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 CD: MDT 
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            Johann Sebastian 
              BACH (1685-1750)  
              Sacred Works  
              Mass in B Minor BWV 232 [106:42]  
              Missae BWV 233-236 
              Sanctus BWV 238 [119:47]  
              Christmas Oratorio BWV 248 [149:39]  
                
              Barbara Schlick, Angès Mellon, Catherine Atriasz (sopranos); Gérard 
              Lesne, Michael Chance, Charles Brett, (altos); Christoph Prégardien, 
              Howard Crook (tenors); Peter Kooy (bass)  
              Chorus and Orchestra of Collegium Vocale, Ghent/Philippe Herreweghe 
               
              rec. April 1988, Minderbroederskerk, Ghent, Belgium (BWV 232), April 
              and July 1990, Abbaye aux Dames, Saintes, France (BWV 233-236, 238), 
              January 1989, Minderbroederskerk, Ghent, Belgium (BWV 248).  
                
              VIRGIN CLASSICS 6482912 [6 CDs: 376:08]   
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                Philippe Herreweghe has spent most of his career recording 
                  for Harmonia Mundi, yet, for a short time, he recorded some 
                  of Bach’s sacred music for Virgin. This box set contains 6 CDs 
                  and most of his Bach recordings for that label; it leaves out 
                  two discs of cantatas he recorded for them. Included are two 
                  well-known works - the Christmas Oratorio and the Mass 
                  in B Minor - as well as two smaller masses that are rarely 
                  recorded. It’s worth noting that Herreweghe recently left Harmonia 
                  Mundi to found his own label, f, whose name will make it too 
                  easy for people to fail to find his recordings.  
                   
                  Herreweghe’s experience with Bach goes back a long way. He was 
                  the chorus-master, with Collegium Vocale Gent, on a number of 
                  sacred cantata recordings made by Gustav Leonhardt in the ground-breaking 
                  set by Leonhardt and Harnoncourt for Teldec. Herreweghe has 
                  always had a very satisfying approach to Bach, both in his cantata 
                  recordings, and in the larger-scale works, such as the B Minor 
                  Mass and the passions. Herreweghe is no HIP conductor of Bach’s 
                  music; he also does not have a romantic approach to the music, 
                  with huge choirs and lush strings. His recordings can be situated 
                  in a middle ground between the extremes, and this makes Herreweghe 
                  one of the leading conductors of Bach’s sacred music.  
                   
                  The Mass in B Minor is easy to overdo from the very first notes. 
                  If the choir is too large, too present, the sound can become 
                  overbearing; yet a choir too small can be disconcerting. Some 
                  HIP recordings of the Mass in B Minor, with very small choirs, 
                  are very interesting, but most likely not to the taste of the 
                  majority of listeners. Herreweghe is a choir-master in addition 
                  to a conductor, and this helps make his Bach recordings stand 
                  out: there is always an ideal balance between the choir and 
                  the orchestra, and Herreweghe never lets the choir become too 
                  present. The five soloists in this work are all fine singers. 
                  The balance among the instruments, and between the soloists 
                  and orchestra, is ideal, giving this work an intimate feel. 
                  Herreweghe’s tempi are about average for this work, though at 
                  times there’s something about the music that makes me want to 
                  hear it just a tad faster.  
                   
                  The four short masses, BWV 23-236, are, essentially, choral 
                  cantatas set to Latin church texts. Bach may have intended these 
                  to be a series, and there are many stylistic similarities among 
                  them. These little-known and rarely-recorded works do not have 
                  the depth of the Mass in B Minor, but are excellent on their 
                  own. Like many cantatas, they contain both choral movements 
                  and solo arias, but they have no recitatives. As in Herreweghe’s 
                  cantata recordings, an intimate yet expansive approach is evident; 
                  the choral movements are very spacious, but the solo arias remain 
                  intimate and subtle.  
                   
                  Finally, the Christmas Oratorio is, as we know, more 
                  a collection of six cantatas than an actual oratorio. Many of 
                  the various sections are parodies - adaptations of earlier works 
                  - but together they form a fresh, unique set. Herreweghe’s total 
                  time for this work is on the fast side compared to many recordings, 
                  and, from the very first movement, this version has a bouncy, 
                  bubbling sound. Again, the, choir is excellent, and the four 
                  soloists - Schlick, Chance, Crook and Kooy - are wonderful. 
                  The Christmas Oratorio contains some of Bach’s finest 
                  arias, and the two-and-a-half hours of music on these two discs 
                  is delightful.  
                   
                  Herreweghe is, as I said earlier, a proponent of a sort of “middle 
                  way” in Bach interpretation. His meticulous attention to detail, 
                  his mastery of the choir, and his choice of soloists make the 
                  recordings in this set among the best in the discography. I 
                  would put Herreweghe alongside Gardiner and Suzuki in terms 
                  of approach; Gardiner is, perhaps, a bit more spontaneous and 
                  Suzuki a bit more polished, but I have long enjoyed Herreweghe’s 
                  many recordings of Bach’s sacred music. This budget box set 
                  is a great way to discover his fine recordings, and hear some 
                  of Bach’s most wonderful compositions.  
                   
                  Kirk McElhearn 
                 
             
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