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Swithun!
Demons and Miracles from Winchester around 1000
Dialogos/Katarina Livljanić
rec. 5-8 October 2019, Abbaye de Noirlac, France
Texts and translations included
Reviewed as downloaded from press preview
ARCANA A491 [66:11]

The world is none the worse for the permanently delayed release of my planned MPhil dissertation on the revival of learning in England, and especially in its then capital, Winchester, between the time of King Alfred and the Regularis Concordia, the Benedictine Reform, but I venture to suggest that listeners will be greatly enriched by this new recording of music associated with the Cathedral’s saint, Bishop Swithun, taken from the accounts of his life by Wulfstan of Winchester and by Abbot Ălfric, one of the figure-heads of the revival of learning, usually known as Ălfric of Eynsham, a former pupil of the main figure behind the revival, Bishop Ăthelwold – read about him here – and the Winchester Troper which preserves chants designed for use in the Minster, as Winchester Cathedral then was, around the time of the revival, c.1000.

Contrast the superb music in the troper with King Alfred’s gloomy picture of the state of learning in England a hundred years earlier, when the understanding of Latin seemed almost to have died out, or even with another (Bishop) Wulfstan’s Sermo Lupi ad Anglos, his scathing letter to the English about their backsliding into ignorance and heathen ways, this time from around the year 1000, and the quality of the music in the Troper is amazing: there’s even one text in Greek in this collection. (Apologies that the Greek has not come out quite right in html.)

The well-known belief that any rain on St Swithun’s day betokens rain for a further 40 days is only a small part of the saint’s legend. It applies only if it rains on Winchester bridge, and it arose from the decision to bring Swithun’s body into the Old Minster, the rain apparently indicating that he preferred to remain outside. Oddly, very little is known about the life of Swithun, so the accounts of his ‘life’ are actually concerned with what happened after his death. He’s not known to have been especially bothered by demons, like St Anthony, so the subtitle of this CD is something of a catchpenny. Many miracles, however, were associated with him, some of them included in this programme, including one where he healed a man smitten by three Furies. Abbot Ălfric of Eynsham’s Lives of the Saints, written for lay readers in Old English, gives us a vivid account of his tomb, festooned with abandoned crutches, and of the miracles which led to those crutches being left behind. You can find details and some of the Old English text and translation in an online blog from the ‘Clerk of Oxford’ here. Wulfstan’s Narratio, on the other hand, in Latin, was intended for learned readers.

Dialogos is an all-female group of four voices, so it’s hardly surprising, given the music here, that the performances are reminiscent of the much missed Anonymous 4, who made so many fine recordings of medieval music for the Harmonia Mundi label.

The group has recorded a programme which they have been presenting live for some time as a form of miracle play about the life of Swithun – details here. Some aspects of that presentation are inevitably missing from an audio recording, but I for one am grateful to have received this new Arcana release for review. In any case, some of the drama of the presentation is preserved, for example by the opening piece announcing the presence of Ălfeah, Ordbriht, Wulfsin and Ălfric, all resplendent in the glory of their priestly authority (not ‘episcopal’, as translated in the booklet.) The reference to the four witnesses reflects the practice, described in the booklet, of performing the music with two junior singers backed up by two seniors, but none of the members of Dialogos can be regarded as in any way inferior.  We seem to have found worthy sucessors to Anonymous 4.

Music from the Winchester troper has occasionally featured on other recordings, notably from the Schola Gregoriana of Cambridge and Mary Berry on a 1992 Herald recording of Christmas in Royal Anglo-Saxon Winchester: 10th-century Chant from the Winchester Troper (HAVP151). That’s a reconstruction of a festal mass, so there’s no overlap with the new recording or with a Harmonia Mundi recording, also of medieval Christmas music from the Orlando Consort (HMU907418). On another recording, from Aeon, Music for a King: The Winchester Troper music for Easter from the Troper actually takes up only part of an album. I responded very favourably to that part of the recording, but found the modern music on the rest out of sync with the earlier content – DL News 2014/5.

Now Arcana have given us a recording consisting entirely of earlier music, much of it directly taken from the Winchester service books of the time, the rest a reasonable reconstruction of the style of that music in setting the words of the early accounts of the life of Swithun. While the enterprise is clearly mainly of interest to those like myself who value Old English literature and music, general listeners should not automatically consider themselves precluded. David McDade, who more usually reviews much more modern music, including much contemporary repertoire that remains a closed book to me, recently reviewed a Linn recording of music from the later medieval Old Hall Book, thoroughly enjoyed it, and said so in his Recommended review. Give Swithun a chance – perhaps try out this music from Naxos Music Library or another streaming service – and his ethereal music may well work the same sort of miracle for you.

Brian Wilson

Dialogos:
Christel Boiron
Clara Coutouly
Caroline Gesret
Katarina Livljanić

Contents
Wulfstan of Winchester, Narratio metrica de sancto Swithuno:
Ălfeah adest, Ordbirhtus adest, Wulfsinus et Ălfric [1:49]
Two-part invitatory — Winchester Troper:
Regem regum dominum [5:32]
Processional antiphon, Paris, BNF, ms. 943, 10th C.:
Pax huic domui [0:50]
Wulfstan, Narratio:
Magna miracula [0:53]
Et licet extremus hominum [1:37]
Troped introit — Winchester Troper:
Σu εi Ýερεuς. Statuit ei dominus [2:07]
Wulfstan, Narratio:
Alma fuit vicina dies [0:48]
Two-part responsory — Winchester Troper:
Gloriosus vir sanctus Swithunus [1:42]
Wulfstan, Narratio:
Cumque dies eadem benedicta [1:22]
Antiphon, Worcester Cathedral, Music Library, ms 160, 13th C.:
In pace in idipsum [0:44]
Ălfric of Winchester, Life of Saint Swithun:
Ůa swefna beo­ wynsume [2:13]
Qui post evigilans [3:28]
Wulfstan, Narratio:
Alphabetic hymn in acrostic “De Sancto Swithuno”, Wulfstan: text, Rouen, BM 1385, 10th C., music reconstruction - K. Livljanić:
Auxilium, domine [4:48]
Wulfstan, Narratio:
Sed cum nulla virum feritas [3:43]
Two-part responsory — Winchester Troper:
Ecce vir prudens Swithunus [3:40]
Wulfstan, Narratio:
Infirmo siquidem, cum nullum prendere somnum [6:49]
Two-part responsory — Winchester Troper:
Laudemus dominum [3:27]
Wulfstan, Narratio:
Talibus aegrotum [1:00]
Two-part responsory — Winchester Troper:
Sint lumbi vestri [6:17]
Wulfstan, Narratio:
Pervigilat ternis ibi noctibus atque diebus [5:55]
Ălfric of Winchester, Life of Saint Swithun:
HwŠt, ­a se halga Swy­un [1:17]
Sequence — Winchester Troper:
Alleluia. Via lux veritas [3:26]
Wulfstan, Narratio:
Quid plura? [2:34]




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