Let’s start with my favourites. Robert Farnon’s Derby
Day and Peanut Polka make very good bookends in this
delightful concoction. Derby Day is a marvellous tongue-in-cheek
march of the kind heard in 1950s newsreel films. Peanut Polka is
a really tangy piece - obviously they’re salted peanuts!
Percy Faith’s Caribbean Night is sultry and
hot blooded, very nice indeed. Angela Morley’s Miss
Universe, written before political correctness deemed this
kind of thing as sexist, is one of those pretty girl is like
a melody walk down the catwalk in an itsy bitsy teeny weeny polka
dot bikini looking great kind of things - I can visualise
it now as I write. This is a lovely piece with some racy writing
for muted trumpet and high winds. Michael Carr’s Falling
Star is full of lovers’ music - dreamy and sensuous
- and a nice touch of trombone using the plunger mute. You couldn’t
get further from Tannochbrae than Trevor Duncan’s bongo-filled Smile
Of A Latin - great fiddle tune and snappy brass punctuations.
Billy Mayerl’s Reno Runaway - what is this about?
Escape to a quickie divorce? It’s a brief and breezy miniature. Proud
As A Peacock is a silly symphony in itself and it’s
good to have it here, especially for the funky harpsichord. Eric
Spear seems only to be remembered for one composition - the title
music to TV’s Coronation Street. You’ll know
David Curry’s Leprechauns’ Dance but, probably
like me, you’ll be shocked because I always thought that
this piece had something to do with cowboys and the wild west!
Peter Yorke’s Monica is a character portrait with
lots of strings and little else. Al Golding’s On The
Fiddle is one of those American scherzos, all movement and
flattened thirds and fifths, reminiscent of the first movement
of Don Gillis’s Symphony No 5½.
As usual, each track is full of interest and packed with good
things - these Guild Golden Age releases (see review
index) are
just like a box of favourite chocolates, there’s always
another with a satisfying centre to make you come back for more.
I’m
addicted to this series and you should be too!
Bob Briggs
Details
Robert FARNON (1917 - 2005) Derby Day [2:25]
Gérard CALVI (pseudonym for Grégoire
Elie KRETTLY) (b.1922) Le Bal De Madame De Mortemouille
(Madame De Mortemouille’s Ball) [2:42]
Percy FAITH (1908 - 1976) Caribbean Night (Noche
Caribe) (from “Starlift”) (1951) [2:55]
Helmut ZACHARIAS (1920-2002) The Boy On The Carousel
[2:29]
José FONTAINE: Whimsy [2:23]
Eugene CINES (1918 - 2004) Spindrift [3:21]
Joe LEAHY: Theme from “Studio X” (1956)
[3:11]
Francois J M CHARPIN: Golden Strings [1:59]
Cole PORTER (1891 - 1964) Everything I Love [3:05]
Angela MORLEY (at that time known as Wally STOTT) (1924
- 2009) Miss Universe [2:17]
Michael CARR (1905 - 1968) Falling Star [2:31]
Ken MORRIS (pseudonym for Ken MACKINTOSH) (1919-2005) Strings
On Wings [3:03]
Leon POBER (1920-1971) Rainbow’s End [2:51]
Trevor DUNCAN (pseudonym for Leonard Charles TREBILCO) (1924
- 2005) Smile Of A Latin [2:32]
Francois LEMARQUE: La Grenouille [2:14]
Billy MAYERL (1902 - 1959) Reno Runaway [2:33]
Eric SPEAR (1908-1966) Proud As A Peacock [2:02]
Nino ROTA (1911 - 1979) Stars Shine In Your Eyes
(from “La Strada”) [2:48]
David CURRY: Leprechauns’ Dance [2:50]
JACOBSON: Everyday [2:48]
George ELLIOTT: Piccadilly Playboy [2:47]
Ted KOEHLER (1894 - 1973) and Harold ARLEN (1905
- 1986) (arranged by Tony OSBORNE (pseudonym for Edward
Benjamin OSBORNE (1922-2009)) I’ve Got The World
On A String [2:20]
Guy LUYPAERTS (b.1917) Chatter Box [1:31]
DAVIS: Silhouettes In The Sand [2:11]
Peter YORKE (1902 - 1966) Monica [2:35]
Len STEVENS (full name Herbert Leonard STEVENS) (d
1989) Smart Set [2:49]
Frank CORDELL (1918 - 1980) Rhapsody In Red [2:22]
Al GOLDING: On The Fiddle [2:49]
Robert STOLZ (1880-1975) African Moon [2:52]
Robert FARNON: Peanut Polka [2:37]
Acquaviva (Jacobson), Lou Busch (Pober), Gérard Calvi (Calvi), Frank Chacksfield
(Duncan), Frank Cordell (Cordell), Percy Faith (Faith), Richard Hayman (Cole
Porter), Joe Leahy (Leahy), Guy Luypaerts (Fontaine and Luypaerts), Ray Martin
(Davis), Cyril Ornadel (Carr), Tony Osborne (Arlen), David Rose (Rota), Boris
Sarbek (Lemarque), Eric Spear (Spear), Sidney Torch (Golding), all conducting “his” own
Orchestra; Mishel Piastro and his Concert Orchestra (Peanut Polka); Florian ZaBach,
His Violin and Orchestra (Charpin);
Amsterdam Symphonic Orchestra conducted by Tom van Elst (Cines); The Connaught
Light Orchestra (Yorke); The Crawford Light Orchestra (Curry); Danish State Radio
Orchestra Conducted by Robert Farnon (Farnon Derby Day, Morris)
Grosvenor Studio Orchestra conducted by Dolf van der Linden (Stevens); The New
Century Orchestra, conducted by Erich Börschel (Mayerl); The Symphonia Orchestra
conducted by Curt Andersen (Elliott); The Telecast Orchestra, conducted by Elliott
Mayes (Morley), conducted by Robert Farnon (Stolz); Helmut Zacharias and his
Magic Violins (Zacharias)
rec. 1950-58.
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