MusicWeb International One of the most grown-up review sites around 2024
60,000 reviews
... and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


Support us financially by purchasing this from

Leichte Muse - Von Zemlinsky bis Gershwin
Ildikó Raimondi (soprano)
Junge Philharmonie Wien/Michael Lessky
rec. 2016, Vienna Konzerthaus
Sung texts enclosed but no translations
GRAMOLA 99173 [53:23]

Born Ildikó Clara Szabo in Arad in Romania, she was First Prize Winner in the operetta category in the prestigious International Hans Gabor Belvedere Singing Competition in Vienna in 1988, and it was as an excellent Hanna Glawari in Die lustige Witwe I heard her at the Volksoper in Vienna the following year. Since 1991 she has been a member of the Vienna State Opera and also had an international career, both in opera and concert. On the present disc she lets her hair down and indulges in some lighter repertoire and she is as fresh and glittering as I remember her from 30 years ago. She may have to work a little harder but she does it with great elegance and taste – and her pianissimos are truly magical. The repertoire is light but largely unhackneyed. How often do we hear Zemlinsky’s songs for instance? The opening Liebe und Frühling is charming, and later on she treats us to In der Sonnengasse – which is still more attractive – and the humorous Herr Bombardil, who ate so much and grew so fat, that when he “fell in the grave the maggots became fatter”. There is even a World Premiere Recording here in the shape of Zemlinsky’s Lustspiel-Ouvertüre, a quite entertaining piece with clever orchestration but in the long run too boisterous. Pure orchestral is also Ernst Fischer’s Perlender Champagner (Sparkling Champagne), quite typical German light music from the 1930s, joyful, melodious, professional. Fischer is probably best known for his orchestral suite Südlich der Alpen (South of the Alps). Orchestral is also Gershwin’s overture to Strike up the Band, elegant and entertaining and very well played by the young musicians in the Junge Philharmonie Wien, where all the players are between 17 and 27.

Zemlinsky’s most famous pupil, Arnold Schönberg (who also became his brother-in-law) is represented by two of his cabaret songs – or Brettl-Lieder as they are known in German. Gigerlette has indeed become very popular – and rightly so – but the setting of Schikaneder (of Zauberflöte fame) is also utterly attractive. Both are sung with freshness and elegance.

Nico Dostal’s music is not heard very often today, I’m afraid, but in the 1930s he was much in vogue. Best known is Clivia, his first operetta from 1933, and Die ungarische Hochzeit from 1939. I reviewed a complete recording of the latter a couple of years ago, and though the story is complicated and unlikely, the music is attractive. And so is this aria from Clivia, which is enticingly sung by Ildikó Raimondi.

Finally, I was very happy to see that she included two songs by Franz Lehár. Not the Vilja Lied, unfortunately, but two relative rarities: the very attractive Schöne Rose from Wiener Frauen and a number from Eva. And yes, she sings them as wonderfully as she sang the Vilja Lied thirty years ago!

A truly delicious disc! A pity though that the playing time is so parsimonious. There could have been room for the Vilja Song as well!

Göran Forsling

Contents
Alexander ZEMLINSKY (1871 – 1942)
1. Liebe und Frühling (From Posthumous Songs, orch. by Michael Lessky) [1:58]
2. Lustspiel-Ouvertüre (Comedy Overture) [10:26]
Nico DOSTAL (1895 – 1981)
3. Ich bin verliebt (from „Clivia”) [5:24]
Franz LEHÁR (1870 – 1948)
4. Schöne Rose (from „Wiener Frauen“) [7:46]
5. Wär es auch nichts als ein Traum vom Glück (from „Eva“) [3:29]
Ernst FISCHER (1900 – 1975)
6. Perlender Champagner [4:05]
Alexander ZEMLINSKY
7. In der Sonnengasse [1:48]
8. Herr Bombardil [1:48]
(from Posthumous Songs, orch by Michael Lessky)
Arnold SCHÖNBERG (1874 – 1951)
9. Gigerlette [2:04]
10. Arie aus dem “Spiegel von Arkadien” [3:30]
(from Vier Brettl-Lieder orch by Scott Dunn)
George GERSHWIN (1898 – 1937)
11. By Strauss [2:59]
12. Overture to “Strike up the Band” [7:57]



Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing