MusicWeb International One of the most grown-up review sites around 2024
60,000 reviews
... and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


Support us financially by purchasing this from

Manoug Parikian (violin)
Concertos and Sonatas
rec. 1956-1966
DOREMI DHR8095-8 [4 CDs: 314 mins]

Manoug Parikian was only 60 when he died in 1987 but he had achieved much for contemporary British music for the violin. Maconchy, Musgrave, Crosse, Goehr, Bush and Wood were amongst a number of composers who wrote concertos for him, in addition to the sonata music he promoted, and his teaching at the Royal Academy.

Doremi’s 4-CD box is devoted, in the main, to his commercial concerto legacy and includes material that has also been reissued elsewhere. So, for the Mozart Concertos (review) and the two Beethoven sonatas with Magda Tagliaferro (review) one can pursue my previous reviews on their appearance on Forgotten Records.

The first disc also contains Beethoven’s Triple Concerto with Massimo Amfiteatrof (cello) and pianist Ornella Santoliquido. I wonder why their trio colleague Arrigo Pelliccia wasn’t engaged for the recording rather than Parikian as the trio that bore the pianist’s name was popular and admired. Still, it’s to Parikian’s credit that he meshed so well with his two colleagues. At around the same time the trio was recorded by Wührer, Gimpel and Schuster with Walter Davisson conducting, a transfer of which is on Tahra. If I marginally prefer their recording it’s because of the more outsize personalities of the three soloists – but the Walter Goehr-directed recording in Rome is more chamber-scaled and selfless, less a question of three soloists persuing independence. For that reason alone, many would prefer this Parikian reading. The first disc is completed by a broadcast performance of Busoni’s Concerto with the Royal Philharmonic directed by Jascha Horenstein in October 1966. This is sourced from a Rococo LP. Parikian brings security, clarity, tonal purity and evenness to bear and though he can’t quite disguise the concerto’s homage to classical predecessors (Beethoven, Brahms, Bruch et al), he takes the work at face value. There’s a rare and rapt elfin cantilena in the slow panel favoured by a fastish vibrato. His subtle playing of this vivid magpie concerto is a pleasure to hear.

The second disc presents both Bach concertos with the Baden Chamber Orchestra directed by Alexander Krannhals, who also died young, in c.1957. By contemporary standards rhythms are held back but it’s not too heavy and the use of a chamber orchestra helps with the textual aeration. I can’t hear a harpsichord. Parikian’s use of slides is sparing – he is on record as having disliked their overuse. The concertos were coupled on the LP with the Sonata in E minor, BWV1023 where Parikian plays with refinement; his colleagues are Herbert Hoffman (harpsichord) and Alexander Molzahn (cello). Krannhals directs the Frankfurt Radio Symphony Orchestra in Beethoven’s Concerto. This is a reading of natural dignity and discretion, but wholly without stiffness. Parikian’s elegance of expression is never at the expense of losing impetus. He doesn’t, for example, slow too much for the second subject and there is a sure sense of metrical flexibility throughout. There’s no real personalization, just a thoroughly musical sense of projection such as the hushed Preghiera-like quality he brings to the Larghetto and the buoyancy of the finale. The bonne bouche is Massenet’s Méditation, extracted from Columbia CX1265, in which he is the Philharmonia’s leader, directed by Karajan.

There is a single-page reminiscence by Jack Silver, usefully quoting comments made in 2004 by Parikian’s eminent nephew, Levon Chilingirian. This is a pretty well transferred and worthwhile restoration of Parikian’s continental LP legacy. That almost everything here was made for a budget label – Concert Hall – doesn’t diminish in any way the distinction of Parikian’s musicianship.

Jonathan Woolf

Previous review: Stephen Greenbank

Contents
Mozart: Violin Concerto No. 1 in B flat major K207 [21:20]
Orchestre Colonne/Walter Goehr
Violin Concerto No. 3 in G major, K216 [22:24]
Violin Concerto No. 4 in D major, K218 [24:41]
Hamburg Chamber Orchestra/Walter Goehr
Violin Concerto No. 5 in A major, K219 'Turkish' [30:16]
Amsterdam Philharmonic Society/Walter Goehr
Beethoven: Triple Concerto for Piano, Violin, and Cello in C major, Op. 56 [35:51]
Massimo Amfiteatrof (cello): Ornella Puliti Santoliquido (piano)
Rome Philharmonic Orchestra/Walter Goehr
Busoni: Violin Concerto, Op. 35a [23:43]
Royal Philharmonic Orchestra/Jascha Horenstein
Bach: Violin Concerto No. 1 in A minor, BWV1041 [15:42]
Bach: Violin Concerto No. 2 in E major, BWV1042 [19:13]
Baden Chamber Orchestra/Alexander Krannhals
Beethoven: Violin Concerto in D major, Op. 61 [45:56]
Frankfurt Radio Symphony Orchestra/Alexander Krannhals
Bach: Violin Sonata in E minor, BWV1023 [11:53]
Manoug Parikian (violin), Herbert Hoffman (harpsichord), Alexander Molzahn (cello)
Beethoven: Violin Sonata No. 5 in F major, Op. 24 'Spring' [23:09]
Beethoven: Violin Sonata No. 9 in A major, Op. 47 ‘Kreutzer' [34:02]
Magda Tagliaferro (piano)
Massenet: Meditation (from Thaïs) [5:56]
Philharmonia Orchestra/Herbert von Karajan




Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Chandos recordings
All Chandos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing