This disc was greeted 
                warmly when first issued on the Tring 
                label and critical reception remains 
                pretty much unchanged. As a single CD 
                mixed Borodin anthology in contemporary 
                digital sound and at bargain price this 
                stands at the head of the recommendation 
                list. 
              
 
              
The blend of works 
                places the Second Symphony at the core 
                of the collection. Around it are grouped 
                a clutch of orchestral perennials from 
                Prince Igor as well as the dreamy 
                and easygoing tone poem In the Steppes 
                of Central Asia. More than ever 
                this work struck me as a monothematic 
                mirage - a sort of precursor of Ravel's 
                Bolero. Schmidt plays it as an 
                oneiric vision. 
              
 
              
His Igor overture 
                is sensational - drawn with great dramatic 
                insight. The roughened brass fanfare 
                crescendos are superbly done. Despite 
                being taken down in a studio environment 
                - CTS studios where Schmidt also recorded 
                his outstanding Sibelius 5 - Schmidt 
                captures the buzz of the opera house. 
                He grasps every opportunity to catch 
                the volatile dervish whirl of this music. 
                That magic can be gleaned from hearing 
                the frenzy of the first Polovtsian 
                Dance as well as the beguiling motion 
                and languor of the famous 'Stranger 
                in Paradise' tune. Woodwind solos flare 
                and flame suggesting the undomesticated 
                exoticism of the Polovtsi palanquins. 
                Menace is to be found in these scores 
                as the rather repetitive March shows 
                with its passing reminiscences of Mussorgsky's 
                Unhatched Chicks. 
              
 
              
The Second Symphony 
                bears out all the same fine audio-technical 
                and interpretative qualities. Schmidt 
                resist the temptation to dawdle. His 
                first movement proceeds at a cracking 
                pace without gabble or smudged articulation. 
                Speaking of which this symphony is pretty 
                much of a works' outing for the French 
                Horns who distinguish themselves notably 
                time after time; two examples: discreetly 
                in the second movement's spasms of quiet 
                repeated notes and then in the third 
                movement's cantilena solo. 
              
 
              
Schmidt's recorded 
                output is exiguous - more's the pity. 
                His Nielsen symphonies are core recommendations 
                as is his Sibelius 5; and all of these 
                are on Regis. They are all well worth 
                tracking down. 
              
 
              
There are various single 
                disc Borodin collections but none as 
                competitive as this which must be a 
                first recommendation. If however you 
                were looking for all three symphonies 
                on one disc go for Tjeknavorian and 
                the National PO on BMG-Sony. 
              
 
                Rob Barnett