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CD: 
MDT
 
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             Franz LISZT 
              (1811-1886)  
              Book: Liszt – His Life and Music by Malcolm 
              Hayes   
              Chapter 1: The Life: From Prodigy 
              to Travelling Virtuoso  
              Chapter 2: The Music: 1822-1847, The 
              Lion of the Keyboard  
              Chapter 3: The Life: 1847-1861, Weimar  
              Chapter 4: The Music: Art and Poetry  
              Chapter 5: The Life: 1861-1868, Rome  
              Chapter 6: The Music: 1861-1868, Urbi et orbi  
              Chapter 7: The Life: 1869-1886, Une vie trifurquée  
              Chapter 8: The Music 1869-1886, A spear thrown into the future  
              Music:  
              Orpheus (complete) 
              From the Cradle to the Grave (complete)  
              Complete movements from: Années de pèlerinage, première (Suisse), 
              et deuxième années (Italie), Harmonies poétiques et religeuses, 
              Legends, Hungarian Rhapsodies, Études, Sonata 
              in B minor (extract only), Urbi et orbi - benediction 
              papale, operatic and lieder paraphrases: Guillaume Tell 
              and Rigoletto and Schubert’s Auf dem Wasser zu singen, 
               
              Via Crucis (five movements) 
              Ave Maria.  
                
              NAXOS 8.558214-15 [76:34 + 77:35]   
             
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                  These Naxos music educational packages get better and better. 
                  This new one released to mark the centenary of Liszt’s birth 
                  on 22 October 2011, is particularly generous. It can be a very 
                  useful reference point for both young people learning the basics 
                  of classical music and experienced music-lovers who would 
                  appreciate such a compact resource.  
                   
                  It includes Malcolm Hayes’ very readable introductory biography 
                  with a useful selected bibliography for further, deeper study. 
                  Hayes covers the composer’s early life as a travelling virtuoso 
                  and his disastrous personal relationships with his women, especially 
                  Countess Marie d’Agoult and Princess Carolyne Sayn-Wittgenstein; 
                  the vicissitudes of his chequered romance with the latter lady 
                  would strain the belief of readers of even the most outrageous 
                  fiction. Also well documented are Liszt’s friendships with some 
                  of the leading composers of the times including Berlioz, Chopin 
                  and Wagner. In between the biographical chapters there are none-too-technical 
                  appreciations of the music. These are often cross-referenced 
                  to the musical excerpts on the accompanying CDs and to the special 
                  web site which incidentally includes hours of extra music offering 
                  works heard on the CD in full. Online one can hear all the pieces 
                  that comprise Années de pèlerinage, première (Suisse), et 
                  deuxième années (Italie) and Harmonies poétiques et religeuses. 
                    The emphasis of the musical examples on the two CDs, 
                  is unsurprisingly placed on Liszt’s piano works. The soloists 
                  – Kemal Gekič, Oxana Yablonskaya, William Wolfram, Philip 
                  Thomson, Arnaldo Cohen and, most frequently and very satisfyingly, 
                  Jeno Jandó – deliver lucid and evocative performances. It is 
                  amazing to realise that Naxos have published 32 albums of Liszt’s 
                  piano works. These include his sacred pieces and his many transcriptions 
                  of other composers’ operatic and symphonic works. The discs 
                  are listed on the web-site; good publicity for Naxos but nevertheless 
                  another useful addition. Speaking of other composers, the web-site 
                  also carries some music typical of composers who influenced 
                  Liszt or were included in Liszt’s circle: Beethoven, Berlioz, 
                  Brahms, Schumann, Chopin, Hummel, Mendelssohn, Saint-Säens 
                  and Wagner.  
                   
                  If all this wasn’t enough, the book also provides a full track-by-track 
                  analysis of all the pieces on the two CDs, a glossary of musical 
                  terms and a brief descriptive list of all the personalities 
                  who impacted on Liszt’s life and music.  
                   
                  One jarring note – I found that on several occasions I could 
                  not access the treasures on the web-site. This music seemed 
                  to be ‘down’ at the time I made my visits. I trust Naxos will 
                  rectify this irritation?  
                   
                  Will satisfy Liszt admirers as well as all music-lovers whether 
                  beginners or experienced performers or listeners.  
                   
                  Ian Lace  
                  
                 
             
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