52,943 reviews
and more.. and still writing ...

Search MusicWeb Here



International mailing

  Founder: Len Mullenger             Editor in Chief: John Quinn               Contact Seen and Heard here  



  AmazonUK   AmazonUS

Dmitri SHOSTAKOVICH (1906-1975)
Concerto for Piano, Trumpet and Strings in C minor, Op. 35a (1933) [23'05].
Concertino for Two Pianos in A minor, Op. 94 (1953, arr. piano/chamber orchestra Ilya Dimov) [9'48].
Concerto for Piano and Orchestra No. 2 in F, Op. 102 (1957) [18'36].
Florian Uhlig (piano);
aPeter Leiner (trumpet)
SWR Radio Symphony Orchestra Kaiserlautern/Jirí Stárek.
rec. SWR Studio Kaiserlautern, 2002-2004. DDD

A nice idea to sandwich a world premiere recording of Ilya Dimov's arrangement of the Concertino in between Shostakovich's two piano concertos. No.1 is the most famous, with its second soloist being the obbligato trumpet. Uhlig is a neat player - great cleanliness of finger articulation - yet there is a gritty quality missing here. The trumpeter, Peter Leiner, is marvellously confident, but the two miss the high-jinks of this score and the joie-de-vivre.. There is a fair amount of fantasy to the Lento, admittedly, and moments of real tenderness from the orchestra. As for the finale, it is a near-miss. There is fun here, but Uhlig can be on the tame side - the interjection chord at 3'26, for example, loses its 'joke' and therefore its point - the recording is slightly swimmy, which makes the denser-scored passages rather congested. A recent performance here in London by Simon Trpceski was far closer to the score's truth (review).

The Concertino is an arrangement for piano and chamber orchestra of the Concertino for Two Pianos, a work composed in the wake of the Tenth Symphony. 'Dark' as a description hardly covers the opening – ‘bleak’ is closer. Uhlig conveys the introspection well, even the more rhythmic passages taking on the character of a macabre dance., while Dimov's orchestration is convincing.

The Second Concerto begins with the woodwind providing pure delight. Uhlig's simple octave melody proves he has yet to master the Art of the Simple. This movement is a masterpiece of the composer manipulating seemingly plain material - is that really 'What shall we do with the drunken sailor?' goes the debate - to make an edifice that is pure Shostakovich. There is much energy to this performance; more in the first movement than in the whole of Uhlig's First Concerto, in fact. An interior slow movement of much concentration - the orchestra's beginning – the first 1 ˝ minutes, is exemplary - leads to a playful finale, the 7/8 rhythms of which are dispatched with much relish.

The booklet includes an interesting interview with conductor and soloists. Playing time is low (a smidgen over fifty minutes), but the inclusion of the Concertino arrangement makes this worth a listen.

Colin Clarke



Advertising on

Donate and keep us afloat


New Releases

Naxos Classical

Nimbus Podcast

Obtain 10% discount

Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

Return to Index

Untitled Document

Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.