MusicWeb International One of the most grown-up review sites around

 57,903 reviews
   and more ... and still writing ...

Search MusicWeb Here
Acte Prealable Polish CDs

Presto Music CD retailer
Founder: Len Mullenger                                    Editor in Chief:John Quinn             

Some items
to consider


paid for

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

Troubadisc Weinberg- TROCD01450

100th birthday of Mieczyslaw Weinberg on December 8, 2019.
Renate Eggbrecht has recorded all 3 violin Sonatas
All Troubadisc reviews

FOGHORN Classics

Brahms String Quartets

All Foghorn Reviews

All HDTT reviews

Clarissa Bevilacqua plays
Augusta Read Thomas

all Nimbus reviews

Brahms Dvorak
Brahms 2 Dvorak 7
all tudor reviews



Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


Discs for review may be sent to:
Jonathan Woolf
76 Lushes Road
Essex IG10 3QB
United Kingdom


Support us financially by purchasing from

Charles-Marie WIDOR (1844-1937)
Symphony No 8 in B minor, Op 42 No 4 (1886/1929) [41:56]
Joseph Guy ROPARTZ (1864-1955)
Prière in E major (1896) [5:21]
Camille SAINT-SAENS (1835-1921)
Cyprès, Op 156 (1919) [7:11]
Jean-Baptiste Dupont (organ)
rec. 13-15 November 2019, Basilica of Saint-Sernin, Toulouse, France
AUDITE 97.774 [54:34]

The famous Cavaillé-Coll of St Sernin and Widor: a tantalising combination! However, that promise takes a very long time to be fulfilled and, ultimately, I wonder whether it was really worth the effort.

Jean-Baptiste Dupont seems lacklustre at the start of the Symphony, and the recording lacks edge. Perhaps the fault might be Widor’s - the opening allegro risoluto is not one of his most memorable creations – but while Dupont is piling on the stops, it all feels a little too stodgy for my taste. But the second movement also fails to impress; Dupont’s pacing feels unnatural, and what could be a magical solo flute, is marred by a poor registration balance, with the pedals very heavy and the accompaniment figurations too vague. Things start to look up with a chatteringly animated third movement, delivered with some nicely spiky articulation, while with the fourth movement Variations, Dupont finally settles into his stride. He draws some glorious sounds from this glorious instrument, paces the music well, and conveys a strong sense of the movement’s architecture. The Adagio which follows finds this historic and fabulous instrument more obviously in its element, with richly shimmering strings and deliciously silvery montres giving weight to the stronger passages. So far, however, nothing either Dupont or this organ have done will win many converts to Widor’s Eighth Symphony. However, the saving grace of the work is the Final, which in his booklet notes Dupont describes as “the most organistic movement of the Symphony”. Here, at last, everything comes together in a welter of sumptuous sound and gloriously agile fingerwork, with the thundering pedal as the work reaches its climax magnificently captured by the engineers.

The banner heading on the back of the CD case describes the Widor as his “most complex work”. That may well be so, and its complexity is countered on this recording by following it with the gentle Prière from the 6 Pièces by Ropartz. A dreamy, sometimes meandering piece, it gives us a pleasing tour through the organ’s more tranquil and expressive character stops.

Closing the CD with the organ solo introduction from Saint-Saëns’s late (and, it has to be said, largely uninspiring) work for organ and orchestra, Cyprès et Lauriers, seems an odd decision. It is a grim, at times tragic, piece, which, after an imposing start turns into a shapeless solo which leads up to another big climax and then descends into an abyss of nothingness. After this, the orchestra would normally join in and steer the piece to some sort of logical conclusion but without that ending, the piece rather hangs in mid-air. As a showcase for the instrument, it has its purpose, but there are many more appropriate ways of ending a CD than this, even if the choice of Cyprès was made as the recording marked the centenary of its composition.

Marc Rochester

Advertising on

Donate and keep us afloat


New Releases

Naxos Classical
All Naxos reviews

Chandos recordings
All Chandos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews

all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews

All APR reviews

Lyrita recordings
All Lyrita Reviews


Wyastone New Releases
Obtain 10% discount

Recordings of the Month

October 2022

Berg Violin Concerto
Violin Concerto Elmes

DEbussy Jeux
Debussy Jeux

Romantic pioano masters
Romantic Piano Masters

The future is female - Vol 2
Volume 2 - The Dance

impromptu harp music
Complete Harp Impromptus

September 2022
Nikolai Medtner
Herbert Blomstedt
Tarrodi Four Elements
Secret Love Letters
Lisa Batiashvili