Op 62 [32:45]  
              Franz BERWALD (1796-1868)  
              Grand Septet in B flat [23:20]  
              Alexander BORODIN (1833-1887) 
               
              Piano Quintet in C minor [20:49]  
              Nikolai RIMSKY-KORSAKOV (1844-1908) 
               
              Piano Quintet in B flat [32:58]  
                
              Wiener Oktett (Vienna Octet) (Anton Fietz, Wilhelm Hübner (violin); 
              Günther Breitenbach, (violas), Ferenc Mihály (cello), Burghard Kräutler 
              (double-bass), Alfred Boskovsky (clarinet), Wolfgang Tomböck (horn), 
              Ernst Pamperl (bassoon), Werner Tripp (flute)); Walter Panhofer 
              (piano)  
              rec. September 1968 (Mendelssohn, Borodin), October 1968 (Kreutzer, 
              Berwald), November 1972 (Rimsky-Korsakov), Sofiensaal, Vienna, Austria. 
              ADD  
                
              DECCA ELOQUENCE 480 2397 [63:31 + 77:07]   
             
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                  A matter of days before this disc arrived in the post, a fellow 
                  listener whose judgment I trust raved about the new Eloquence 
                  budget-price reissues of the Wiener Oktett. If he could, he 
                  said, he would buy all ten of the new discs. It’s hard not to 
                  share that enthusiasm: indeed, after auditioning two of the 
                  releases for reviews on this site, I ran out and bought two 
                  more.  
                   
                  This set in particular might be the best place to start. The 
                  ‘Romantic Chamber Music’ program underscores the Wiener Oktett’s 
                  penchant for off-the-beaten-track repertoire and its stylish, 
                  sunny interpretations. I can’t imagine Decca recording a new 
                  recital of Franz Berwald and Conradin Kreutzer today, and they’d 
                  be hard-pressed to find an ensemble this good to play it.  
                   
                  The Oktett’s provenance — it was composed of players from the 
                  Vienna Philharmonic and Symphony orchestras, and there were 
                  more than eight performers so that the ensemble could tackle 
                  numerous instrumentations — goes a long way toward explaining 
                  the players’ supreme technical command. They also have real 
                  joie de vivre, a distinct personality, so that one can 
                  feel a fresh breeze through the whole program. The Wiener Oktett 
                  are at their best bringing out the perfumed charm and freshness 
                  of scores; that their leader, violinist Willi Boskovsky (although 
                  not heard on this disc), went on to conduct huge swathes of 
                  Johann Strauss is no coincidence.  
                   
                  The sunny dispositions of the players are especially clear in 
                  the Grand Septets by Kreutzer and Berwald. The Kreutzer, a sprawling 
                  serenade in six movements, pleases with a Schubertian gift for 
                  tunes and a string of bubbly dance movements. Berwald’s is a 
                  more compact, perhaps more expressive work, just the right length 
                  at about twenty-five minutes. Some have called it his masterpiece, 
                  and I would be hesitant to disagree: it combines the grace of 
                  a Mozart divertimento with droll wit and playfulness, especially 
                  in the finale. Like his most famous work, the Sinfonie singulière, 
                  the adagio is interrupted by a peppy dance.  
                   
                  Another item on the program strikes a darker note: Borodin’s 
                  Piano Quintet. The Viennese handle the change in tone by playing 
                  up the lyricism of the Russian work, not hard to do given its 
                  emotive and melodic appeal; pianist Walter Panhofer, especially, 
                  has many opportunities to wax poetic, including the atmospheric 
                  opening.  
                   
                  Borodin’s contribution is followed up by Nikolai Rimsky-Korsakov’s 
                  quintet for piano and winds, a work so sprightly and chipper 
                  as to border, in its opening moments, on self-parody. The Vienna 
                  winds, especially the opening bassoon and clarinet solos, are 
                  just so darn cheery and bouncy! The slow movement brings reminders 
                  of the composer’s true identity, including a Russian folk-song 
                  interjected near the end, and the clarinet has a rich, folk-like 
                  solo in the finale around 3:50, as well. All of it is played 
                  with charm and a pleasing palette of colors by the Wiener Oktett. 
                   
                   
                  Rounding out the set - actually, opening it - is Felix Mendelssohn’s 
                  Sextet, given an excellent performance by five string players 
                  and pianist Walter Panhofer, who can occasionally dominate proceedings 
                  but sounds great doing it. Indeed, the Oktett’s style is as 
                  perfectly suited to Mendelssohn’s colorful romantic cheer as 
                  it was to Kreutzer’s classicized dance movements. There’s not 
                  a dud performance on these discs.  
                   
                  The sound quality is fine, dating from 1968-72; though they 
                  don’t have the depth or realism of today’s recordings, they 
                  are never a problem. If you have yet to hear the more obscure 
                  works on offer here, by Kreutzer, Berwald, and indeed Borodin 
                  and Rimsky-Korsakov, the Wiener Oktett’s charming playing will 
                  win you over with ease; while their style is not well-suited 
                  to music with gravitas, it is pitch-perfect in this recital. 
                  The result is two compact discs of chamber music heaven.  
                   
                  Brian Reinhart  
                   
                   
                  The Decca Eloquence series - Wiener Oktett  
                  Dvorak: Sextet / String Quintets Opp. 77 & 97 / String Quartet 
                  / Bagatelles 480 2375 CDs: 2  
                  Mozart From A Golden Age - Four Divertimenti 480 4328 CDs: 2 
                   
                  Mozart / Beethoven / Michael Haydn - Chamber Music 480 2378 
                  CDs: 2  
                  Romantic Chamber Music - Mendelssohn / Kreutzer / Berwald / 
                  Borodin etc 480 2397 CDs: 2  
                  Beethoven: Sextet / Septet / Piano Quintet; Schubert: Octet 
                  480 2403 CDs: 2  
                  Brahms: Clarinet Quintet / Mozart: Clarinet Quintet / Baermann: 
                  Adagio 480 3795 CDs: 1  
                  Mozart: Five Divertimenti / March in D major 480 2394 CDs: 2 
                   
                  Spohr: Chamber Music 480 2400 No. CDs: 2  
                  Mendelssohn: Octet in E flat / Schubert: Piano Quintet 'Trout' 
                  / Octet in F 480 3431 CDs: 2  
                  20th Century Chamber Music (Badings, Britten, Hindemith, Poot, 
                  Wellesz) 480 2406 CDs: 2 
                
  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                    
             
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